Contents – In bad faith: How religion is being weaponised by the right

Contents

The Autumn 2023 issue of Index looks at blasphemy laws, and how they are being weaponised by the religious right as a means of imposing intolerance. We wanted to understand the ways in which religion is being used by states as an excuse for censorship, and how this has played out in a global context.

The writers in this issue have examined blasphemy laws in countries all over the world, shining a light on the those who have been left voiceless or have been persecuted in the name of religion. These worrying stories paint a picture of a growing movement amongst the religious right that threatens to suppress those who do not conform to increasingly strict cultures and norms.

Up Front

Faithful foot soldiers, by Jemimah Steinfeld: The religious right is in, our rights to speech out.

The Index, by Mark Frary: From fraught elections in Mali to Russians launching VPNs, this is free expression in focus.

Features

Oiling the wheels of injustice, by Francis Clarke and Mark Frary: Behind a mega-city construction and the roar of Formula 1, Saudi Arabia is driving human rights further into the ground.

Pinochet's ghost still haunts, by Juan Carlos Ramírez Figueroa: The Chilean dictator is long gone, but support lingers on.

The dissident lives on, by Martin Bright: The dissident is not dead, long live the dissident.

No place to hide, by Nik Williams: Transnational repression has no borders in a digital world.

Peer pressure, by Thiện Việt: In China, enforced social rankings aren’t just confined to the realms of Black Mirror.

No country for anxious men, by Laura Silvia Battaglia: A mental health crisis in Yemen has left people locked up with no voice.

Nollywood gets naked, by Tilewa Kazeem: It’s getting hot in Nigeria, as the film scene strips back on what’s deemed inappropriate.

Policing symbolism, by Jimena Ledgard: Peruvian protesters are being met with violence, and not even flower carpets are safe.

Setting the story straight, by Danson Kahyana: Uganda’s new anti-homosexuality law is having an unexpected effect, with literature being ripped apart.

A marriage made in transgression, by Alexandra Domenech: Despite being tortured by security forces and her fiancé thrown in jail, Russian dissident Alexandra Popova is staying put in Moscow.

Out of the oven, into the fire, by Mir Aiyaz: Rohingya Muslims hoping for open arms in India are getting a cold reception.

Special Report: In bad faith - how religion is being weaponised by the right

For the love of God?, by Rebecca L Root: As intolerance rises in many parts of the world, a misplaced profanity can spell out death.

Worshippers of power, by Jemimah Steinfeld: Under the eye of the religious right, Margaret Atwood discusses why a blasphemy accusation holds so much power.

King David he is not, by JP O'Malley: The USA's religious right is playing the Trump Card.

No sex please, we're Hindus, by Salil Tripathi: Oppenheimer isn't just breaking box office records, it's offending Hindu nationalists.

In the name of the father?, by Francis Clarke: A far from extensive list of the countries currently imposing sentences on those who "offend".

A call to harm, by Ayesha Khan: Pakistan has some of the world's harshest blasphemy laws, but punishments come from those outside the law too.

The blasphemy obstacle course, by Mai Al-Nakib: Kuwait's rocky relationship with blasphemy laws is breeding a generation of self-censored authors.

Self-worship is the new religion, by Tara Isabella Burton: A new faith is emerging and it's not necessarily open to different views.

Think of the children, by Katie Dancey-Downs: When Juno Dawson's stories are banned, is it really about the books?

Turkey's zealots still want blood, by Kaya Genç: A foundation related to the controversial and failed translation of The Satanic Verses continues to be attacked.

Sharia Law and disorder, by Kola Alapinni: When the state fails to step in, violent mobs control the punishments for blasphemy in Nigeria.

Loose hair in Tehran, by Farnaz Haeri: The writer describes her first time walking out in Iran without a headscarf.

Handmaid's tale in a holy land, by Jo-Ann Mort: In an Israel that is eroding women's rights, female-free billboards and segregated beaches are just some of the battlegrounds.

Practise what they preach, by Simon Coates: Religious values are an excuse to eradicate LGBTQ+ discussion in the UAE, while tolerance is forgotten.

Poland's papal problem, by Kseniya Tarasevich: One Pope's lack of integrity paints a picture of Poland's infiltrated politics.

Comment

Turkish and European courts failed me, by Nedim Türfent: How one journalist swapped a press card for a "terrorist" badge.

Truth in seduction, by Mark Hollingsworth: A historian struggles to lift the cloak of secrecy on a KGB-orchestrated sex scandal.

First they came for the female journalists, by Zahra Joya: The space for women in Afghanistan is ever-diminishing, and female journalists are crucial.

Speak, debate, challenge, by Ruth Anderson: Index's guiding framework remains the same in a 2023 context.

Culture

Will Paulina ever rest?, by Ariel Dorfman and Jemimah Steinfeld: The Death and the Maiden protagonist fights for justice once more. Plus an exclusive new short story.

Lines of inquiry, by Richard Norton-Taylor: The thorn in intelligence establishment's side explains the growing pressure on whistleblowers

Botswana’s trans activists battling silence with creativity

It has been a cold, dark road towards dismantling the shackles of homophobia and rebuking the spirit of prejudice and blasphemy that curtains the small society of Botswana. And for transgender activists finding ways to make their voices heard and fight stigmas, art has become an important tool.

In June this year, prominent trans activist Katlego Kolanyane-Kesupile was part of the team that launched the second iteration of the Banana Club Artist Fund, enrolling several LGBTQ+ artists in Botswana for a three month residency aimed at amplifying the voices of marginalised communities through creativity.

Kolanyane-Kesupile is a cultural architect and artivist (or artist-activist), and alongside the Banana Club is also the founder of the Queer Shorts Showcase Festival, an LGBTQ+ themed theatre festival. She uses art to communicate on gender issues and to bring human rights to the fore in Botswana, using creativity as a catalyst for social transformation and mind-set change.

Expressing herself through artivism is the “merging of age-old traditions of storytelling, education and community building,” she told Index.

As part of the PlayCo Black Women Theatre Maker residency in New York, she wrote and produced an Afro-futuristic play. Her work “focuses on marginalised communities and the outputs are focused on creative educational products,” she said, and believes that an artist can also be a critical scholar of human rights and social justice. In fact, she holds a master’s degree in Human Rights, Culture and Social Justice.

At the heart of her craft and expression is a desire to showcase the validity and essence of LGBTQ+ individuals in society and why their experiences matter. Botswana is a country that has made leaps towards acceptance, but where prejudice still runs wild.

Two landmark cases in recent years went a long way to challenging homophobic stances in the country. The first was in 2017, when activist Tshepo Ricki Kgositau became the first trans woman to be allowed to change her gender marker to female on her identity card, after a high court ruling. The second was when same-sex relations were decriminalised at the country’s highest court in 2019. But pushing for more rights and acceptance for LGBTQ+ people has proven difficult.

Botswana has experienced a face-off between the LGBTQ+ community and religious entities, which culminated in a spat during a protest march in the country’s capital city, Gaborone, in July this year. Members of the Evangelical Church community organised the march against a bill that would comply with the 2019 ruling, and make homosexuality legal. Those on the march handed a petition to Parliament, and asked legislators to vote against the bill. The chairperson of the Evangelical Fellowships of Botswana (EFB), Pulafela Siele, said that allowing same-sex relations in Botswana “open[s] the floodgates of immorality and abomination in society”.

Legislator Wynter Mmolotsi, who received the petition on behalf of the National Assembly, said that Parliament is dictated to by the people.

“The only thing that Parliament can do is to make laws that are guided by the values of the country; the values of the people. Parliament can agree or disagree – and make laws that reflect the values of the nation,” he said.

The chief executive director of the organisation of Lesbians Gays and Bisexuals of Botswana (LEGABIBO), Thato Moruti, said that the church’s advocacy not only crippled human rights but also harmed the democracy that Botswana is known to value and prioritise. “The church is setting a dangerous trend of manipulating legislators and the courts. This could cause destabilisation of democracy as they are not only pushing Christian fundamentalism, but also sowing seeds of social discord based on gender and sexual orientation,” he said.

Moruti echoed the need to find common ground and respect the rights of all people, calling for dialogue instead of “combative approaches”.

Kolanyane-Kesupile is not the only trans activist in Botswana using creativity to push for acceptance and the rights of the LGBTQ+ community. Melino Carl is considered Botswana’s first transgender model, and has walked catwalks in Johannesburg, New York and Paris. Fashion is her first love, but growing her artistry and coming out publicly wasn’t easy. She has been assaulted five times and has dealt with being systematically humiliated and ridiculed because of her gender identity and sexual
orientation.

“Homophobia is not taken seriously. So many members of the LGBTQ+ community face discrimination and violence,” Carl told Index.

She said it’s important to highlight the validity of their identity: “Since there are not enough platforms to speak, I express my activism through fashion. I believe that it is a vehicle to inspire and uplift members of the LGBTI community and make them feel validated and boost their self-esteem and confidence.”

Contents – Express yourself: Overcoming neurodiversity stereotypes

Contents

The Summer 2023 issue of Index looks at neurodiversity, the term coined in the late 1990s to identify and promote the positives of variation in human thinking which has become more widely used in the past few years. Are old stereotypes still rife? Has the perception of neurodiversity improved? If not, was this because of censorship? Using neurodivergent voices, we wanted to know about this in a global context.

The majority of the articles are written by neurodivergent people, as we wanted to put their voices front and centre. Many said they did have more of a voice, awareness had shot up and the word “neurodiversity” empowered and welcomed a growth in onscreen representation. However, at the same time it was clear that conversations around neurodiversity were playing out along society’s current fault-lines and were far from immune.

Up Front

Mind matters, by Jemimah Seinfeld: The term neurodiversity has positively challenged how we approach our minds. Has it done enough?

The Index, by Mark Frary: The latest in free expression news, from an explainer on Sudan to a cha-cha-cha starring Meghan and King Charles.

Features

Bars can't stop a bestseller, by Kaya Genç: Fiction is finding its way out of a Turkish prison, says former presidential hopeful and bestselling writer
Selahattin Demirtaş.

Don't mention femicide, by Chris Havler-Barrett: Murdered women are an inconvenience for Mexico’s president.

This is no joke, by Qian Gong and Jian Xu: The treatment of China’s comedians is no laughing matter.

Silent Disco, by Andrew Mambondiyani: Politicians are purging playlists in Zimbabwe, and musicians are speaking out.

When the Russians came, by Alina Smutko, Taras Ibragimov and Aliona Savchuk: The view from inside occupied Crimea, through the cameras of photographers banned by the Kremlin.

The language of war and peace, by JP O’Malley: Kremlin-declared “Russophobe foreign agent and traitor” Mikhail Shishkin lays out the impossible choices for Russians.

Writer's block, by Stacey Tsui: Hong Kong’s journalists are making themselves heard, thanks to blockchain technology.

The Russians risking it all, by Katie Dancey-Downs: Forced to sing songs and labelled as extremists, anti-war Russians are finding creative ways to take a stand.

The 'truth' is in the tea, by Jemimah Steinfeld: Spilling the tea on a London venue, which found itself in hot water due to a far-right speaker.

Waiting for China's tap on the shoulder, by Chu Yang: However far they travel, there’s no safe haven for journalists and academics who criticise China.

When the old fox walks the tightrope, by Danson Kahyana: An interview with Stella Nyanzi on Uganda’s latest anti-LGBTQ+ law.

Would the media lie to you?, by Ali Latifi: Fake news is flourishing in Afghanistan, in ways people might not expect.

Britain's Holocaust island, by Martin Bright: Confronting Britain’s painful secret, and why we must acknowledge what happened on Nazi-occupied Alderney.

The thorn in Vietnam's civil society side, by Thiện Việt: Thiện Việt: Responding to mass suppression with well-organised disruption.

Special Report: Express yoruself: Overcoming neurodiversity stereotypes

Not a slur, by Nick Ransom: What’s in a word? Exploring representation, and the power of the term “neurodiversity” to divide or unite.

Sit down, shut up, by Katharine P Beals: The speech of autistic non-speakers is being hijacked.

Fake it till you break it, by Morgan Barbour: Social media influencers are putting dissociative identity disorder in the spotlight, but some are accused of faking it.

Weaponising difference, by Simone Dias Marques: Ableist slurs in Brazil are equating neurodivergence with criminality.

Autism on screen is gonna be okay, by Katie Dancey-Downs: The Rain Man days are over. Everything’s Gonna Be Okay star Lillian Carrier digs into autism on screen.

Raising Malaysia's roof, by Francis Clarke: In a comedy club in Malaysia’s capital stand up is where people open up, says comedian Juliana Heng.

Living in the Shadows, by Ashley Gjøvik: When successful camouflage has a lasting impact.

Nigeria's crucible, by Ugonna-Ora Owoh: Between silence and lack of understanding, Nigeria’s neurodiverse are being mistreated.

My autism is not a lie, by Meltem Arikan: An autism diagnosis at 52 liberated a dissident playwright, but there’s no space for her truth in Turkey.

Comment

Lived experience, to a point, by Julian Baggini: When it comes to cultural debates, whose expertise carries the most weight?

France: On the road to illiberalism? by Jean-Paul Marthoz: Waving au revoir to the right to criticise.

Monitoring terrorists, gangs - and historians, by Andrew Lownie: The researcher topping the watchlist on his majesty’s secret service.

We are all dissidents, by Ruth Anderson: Calls to disassociate from certain dissidents due to their country of birth are toxic and must be challenged.

Culture

Manuscripts don't burn, by Rebecca Ruth Gould: Honouring the writers silenced by execution in Georgia, and unmuzzling their voices.

Obscenely familiar, by Marc Nash: A book arguing for legalised homosexuality is the spark for a fiction rooted in true events.

A truly graphic tale, by Taha Siddiqui and Zofeen T Ebrahim: A new graphic novel lays bare life on Pakistan’s kill list, finding atheism and a blasphemous tattoo.

A censored day? by Kaya Genç: Unravelling the questions that plague the censor, in a new short story from the Turkish author.

Poetry's peacebuilding tentacles, by Natasha Tripney: Literature has proven its powers of peace over the last decade in Kosovo.

Palestine: I still have hope, by Bassem Eid: Turning to Israel and Palestine, where an activist believes the international community is complicit in the conflict.

All lose out when books are banned

In a world of online book shopping most of us rarely consider what we’re able to buy, or what books are available from the library. But there is nothing more important in the world of freedom of expression than access to the written word.

Literature can be an escape from reality. It can provide space to dream and to challenge and the best of literature can challenge our perceptions of the status quo. Of course there are bad books as much as there are good books, but each and every published work adds something to our collective understanding of the world around us. That's why a democracy should cherish the written word and consider libraries as cathedrals of learning and opportunity. The banning of books is for the unenlightened and should be challenged wherever it happens.

And that's why it is so shocking that 1,648 titles are banned across the United States at the moment, according to PEN America, in their recently updated list of banned books. Many of these books relate to sexuality and LGBTQ+ experiences, and some challenge historical realities, such as segregation and class, or race and history. With these books banned, not only are authors literally being cancelled but minority communities are prevented from seeing characters like themselves in the literature that they read.

The most commonly banned book in the USA at the moment is Gender Queer: A Memoir by Maia Kobabe. What does this say to young people who are questioning their own identity when books which explore the very things that they are currently experiencing are banned?

As a Jewish woman and an anti-racist activist I find the concept of banning books abhorrent. Only those political leaders who are scared of people can possibly think it's acceptable to ban the written word and make reading an illicit or illegal activity.

I was lucky as a child. I had an enlightened mum who thought there was little else more important than me reading, although I did resent getting the books about my favourite toys rather than the actual toys (yes mum I am still upset I never had a My Little Pony!). But looking at the list of Banned Books PEN America has published I’m disconcerted to see so many of those books I loved as a child banned, including several by Judy Blume and The Handmaid's Tale by Index patron Margaret Atwood.

Freedom to read is as crucial an element of freedom of expression as freedom to create.

Censorship doesn’t protect children and young people. Reading about gender and sexuality isn't going to make them go and have sex, or change who they might later choose to have sex with. Just as reading about Afghanistan doesn’t make a child a victim of war or reading about slavery in the USA a slave. Instead reading about those issues can make a young person more compassionate, more understanding of others and more open to new ideas. It generates empathy and gives us all a more informed and confident community who understand pain and anguish as well as our collective history. That is the society I want to live in.

And in the spirit of Barack Obama, who just released his own summer reading list in support of anti-book banning efforts, might I recommend you check out some of those wonderful titles on the list. Together let's fight book bans.

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