Mawarire nominated for global award (Zimbabwe Daily)
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That picture of Zimbabwe protest pastor Evan Mawarire reading his Bible as he was driven off in a police truck last week? Fellow activist Patson Dzamara said it left him “heartbroken” – and it will have touched a chord in more than a few Zimbabweans’ hearts. Read the full article
Azerbaijan: Journalists strive to cover the country from exile
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Photo: Aziz Karimov
For Azerbaijan’s president Ilham Aliyev and many other authoritarian leaders across the world, independent journalism and what it represents is bad news. The more irritating leaders find journalists’ work, the harsher consequences are for those reporting. This has been one of the most worrying trends across the world in recent years.
In 2016, there were 38 threats to press freedom reported to the Index on Censorship project Mapping Media Freedom. Journalists critical of the government were tortured and arrested. Internet sites were repeatedly blocked. TV outlets were knocked off the air through revocation of broadcast licences. Newspapers were starved to near bankruptcy and prevented from printing. Online criticism of the country’s hereditary president has been outlawed. Even family members of journalists have been targeted.
“In the last year alone, authorities have either detained, arrested, questioned six journalists and one blogger. Some parliament members have even hinted at introducing legislation that would monitor social media. The relentless pressure on media professionals and citizen journalists in Azerbaijan is aimed at shutting down any criticism of the Aliyev regime. The continued crackdown on freedom of speech is a clear violation of human rights,” Hannah Machlin, Mapping Media Freedom project officer, said.
The dismal state of free expression in Azerbaijan catalogued by Mapping Media Freedom is indirectly validated by Reporters Without Borders’ 2016 Press Freedom Index. That organisation found a disturbing decline in respect for media freedom around the world.
“It is unfortunately clear that many of the world’s leaders are developing a form of paranoia about legitimate journalists,” secretary general of RSF Christophe Deloire said.
Azerbaijan ranks 163rd on the press freedom index. The country’s ruling powers have long banned independent journalism and anyone who remained defiant was branded an agent, a traitor, a hooligan, a drug addict, anything but a journalist. While Mapping Media Freedom began closely monitoring the country in the second quarter of 2016, the clampdown on journalists long precedes this.
In 2014, authorities shut down the office of Azerbaijan Service for Radio Free Europe Radio Liberty. Around the same time, the dissident media outlet Meydan TV, shut down its office fearing a similar action. Its reporters on the ground have been detained, questioned and placed on travel ban lists ever since. Independent newspapers such as Zerkalo and Azadliq have been stifled with numerous libel charges. Both newspapers ceased printing issues with Azadliq available to its readers online only. One, columnist and TV anchor Seymur Hezi, remains in jail following a charge of “aggravated hooliganism” saw him sent to prison for over five years.
Azerbaijan’s media in exile
As the space for a free media shrank over the past few years, journalists fled the country. Some have chosen neighbouring Georgia as their base while others continue their work from Berlin and elsewhere.
Since 2015, a group of exiled Azerbaijani civil society activists who have been based in Georgia have designed a project to create opportunities for Azerbaijani journalists based in Georgia’s capital, Tbilisi, to work with local media outlets. Under the guidance of the Human Rights House Tbilisi, this initiative has involved at least a dozen journalists from Azerbaijan. The group has reported on the human rights and the day-to-day of living in Georgia.
Gulnur Kazimova left Azerbaijan out of fear of persecution and is currently based in Tbilisi where she lives with her family. She was among the participants of the HRH initiative. During the programme she reported on women’s issues that Azerbaijani community faced in Georgia. One such story was about a 19-year-old woman who was constantly beaten and threatened by her husband who kidnapped her at the age of 13 and eventually murdered her by cutting her throat. Another exiled journalist, Tural Gurbanli, wrote about the issue of wearing hijab in the village of Karajala, which is mostly populated by Azerbaijanis who have settled in Georgia.
Emin Milli, a former political prisoner, who currently lives in exile in Berlin, created Meydan TV, an online media platform. With over 400,000 likes on their Facebook page, and over 60,000 subscribers to its YouTube Channel, Meydan TV has strived to present a comprehensive picture of Azerbaijan by collecting news, conducting interviews and providing independent reporting. Its freelance contributors inside the country have paid a heavy price for this: they have been persecuted by the police, detained, questioned and placed on no travel lists.
Radio Free Europe and Radio Liberty Azerbaijan Service’s contributors have also been targeted by officials in the country. Like Meydan TV, Radio Liberty has a large following on Facebook with over 400,000 readers and more than 100,000 subscribers on YouTube.
Index on Censorship Award-winning Azadliq newspaper continues its coverage of the country through its online presence despite the ongoing targeting by the government. The newspaper’s editor-in-chief is exiled while his family members have been harassed by the authorities, and the newspaper’s chief financial director was arrested for his alleged support for Gulen religious movement said to be behind the failed coup in Turkey and his criticism of the authorities and was recently sentenced to 10 years in jail.
The current list of political prisoners that stands around 100 individuals includes prominent journalist Seymur Hezi, as well as other journalists and bloggers who have been jailed on bogus charges. Despite the release of top investigative reporter Khadija Ismayil in May of 2016, along with a number of other prominent political prisoners, the new arrests and crackdown against existing independent media, its reporters and its platforms are indicative of a revolving door policy when it comes to press freedom in Azerbaijan. [/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1486487716820-6a1b311c-3186-5″ taxonomies=”7145″][/vc_column][/vc_row]
National and international cultural and human rights organisations denounce Trump’s executive order on immigration
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Today, more than thirty cultural institutions and human rights organisations around the world, including international arts, curators’ and critics’ associations, organisations protecting free speech rights, as well as US based performance, arts and creative freedom organisations and alliances, issued a joint statement opposing United States President Donald J. Trump’s immigration ban. Read the full statement below.
On Friday, January 27th, President Trump signed an Executive Order to temporarily block citizens of seven predominantly Muslim countries from entering the United States. This order bars citizens of Iran, Iraq, Libya, Somalia, Sudan, Syria, and Yemen from entering the United States for 90 days. It also suspends the entry of all refugees for 120 days and bars Syrian refugees indefinitely.
The organisations express grave concern that the Executive Order will have a broad and far-reaching impact on artists’ freedom of movement and, as a result, will seriously inhibit creative freedom, collaboration, and the free flow of ideas. US border regulations, the organisations argue, must only be issued after a process of deliberation which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, and on the world as a whole.
Representatives of several of the participating organisations issued additional statements on the immigration ban and its impact on writers and artists:
Helge Lunde, Executive Director of ICORN, said, “Freedom of movement is a fundamental right. Curtailing this puts vulnerable people, people at risk and those who speak out against dictators and aggressors, at an even greater risk.”
Svetlana Mintcheva, Director of Programs at the US National Coalition Against Censorship (NCAC), said, “In a troubled and divided world, we need more understanding, not greater divisions. It is the voices of artists that help us understand, empathise, and see the common humanity underlying the separations of political and religious differences. Silencing these voices is not likely to make us any safer.”
Suzanne Nossel, Executive Director of PEN America, said, “The immigration ban is interfering with the ability of artists and creators to pursue their work and exercise their right to free expression. In keeping with its mission to defend open expression and foster the free flow of ideas between cultures and across borders, PEN America vows to fight on behalf of the artists affected by this Executive Order.”
Diana Ramarohetra, Project Manager of Arterial Network, said, “A limit on mobility and limits on freedom of expression has the reverse effect – to spur hate and ignorance. Artists from Somalia and Sudan play a crucial role in spreading the message to their peers about human rights, often putting themselves at great risk in countries affected by ongoing conflict. Denying them safety is to fail them in our obligation to protect and defend their rights.”
Ole Reitov, Executive Director of Freemuse, said, “This is a de-facto cultural boycott, not only preventing great artists from performing, but even negatively affecting the US cultural economy and its citizens rights to access important diversity of artistic expressions.”
Shawn Van Sluys, Director of Musagetes and ArtsEverywhere, said, “Musagetes/ArtsEverywhere stands in solidarity with all who protect artist rights and the freedom of mobility. It is time for bold collective actions to defend free and open inquiry around the world.”
A growing number of organisations continue to sign the statement.
JOINT STATEMENT REGARDING THE IMPACT OF THE US IMMIGRATION BAN ON ARTISTIC FREEDOM
Freedom of artistic expression is fundamental to a free and open society. Uninhibited creative expression catalyses social and political engagement, stimulates the exchange of ideas and opinions, and encourages cross-cultural understanding. It fosters empathy between individuals and communities, and challenges us to confront difficult realities with compassion.
Restricting creative freedom and the free flow of ideas strikes at the heart of the core values of an open society. By inhibiting artists’ ability to move freely in the performance, exhibition, or distribution of their work, United States President Trump’s January 27 Executive Order, blocking immigration from seven countries to the United States and refusing entry to all refugees, jettisons voices which contribute to the vibrancy, quality, and diversity of US cultural wealth and promote global understanding.
The Executive Order threatens the United States safe havens for artists who are at risk in their home countries, in many cases for daring to challenge repressive regimes. It will deprive those artists of crucial platforms for expression and thus deprive all of us of our best hopes for creating mutual understanding in a divided world. It will also damage global cultural economies, including the cultural economy of the United States.
Art has the power to transcend historical divisions and socio-cultural differences. It conveys essential, alternative perspectives on the world. The voices of cultural workers coming from every part of the world – writers, visual artists, musicians, filmmakers, and performers – are more vital than ever today, at a time when we must listen to others in the search for unity and global understanding, when we need, more than anything else, to imagine creative solutions to the crises of our time.
As cultural or human rights organisations, we urge the United States government to take into consideration all these serious concerns and to adopt any regulations of United States borders only after a process of deliberation, which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, as well as on the world as a whole.
African Arts Institute (South Africa)
Aide aux Musiques Innovatrices (AMI) (France)
Alliance for Inclusion in the Arts (USA)
Arterial (Africa)
Artistic Freedom Initiative (USA)
ArtsEverywhere (Canada)
Association of Art Museum Curators and Association of Art Museum Curators Foundation
Association Racines (Morocco)
Bamboo Curtain Studio (Taiwan)
Cartoonists Rights Network International
Cedilla & Co. (USA)
Culture Resource – Al Mawred Al Thaqafy (Lebanon)
International Committee for Museums and Collections of Modern Art (CIMAM)
College Art Association (USA)
European Composer and Songwriter Alliance (ECSA)
European Council of Artists
Freemuse: Freedom of Expression for Musicians
Index on Censorship: Defending Free Expression Worldwide
Independent Curators International
International Arts Critics Association
International Network for Contemporary Performing Arts
The International Cities of Refuge Network (ICORN)
Levy Delval Gallery (Belgium)
Geneva Ethnography Museum (Switzerland)
National Coalition Against Censorship (USA)
New School for Drama Arts Integrity Initiative (USA)
Observatoire de la Liberté de Création (France)
On the Move | Cultural Mobility Information Network
PEN America (USA)
Queens Museum (USA)
Roberto Cimetta Fund
San Francisco Art Institute (USA)
Stage Directors and Choreographers Society (SDC) (USA)
Tamizdat (USA)
Vera List Center for Art and Politics, New School (USA)[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1486570424977-7a30af48-045a-3″ taxonomies=”3784″][/vc_column][/vc_row]