Birth, marriage and death: Index magazine on Resonance FM

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Rachael Jolley, editor of Index on Censorship magazine, Sally Gimson, deputy editor, and Tracey Bagshaw, journalist and magazine contributor — with special help from editorial assistant Lewis Jennings — were live on air at Resonance FM on 21 January to discuss the latest issue which takes a special look at why different societies stop people discussing the most significant events in life.

In China, as Karoline Kan reports, women were forced for many years to have just one child and now they are being pushed to have two, but it is not something to talk about. In South Korea Steven Borowiec finds men have taken to social media to condemn a new film adaptation of a novel about motherhood. Irene Caselli describes the consequences in Latin America of preventing discussion about contraception and sexually transmitted infections. Joan McFadden digs into attitudes to gay marriage in the Hebrides, where she grew up, and interviews the Presbyterian minister who demonstrated against Lewis Pride.  We have an original play from Syrian dramatist Liwaa Yazji about fear and violent deathWhile flash fiction writer Neema Komba imagines a Tanzanian bride challenging the marriage committee over her wedding cake. Finally, Nobel-prize-winning author Svetlana Alexievich tells us that she is sanguine about the mortal dangers of chronicling and criticising post-Soviet Russia.

Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpetine Gallery and MagCulture (all London), News from Nowhere (Liverpool). Red Lion Books (Colchester) and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

The Winter 2018 podcast can also be found on iTunes.[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1548431570319-1f2dca2e-e6db-5″ taxonomies=”30752″][/vc_column][/vc_row]

Birth, marriage and death: Confronting taboos at Index winter magazine launch

[vc_row][vc_column][vc_single_image image=”104667″ img_size=”full” add_caption=”yes”][vc_column_text]“I found it empowering to be told I couldn’t talk about something,” said Gabby Edlin, founder of Bloody Good Period, on the stigmatisation of periods at the launch of the winter 2018 edition of Index on Censorship magazine.

The issue, on the theme of birth, marriage and death, investigates what we are afraid to talk about and why. Whether it’s contraception misconceptions in Latin America, prejudice against interracial marriages in South Africa, or genocides around the world, a plethora of countries and topics were featured in this special report.

Taking place at Foyles’ flagship store in Charing Cross, London, which was once the world’s largest bookshop, Edlin was joined by award-winning author Emilie Pine, author of Notes to Self, and Xinran, the internationally best-selling author of The Good Women of China who also introduced the first women’s call-in radio show in China. The panel was chaired by Rachael Jolley, editor of Index on Censorship magazine.

Edlin raised the taboo of period poverty, highlighting an unsettling scene in the Bafta-winning film I, Daniel Blake, in which a woman is caught stealing sanitary products and propositioned sex by a security guard in return for her freedom.

She said: “That was the moment that a lot of people woke up to the idea that, of course, women can’t afford this if they can’t afford everything else. But, everyone has experienced not having the product when you need it. It’s absolutely universal, it’s not just women living in poverty, it’s not just asylum seekers. Every single woman who has menstruated knows what it’s like to go without.”[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”104670″ img_size=”full” add_caption=”yes”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104668″ img_size=”full” add_caption=”yes”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”104669″ img_size=”full” add_caption=”yes”][/vc_column_inner][/vc_row_inner][vc_column_text]Xinran explained the pain of the controversial one-child policy in China: “Countryside women came to the city and realised girls have equal rights but in the countryside, the mother had to kill their daughters or give them away. Still now no-one talks about it.”

However, family policy is changing. “The Chinese published a new stamp because this year is a pig year – with a parent with three babies – that is a signal to a parent that it’s not one child, not two children, it is free now.”

“We think that we are now such an open, liberal society and you can say anything you want on Twitter, but actually we’re still very, very closed and we talk about things without really talking about them,” said Pine, whose Notes to Self breaks down the taboo of miscarriages and sexual violence.

“This woman, who I had never met before, came up to me and said, ‘I had a miscarriage two months ago and nobody knows’, and then just walked away. She walked away I think from having said it as well and from the need to say it. We need to tell our stories.”

For more information on the winter issue, click here. Find out why we find it impossible to talk about birth, death and marriage, according to Rachael Jolley. The winter podcast is also available on iTunes and SoundCloud.[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1547210035015-71572e6c-f63e-3″ taxonomies=”8957″][/vc_column][/vc_row]

Why we find it impossible to talk about birth, death and marriage

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Birth, Marriage and Death

Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.

Birth, marriage and deaththese are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.

Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.

Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.

Not knowing about information or medical advice can also mean exposing people to illness and even death.

The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.

The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.

For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.

The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.

Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.

It also explores why Chinese families don’t talk about death and funerals, or even write wills.

In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.

These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.

Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.

It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.

Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”

In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.

Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.

As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.

Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.

We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”

Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.

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In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.

The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.

She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.

At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”

His belief in magazines as an item that will continue to be in demand, if they offer something different from  something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”

The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.

We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.


Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.

Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about?  We explore these taboos in the issue.

Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?

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Birth, marriage and death