A new generation of protesters in China?

It is now three days since protests erupted across the country after 10 people died in an apartment fire in Urumqi, Xinjiang. Protesters, both on the streets and online, have blamed the country’s strict Covid-zero policy, closely associated with leader Xi Jinping. Millions have joined a call to find out whether the building’s fire escapes were blocked as a result of the policy.

The protests have been wide-ranging – and has the crackdown. Already Wulumuqi (Urumqi) Middle Road in Shanghai has been cordoned off, police present on every corner. There have been arrests of protesters around the country. A BBC journalist has been assaulted and detained. An elderly woman in Hong Kong has been beaten. As for China’s internet, the censorship machine is in overdrive with searches blocked or diverted and state-approved pundits are blaming the protests on foreign influence.

And yet still the protests continue. It is remarkable.

Contrary to many people’s assumptions about China and protest, the two are not wholly unhappy bedfellows. There have been many big protest movements since the Chinese Communist Party came to power in 1949. Tiananmen in 1989 is of course the most oft-cited and arguably the largest both in terms of how long it went on for (well over a month) and the sheer numbers who headed to the capital’s square and the other protest sights across China. But there have been others both before and after, as well as those in Hong Kong. On occasion Beijing even welcomes a protest – they can be a handy distraction and forum for people to vent, just not at the CCP. In 2012, for example, as news continued to swirl about the arrest of popular Chinese politician Bo Xilai and his wife, hundreds of thousands took to Beijing’s streets in anti-Japanese protests.

So what makes these remarkable then? Well firstly they offer a glimmer of hope. This isn’t hope in the “CCP will collapse” way – there have too many false dawns in the past to believe that might happen. But hope in a way that makes us start to believe that China’s incredibly extensive censorship machine is not quite so well-oiled as we imagined. Since Xi Jinping came to power 10 years ago, the amount of control he has amassed has been terrifying. What the last few days have shown is that it’s far from absolute. News of the deaths in Urumqi have reached people across the country: attempts to censor the information came too late.

People were outraged, perhaps in part because they’d also heard news of the awful treatment of Uyghurs over the years – news that the Chinese government has tried hard to crush or manage – and they felt the sense of injustice.

A more likely reason for the rage is that many who have been locked down have had their own fire escapes blocked. The Urumqi deaths spoke to their greatest fears. And they spoke to these fears at the very time people were most angered – when lots of the country was locking down, again, against a backdrop of smiling, mask-less crowds at the World Cup.

The protests are also remarkable because of how widespread they are. Most protest movements in China are in one geographic area or on one issue. Workers strike about poor factory conditions; young parents about tainted milk. Here people across the country and in Hong Kong are all uniting. Their irks might sometimes differ – some want Xi Jinping to resign, while others just want to be able to leave their house and watch a movie. But there is a common thread – a desire for more freedom and free expression. You can see this in the photos of people holding up blank sheets of paper (a form of protest that incidentally first happened in Hong Kong) to protest censorship – saying nothing at all is the only safe thing to say. You can see it online. “When can we have freedom of speech? Maybe it can start at Beijing’s Liangmahe [an area of the city],” one person wrote on Weibo. Another said: “Before going to sleep I saw what was happening in Liangmahe on my WeChat Moments and then I looked at Weibo and saw that the Xicheng area had added 279 new Covid cases. I started thinking about my own everyday life and the things I am doing. I can’t help but feel a sense of isolation, because I can’t fight and do not dare to raise my voice.” The examples could go on and on.

Have we overstated just how much control the party have? Perhaps. We’ve always known Chinese social media users are in a constant battle of cat-and-mouse with the censors and so it’s no surprise that people did find out about Urumqi (as for World Cup envy, that probably just caught officials off-guard). Or maybe it’s the Chinese state themselves who have slipped up, in this instance in underestimating the bravery and fury of the population, and in creating the conditions for more widespread dissent ironically through their Covid-zero policy. The policy has kept people locked away yes, and the now ubiquitous health QR codes are excellent tracking devices. But people have bonded with those who they’ve spent inordinate amounts of time either literally inside or online and created the very thing the authorities fear – networks.

The question will be whether this dissent will be violently silenced by the CCP, will just peter out over the coming weeks or whether the growing and more united number of voices can bring about long-lasting change. We really hope for the latter.

Artsiom Mitsuk

LETTERS FROM LUKASHENKA'S PRISONERS Artsiom Mitsuk Detained on 29 September 2020 "Rather than one heroic deed, it’s all the same hard work every day … It’s about doing your thing every single day." READER'S NOTE: Artsiom Mitsuk was part of a Telegram group chat which...

Index Index

What is the Index Index? The Index Index is a pilot project that uses innovative machine learning techniques to map the free expression landscape across the globe to gain a clearer country-by-country view of the state of free expression across academic, digital and...

Brazil: tragedy, farce and fascism

It seems incredible but Brazil is becoming a hotbed of fascism, something we thought was more of a European phenomenon. Michel Gherman, a member of the Far Right Observatory, a collaboration between academics from more than 10 Brazilian universities and from other countries, says that Bolsonaro’s election has created a “Disneyland of neo-Nazism in Brazil”, because those who defend him “begin to feel more at ease”.  It is true. After the end of the Brazilian dictatorship in the 1980s, the extreme right was ashamed of itself or remained silent. Now its demons are loose, attacking democracy, killing democrats, because it feels protected by the individual in the presidency and the police around him.

To understand some of the reasons for Brazil reaching this state of affairs, it is well worth reading the book Passengers of the Storm: Fascists and Denialists in the Present Time, by professors Francisco Carlos Teixeira da Silva and Karl Schuster Sousa Leão. Published by Cepe, the second largest publishing house in Brazil, we can learn about the history of fascism in Italy, Germany and Japan, which did not remain in the past, because fascisms (that’s right in the plural) work until today on the great masses with irrationality, lies, the implausible and fear, according to the authors. During the research in the book we come to the Brazil of 2022:

“The current president of Brazil, Jair Bolsonaro, corroborates the authorisation of the indiscriminate use of violence by constructing and using social devices as a tool and policy. When he uses social media to state that ‘reporters should really be beaten’, being replicated by his supporters, seconds later, with the statements ‘journalists should be beaten’ and ‘journalists deserve to be beaten, YES’, he instrumentalises politics through a personal, authoritarian, and charismatic abuse of power that aestheticises sociability with the normalisation of the use of force.”

As early as the election campaign of 2018, Bolsonaro declared, “Let’s shoot the petralhada”, petralhada being a reference to left-wing supporters.

And then came the assassinations.

On Sunday, 18 October 2018 in Salvador, capoeira master Moa do Katendê was killed with 12 stab wounds in the back after defending voting for the Workers’ Party (PT) and declaring himself opposed to Bolsonaro.

In 2019, 61-year-old Antônio Carlos Rodrigues Furtado died of cardiac arrest in Balneário Camboriú, Santa Catarina after being kicked and punched by Bolsonarist Fábio Leandro Schwindlein.

In July 2022, Marcelo Aloizio de Arruda, 50, was shot to death at his birthday party by federal criminal police officer Jorge Guaranho. A Bolsonarist, the killer invaded Marcelo’s private party – which had the PT as its theme and images of former president Luiz Inácio Lula da Silva – shouting “here is Bolsonaro”, shooting the host three times.

In early September, according to the Civil Police of Mato Grosso, Benedito dos Santos, a Lula voter, was killed by an attacker wielding an axe.

Before this wave of political crimes committed by Bolsonarists, Brazilian fascism presented both the stimulus and the approval for aggression against democracy. The book Passengers of the Storm says that in 2020 “35 per cent of officers and 41 per cent of military police soldiers throughout Brazil interact on social networks supporting President Jair Bolsonaro”. The authors go on to say, “Their positions in favour of the president, who for at least two years has openly discoursed against several governors, with the Northeast as a focus, make the issue even more politicised and instrumentalised.”

Karl Marx, in writing about the French coup of 1851, noted: “Hegel observes in one of his works that all the facts and characters of great importance in the history of the world occur, as it were, twice. But he forgot to add: the first time as tragedy, the second time as farce.”

For Brazilians, we are now in the second phase of the tragic dictatorship that began in 1964. This is presented in two ways: the tragic destruction of lives by Covid, for which the president said he was not a mortician, and by the destruction of the Amazon.

In 2022, there is talk that garimpo (artisanal mining for precious commodities that is common in the Amazon and often illegal) has “lost its shame”. Under Bolsonaro’s barbarism, openly favourable to the interests of this illegal activity in the forest, the defenders of garimpo are circulating in the corridors of power in the Amazon’s capitals and in Brasilia, and intend to fly even higher: to occupy elective positions in the Legislative Assemblies and in the National Congress, in addition to the governors’ palaces.

Bolsonaro’s attacks on Brazil’s education system, the persecution of artists and the press are tragic but are farcical at the same time. Bolsonaro is ridiculed for being imbrochable, a man who never loses sexual potency, yet he revels in it and this shows in his shouting and speaking. We have reached the point where the animals speak. This is tragedy and farce in unity, the lowest and grossest comedy.

Bolsonaro, in one of his latest farces, has turned historian. He said, “I want to say that Brazilians have gone through difficult times, history shows us. 22, 65, 64, 16, 18, and now 22. History can repeat itself. Good has always won over evil”.

What are these dates he is referring to? It cannot be Modern Art Week because he doesn’t even know what that is. But how has good always triumphed over evil? With murder, torture and cold executions in the dictatorship? With wars and holocausts? Or with the bombing of Hiroshima and Nagasaki? Or with the recent killings of Bruno and Dom in the Amazon? Or does good overcome evil when the forest is devastated? We understand the new language, an absolute inversion of values: good is evil, and evil must be the hope and struggle of the resistance.

For now, we can hope that this barbaric farce can be overcome. We, united, have the streetcar, the ship, the ship of future democracy, whose name is Lula, hopefully winner of the election’s first round. If it is not Lula, then we will sink in the darkness of Brazilian-style fascism.