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Index on Censorship is proud to announce that long-time BBC reporter Razia Iqbal and CEO of the world famous Serpentine Galleries Yana Peel will join a panel of judges to decide the 2018 Freedom of Expression Awards Fellowship winners.
The Freedom of Expression Awards, now in their 18th year, honour champions of free expression and those battling censorship around the world in the field of arts, campaigning, digital activism and journalism. Many have faced prosecution and punishment for their work.
Peel sits on advisory boards for the Tate, the British Fashion Council and the Lincoln Center for the Performing Arts, and is a young global leader of the World Economic Forum. Currently CEO of the Serpentine Galleries, she previously ran Intelligence Squared Group, a leading forum for live debate, and was a regular contributor to the Davos annual meeting and the DLD, particularly on topics at the intersection of technology and visual art.
Iqbal has been an arts correspondent for the BBC for over a decade and is one of the main presenters of Newshour, the flagship news and current affairs programme on BBC World Service radio, and regularly presents The World Tonight on BBC Radio 4.
Iqbal says “In my lifetime, there has never been a more critical time to fight for freedom of expression. Whether it is in countries where people are imprisoned or worse, killed, for saying things the state or others, don’t want to hear, it continues to be fought for and demanded. It is a privilege to be associated with the Index on Censorship judging panel.”
The judging panel will also include Raspberry Pi Ltd CEO Eben Upton, founder of the Raspberry Pi Foundation, a UK-based charity that advances computer science education in schools, who was recently elected to the fellowship of the Royal Academy of Engineering in 2017; and Tim Moloney QC, deputy head of Doughty Street Chambers and Band 1 of Crime Silks, classed as leading silk in the current Legal 500.
Announcing the judging panel, Index on Censorship chief executive Jodie Ginsberg said:“Freedom of expression is a right that our award winners and nominees work tirelessly to defend. The awards draw attention to the repression that they face every day and give us a chance to celebrate and support these inspiring journalists, activists, and artists.
“We’re excited to announce this year’s remarkable panel of judges, who are leaders and experts in their fields. The Freedom of Expression Awards Fellowship recognise global free speech heroes and provide assistance so that their important work can continue.”
Previous winners of the Freedom of Expression Awards include Nobel Peace Prize winner Pakistani education campaigner Malala Yousafzai, Chinese political cartoonist Rebel Pepper and Yemeni street artist Murad Subay. Hundreds of public nominations are made for the awards each year. Many of those nominated are regularly targeted by authorities or by criminal and extremist groups for their work. Some face regular death threats, others criminal prosecution.
Previous judges include digital campaigner and entrepreneur Martha Lane Fox, Nobel laureate Wole Soyinka, Harry Potter actor Noma Dumezweni, novelist Elif Shafak, award-winning journalist and former editor-in-chief of Vanity Fair and The New Yorker Tina Brown and human rights lawyer and shadow Brexit secretary Keir Starmer.
The Freedom of Expression Awards Fellowship ceremony 2018 will be held on April 19 in London.
For Index on Censorship
Sean Gallagher, [email protected]
About the Freedom of Expression Awards Fellowship
Winners of the 2018 Freedom of Expression Awards Fellowship receive 12 months of capacity building, coaching and strategic support. Through the fellowships, Index seeks to maximise the impact and sustainability of voices at the forefront of pushing back censorship worldwide. More information
About Index on Censorship
Index on Censorship is a London-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide. Since its founding in 1972, Index on Censorship has published some of the greatest names in literature in its award-winning quarterly magazine, including Samuel Beckett, Nadine Gordimer, Mario Vargas Llosa, Arthur Miller and Kurt Vonnegut. It also has published some of the world’s best campaigning writers from Vaclav Havel to Elif Shafak.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/2″][staff name=”Razia Iqbal, Journalist” profile_image=”97201″]Razia Iqbal is a presenter for BBC News: she is one of the main presenters of Newshour, the flagship news and current affairs programme on BBC World Service radio. She also regularly presents The World Tonight on BBC Radio 4, a British weekday current affairs radio programme broadcast. Iqbal has hosted HARDtalk Extra, a BBC television and radio programme that conducts in depth one-on-one interviews with significant artists such as Pakistani pop star Haroon and prolific American writer, Joyce Carol Oates. She was the BBC’s arts correspondent for a decade, and has worked as a political reporter and a foreign correspondent in Pakistan and Sri Lanka. Iqbal has also made several successful documentaries through the BBC and presented on a variety of programmes. She was born in Kampala, Uganda and came to London as a child. Iqbal graduated with a BA in American Studies from the University of East Anglia and was nominated in 2013 for the “Services to Media” award at the British Muslims Awards. [/staff][/vc_column_inner][vc_column_inner width=”1/2″][staff name=”Tim Moloney QC, Barrister” profile_image=”97202″]Tim Moloney QC is the deputy head of Doughty Street Chambers. His practice encompasses crime, extradition, international criminal law, international death penalty litigation, public law and media law. Moloney consistently acts in high profile litigation across the spectrum of his practice. He also advises high profile organisations on their exposure to involvement with acts of terrorism and is regularly involved in training of lawyers overseas in the law and practice relating to terrorism and the death penalty. He also regularly advises media organisations on issues they face relating to terrorism and disclosure. Following the completion of his Ph.D, Moloney was a lecturer in law before being called to the Bar in 1993. He became a QC in 2010. He continues to write and lecture extensively. He is the author of the sexual offences, terrorism and appeals sections of the leading reference work, Blackstone’s Criminal Practice, and is the author of the sentencing chapters in Rook and Ward on Sexual Offences. Moloney is also a member of the panel of experts for Halsbury’s Laws.[/staff][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][staff name=”Yana Peel, Chief Executive” profile_image=”97203″]Yana Peel is CEO of the Serpentine Galleries, London, one of the most recognised organisations in the global contemporary art, design and architecture worlds. Prior to this she ran Intelligence Squared Group, the leading forum for live debate. Having co-founded Outset Contemporary Art Fund in 2003 as a hub for creative funding solutions for cultural projects, Peel maintains advisory positions across the arts that include: Tate, British Fashion Council, V-A-C Foundation Moscow, Lincoln Center and Asia Art Archive. At ParaSite Art Space and Intelligence Squared, she serves as board co-chair. Peel is a young global leader of the World Economic Forum and a regular contributor to the Davos annual meeting and DLD, particularly on topics at the intersection of technology and visual art. Her two children provide inspiration for her best-selling book series, Art for Baby, which benefits the National Society for the Protection against Cruelty to Children (NSPCC). Peel was born in St Petersburg, Russia, attended McGill University, completed her post-graduate studies in Economics at LSE, and started her career at Goldman Sachs.[/staff][/vc_column][vc_column width=”1/2″][staff name=”Eben Upton CBE, Chief Executive” profile_image=”97204″]Eben Upton CBE is a founder of the Raspberry Pi Foundation and serves as the CEO of Raspberry Pi Ltd, its commercial and engineering subsidiary. He is the co-author, with Gareth Halfacree of the Raspberry Pi User Guide, and with Jeff Duntemann and others of Learning Computer Architecture with Raspberry Pi. He was elected to the Fellowship of the Royal Academy of Engineering in 2017. In an earlier life, he founded two successful mobile games and middleware companies, Ideaworks 3d and Podfun, held the post of director of studies for Computer Science at St John’s College, Cambridge, and wrote the Oxford Rhyming Dictionary with his father, Professor Clive Upton. He holds a BA in Physics and Engineering, a PhD in Computer Science, and an MBA, from the University of Cambridge.[/staff][/vc_column][/vc_row][vc_row][vc_column][vc_separator][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” css=”.vc_custom_1515150485442{background-color: #cb3000 !important;}” el_class=”text_white”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
[/vc_column_text][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1515150288338{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2017/04/2017-awards-fellows-1460×490-2.jpg?id=89631) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
Widespread self-censorship and fear of causing offence is suppressing creativity and ideas in the United Kingdom, according to a conference report published by Index on Censorship.
The findings are based on the January 2013 conference ‘Taking the Offensive – defending artistic freedom of expression in the UK’ — the first national debate about the social, political and legal challenges to artistic freedom of expression.
The conference was hosted by Jude Kelly, OBE, artistic director of Southbank Centre. The keynote speech was delivered by Nicholas Serota, director of Tate. It brought together arts leaders with senior police, lawyers, media and internet executives, religious commentators and arts funders to explore challenges to artists and the growth of self-censorship in contemporary culture.
There are multiple pressures on artistic freedom of expression and censorship has become a major issue for the arts sector in this country, the report reveals. Among the key findings:
Some of the pressures on artistic free expression in the UK can be explained by a climate of caution and security consciousness. A preoccupation with risk assessment in arts organisations and public institutions, including the police, can lead to a prevalence of uncontentious, safe programming that limits both the range of voices and the space for artistic expression.
Throughout the day-long conference, there was a recurring call for programmers and producers to reclaim controversy; to embrace the disagreement and discord that is inherent to art work that engages with socially sensitive subjects. Many participants stressed the importance of art that explores challenging questions and the contribution that debate, generated by artwork, makes to democracy. Greater transparency about decision making, greater co-operation between organisations and more open debate with the public were seen as key components to any strategy to reinforce support for freedom of expression.
The full conference report is available in PDF or online here
Conference Report Contents Summary | Introduction | What is artistic freedom of expression? | What are the limits to freedom of expression? | Institutional self-censorship | Reinforcing support for artistic freedom of expression | Conclusion | Appendix I: Audience Feedback and Statistics | Appendix II: Conference Programme | Appendix III: Cases of Censored Artwork | Artist Videos | Full report in PDF
Self-censorship, market forces, nudity in Trafalgar Square and offence were all up for discussion at the launch of Index’s on Censorship magazine’s “Art Issue” on Wednesday at the Free Word Centre.
Artists Langlands & Bell gave a firsthand account of what it was like to have their work censored by the Tate despite their willingness to alter parts of the work to ensure the gallery was not in contempt of court. Ben Langlands spoke of the frustration they felt at not being able to show their work in its entirety – and with Tate for not being transparent about the reasons behind the removal of their film “Zardad’s Dog”, part of their Turner-nominated The House of Osama Bin Laden.
But contemporary politics is of course only one factor determining what art the public gets to see. Langlands also raised the subject of financial forces taking their toll on free expression in the art world. Artist Peter Kennard, who was in the audience, argued that, from the moment a student enrols in art school, censorship is at play, finding a comfortable home in art institutions, supported as they are by corporate sponsors. But London Mayor Boris Johnson’s culture chief Justine Simon argued that all subjects are fair game for artists. Another member of the audience, a legal consultant specialising in art law, spoke of the real danger galleries face if they choose to exhibit controversial art – often resulting in a visit from the police.
The Guardian’s art critic Adrian Searle lamented the fact that gallery publicity materials constantly insisted an exhibition would challenge preconceptions. “I can’t remember the last time that happened”, he said. “I want the right to be offended; I don’t want someone telling me what I can and can’t look at.”
Yasmine Alibhai-Brown, who spoke of her firsthand experience of paying the price for artistic freedom, denied the existence of any “fantastic freedom” in the UK. She insisted the real concern around freedom of expression in visual art was not offence, but a very real need for “sophisticated thought” in a complicated society. An honest and fair look at each individual context was necessary; occasionally “internal censorship is not a bad thing at all”, she added.
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