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The Summer 2023 issue of Index looks at neurodiversity, the term coined in the late 1990s to identify and promote the positives of variation in human thinking which has become more widely used in the past few years. Are old stereotypes still rife? Has the perception of neurodiversity improved? If not, was this because of censorship? Using neurodivergent voices, we wanted to know about this in a global context.
The majority of the articles are written by neurodivergent people, as we wanted to put their voices front and centre. Many said they did have more of a voice, awareness had shot up and the word “neurodiversity” empowered and welcomed a growth in onscreen representation. However, at the same time it was clear that conversations around neurodiversity were playing out along society’s current fault-lines and were far from immune.
Mind matters, by Jemimah Seinfeld: The term neurodiversity has positively challenged how we approach our minds. Has it done enough?
The Index, by Mark Frary: The latest in free expression news, from an explainer on Sudan to a cha-cha-cha starring Meghan and King Charles.
Bars can't stop a bestseller, by Kaya Genç: Fiction is finding its way out of a Turkish prison, says former presidential hopeful and bestselling writer
Selahattin Demirtaş.
Don't mention femicide, by Chris Havler-Barrett: Murdered women are an inconvenience for Mexico’s president.
This is no joke, by Qian Gong and Jian Xu: The treatment of China’s comedians is no laughing matter.
Silent Disco, by Andrew Mambondiyani: Politicians are purging playlists in Zimbabwe, and musicians are speaking out.
When the Russians came, by Alina Smutko, Taras Ibragimov and Aliona Savchuk: The view from inside occupied Crimea, through the cameras of photographers banned by the Kremlin.
The language of war and peace, by JP O’Malley: Kremlin-declared “Russophobe foreign agent and traitor” Mikhail Shishkin lays out the impossible choices for Russians.
Writer's block, by Stacey Tsui: Hong Kong’s journalists are making themselves heard, thanks to blockchain technology.
The Russians risking it all, by Katie Dancey-Downs: Forced to sing songs and labelled as extremists, anti-war Russians are finding creative ways to take a stand.
The 'truth' is in the tea, by Jemimah Steinfeld: Spilling the tea on a London venue, which found itself in hot water due to a far-right speaker.
Waiting for China's tap on the shoulder, by Chu Yang: However far they travel, there’s no safe haven for journalists and academics who criticise China.
When the old fox walks the tightrope, by Danson Kahyana: An interview with Stella Nyanzi on Uganda’s latest anti-LGBTQ+ law.
Would the media lie to you?, by Ali Latifi: Fake news is flourishing in Afghanistan, in ways people might not expect.
Britain's Holocaust island, by Martin Bright: Confronting Britain’s painful secret, and why we must acknowledge what happened on Nazi-occupied Alderney.
The thorn in Vietnam's civil society side, by Thiện Việt: Thiện Việt: Responding to mass suppression with well-organised disruption.
Not a slur, by Nick Ransom: What’s in a word? Exploring representation, and the power of the term “neurodiversity” to divide or unite.
Sit down, shut up, by Katharine P Beals: The speech of autistic non-speakers is being hijacked.
Fake it till you break it, by Morgan Barbour: Social media influencers are putting dissociative identity disorder in the spotlight, but some are accused of faking it.
Weaponising difference, by Simone Dias Marques: Ableist slurs in Brazil are equating neurodivergence with criminality.
Autism on screen is gonna be okay, by Katie Dancey-Downs: The Rain Man days are over. Everything’s Gonna Be Okay star Lillian Carrier digs into autism on screen.
Raising Malaysia's roof, by Francis Clarke: In a comedy club in Malaysia’s capital stand up is where people open up, says comedian Juliana Heng.
Living in the Shadows, by Ashley Gjøvik: When successful camouflage has a lasting impact.
Nigeria's crucible, by Ugonna-Ora Owoh: Between silence and lack of understanding, Nigeria’s neurodiverse are being mistreated.
My autism is not a lie, by Meltem Arikan: An autism diagnosis at 52 liberated a dissident playwright, but there’s no space for her truth in Turkey.
Lived experience, to a point, by Julian Baggini: When it comes to cultural debates, whose expertise carries the most weight?
France: On the road to illiberalism? by Jean-Paul Marthoz: Waving au revoir to the right to criticise.
Monitoring terrorists, gangs - and historians, by Andrew Lownie: The researcher topping the watchlist on his majesty’s secret service.
We are all dissidents, by Ruth Anderson: Calls to disassociate from certain dissidents due to their country of birth are toxic and must be challenged.
Manuscripts don't burn, by Rebecca Ruth Gould: Honouring the writers silenced by execution in Georgia, and unmuzzling their voices.
Obscenely familiar, by Marc Nash: A book arguing for legalised homosexuality is the spark for a fiction rooted in true events.
A truly graphic tale, by Taha Siddiqui and Zofeen T Ebrahim: A new graphic novel lays bare life on Pakistan’s kill list, finding atheism and a blasphemous tattoo.
A censored day? by Kaya Genç: Unravelling the questions that plague the censor, in a new short story from the Turkish author.
Poetry's peacebuilding tentacles, by Natasha Tripney: Literature has proven its powers of peace over the last decade in Kosovo.
Palestine: I still have hope, by Bassem Eid: Turning to Israel and Palestine, where an activist believes the international community is complicit in the conflict.
The central theme of the Spring 2023 issue of Index is India under Prime Minister Narendra Modi.
After monitoring Modi’s rule since he was elected in 2014, Index decided to look deeper into the state of free expression inside the world’s largest democracy.
Index spoke to a number of journalists and authors from, or who live in, India; and discovered that on every marker of what a democracy should be, Modi’s India fails. The world is largely silent when it comes to Narendra Modi. Let’s change that.
Can India survive more Modi?, by Jemimah Seinfeld: Nine years into his leadership the world has remained silent on Modi's failed democracy. It's time to turn up the temperature before it's too late.
The Index, by Mark Frary: The latest news from the free speech frontlines. Big impact elections, poignant words from the daughter of a jailed Tunisian opposition politician, and the potential US banning of Tik Tok.
Cultural amnesia in Cairo, by Nick Hilden: Artists are under attack in the Egyptian capital where signs of revolution are scrubbed from the street.
‘Crimea has turned into a concentration camp’, by Nariman Dzhelal: Exclusive essay from the leader of the Crimean Tatars, introduced by Ukranian author Andrey Kurkov.
Fighting information termination, by Jo-Ann Mort: How the USA's abortion information wars are being fought online.
A race to the bottom, by Simeon Tegel: Corruption is corroding the once-democratic Peru as people take to the streets.
When comics came out, by Sara Century: The landscape of expression that gave way to a new era of queer comics, and why the censors are still fighting back.
In Iran women’s bodies are the battleground, by Kamin Mohammadi: The recent protests, growing up in the Shah's Iran where women were told to de-robe, and the terrible u-turn after.
Face to face with Iran’s authorities, by Ramita Navai: The award-winning war correspondent tells Index's Mark Frary about the time she was detained in Tehran, what the current protests mean and her Homeland cameo.
Scope for truth, by Kaya Genç: The Turkish novelist visits a media organisation built on dissenting voices, just weeks before devastating earthquakes hit his homeland.
Ukraine’s media battleground, by Emily Couch: Two powerful examples of how fraught reporting on this country under siege has become.
Storytime is dragged into the guns row, by Francis Clarke: Relaxed gun laws and the rise of LGBTQ+ sentiment is silencing minority communities in the USA.
Those we must not leave behind, by Martin Bright: As the UK government has failed in its task to rescue Afghans, Index's editor at large speaks to members of a new Index network aiming to help those whose lives are in imminent danger.
Modi’s singular vision for India, by Salil Tripathi: India used to be a country for everyone. Now it's only for Hindus - and uncritical ones at that.
Blessed are the persecuted, by Hanan Zaffar: As Christians face an increasing number of attacks in India, the journalist speaks to people who have been targeted.
India’s Great Firewall, by Aishwarya Jagani: The vision of a 'digital India' has simply been a way for the authoritarian government to cement its control.
Stomping on India’s rights, by Marnie Duke: The members of the RSS are synonymous with Modi. Who are they, and why are they so controversial?
Bollywood’s Code Orange, by Debasish Roy Chowdhury: The Bollywood movie powerhouse has gone from being celebrated to being used as a tool for propaganda.
Bulldozing freedom, by Bilal Ahmad Pandow: Narendra Modi's rule in Jammu and Kashmir has seen buildings dismantled in line with people's broader rights.
Let’s talk about sex, by Mehk Chakraborty: In a country where sexual violence is abundant and sex education is taboo, the journalist explores the politics of pleasure in India.
Uncle is watching, by Anindita Ghose: The journalist and author shines a spotlight on the vigilantes in India who try to control women.
Keep calm and let Confucius Institutes carry on, by Kerry Brown: Banning Confucius Institutes will do nothing to stop Chinese soft power. It'll just cripple our ability to understand the country.
A papal precaution, by Robin Vose: Censorship on campus and taking lessons from the Catholic Church's doomed index of banned works.
The democratic federation stands strong, by Ruth Anderson: Putin's assault on freedoms continues but so too does the bravery of those fighting him.
Left behind and with no voice, by Lijia Zhang and Jemimah Steinfeld: China's children are told to keep quiet. The culture of silence goes right the way up.
Zimbabwe’s nervous condition, by Tsitsi Dangarembga: The Zimbabwean filmmaker and author tells Index's Katie Dancey-Downes about her home country's upcoming election, being arrested for a simple protest and her most liberating writing experience yet.
Statues within a plinth of their life, by Marc Nash: Can you imagine a world without statues? And what might fill those empty plinths? The London-based novelist talks to Index's Francis Clarke about his new short story, which creates exactly that.
Crimea’s feared dawn chorus, by Martin Bright: A new play takes audiences inside the homes and families of Crimean Tatars as they are rounded up.
From hijacker to media mogul, Soe Myint: The activist and journalist on keeping hope alive in Myanmar.
[vc_row][vc_column][vc_single_image image="114463" img_size="full" add_caption="yes" alignment="center"][vc_column_text]“Journalists are very, very afraid. They are being seen as enemies of the state because of this surveillance, because of their political activism, opposition politicians are afraid, everybody is afraid of the government," said Issa Sikiti da Silva, a journalist from the Democratic Republic of Congo who has travelled to and reported from many countries across Africa. Sikiti da Silva was speaking at the digital launch party of the Index on Censorship summer magazine, held on Friday 31st July.
The summer issue looks at the ways in which our privacy is being increasingly infringed upon in the coronavirus era. From health code apps in China dictating when people can leave their homes to poor digital literacy levels in Italy (and beyond) leaving people vulnerable to exploitation, the magazine takes a broad view.
Sikiti da Silva was joined by Turkish writer and journalist Kaya Genç and Spanish journalist Silvia Nortes. The panel was chaired by Rachael Jolley, editor-in-chief of Index on Censorship magazine.
“The state is tapping our phones, the state is following us into Starbucks branches...they’re all around you. But with online surveillance it’s impossible for me to know whether someone from the Turkish embassy in Britain is watching this event or someone from the intelligence agency in Turkey is watching this event. So it puts us on the spot, this new age of digital surveillance, and that’s what my piece was about for the new issue of Index,” said Genç as part of the discussion.
When asked if recent increased surveillance, in light of the Covid-19 pandemic, was a cause for concern in terms of media freedom all panellists said it was.
Genç explained how digital surveillance is a more insidious form of government espionage, which is causing a fresh set of worries: “In a country like Turkey the state is a very palpable thing, you see it on the street...and its presence makes it a bit vulnerable because we are the one that is scrutinising that visible entity. But now it seems with apps like Life Fits Home [a Covid-19 tracing app], the state became invisible and its surveillance powers have increased.”
Nortes discussed how, in Spain, reactions to Covid-19 tracing apps and state surveillance have fallen along generational lines: “Younger people are more open to using this kind of app because, of course, they are aware that we live in a hyper connected society.”
She suggested that historical precedents may have imbued older generations with a different perspective on security around their personal information: “They feel more reluctant to give in their data and I believe this is connected somehow with [General] Franco’s dictatorship.”
She continued: “The surveillance of these years really has something to do with the concept of private life that older generations have in Spain.”
Sikiti da Silva painted a picture of Africa as a continent in which dictators continue to rule.
“Journalists are being watched over [by the state] and by the time they have enough evidence then they will move on you or arrest you or kill you whatever they want to do with you.”
When Jolley asked if anyone was fighting back against this kind of oppression, Sikiti da Silva was blunt in his reply. He said that without money or power, there is no fighting back. “What people do mostly is to run away. In Africa we only have one solution. You run away...that’s all you can do. You just leave the country before it is too late.”
This has informed Sikiti da Silva’s travels around Africa: “Where there is media freedom I stay. Where there is no media freedom I do two or three stories, then I run away.”
Nortes said that the national security force in Spain is working on detecting ‘fake news’ which could “generate hostility toward the government’s decisions”.
“This is targeted surveillance, they’re just looking for news that could affect in a bad way the government’s management of the pandemic.” This is a trend that Index has been reporting on as part of a global project to map media freedom during the coronavirus crisis.
“We need to be sure that once the pandemic is over we will have the same rights that we had before,” added Nortes.
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]“In the Middle Ages people watched convicts getting quartered in public squares. Nowadays, on social media, they watch reporters as they live-tweet their ordeals: detention, physical attacks on the streets, losing their livelihoods,” said Turkish author and journalist Kaya Genç.
“For most Turks, watching journalists getting sacked or imprisoned or destroying each other’s careers became entertainment.”
Genç spoke to Index to answer questions posed by the Index youth advisory board about life as a journalist in Turkey under President Recep Tayyip Erdogan, and his latest book, The Lion and the Nightingale: A Journey Through Modern Turkey.
The youth board are elected for six months, and meet once a month online over that period to discuss freedom of expression issues. They are based around the world.
Hana Meihan Davis, from Hong Kong, asked how Erdogan managed to strip Turkey of journalistic freedom. Genç explained that divisions have existed between political sects in the media for decades, which the current ruling party was then able to take advantage of.
“When Islamists were in trouble in the 1990s secularists supported court cases against them; when secularists were locked up some liberals applauded; when Kurds were imprisoned most journalists looked the other way. Now as most of their colleagues are sacked or locked up conservatives act as if all is normal,” said Genç, who is also a contributing editor to Index on Censorship magazine.
Amid this sense of apathy Erdogan moved to create “a small army of loyalists in the media” as other news sites and newspapers were closed down.
Davis followed up her question, asking if people realised what was happening at the time? This is a question often asked when we look back with hindsight at the gradual erosion of freedoms. Were people like a frog who doesn’t realise the temperature of his water is slowly being increased to boiling? Genç said some journalists saw the dangers.
“Reporters and editors declared their independence, or found new patrons, and they are producing excellent work away from the influence of state power. I’m sure they were aware of what was happening while they worked at titles now tamed and indirectly owned by the government.”
The landscape for journalists in Turkey today is rocky terrain. There is an acute awareness of the censorship laws that can be imposed, coupled with a determination to provide much needed accurate reporting.
From the UK, Saffiyah Khalique asked about the laws around “public sensitivities”, which can result in imprisonment for up to a year for disrespecting the beliefs of religious groups, insulting Turkishness and other such “offences”. Genç said they are used within society to silence political dissenters.
“Twitter trolls who present themselves as pro-government journalists use these unclear laws to put their enemies behind bars. If an artist, piano player or actor says something critical about the government, they go through their timeline, find something they find insulting, and ask the public prosecutor to step in.”
Despite this possibility of prosecution being ever around the corner, Genç said he does not feel unsafe or threatened as a journalist in Turkey. “I feel free”, he answered to a question from Emily Boyle, a dual citizen of the UK and Switzerland
Recognising the value of objectivity appears to be Genç’s lifeline. When Indian national Samarth Mishra asked what is the most difficult part of being a journalist in Turkey, Genç said: “The hardest thing for a writer reporting from Turkey is to remain objective. You can’t be bitter about the government. Readers can benefit from the cold heart of a writer who does her best to be objective in her reporting.”
He said: “Our job, as writers, is to hold people with power to account, not to promote this or that political leader, defend this or that political ideology, propagate for this or that country … When a writer inhibits a space where nobody can accuse her of partisanship, believe me the effect of her writing will be much greater.”
The Lion and the Nightingale, Genç’s latest book, was published recently. It takes the reader on a journey through modern Turkey while exploring its history, via interviews he conducted on the road. Egil Sturk, from Sweden, asked Genç if there were any questions he was hesitant to ask his interviewees.
Genç said: “I am hesitant to ask questions about people’s religious beliefs and fiery ideological commitments. I prefer to give them enough space to articulate themselves where the bizarre, the eerie appears like a diamond in a mine. When people feel safe they tell you the most amazing things. Like an analyst you need to just sit there and listen.”
In answer to a question from Aliyah Orr (UK) about the emotional impact of the interviews he was conducting, Genç said:
“The prison chronicle of my friend and colleague Murat Çelikkan … had the strongest emotional effect on me. We used to work together, behind adjacent desks, and his experience in prison was empowering and unsettling. His account of imprisonment was rich with detail and you could see a great writer disappearing into the story's characters and particulars of his story.”
Faye Gear from Canada asked what is different about today’s landscape in terms of freedom of expression. To tackle the suppression of free speech, Genç said people must think for themselves.
“I grew up idolising individual thinkers and writers: Susan Sontag, Jacques Derrida, Chantal Mouffe, VS Naipaul,” said Genç. “Nowadays we are invited to subscribe to what seems to be the most forward-thinking tribe and then follow its leaders by liking and retweeting their political snippets.”
In the face of an atmosphere of censorship, Genç remains defiant. In answer to a question from Satyabhama Rajoria, from India, about the struggles he faces as a journalist and author, Genç said: “There is of course always the anxiety that comes with publishing your writing, but that is healthy. Bullies, from the left and the right, may take your sentences out of context but that, too, is something one can deal with.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image="112300" img_size="full"][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type="post" max_items="3" grid_id="vc_gid:1585828417099-e398f95f-d0bf-6" taxonomies="7355"][/vc_column][/vc_row]