22 Nov 2017 | Mapping Media Freedom, media freedom featured, News and features
[vc_row][vc_column][vc_single_image image=”96621″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Governments have arsenals of weapons to censor information. The worst are well-known: detention, torture, extra-judicial (and sometimes court-sanctioned) killing, surveillance. Though governments also have access to less forceful but still insidious tools, such as website blocking and internet filtering, these aim to cut off the flow of information and advocacy at the source.
Another form of censorship gets limited attention, a kind of quiet repression: the travel ban. It’s the Trump travel ban in reverse, where governments exit rather than entry. They do so not merely to punish the banned but to deny the spread of information about the state of repression and corruption in their home countries.
In recent days I have heard from people around the world subject to such bans. Khadija Ismayilova, a journalist in Azerbaijan who has exposed high-level corruption, has suffered for years under fraudulent legal cases brought against her, including time in prison. The government now forbids her to travel. As she put it last year: “Corrupt officials of Azerbaijan, predators of the press and human rights are still allowed in high-level forums in democracies and able to speak about values, which they destroy in their own – our own country.”
Zunar, a well-known cartoonist who has long pilloried the leaders of Malaysia, has been subject to a travel ban since mid-2016, while also facing sedition charges for the content of his sharply dissenting art. While awaiting his preposterous trial, which could leave him with years in prison, he has missed exhibitions, public forums, high-profile talks. As he told me, the ban directly undermines his ability to network, share ideas, and build financial support.
Ismayilova and Zunar are not alone. India has imposed a travel ban against the coordinator of a civil society coalition in Kashmir because of “anti-India activities” which, the government alleges, are meant to cause youth to resort to violent protest. Turkey has aggressively confiscated passports to target journalists, academics, civil servants, and school teachers. China has barred a women’s human rights defender from travelling outside even her town in Tibet.
Bahrain confiscated the passport of one activist who, upon her return from a Human Rights Council meeting in Geneva, was accused by officials of “false statements” about Bahrain. The United Arab Emirates has held Ahmed Mansoor, a leading human rights defender and blogger and familiar to those in the UN human rights system, incommunicado for nearly this entire year. The government banned him from travelling for years based on his advocacy for democratic reform.
Few governments, apart from Turkey perhaps, can compete with Egypt on this front. I asked Gamal Eid, subject to a travel ban by Egyptian authorities since February of 2016, how it affects his life and work? Eid, one of the leading human rights defenders in the Middle East and the founder of the Arab Network for Human Rights Information (ANHRI), has seen his organisation’s website shut down, public libraries he founded (with human rights award money!) forcibly closed, and his bank accounts frozen.
While Eid is recognised internationally for his commitment to human rights, the government accuses him of raising philanthropic funds for ANHRI “to implement a foreign agenda aimed at inciting public opinion against State institutions and promoting allegations in international forums that freedoms are restricted by the country’s legislative system.” He has been separated from his wife and daughter, who fled Egypt in the face of government threats. The ban forced him to close legal offices in Morocco and Tunisia, where he provided defence to journalists, and he lost his green card to work in the United States. He recognises that his situation does not involve the kind of torture or detention that characterises Egypt’s approach to opposition, but the ban has ruined his ability to make a living and to support human rights not just in Egypt but across the Arab world.
Eid is not alone in his country. He estimates that Egypt has placed approximately 500 of its nationals under a travel ban, about sixteen of whom are human rights activists. One of them is the prominent researcher and activist, Hossam Bahgat, founder of the Egyptian Initiative for Personal Rights, who faces accusations similar to Eid’s.
Travel bans signal weakness, limited confidence in the power of a government’s arguments, perhaps even a public but quiet concession that, “yes indeed, we repress truth in our country”. While not nearly as painful as the physical weapons of censorship, they undermine global knowledge and debate. They exclude activists and journalists from the kind of training that makes their work more rigorous, accurate, and effective. They also interfere in a direct way with every person’s human right to “leave any country, including one’s own,” unless necessary for reasons such as national security or public order.
All governments that care about human rights should not allow the travel ban to continue to be the silent weapon of censorship – and not just for the sake of Khadija, Zunar, and Gamal, but for those who benefit from their critical voices and work. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Mapping Media Freedom” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-times-circle” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]
Since 24 May 2014, Mapping Media Freedom’s team of correspondents and partners have recorded and verified 3,597 violations against journalists and media outlets.
Index campaigns to protect journalists and media freedom. You can help us by submitting reports to Mapping Media Freedom.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row]
12 Sep 2017 | News and features, Volume 46.03 Autumn 2017
[vc_row][vc_column][vc_custom_heading text=”The number of people listening to radio stations is on the rise, and with the arrival of podcasting this old form of media is having a rebirth, argues Rachael Jolley”][vc_row_inner][vc_column_inner][vc_column_text]
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A LONG TIME ago my friend Tom told me that for many people there were only two states of mind: talking, and waiting to talk. In effect as his simple description suggests, no one was listening to what anyone else had to say.
This was way before social media got to the state it is in today. In 2017 we have all become transmitters, broadcasting our micro thoughts and reactions almost incessantly. Sometimes I worry that people spend so much of their time on Twitter that they can’t have time to fit in basics like eating, cooking, sleeping, and doing a job.
Listen to a radio show, and you might be provoked, informed or excited about a new subject. But in listening you are doing something that is a little out of fashion, contemplating what others are saying, not writing down some angry instant response, or even just posting the first thought that comes into your head. Surprisingly radio is on the rise again (Americans listened to 11.5 billion hours of news across Nielsen’s portable people meter markets in 2016, up from 10.5 billion in 2015), its audience is growing across various age groups, and part of the reason might be because we are all tired of transmitting constantly. Instead we appear to be happier to settle down and listen to radio and, particularly its news programmes, again.
In the summer of 2017, around 48.2 million people in Britain listened to the radio at least once a week, up 0.9% from 2016. And in 2017 across the Atlantic, the USA is seeing a surge in listeners for news and talk radio. Of particular interest is the steady growth in those who listen to the radio for news in the 18-35 age group. Radio was thought to be going out of fashion as new technologies elbowed it out of the way, but instead it’s back and gathering new audiences. Part of the reason might be growing awareness that someone’s ramblings are not necessarily a reliable source of information.
Meanwhile, according to the Reuters Institute for the Study of Journalism at Oxford University, figures show that in most countries the proportion of the public using social media as a source for news has stagnated. In Portugal, Italy and Australia it has declined.
So why is radio so important? It has a particular strength over other forms of media and communication. You might only need a battery to give it life. And you can listen to radio anywhere without wifi, without a plug point, without being able to read, and without much fuss. That makes radio an essential for anyone living in a remote location, who hasn’t got access to newspapers or internet. It can bring the news and information about what is happening in the world to you, and if you live in a country where you don’t want people to track you, then a battery-operated radio is the way to go.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”Digital technologies have given radio a new lease of life.” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
In remote regions of Africa and India, where few other options are available, radio is massively important as a means of finding out what is going on locally, and internationally.
Radio is an old technology. It is the wrinkly old guy against the bouncing baby that is Twitter. The first voice broadcast was in 1900, and it’s come a long way since then.
After television came along, some thought it was the end for radio. But it wasn’t. Then along came the internet, and again some thought it was the last long days of summer for radio. But in fact digital technologies have given radio a new lease of life. Podcasting has kicked a whole new audience radio-wards, while retaining some of its old audience. Podcasts are portable, of course, and can be listened to on the way to work.
According to data from US-based Edison Research, audiences for podcasts in Australia and the United States are seeing steady growth. In Australia, among those who listen to podcasts, 30% listen to more than five hours a week, either at home or in their cars.
Not only have podcasts given us a new form of radio, but they have opened up new opportunities for people who want to make their own programmes. Anyone can now be the equivalent of a radio reporter by making their own podcast at very little cost. With some basic skills and nothing more than a smart phone, you can record interviews, and add an introduction. You can even cut them together on a phone app, or a free internet programme, before publishing your programme on a platform like Soundcloud.
Podcasting has given investigative reporting a boost too, as those who listened to the award-winning Serial will recognise. Meticulous and detailed research went into the journalism for the first series of Serial, which reinvestigated a murder in Baltimore. Millions of people tuned in around the world to find out what each episode would unveil. But unlike the old days of radio, listeners didn’t always have to listen at the same time every week, or sit around an old set in the corner of their living room. The podcast could be downloaded to phones, or iPads for a long journey, or even just live streamed.
While journalists are using radio to bring information to hard to reach places, the bad news, which we report in this issue, is that others are trying to stop them.
In India, the government still tightly controls news radio, so only the state can broadcast, despite having hinted over the past few years that things might change. This is a country where radio is vital for millions of people. The Indian government should be rethinking its approach to radio as innovative radio pioneer Shu Choudray argues (p17).
In Somalia, radio journalist Marwan Mayow Hussein checks under his car for bombs before going off to work. The work he does is dangerous, and certain people would rather he didn’t broadcast, as Ismail Einashe reports in this magazine (p8). Meanwhile in Iraq, the team at Alghad FM in Mosul don’t make their names public in order to stay a little safer as they continue to work in a war zone. Laura Silvia Battaglia went there to meet them (p41).
In Rwanda, radio is vital, Peter Kettler who ran an NGO called Coffee Lifeline there, told Index: “Radio is far more powerful than messages on mobile phones. In Rwanda you are dealing with a heavily illiterate population, but everyone has a radio or access to a shared radio.” During the period of genocide radio was used to incite violence. Graham Holliday investigates the role of radio in Rwanda today (p51), and finds it faces censorship and banning orders. The BBC World Service in English and Kinyarwanda have been banned by the president, and journalists are fleeing the country.
The new rise of radio allows more opportunities to discuss and debate than ever before, but we must also fight for radio stations to be unbound from state control and to be able to broadcast news freely.
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Rachael Jolley is the editor of Index on Censorship magazine. She recently won the editor of the year (special interest) at British Society of Magazine Editors’ 2016 awards
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89165″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/03064220100390021001″][vc_custom_heading text=”Radio waves” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F03064220100390021001|||”][vc_column_text]June 2010
Liam Hodkinson and Elizabeth Stitt compile comprehensive facts on radio usage throughout the world.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90954″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229408535741″][vc_custom_heading text=”Death by radio” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229408535741|||”][vc_column_text]September 1994
If Rwandan genocide comes to trial, owners of Radio des Milk Collines should be head of the accused.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89165″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422010372565″][vc_custom_heading text=”Going local” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422010372565|||”][vc_column_text]June 2010
Jo Glanville explains how radio has the most impact on the local level than any other media platform.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Free to air” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the autumn 2017 issue of Index on Censorship magazine explores how radio has been reborn and is innovating ways to deliver news in war zones, developing countries and online
With: Ismail Einashe, Peter Bazalgette, Wana Udobang[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”95458″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/09/free-to-air/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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18 Apr 2017 | Awards, Awards Update, News and features, Youth Board
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Beatrice Mtetwa is a noted Zimbabwean human rights attorney. She received the Bindmans Law and Campaigning Award from Index in 2006 for her efforts in protecting journalists arrested by Zimbabwe’s repressive regime, headed by President Robert Mugabe. Since receiving the award, she has continued in much the same vein and gone on to scale even greater heights – defending the human rights of Zimbabwean citizens at significant risk to her own liberty. Notable cases include defending, and securing the release of, two foreign journalists from The New York Times and The Telegraph in 2008.
In that case the two journalists, Barry Bearak and Stephen Bevam, were arrested in Harare as they attempted to cover the bitterly contested – and possibly rigged – presidential elections. The charges were based on the fact that they had practised journalism without being accredited – an act that did not amount to an offence under Zimbabwean law. Mtetwa was instrumental in securing the quick release of the journalists from an uncertain period of detention as political prisoners of the Mugabe regime. In 2009, she became the first African after Nelson Mandela, to receive the Ludovic-Trarieux International Human Rights Prize for her efforts at advancing human rights in Zimbabwe.
In her attempts to protect Zimbabweans from violations of the rule of law, she has also found herself at the receiving end of targeted prosecutions. Most recently, in 2013, she was charged with “obstructing justice” during a police raid. The state alleged that she made insulting statements to officers during the raid. The specific allegations in question? That Mtetwa shouted “at the top of her voice” that the raid was “unconstitutional, illegal, and unlawful” – statements that the court found did not warrant the charges that were brought against her.
Despite this arrest, Mtetwa has not been deterred from her indefatigable efforts to hold her government accountable. In 2016, she acted to secure the release of leaders of the war veterans association taken into custody by the Mugabe regime. She has also fought for and won several other critical human rights cases for people persecuted by the Mugabe regime.
With all the instability and uncertainty surrounding the rule of law in Zimbabwe, there is one constant. The world continues to watch Beatrice Mtetwa with admiration.
Tarun Krishnakumar is a member of Index on Censorship’s Youth Advisory Board. He graduated from the National Law School of India in Bangalore and currently works with a New Delhi-based law firm on public policy and regulatory affairs with a focus on technology.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”85476″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/awards-2017/”][/vc_column][vc_column width=”1/2″][vc_column_text]
Index on Censorship Freedom of Expression Awards
Seventeen years of celebrating the courage and creativity of some of the world’s greatest journalists, artists, campaigners and digital activists
2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1492506428504-2e169269-81a9-1″ taxonomies=”173″][/vc_column][/vc_row]
2 Apr 2017 | Magazine, Magazine Contents, Volume 46.01 Spring 2017
[vc_row][vc_column][vc_custom_heading text=”Contributors include Richard Sambrook, Dominic Grieve, Roger Law, Karim Miské, Mark Frary and Canan Coşkun”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
The spring issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Richard Sambrook, former director of global news at the BBC, shows how journalists are in a bind, caught between what advertisers want and what readers want. Also looking at journalists, Duncan Tucker casts his eye on the grave situation in Mexico, where getting to the truth involves working against the government, violent cartels and even coworkers.
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Meanwhile, in the Maldives Zaheena Rasheed shows how a mix of forces conspire against those who want to write anything beyond the usual tourist sale pitch.
But the squeezes on free expression don’t just concern journalists. Annemarie Luck reports from Japan, where penis festivals are popular, but women struggle to discuss their own bodies. Can they find a voice through art and manga? For musician Smockey from Burkina Faso, art should indeed be a way to confront truth and yet that’s not always the case. Expectations run high for him to not be “too political” in his lyrics.
Universities, normally the cradle of free expression, aren’t faring too well either, as two articles show. Jan Fox reports from the USA, where bias response teams are becoming a staple of US collegiate life. In South Africa Fees Must Fall has created a divide between right and left, writes Natasha Joseph, with neither side talking to each other and those in the middle being silenced altogether.
Outside of our special report, Roger Law, creator of the iconic TV satire Spitting Image, talks about the great fun he had with the series back in the day and questions whether the show would be able to air today. Alfonso Lázaro de la Fuente might say no. He was one of the Spanish puppeteers arrested last year for a show that referenced Basque-separatist organisation ETA. In an Index exclusive, he explains what the charges have meant for his personal and professional life.
Want to know how to spot fake news? Then read Reel-time news in which Index’s team of experienced global reporters offer tips on how to spot fake news from a mile/screen away. And don’t miss Martin Rowson‘s fake o’clock news, a hilarious – and sinister – take on what a future of alternative facts would look like.
Index also publish an interview with Turkish journalist Canan Coşkun, whose coworkers are currently in jail, and a pair of writers discuss the situation of free speech in Poland, which is tumbling down global charts following the election of the Law and Justice party. And in the UK, former attorney general Dominic Grieve reveals that MPs are avoiding hard talk in parliament.
Finally, the culture section includes a short story from award-winning French writer Karim Miské and original work from Vyacheslav Huk, a Crimean novelist who is unable to publish work in his mother tongue.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE BIG SQUEEZE” css=”.vc_custom_1481731933773{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
The Big Squeeze: Freedom of speech under pressure
Fact-filled future? by Rachael Jolley: Journalists need to step up, and produce more detailed news coverage. The public needs it
Between a rock and a hard place, by Duncan Tucker: Mexico’s journalists face threats from cartels, the government and each other
Reality rapped, by Smockey: An award-winning musician from Burkina Faso explains why he won’t water down his lyrics to avoid rocking the boat, despite pressure to do so
Talking a tightrope, by
Kaya Genç: Despite the crackdown in Turkey, the post-Gezi spirit still survives among the determined
Taking the bait, by Richard Sambrook: The quest for instant gratification online is seriously compromising news reporting
Dangerous minds, by Natasha Joseph: Rather than creating an alliance, Fees Must Fall is limiting free speech at South Africa’s universities, leaving some early supporters disheartened
Japan’s Madonna complex, by Annemarie Luck: Japan’s contradictory attitudes include highly sexualised images of women and women not being allowed to talk about sex-related subjects
Squeezed in the closet, by Hannah Leung: Get married and be quiet are the messages China’s LGBT community is given
Degrees of separation, by Jan Fox: The author investigates units appearing on US campuses suggesting students should report lecturers who they feel are biased
Dying to tell a story, by Sadaf Saaz: The list of what Bangladesh writers cannot talk about is getting longer, but that isn’t stopping some from writing
Trouble in paradise, by Zaheena Rasheed: Behind the image of palm-lined beaches is a side of the Maldives the government doesn’t want you to see
Your cover is shown, by Mark Frary: Tech giants and governments are out to get your data. Soon it might be impossible to remain anonymous
Stripsearch cartoon, by Martin Rowson: Tune in to the fake o’clock news
Composing battle lines, by Steven Borowiec: Why have South Korean pop stars found themselves caught in crossfire between their country and China?
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
We have no time for fear, by Canan Coşkun: A Turkish journalist on the perils of reporting in her country when fellow reporters are imprisoned
Reel-time news, by Natasha Joseph, Kaya Genç, Jemimah Steinfeld, Duncan Tucker, Abraham T Zere, Raymond Joseph: As “fake news” dominates headlines, Index’s global team of experienced journalists offers tips on how to spot falsehoods before you click and share
Singing from the same hymn sheet, by Suhrith Parthasarathy: Rising Indian nationalism is creating a repressive state where non-conformity is deemed unpatriotic
Poland: Special Focus, by Wojciech Przybylski, Marcin Król: Poland has gone from free speech hero to villain almost overnight. Two writers discuss the shift and why history is being rewritten
Shooting from the hip, by Irene Caselli: A new mayor in a Mexican border city believes he will make it less dangerous for journalists
Silence in the house, by Dominic Grieve: The former UK attorney general says MPs are shying away from tough topics in parliament
Puppet masters, by Roger Law: The creator of iconic TV satire Spitting Image on whether we still have our sense of humour
Drawing the line, by John Power: Australia is debating free speech, one cartoon at a time. Cartoonist Bill Leak interviewed just before he died
Puppet state, by Alfonso Lázaro de la Fuente: A Spanish puppeteer, arrested after terrorism charges related to a show, discusses the impact on his life
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Novel take on terror, by
Karim Miské: The award-winning crime writer on why fiction and reality overlap. Plus his short story featuring a future where tech rules supreme. Interview by Sally Gimson
The war of the words, by Amira Hanafi: Translated extracts from an American-Egyptian writer’s project to capture the shifting linguistic landscape in Egypt since 2011. Interview by Sally Gimson
Crimean closedown, by Vyacheslav Huk: The Crimean novelist on being unable to publish in his mother tongue and a story of the narrator’s memories. Introduced and translated by Steve Komarnyckyj
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Index around the world, by
Kieran Etoria-King: What to look out for at Index’s Freedom of Expression Awards 2017, alongside news of other projects that Index has been working on in the last few months
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Getting print out, by Jemimah Steinfeld: Self-publishing may be a new solution to censorship in China and other countries
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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