15 Dec 2020 | News and features, Statements
[vc_row][vc_column][vc_column_text]Today, Tuesday, the British government has finally responded to its own consultation on Online Harms. Our role at Index on Censorship is to defend free expression and free speech for all citizens wherever they live. This includes in the UK.
Index has significant concerns about the government’s proposals and their unintended consequences on our collective right to free speech. We are concerned about the global impact of these proposals and the message that is being sent by the British government – by instituting restrictive policies for social media companies – to repressive regimes who relentlessly seek to undermine the rights of their citizens.
While acknowledging that there are problems with regulation of online platforms, Index will be engaging with policy makers to try and make this legislation better in protecting our right to free expression.
Our key concerns are:
- Legal but harmful
The British government is proposing a new classification of speech. Legal but harmful content, such as abuse, would be deemed illegal online but would be perfectly acceptable offline. A lack of consistency in our legal framework for speech is ludicrous and would have significant unintended consequences.
- Emphasis on the platforms not the perpetrators
The penalties outlined in these proposals focus on the role of the platforms to regulate their online spaces – not their customers who seemingly have limited personal responsibility. It also fails to acknowledge that this is a cultural problem and therefore needs a carrot as well as a stick.
- No one is going to be fined for deleting too much content
The proposals will fine social media companies for not complying with the new regulatory framework. Although ministers have issued warm words about protecting freedom of speech it seems highly unlikely that a platform would be sanctioned for deleting too much content, leaving social media companies to always err of the side of caution and delete challenging content even if it isn’t contravening the legislation.
- Digital evidence locker
These proposals seemingly advocate the permanent removal of significant amounts of content, thus curtailing a victim’s ability to prosecute, as once deleted by a platform there is no way to retrieve the content even by law enforcement. This includes evidence of terrorism atrocities; 23% of the Syrian War Crime Archive has already been deleted by the platforms. The lack of legal protections in place for the platforms to store this content (out of sight) for access by law enforcement, journalists and academics results in a lack of prosecution and analysis. Index believes a compromise would be the creation of a legal framework to allow social media platforms to create Digital Evidence Lockers.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
3 Aug 2020 | News and features
[vc_row][vc_column][vc_single_image image=”103857″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Just 37% of UK academics have said they would feel comfortable sitting next to someone who, in relation to transgender rights, advocates gender-critical feminist views, a new report on academic freedom in the UK has revealed. The report by Policy Exchange, released today, is one of the largest representative samples of UK- based academics carried out in recent years. It explores the concern that strongly-held political attitudes are restricting the freedom of those who disagree to research and teach on contested subjects. The report also proposes what might be done, in the form of legislation and other measures, to ensure that universities support intellectual dissent and all lawful speech is protected on campus.
Protecting academic freedoms was one of the founding principles of Index in 1971 and continues to be an area that we are concerned about, so we very much welcome the debate inspired by this report and look forward to hearing from other voices.
Read Index CEO Ruth Smeeth’s foreword for the report:
“It was recently suggested to me that I might have been a target of a little too much free speech in recent years, so it could be viewed as strange that I am so passionate about protecting our collective rights to free speech. But honestly, I have a romantic view of one of our most important human rights.
Free speech should be challenging; it should drive debate and ultimately force all of us to continually reflect on our own views. Free speech should manifest in different ways in different forums. In literature, it should drive our intellectual curiosity about the world around us. In journalism, it should shine a light on the powerful and ensure that the world is informed. And in academia, it should drive debate about the status quo demanding that we continually evolve as a society. It’s only by the guarantee of this core human right that we can ensure that we are the best that we can be, that our arguments are robust and that they can sustain criticism. Simply put, debate makes us better as individuals and as a society, it also makes our arguments more rounded and demands of us the intellectual rigour that drives positive change.
That’s why this publication is so important. Throughout our history, we’ve seen a cyclical approach towards academic freedom, but the reality is that only when our centres of learning are truly independent have we thrived as a society. This research isn’t about determining who is right or wrong, or whose voice is more valuable on any given issue but rather the proposals are designed to ensure that there is still a free and fair debate on our campuses. That the academic freedom that we all should cherish is given the protections it needs. It does the country no good if our educators, our academics, our scholars and most importantly our students feel that they can’t speak or engage without fear of retribution.
We all know that legislation is not a panacea to the chilling effect of what is happening in our public space for anyone that challenges the status quo. It can’t and won’t change the culture on campus but what it can do and what this document squarely aims to do is inform, engage and start a debate about what should be important to us. As a society, we need to have our own national conversation about our core human rights and how they should manifest in the twenty-first century. We need to decide collectively where the lines should be between hate speech and free speech, between academic inquiry and ‘research’ designed to incite, between journalism and purveyors of fake news. This research is an important part of that conversation.”
Please read the report in full here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
17 Jun 2020 | Magazine, Magazine Contents, Volume 49.02 Summer 2020
[vc_row][vc_column][vc_custom_heading text=”With contributions from Katherine Parkinson, David Hare, Marina Lalovic, Geoff White and Timandra Harkness”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Summer 2020 issue of Index on Censorship magazine looks at just how much of our privacy we are giving away right now. Covid-19 has occurred at a time when tech giants and autocrats have already been chipping away at our freedoms. Just how much privacy is left and how much will we now lose? This is a question people in Turkey are really concerned about, as many feel the home was the last refuge for them for privacy, but now contact tracing apps might rid them of that. It’s a similar case for those in China, and the journalist Tianyu M Fang speaks about his own, haphazard experience of using a contact tracing app there. We also have an article from Uganda on the government spies that are everywhere, plus tech experts talking about just how much power apps like Zoom and tech like drones have.
In our In Focus section, we interview journalists in Serbia, Hungary and Kashmir who are trying to report the truth in places where the truth can be as dangerous, if not more, than Covid-19. And we have an interview with and poet from the playwright David Hare.
We have a very special culture section in this issue. Three playwrights have written short plays for the magazine around the theme of pandemics. V (formerly Eve Ensler), the author of The Vagina Monologues, takes you to the aftermath of a nuclear disaster; Katherine Parkinson of The IT Crowd writes about online dating during quarantine; Lebanese playwright Lucien Bourjeily is inspired by recent events in his country in his chilling look at protest right now.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][vc_column_text]
Back-up plan by Timandra Harkness: Don’t blindly give away more freedoms than you sign up for in the name of tackling the epidemic. They’re hard to reclaim
The eyes of the storm by Issa Sikiti da Silva: Spies are on the streets of Uganda making sure everyone abides by Covid-19 rules. They’re spying on political opposition too. A dispatch from Kampala
Zooming in on privacy concerns by Adam Aiken: Video app Zoom is surging in popularity. In our rush to stay connected, we need to make security checks and not reveal more than we think
Seeing what’s around the corner by Richard Wingfield: Facial recognition technology may be used to create immunity “passports” and other ways of tracking our health status. Are we watching?
Don’t just drone on by Geoff White: If drones are being used to spy on people breaking quarantine rules, what else could they be used for? We investigate
Sending a red signal by Tianyu M Fang: When a contact tracing app went wrong a journalist was forced to stay in their home in China
The not so secret garden by Tom Hodgkinson: Better think twice before bathing naked in the backyard. It’s not just your neighbours that might be watching you. Where next for privacy?
Hackers paradise by Stephen Woodman: Hackers across Latin America are taking advantage of the current crisis to access people’s personal data. If not protected it could spell disaster
Italy’s bad internet connection by Alessio Perrone: Italians have one of the lowest levels of digital skills in Europe and are struggling to understand implications of the new pandemic world
Less than social media by Stefano Pozzebon: El Salvador’s new leader takes a leaf out of the Trump playbook to use Twitter to crush freedoms
Nowhere left to hide by Kaya Genç: Privacy has been eroded in Turkey for many years now. People fear that tackling Covid-19 might take away their last private free space
Open book? by Somak Ghoshal: In India, where people are forced to download a tracking app to get paid, journalists are worried about it also being used to access their contacts
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]
Knife-edge politics by Marina Lalovic: An interview with Serbian journalist Ana Lalic, who forced the Serbian government to do a U-Turn
Stage right (and wrong) by Jemimah Steinfeld: The playwright David Hare talks to Index about a very 21st century form of censorship on the stage. Plus a poem of Hare’s published for the first time
Inside story: Hungary’s media silence by Viktória Serdült: What’s it like working as a journalist under the new rules introduced by Hungary’s Viktor Orbán? How hard is it to report?
Life under lockdown: A Kashmiri Journalist by Bilal Hussain: A Kashmiri journalist speaks about the difficulties – personal and professional – of living in the state with an internet shutdown during lockdown
The truth will out by John Lloyd: Journalists need to challenge themselves and fight for media freedoms that are being eroded by autocrats and tech companies
Extremists use virus to curb opposition by Laura Silvia Battaglia: Covid-19 is being used by religious militia as a recruitment tool in Yemen and Iraq. Speaking out as a secular voice is even more challenging
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]
Masking the truth by V: The writer of The Vagina Monologues (formerly known as Eve Ensler) speaks to Index about attacks on the truth. Plus a new version of her play about living in a nuclear wasteland
Time out by Katherine Parkinson: The star of The IT Crowd discusses online dating and introduces her new play, written for Index, that looks at love and deception online
Life in action by Lucien Bourjeily: The Lebanese director talks to Index about how police brutality has increased in his country and how that informed the story of his new play, published here for the first time
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]
Putting abuse on the map by Orna Herr: The coronavirus crisis has seen a huge rise in media attacks. Index has launched a map to track these
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]
Forced out of the closet by Jemimah Steinfeld: As people live out more of their lives online right now, our report highlights how LGBTQ dating apps can put people’s lives at risk
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
16 Jun 2020 | Magazine, Magazine Editions, Volume 49.02 Summer 2020
Journalist
Issa Sikiti da Silva is an award-winning freelance journalist who has traveled extensively across Africa. Born in Kinshasa, the capital of the Democratic Republic of Congo, he has lived in South Africa and worked as a foreign correspondent in West Africa. His work has been published in nearly 40 media outlets
Actor and playwright
Katherine Parkinson is a Bafta-award winning English actress. She has appeared in several television series, including The IT Crowd and Humans. She has also appeared in such films as How to Lose Friends & Alienate People and The Boat That Rocked, as well as on stage in various high profile West End shows. In 2019 Parkinson’s debut work as a playwright, Sitting, had its London premiere, after a month-long run at the Edinburgh Fringe
Playwright
David Hare is a playwright and film-maker. He has written over thirty stage plays which include Plenty and Pravda (with Howard Brenton). For film and television, he has written nearly thirty screenplays which include Licking Hitler, The Hours, The Reader and Denial. In a millennial poll of the greatest plays of the 20th century, five of the top 100 were his
