[vc_row][vc_column][vc_column_text]The call by four Arab states — UAE, Bahrain, Saudi Arabia and Egypt — for Qatar to close news network Al Jazeera is clearly motivated by a desire to control the media in the region and silence reporting of stories that these governments would rather not see exposed.
Al Jazeera has brought the world news from the Arab Spring and many of the recent important moments from the region. Including the closure of Al Jazeera in a list of demands that Qatar “should” comply with to end a diplomatic crisis is about reducing media freedom in a region where it is already threatened.
“From its treatment of blogger Raif Badawi to its tightly controlled media environment, the Saudi authorities must not be able to dictate access to information for the public in other countries. Al Jazeera and press freedom must not be used as a bargaining chip,” Rachael Jolley, editor of Index on Censorship said.
None of the nations involved have a free independent media. Bahrain regularly targets critics, journalists and the one remaining opposition newspaper in the country, Al Wasat. Saudi Arabia sentenced blogger Raif Badawi to 10 years in jail and 1,000 lashes for his “criminal” writings. Egypt has regularly tried journalists on accusations of terrorism. The UAE, too, curtails discussion of its domestic policies. UAE Federal Law No. 15 of 1980 for Printed Matter and Publications regulates all aspects of the media and is considered one of the most restrictive press laws in the Arab world, according to Freedom House. Reporters Without Borders ranks them all below 118, with Saudi Arabia, Egypt and Bahrain all below 160 out of the 180 nations it covers.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1498231474147-ef0d779a-68d3-0″ taxonomies=”9044″][/vc_column][/vc_row]
[vc_row][vc_column][vc_column_text]On Wednesday 24 May 2017, Egypt banned at least 21 websites, including the main website of Qatar-based Al Jazeera television, The Huffington Post and prominent local independent news site Mada Masr.
Mada Masr, as well as 20 other websites, were blocked by the Egyptian authorities for “supporting terrorism and extremism and spreading lies,” according to the state-run news agency Mena. Two Egyptian security sources have also indicated to Reuters that the outlets were blocked for either having ties with the Muslim Brotherhood, or for being funded by Qatar.
Mada Masr, an independent media founded in 2013, is one of the few independent voices left in Egypt, producing critical and engaged journalism. After the block, Mada Masr continues to publish content via its social media channels.
The act of blocking these 21 websites violates international standards in this area. Egypt has signed and ratified the International Covenant on Civil and Political Rights (ICCPR), and must follow the guidance of the Human Rights Committee, the only official body charged with interpreting the treaty. Its General Comment 34 emphasises that restrictions on speech online must be strictly necessary and proportionate to achieve a legitimate purpose. We firmly believe that none of these conditions have been fulfilled, particularly given the block’s extrajudicial character.
As members of civil society working for the free flow of information and digital access and freedom, we strongly condemn blocking access to these 21 websites by the country’s authorities. Such action is an act of censorship and infringement on the freedom of expression and information. Independent media must not pay the price of current political disputes between countries in the region—such as that between Egypt and Qatar.
The signatories of this statement are committed to the fundamental principles of freedom of expression and access to knowledge and information. We, the undersigned, call on the Egyptian authorities to uphold the freedom of the press and reinstate access to all 21 blocked news websites.
Signatories:
Access Now
SKeyes Center for Media and Cultural Freedom
Bahrain Watch
CFI – Agence française de coopération médias
Collaboration for ICT Policy in East and Southern Africa
Committee to Protect Journalists
Cooperativa Sulá Batsú RL
Derechos Digitales
The Egyptian Center for Public Policy Studies
Electronic Frontier Foundation
Free Press Unlimited
Global Forum for Media Development
Index on Censorship
Internet Sans Frontières
League of African Cyber-Activists and Bloggers
Maharat Foundation
MARCH Lebanon
OpenNetAfrica
Social Media Exchange
The Tahrir Institute for Middle East Policy
7iber
Paradigm Initiative[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1496241442672-1f637b67-02f2-0″ taxonomies=”147, 64, 1721″][/vc_column][/vc_row]
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The spring issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Richard Sambrook, former director of global news at the BBC, shows how journalists are in a bind, caught between what advertisers want and what readers want. Also looking at journalists, Duncan Tucker casts his eye on the grave situation in Mexico, where getting to the truth involves working against the government, violent cartels and even coworkers.
Meanwhile, in the Maldives Zaheena Rasheed shows how a mix of forces conspire against those who want to write anything beyond the usual tourist sale pitch.
But the squeezes on free expression don’t just concern journalists. Annemarie Luckreports from Japan, where penis festivals are popular, but women struggle to discuss their own bodies. Can they find a voice through art and manga? For musician Smockey from Burkina Faso, art should indeed be a way to confront truth and yet that’s not always the case. Expectations run high for him to not be “too political” in his lyrics.
Universities, normally the cradle of free expression, aren’t faring too well either, as two articles show. Jan Foxreports from the USA, where bias response teams are becoming a staple of US collegiate life. In South Africa Fees Must Fall has created a divide between right and left, writes Natasha Joseph, with neither side talking to each other and those in the middle being silenced altogether.
Outside of our special report, Roger Law, creator of the iconic TV satire Spitting Image, talks about the great fun he had with the series back in the day and questions whether the show would be able to air today. Alfonso Lázaro de la Fuente might say no. He was one of the Spanish puppeteers arrested last year for a show that referenced Basque-separatist organisation ETA. In an Index exclusive, he explains what the charges have meant for his personal and professional life.
Want to know how to spot fake news? Then read Reel-time news in which Index’s team of experienced global reporters offer tips on how to spot fake news from a mile/screen away. And don’t miss Martin Rowson‘s fake o’clock news, a hilarious – and sinister – take on what a future of alternative facts would look like.
Index also publish an interview with Turkish journalist Canan Coşkun, whose coworkers are currently in jail, and a pair of writers discuss the situation of free speech in Poland, which is tumbling down global charts following the election of the Law and Justice party. And in the UK, former attorney general Dominic Grieve reveals that MPs are avoiding hard talk in parliament.
Finally, the culture section includes a short story from award-winning French writer Karim Miské and original work from Vyacheslav Huk, a Crimean novelist who is unable to publish work in his mother tongue.
Fact-filled future? by Rachael Jolley: Journalists need to step up, and produce more detailed news coverage. The public needs it
Between a rock and a hard place, by Duncan Tucker: Mexico’s journalists face threats from cartels, the government and each other
Reality rapped, by Smockey: An award-winning musician from Burkina Faso explains why he won’t water down his lyrics to avoid rocking the boat, despite pressure to do so
Talking a tightrope, by Kaya Genç: Despite the crackdown in Turkey, the post-Gezi spirit still survives among the determined
Taking the bait, by Richard Sambrook: The quest for instant gratification online is seriously compromising news reporting
Dangerous minds, by Natasha Joseph: Rather than creating an alliance, Fees Must Fall is limiting free speech at South Africa’s universities, leaving some early supporters disheartened
Japan’s Madonna complex, by Annemarie Luck: Japan’s contradictory attitudes include highly sexualised images of women and women not being allowed to talk about sex-related subjects
Squeezed in the closet, by Hannah Leung: Get married and be quiet are the messages China’s LGBT community is given
Degrees of separation, by Jan Fox: The author investigates units appearing on US campuses suggesting students should report lecturers who they feel are biased
Dying to tell a story, by Sadaf Saaz: The list of what Bangladesh writers cannot talk about is getting longer, but that isn’t stopping some from writing
Trouble in paradise, by Zaheena Rasheed: Behind the image of palm-lined beaches is a side of the Maldives the government doesn’t want you to see
Your cover is shown, by Mark Frary: Tech giants and governments are out to get your data. Soon it might be impossible to remain anonymous
We have no time for fear, by Canan Coşkun: A Turkish journalist on the perils of reporting in her country when fellow reporters are imprisoned
Reel-time news, by Natasha Joseph, Kaya Genç, Jemimah Steinfeld, Duncan Tucker, Abraham T Zere, Raymond Joseph: As “fake news” dominates headlines, Index’s global team of experienced journalists offers tips on how to spot falsehoods before you click and share
Singing from the same hymn sheet, by Suhrith Parthasarathy: Rising Indian nationalism is creating a repressive state where non-conformity is deemed unpatriotic
Poland: Special Focus, by Wojciech Przybylski, Marcin Król: Poland has gone from free speech hero to villain almost overnight. Two writers discuss the shift and why history is being rewritten
Shooting from the hip, by Irene Caselli: A new mayor in a Mexican border city believes he will make it less dangerous for journalists
Silence in the house, by Dominic Grieve: The former UK attorney general says MPs are shying away from tough topics in parliament
Puppet masters, by Roger Law: The creator of iconic TV satire Spitting Image on whether we still have our sense of humour
Drawing the line, by John Power: Australia is debating free speech, one cartoon at a time. Cartoonist Bill Leak interviewed just before he died
Puppet state, by Alfonso Lázaro de la Fuente: A Spanish puppeteer, arrested after terrorism charges related to a show, discusses the impact on his life
Novel take on terror, by Karim Miské: The award-winning crime writer on why fiction and reality overlap. Plus his short story featuring a future where tech rules supreme. Interview by Sally Gimson
The war of the words, by Amira Hanafi: Translated extracts from an American-Egyptian writer’s project to capture the shifting linguistic landscape in Egypt since 2011. Interview by Sally Gimson
Crimean closedown, by Vyacheslav Huk: The Crimean novelist on being unable to publish in his mother tongue and a story of the narrator’s memories. Introduced and translated by Steve Komarnyckyj
Index around the world, byKieran Etoria-King: What to look out for at Index’s Freedom of Expression Awards 2017, alongside news of other projects that Index has been working on in the last few months
Getting print out, by Jemimah Steinfeld: Self-publishing may be a new solution to censorship in China and other countries
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
Dubbed, “The Egyptian Jon Stewart,” Bassem Youssef hosts the most popular television programme in the Middle East. In the midst of the Egyptian Arab Spring, Youssef left his job as a heart surgeon to become a full-time comedian, and his show ‘Al-Bernameg’ (The Show) now brings in 30 million viewers per episode. In a country where freedom of speech is becoming increasingly restricted with each regime change, Youssef and his courageous staff of young writers develop creative methods to non-violently challenge abuses of power. Enduring physical threats, protests, and legal action, the team test how far they can take the joke.
Sara Taksler, 2016, Documentary, 111 minutes
Arabic, English
