26 Mar 2019 | China, India, Magazine, News and features, South Africa, United Kingdom, Volume 48.01 Spring 2019, Volume 48.01 Spring 2019 Extras, Zimbabwe
Is this all the local news? We discuss this in the latest podcast. In the spring 2019 edition of Index on Censorship magazine, we explore what happens when the local news media is not there to hold power to account. Guests on this edition of the podcast are all featured in the latest magazine. Beijing-based reporter Karoline Kan, who writes for this issue, explores whether China’s social credit system could impact local journalism; Ian Murray, director of the Society of Editors, discusses a new survey where local editors talk about their fears for the future; co-founder of the Bishop’s Stortford Independent Sinead Corr talks about how she recently launched a new and successful local paper; plus in a special segment current Index youth board members Arpitha Desai, hailing from India, and Melissa Zisengwe, originally from Zimbabwe but now living in South Africa, talk about the strengths and weaknesses of community news in their countries.
Print copies of the magazine are available on Amazon, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpetine Gallery and MagCulture (all London), News from Nowhere (Liverpool). Red Lion Books (Colchester) and Home (Manchester). Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
The Spring 2019 podcast can also be found on iTunes.
17 Dec 2018 | Magazine, News and features, Volume 47.04 Winter 2018
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Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.
Birth, marriage and death–these are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.
Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.
Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.
Not knowing about information or medical advice can also mean exposing people to illness and even death.
The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.
The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.
For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.
The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.
Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.
It also explores why Chinese families don’t talk about death and funerals, or even write wills.
In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.
These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.
Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.
It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.
Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”
In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.
Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.
As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.
Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.
We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”
Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” size=”xl” align=”right” custom_color=”#dd3333″][/vc_column_inner][vc_column_inner width=”3/4″][vc_custom_heading text=”Taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column_inner][/vc_row_inner][vc_column_text]
In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.
The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.
She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.
At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”
His belief in magazines as an item that will continue to be in demand, if they offer something different from something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”
The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.
We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out https://shop.exacteditions.com/index-on-censorship for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.
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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.
Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about? We explore these taboos in the issue.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F12%2Fbirth-marriage-death%2F|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?
With: Liwaa Yazji, Karoline Kan, Jieun Baek[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner][vc_column_inner][vc_single_image image=”104225″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/12/birth-marriage-death/”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left”][vc_row_inner][vc_column_inner][vc_column_text]In print, online. In your mailbox, on your iPad.
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Every subscriber helps support Index on Censorship’s projects around the world.
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13 Jul 2018 | Magazine, News and features, Volume 47.02 Summer 2018
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In the summer 2018 issue of Index on Censorship magazine Caroline Muscat takes a closer look at the truths this year’s European Capital of Culture, Valetta in Malta, is hiding
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The sprawl of construction sites represents the reality of Malta. It’s a sign of progress, never mind the fact that planning laws are farcical. The country’s affluence is shown by the number of cars on the road, never mind the traffic congestion. Its freedom is evidenced in the number of media outlets and news portals, never mind the fact that they all offer similar content. It’s all about appearance, not substance. Scratch beneath the surface and the problems start to appear.
“National pride has reached historic levels,” Prime Minister Joseph Muscat told more than 100,000 people who flocked to the nation’s capital, Valletta, for its inauguration as Europe’s Capital of Culture 2018. The announcement was made as the country was grappling with the assassination of its most prominent journalist, Daphne Caruana Galizia, and as accusations of a collapse in the rule of law continued to haunt Malta.
Restaurants offering mouth-watering dishes are found across the length and breadth of Malta’s islands, but while digging into a bruschetta few stop to question the sudden influx of Sicilian restaurants that are suspected of being money-laundering fronts for the Sicilian mafia.
Operation Beta, led by the Italian authorities in 2017, culminated in the arrest of 30 people as part of a major clampdown on illegal gaming activities and money laundering linked to a Sicilian family, the Santapaola-Erculanos, linked to the mafia by the Italian media. Almost a year later, Italian police cracked an operation involving Sicilians, Maltese and Libyans smuggling Libyan fuel into the European market. Once again, a link to the Santapaola-Erculano family emerged. A look at the histories of the mafia clans reveals deep family connections to Malta as a hub from which to extend their reach and profits.
The links date back to 1974, when a Sicilian man and his bride went to the Maltese island of Gozo on their honeymoon. They loved the island so much they frequently returned. To the locals who interacted with him in Pjazza San Frangisk, in Victoria, he was known simply as Toto.
But Toto was Salvatore Riina, the mafia boss who terrorised Sicily and made the Italian State tremble while making friends in Malta.
Over the years, Malta has continued to attract shady characters, including politically exposed politicians, from countries including India, Ukraine and Azerbaijan. There are clear risks in probing too deeply into the shadows of modern Malta – not that this is obvious to anyone landing in the country for a fortnight of sun and sea. Popular events, such as the annual music festival the Isle of MTV, continue to offer a distraction on the islands that were once a safe haven for tourists and locals. But the recent release of the Panama Papers linked a Maltese minister, Konrad Mizzi, and the prime minister’s chief of staff, Keith Schembri, to $1.6m payments to Dubai companies. Both deny the claims of payments.
It is now clear that a political party elected in 2013 on the promise of change was not thinking of adding transparency or media freedom. Since the Panama Papers revelations, journalists have piled up stories of scandals, but nothing has changed. Deals selling off the country’s assets continue to be made, shrouded in secrecy. And in the midst of all this, calls for justice for an assassinated journalist continue to echo in the air.
[/vc_column_text][/vc_column][vc_column][/vc_column][vc_column][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”Few stop to question the sudden influx of Sicilian restaurants that are suspected to be money laundering fronts” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Daphne Caruana Galizia was killed because of what she exposed. Seven months later, the institutions that failed to protect her are the same institutions that are failing to bring those who ordered her killing to justice. Every month, on the date marking her death, citizens gather to call for justice in the country’s capital. They gather in front of a makeshift memorial before the law courts as a reminder that justice has not been served. Every time, they know they will see each other the following month because nothing will have changed. Yet their presence, and the flowers and candles placed at the foot of the monument, serve as a reminder to the authorities that they will never forget.
Those who mention her name, those who refuse to bow to a society bent by corruption, are insulted and threatened. Journalists and activists keep being reminded of the untold damage they are doing to the country’s reputation. Malta’s image is everything, but it is not what it seems.
When confronted by the news that the European Parliament was sending a delegation to investigate Malta’s anti-money laundering rules, Muscat said: “I invite them to come over to see what a fantastic country we are.” But the Paradise Papers had already shown just how “fantastic” Malta s by casting a dark cloud over its economic miracle.
While workers in other countries have borne the brunt of austerity, the Maltese have never had it so good, shielded by an economic system which relies partly on enticing shell companies to Malta by offering a favourable fiscal regime, in addition to a growing dependence on i-gaming and construction. In addition, Malta’s controversial “sale” of European passports continues, despite concerns about the erosion of democracy.
Living in Malta as a journalist one experiences the stark reality of it all. Those exposing corruption are ostracised and vilified. Their voices are drowned out by the millions spent on the marketing machine to promote Malta and clean its image. Journalism is undermined through an almost complete domination of the narrative by the government – millions of euros spent on PR ridicules weeks of investigative journalism. Government advertising drowns out calls for a democracy that ends corruption and protects freedom of speech.
On 16 May, Labour MP Rosianne Cutajar stood up in parliament and spent 30 minutes criticising the publication of a six-month investigation by The Shift News that exposed pro-government secret Facebook groups with thousands of members posting threats against activists. These posts included threats towards anti-corruption activist Tina Urso, whose home address was also published on the site. Urso filed two complaints with the police, but wasn’t offered any protection.
The MP also said I was sowing the seeds of hatred left behind by Caruana Galizia by attacking the government. Compare this with the exposé of anti-Semitism in the UK Labour Party and the media scandal that followed. In Malta, the scandal was the journalist who dared to speak truth to power.
Caruana Galizia had written: “Malta is in a dangerous place, and now we can no longer say that it is corrupt politicians who have brought it to this point, for it can no longer be denied that those corrupt politicians are a reflection of society.”
In this scenario, the protection of journalists is critical in a landscape that is intolerant of independent thought.
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Caroline Muscat is the co-founder of The Shift News, based in Malta
This article was originally published in the Summer 2018 issue of Index on Censorship magazine. Click here to read about the other articles in the issue.
The latest issue of Index on Censorship magazine, Trouble in Paradise, Escape from Reality: what holidaymakers don’t know about their destinations is out now. Buy a subscription. Buy a print copy from bookshops including BFI, Serpentine and MagCulture (London), News from Nowhere (Liverpool), Home (Manchester), and Red Lion Books (Colchester), or via Amazon. Digital versions available via exacteditions.com or iTunes.
Finally, don’t miss our regular quarterly magazine podcast, also on Soundcloud, including an interview with the founder of the Rough Guides, Mark Ellingham. Come by and visit us.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89160″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Do not disturb” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422011399822|||”][vc_column_text]2011
In 2011, Charles Young reported that writers, journalists and even DJs are falling foul of Malta’s censorious laws[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”64776″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Social disturbance” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422015571882|||”][vc_column_text]March 2015
News footage provided by readers and viewers has entered a new era, where we’re faced with more propaganda, hoaxes and graphic detail than ever before. Vicky Baker looks at the increasingly tough verification process at the BBC’s user-generated content department[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”99282″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Index around the world” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422018769585|||”][vc_column_text]Spring 2018
Attacks on journalists are escalating in areas formerly seen as safe,
including the USA and the European Union, says Danyaal Yasin[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Trouble in Paradise” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The summer 2018 issue of Index on Censorship magazine takes you on holiday, just a different kind of holiday. From Malta to the Maldives, we explore how freedom of expression is under attack in dream destinations around the world.
With: Martin Rowson, Jon Savage, Jonathan Tel [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”100843″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/06/trouble-in-paradise/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
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23 May 2018 | Journalism Toolbox Spanish
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El Grupo Green / EFA campaña por la liberación del periodista Can Dundar que después de su reportaje sobre transportes de armas en Turquía fue encarcelado. Crédito: Rebecca Harms / Flickr[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Hace un tiempo que, cada dos o tres semanas, veo a algún colega salir del juzgado camino de prisión, o consigo robar unos momentos con algún compañero de trabajo detenido, al que echo mucho de menos, bajo la atenta mirada de las autoridades. Pero no le tenemos miedo a esta oscuridad como de calabozo: los periodistas solo hacemos nuestro trabajo.
Soy reportera judicial para Cumhuriyet desde 2013, así que paso la mayor parte de mi vida laboral en los juzgados. Todos tenemos momentos imposibles de olvidar en nuestras vidas como profesionales. Para mí, uno de esos momentos fue el 5 de noviembre de 2016, el día que arrestaron a 10 de nuestros redactores y coordinadores. Estaba esperando a la decisión del tribunal justo al otro lado de la barrera en el juzgado y, en el instante en que escuché el veredicto, me recorrió una ráfaga de orgullo por nuestros 10 redactores y coordinadores, seguida de la ira y de una profunda depresión por el destino de mis amigos.
Sentí orgullo porque la decisión del tribunal mencionó el hecho de que habían sido arrestados por su trabajo periodístico. Al enumerar ejemplos de nuestros reportajes como una de las razones del arresto, el juez cogió la insistencia del gobierno en que «no habían sido arrestados por periodistas» y la arrojó por la borda. Sentí ira y tristeza porque estaban enviando a nuestros amigos a una cautividad indefinida. La policía ni siquiera nos permitió despedirnos de nuestros colegas, que estaban apenas a 30 o 40 metros de distancia, al otro lado de una barrera. Pero, pese a la multitud de emociones que sentí, el miedo no estaba entre ellas. Cuando los ataques al periodismo se dan a tal escala, el miedo se convierte en un lujo.
Tras el arresto de nuestros diez compañeros, empezaron a llegar muchos periodistas de toda Europa a la redacción de nuestro periódico. Nuestros colegas extranjeros querían saber lo que había pasado y cómo nos sentíamos, y todos tenían la misma pregunta: «¿Tenéis miedo?». Desde noviembre, los arrestos a periodistas han sido continuos y regulares. Pero, como aquel día, mi respuesta a sus preguntas es, simple y llanamente: «¡No!».
No tenemos miedo porque estamos haciendo nuestro trabajo, y nuestro trabajo es lo único que nos preocupa. No tenemos miedo porque nosotros también nos sentimos como si hubiéramos pasado estos largos meses en la prisión de Silivri con nuestros compañeros. No tenemos miedo porque ya apenas hay diferencia entre estar dentro o fuera de prisión. No tenemos miedo porque nuestros colegas presos mantienen la cabeza bien alta. No tenemos miedo porque Fethullah Gülen, el clérigo exiliado acusado por el gobierno de estar tras el fallido intento de golpe del año pasado, no fue nuestro «cómplice» jamás. No tenemos miedo porque el Cumhuriyet que los gobiernos de todas las épocas han intentado silenciar solo informaba, informa e informará.
Ahmet Şık, un reportero de mi periódico, lleva en prisión provisional desde diciembre de 2016. Anteriormente, en 2011, junto al ex Jefe de Estado General İlker Başbuğ y multitud de soldados, policías, periodistas y académicos, Şık pasó más de un año en prisión por el caso «Ergenekon». Los acusaron de estar tratando de derrocar al gobierno.
Şık está actualmente bajo custodia acusado de conspirar con el movimiento de Gülen. Pero debido a las características del sistema judicial turco, el caso por el que arrestaron a Şık en 2011 sigue pendiente, lo cual nos dio la oportunidad de verlo en el juzgado el 15 de febrero. Esperé fuera de la sala, junto a las puertas. Cuando las abrieron, lo único que vi fue una cara sonriendo de esperanza: era la primera vez en meses que podía ver a sus amigos. Aunque Şık es un periodista con mucha más experiencia que yo, su mesa estaba cerca de la mía en la redacción, y lo echaba de menos.
Durante aquella sesión, resumió la lucha que existe a día de hoy por continuar la labor periodística en un estado de excepción de este modo: «La historia de los que creen tener el poder y lo utilizan para perseguir a los periodistas es tan antigua como la del mismo periodismo».
El diciembre pasado, seis periodistas, incluidos algunos de mis amigos, fueron retenidos durante 24 días a causa de una investigación sobre el hackeo de los emails del ministro Berat Albayrak. (Albayrak es el yerno del Presidente Recep Tayyip Erdogan.) Más adelante, el juez ordenó prisión preventiva para tres de estos periodistas. Durante este tiempo uno de ellos, Mahir Kannat, fue padre, pero no pudo ver a su hijo. A su compañero apresado, Tunca Öğreten, no le permitieron enviar ni recibir cartas, ni ver a nadie salvo a su familia inmediata. Tuvo que pedirle matrimonio a su novia a través de sus abogados.
Hace poco escuché a uno de estos periodistas relatar un recuerdo de su tiempo en el juzgado. Al notar que su fe en la justicia se tambaleaba, en un intento por salir libres, recurrieron a supersticiones durante las vistas. Metin Yoksu, un periodista liberado, dijo que tres de ellos se habían sentado cerca de la salida y habían reemplazado los cordones de sus zapatos —los cuales les habían quitado— por cordones hechos de trozos de botellas de agua. ¿El resultado? Los que se habían sentado cerca de la puerta de salida fueron los que salieron libres.
La confianza en el sistema judicial turco se ha desmoronado hasta tal punto que ahora nos amparamos en la superstición. Qué deprimente.
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Para leer sobre el proyecto de Index «Turquía sin censura», visita indexoncensorship.org
Traducido del turco John Butler
Traducido al español por Arrate Hidalgo
La periodista Canan Coşkun es reportera judicial en Cumhuriyet. Actualmente se enfrenta a cargos de difamación a la identidad turca, la República de Turquía y los órganos e instituciones estatales por uno de sus artículos. El artículo cubría el caso de un camión lleno de armas escondidas bajo un cargamento de cebollas. También se la acusa de haber retratado como objetivos a los policías que luchan contra el periodismo para un reportaje sobre los arrestos a kurdos turcos.
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