11 Aug 2020 | Covid 19 and freedom of expression, News and features
[vc_row][vc_column][vc_single_image image=”114537″ img_size=”full” add_caption=”yes” alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Cartoonists are “the canaries in the coal mine” when it comes to media freedom. That, at least, is the view of multiple award-nominated Belgian cartoonist Steven Degryse, better known to his readers as Lectrr.
If so there is certainly something wrong in the mine. According to the Cartoonists Rights Network International, there have been more than twice the number of attacks against cartoonists between the months of March and May this year than there normally are, and the reason? It is a dangerous combination of restrictive legislation enacted because of the Covid pandemic, the rise of authoritarianism, frayed tempers, and offended individuals with powerful platforms.
Early on in the crisis, Lectrr’s cartoon of a Chinese flag with biohazard symbols instead of stars drew sharp criticism.
“I started to receive a lot of hate mail on my social media, most of it in Chinese, and a lot by fake accounts and manufactured texts. After a while I also received a death threat by one of the accounts,” said Lectrr.
While he did not feel pressured by the negative reactions, not all cartoonists share this sentiment. Australian cartoonist Badiucao received a death threat from a Twitter user following the publication of his Wuhan Diary; likewise, Mahmoud Abbas and his family’s location was shared on social media following the publication of his oil crisis cartoon that sparked a smear campaign against him as well as death threats.
Terry Anderson, executive director of Cartoonists Rights Network International, says that in countries where democracy is weak or entirely absent, legislation that is said to be in the name of monitoring false information about coronavirus is “actually being used to detain critics who…aren’t pleased with how the situation is being handled in their country”. Anderson said, “Authoritarianism, isolationism, and exceptionalism are pretexts by those who have an inclination to curtail freedoms…under the auspices of protecting public health, protecting from misinformation and disinformation, from fake news, and so on.”
Lectrr said there has been a rise in both violence and legislation that prohibits criticism of the government, or that the government deems seditious in countries “where we see the rise of autocratic leaders…[like] Trump, Bolsonaro, Orban, and Francken who constantly bash or criminalize journalists and cartoonists with their followers”.
This is something that the Index on Censorship has been acutely aware of. Since the start of the Covid-19 pandemic, there have been more than 200 violations of media freedom which we have reported on an interactive map, in conjunction with our partners at Justice for Journalists Foundation.
For example, Brazilian president Bolsonaro suspended the deadline for when his government must respond to a request for access to information in an attempt to prevent the public from accessing government records; a study in Hungary found that public information on the coronavirus pandemic has been centralised and restricted in an attempt to control the pandemic’s narrative; and in the United States, the NYU Grossman School of Medicine and NYU Langone Health has ordered faculty doctors not to speak with reporters about Covid-19 without express approval from the Office of Communications and Marketing under threat of termination. These legislative and regulatory attacks on media freedom have affected journalists and cartoonists by preventing their access to pertinent information, and therefore curtailing criticism of respective governments. However, government regulation of media is not the only type of violence that cartoonists have had to endure.
With billions of people around the world in lockdown, media content has been at the forefront of everyone’s mind. People are constantly on the news—newspapers, social media, televised reports—and right along with the daily news is a critical cartoon.
Anderson said, “Because so many things in their common life are gone, people are consuming information in a much higher quantity, so when a news story breaks, everyone is paying attention. If there’s a cartoon that pisses people off, it’s going to piss off far more people far more quickly.”
Lectrr’s cartoon was one of many that upset powerful people.
In the early months of 2020, “there was a rash of diplomats specifying cartoons that they took umbrage with…when a diplomat, somebody with an enormous platform and prestige singles out an individual practitioner, it’s an open invitation to harassment,” said Anderson. “The majority are state actors: governments, police forces, and military.”
When cartoonists, who are often freelance artists, are targeted by someone as powerful as a diplomat, they become the eye of public dissent, and as a result, become victims of smear campaigns, death threats, and, in some cases, violent, physical attacks.
Usually, a cartoonist or journalist can be silenced in the EU with the “brutal intimidation…of lawyers. Cartoonists and journalists often don’t have the means to go into lengthy trials, so even when they are right…they often don’t stand a chance against powerful enemies,” according to Lectrr.
These kinds of defamation cases run “dry the resources of cartoonists,” he continued, but in the age of the coronavirus, the most effective way to silence a cartoonist seems to be by putting them in the centre of a storm of loyal, angry, low-patience supporters, bypassing the need to spend money on a trial, and instead using a sea of threats to intimidate and silence cartoonists.
This Covid-inspired attack on cartoonists has led some media outlets to conclude that cartoons and cartoonists are a problem, Anderson stated.
“It’s a strange thing, just five years after the Charlie Hebdo massacre, to see so many places saying, ‘yeah, we’ll just do without—we won’t have cartoons.’”
Although a world without cartoons feels more imminent now during the clash of authoritarian leaders and a deadly virus, Lectrr warns that “where cartoonism [sic] is in decline, so is freedom of speech, or even democracy.”
What happens to a society when freedom of speech is regulated, or worse, eradicated, by governments? And how close are we to that edge?
Read more about Index on Censorship’s mapping media freedom during Covid-19 project. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You might also enjoy reading” category_id=”40456″][/vc_column][/vc_row]
4 Aug 2020 | News and features
[vc_row][vc_column][vc_single_image image=”114463″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]“Journalists are very, very afraid. They are being seen as enemies of the state because of this surveillance, because of their political activism, opposition politicians are afraid, everybody is afraid of the government,” said Issa Sikiti da Silva, a journalist from the Democratic Republic of Congo who has travelled to and reported from many countries across Africa. Sikiti da Silva was speaking at the digital launch party of the Index on Censorship summer magazine, held on Friday 31st July.
The summer issue looks at the ways in which our privacy is being increasingly infringed upon in the coronavirus era. From health code apps in China dictating when people can leave their homes to poor digital literacy levels in Italy (and beyond) leaving people vulnerable to exploitation, the magazine takes a broad view.
Sikiti da Silva was joined by Turkish writer and journalist Kaya Genç and Spanish journalist Silvia Nortes. The panel was chaired by Rachael Jolley, editor-in-chief of Index on Censorship magazine.
“The state is tapping our phones, the state is following us into Starbucks branches…they’re all around you. But with online surveillance it’s impossible for me to know whether someone from the Turkish embassy in Britain is watching this event or someone from the intelligence agency in Turkey is watching this event. So it puts us on the spot, this new age of digital surveillance, and that’s what my piece was about for the new issue of Index,” said Genç as part of the discussion.
When asked if recent increased surveillance, in light of the Covid-19 pandemic, was a cause for concern in terms of media freedom all panellists said it was.
Genç explained how digital surveillance is a more insidious form of government espionage, which is causing a fresh set of worries: “In a country like Turkey the state is a very palpable thing, you see it on the street…and its presence makes it a bit vulnerable because we are the one that is scrutinising that visible entity. But now it seems with apps like Life Fits Home [a Covid-19 tracing app], the state became invisible and its surveillance powers have increased.”
Nortes discussed how, in Spain, reactions to Covid-19 tracing apps and state surveillance have fallen along generational lines: “Younger people are more open to using this kind of app because, of course, they are aware that we live in a hyper connected society.”
She suggested that historical precedents may have imbued older generations with a different perspective on security around their personal information: “They feel more reluctant to give in their data and I believe this is connected somehow with [General] Franco’s dictatorship.”
She continued: “The surveillance of these years really has something to do with the concept of private life that older generations have in Spain.”
Sikiti da Silva painted a picture of Africa as a continent in which dictators continue to rule.
“Journalists are being watched over [by the state] and by the time they have enough evidence then they will move on you or arrest you or kill you whatever they want to do with you.”
When Jolley asked if anyone was fighting back against this kind of oppression, Sikiti da Silva was blunt in his reply. He said that without money or power, there is no fighting back. “What people do mostly is to run away. In Africa we only have one solution. You run away…that’s all you can do. You just leave the country before it is too late.”
This has informed Sikiti da Silva’s travels around Africa: “Where there is media freedom I stay. Where there is no media freedom I do two or three stories, then I run away.”
Nortes said that the national security force in Spain is working on detecting ‘fake news’ which could “generate hostility toward the government’s decisions”.
“This is targeted surveillance, they’re just looking for news that could affect in a bad way the government’s management of the pandemic.” This is a trend that Index has been reporting on as part of a global project to map media freedom during the coronavirus crisis.
“We need to be sure that once the pandemic is over we will have the same rights that we had before,” added Nortes.
Click here to read more about the current magazine [/vc_column_text][/vc_column][/vc_row]
17 Jul 2020 | News and features
[vc_row][vc_column][vc_single_image image=”114308″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]I think it’s fair to say that issues associated with free speech have been a recurring feature of our news in the last month, from the removal of Colston’s statue in Bristol, to the Hong Kong National Security law, to the very public debate on “cancel culture”. It seems a day doesn’t go by without a reference to free speech or someone pontificating on where the limits should be.
There are lots of things missing in the current conversation about free speech though – at least for me. The most crucial of which is why free speech is a core human right. Why does it matter if our voices are limited? If we can’t write or create art who does that hurt? If we don’t know what’s going on around the world – does it make a difference to our families?
I’m hoping that if you’re reading this then you share my view that being able to use our voices and to listen to each other gives us our humanity.
As a core tenet, our right to free speech has built the society that we live in – at least here in the UK. It has given us the literature which changes our perceptions of the world. Art that provokes emotion, academia which challenges the world as we know it and ensures that our society continues to develop and thrive. And of course, journalism which, on a daily basis, exposes the powerful and seeks to provide the ultimate scrutiny.
July 2020 has been an awful month to be a journalist in Britain. The BBC, The Guardian and Reach (the owner of the Daily Mirror and the Daily Express as well as numerous local and regional papers) have all announced redundancies. Meanwhile, the Archant group (which also own dozens of local papers) is desperately seeking a new buyer. Covid-19 is having a devastating effect on the media on which we rely to make sure that corruption is reported, that repressive regimes are exposed and that provides a platform to speak truth to power. So, if you don’t already, it’s time to subscribe to a newspaper to make sure that journalism as a profession survives the 2020s.
Freedom of journalistic expression is vital for our society and in an era of disinformation and counter-propaganda, reliable and constant sources of information have never been more important. If it wasn’t for investigative journalists then we would not know of the horrendous plight of the Uighurs who, as I write, are are being transported to concentration camps in the Xinjiang province. We wouldn’t know of the women who are being sterilised by order of the state and of the children who are being re-educated.
Journalists at their best shine a light in the darkness and their bravery and determination makes the world listen and forces governments to act. I pray that, even in the middle of this awful pandemic, we listen to those brave voices reported in our daily newspapers and stand with the Uighurs against what can only be described as acts of genocide.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”YOU MIGHT LIKE TO READ” category_id=”581″][/vc_column][/vc_row]
