“Apple poisoned me: physically, mentally, spiritually”

Ashley Gjøvik knew things had become serious when she received an email on 9 September 2021 from Apple’s Threat Assessment and Workplace Violence team asking her to discuss a “sensitive intellectual property matter”.

Gjøvik, 35, had been raising concerns about toxic waste under her office for six months, and had become known as “The Apple Whistleblower”, but this was the first time she had been contacted by this scary-sounding unit.

She emailed back to say she was “happy to help” but with one condition: everything had to be done via email. “I wanted everything in writing so they are not misrepresenting me, they’re not trying to gaslight and intimidate me.”

But she never discovered what the sensitive IP matter was because she was fired for failing to co-operate with the investigation, despite repeated attempts to express her willingness to do so. The letter terminating her employment accused her of disclosing “confidential product-related information” but did not go into detail.

By the time she was sacked, Gjøvik had become a fearsome employee-activist conducting a full-scale campaign over hazardous waste in Silicon Valley. She had gone public on workplace harassment, Apple’s surveillance of employees and its culture of secrecy. But it all began when she started to raise perfectly regular concerns about her own safety and that of her fellow workers.

In February 2020, Gjøvik had moved into a new apartment in Santa Clara, California, only a short drive from her office in nearby Sunnyvale. On the face of it, Gjøvik had an enviable job as a senior engineering programme manager (“We work behind the scenes to make sure everything gets done. We make sure the products actually get out the door”).

She worked hard in a stressful environment – while training to be a lawyer in her spare time – but prided herself on her resilience. Despite the punishing hours of work and study, she was in good health. However, within days of moving into the apartment, she started experiencing dizzy spells.

Waking up choking

“I’m starting to have chest pain and palpitations and I’m like, what the hell is going on?” she told Index. She went to see about 20 different doctors and even attended a nervous system clinic at Stanford University. “My blood pressure’s doing crazy stuff. My heart’s doing crazy stuff, but no one knows why. I’m getting all these rashes. No one knows why. I have a growth on my thyroid… all this weird stuff happening all at once.”
By the end of February, she was already so ill that she could barely function: “I’m passing out sitting. I can’t focus. I have to lay down all the time. My body starts going nuts.”

Before the pandemic hit, Gjøvik was already working from home and by March she was signed off on a medical leave of absence.

As the months passed and she became sicker and sicker, Gjøvik realised she was waking regularly at 3am feeling as if she was choking. She began to wonder if her failing health had anything to do with the apartment itself. By chance, one day in September 2020, she was talking to a friend whose husband was an engineer and he suggested she check the carbon monoxide levels.

Ashley Gjøvik has raised concerns about toxic pollution

She discovered a spike in volatile organic compounds (VOCs) in the early hours of the morning. These VOCs, essentially toxic gases, are present in everyday household products such as disinfectants, aerosols, pesticides and paints. But they are not usually found at levels dangerous to people’s health. Nor do they tend to spike at particular times without a cause such as cooking or cleaning.

Gjøvik immediately set about doing some serious detective work. When she looked up the environmental assessment report on her apartment she saw it contained a 40-page section entitled “hazardous waste”. Silicon Valley was favoured by defence contractors before it became the centre of America’s tech miracle and was once dominated by factories and heavy industry.

It turned out the apartment was built on a so-called Superfund site, a designation from the US Environmental Protection Agency. Such sites demand a special industrial clean-up before people can live and work in the area, involving deep excavation and “backfilling” with concrete. If this is not carried out properly the risk is that vapour from toxic underground plumes can escape into the atmosphere (and people’s homes).

Gjøvik discovered that so-called “vapour intrusion” can occur through sewer pipes, plumbing, sprinkler systems and air conditioning. She pestered her landlord and the fire department for diagrams of all the pipes in the building to isolate the source. To this day she does not know exactly why the levels of toxic gas spiked at 3am, but she believes it is possible that it had something to do with the automated air conditioning or the flushing of the fire sprinklers.

“The apartment block had 1,800 units with two or three bedrooms. So, thousands of people could be sick and not know it. I literally could not sleep at night. I had to get the word out,” said Gjøvik.

She raised her concerns with the California and Federal EPA as well the state and county departments of environmental health and the local water boards. She moved out of the apartment later that month and all the symptoms stopped immediately. She was even able to return to work.

Alarm bells

By the spring of 2021, Gjøvik had become an armchair expert on Superfunds, vapour intrusion and the science of toxic groundwater plumes. So when she saw an email from Apple’s environmental health and safety team on 17 March notifying staff of “a large-scale project” across the company’s building portfolio to carry out vapour intrusion testing, alarm bells started ringing.

The building, a slick glass office with an octagonal atrium, had been leased by Apple since 2015 and was known to be built on the site of a factory owned by TRW Microwave Inc, a notorious Superfund polluter. Gjøvik found a 2016 report of vapour intrusion in homes next to the office and a 2019 lawsuit by the EPA against the polluters. The real concern was the presence of trichloroethylene (TCE), a carcinogen associated with kidney cancer.

Gjøvik was keen to know if the new testing was the result of a new vapour intrusion incident and asked if any testing had been carried out since Apple employees had moved in six years earlier. She was initially told not to discuss her concerns with anyone except her manager, the HR department and environmental health and safety so as not to cause panic.

But already Gjøvik was building a reputation as a toxic waste whistleblower through the campaign around her Santa Clara apartment. She had written an article in the local paper, San Francisco Bay View, entitled “I thought I was dying: My apartment was built on toxic waste”. She had also brokered a meeting with California Senate member Bob Wieckowsi to discuss her concerns.

In mid-April she visited experts in public health and occupational medicine at University of California San Francisco and it became increasingly clear that it would be difficult to separate her concerns about her former apartment from those about her office.

Throughout the spring and summer of 2021, Gjøvik put pressure on Apple to reveal why the new testing was being carried out and whether it was connected with cracks that had appeared in the floor of her office. She also urged her employers to test the air in the office before the cracks were repaired to establish whether workers had been put at risk since 2015.

Apple was planning for the post-pandemic return to work, but Gjøvik said she felt it was unsafe for her and her colleagues to return to work without assurances about the toxic waste under their office. Some co-workers had been given special permission to return to work as early as May 2020.

The relationship with Apple had almost completely broken down by this point. The company did begin an investigation into Gjøvik’s complaints of bullying and sexual harassment, but she believes this simply sparked further intimidation. In a last-ditch attempt to force Apple to engage publicly, she began live-tweeting her interactions with the company and eventually, in August, she was suspended on indefinite administrative leave.

In a statement on the case to the tech website The Verge, Apple spokesperson Josh Rosenstock said: “We are and have always been deeply committed to creating and maintaining a positive and inclusive workplace. We take all concerns seriously and we thoroughly investigate whenever a concern is raised and, out of respect for the privacy of any individuals involved, we do not discuss specific employee matters.”

But Gjøvik is refusing to roll over: “I want to document it and show the world this is what Apple did: You poisoned me physically, mentally, spiritually. Fuck you guys.”

Ashley Gjøvik has become a nightmare for Apple, which prides itself on its employees’ loyalty. Following the classic whistleblower playbook, rather than address the issues she raised about toxic waste, the company has taken the decision to shoot the messenger.

“We need more courageous writers in theatre,” says leading Turkish playwright

Death threats targeting a playwright who has become the target of the Turkish government; self-censorship that messes with your thoughts and changes how a play is written – these were just two things that were discussed as part of the launch this week of the winter issue of Index on Censorship magazine, Playing With Fire: How theatre is resisting the oppressor. In this new issue, writers, playwrights and actors discuss how the world of theatre is facing and confronting censorship around the globe. As reflected in the magazine and at the event, which was held on Monday, the theatre world still has the strength to bring people together, despite censorship.

The launch event specifically focused on Turkey and featured a conversation between the playwright Meltem Arikan and the writer Kaya Genç. The conversation was led by Kate Maltby, critic, columnist, scholar and deputy chair of Index on Censorship’s Board of Trustees.

Arikan told the audience that her first experience of censorship dates back to 2004, when her novel Yeter Tenimi Acıtmayın (Stop Hurting my Flesh) was banned by the Committee to Protect Minors from Obscene Publications.

“I protested a lot and nobody joined me. Before my book was banned, people loved watching me on television. I was openly talking about women. Now I can see that censorship is a similar problem all around the world, not only in Turkey,” said the Turkish and Welsh author who was short-listed for the Freedom of Expression Award in 2014 by Index. Arikan’s play Mi Minor was accused by the Turkish authorities as provoking the Gezi Park protests in 2013. She says that after Mi Minor was performed, she received death and rape threats constantly:  “If you are a woman they focus more on your gender.”

The production of Meltem Arikan’s Mi Minör play.

Censorship also restrains people’s ideas, almost like putting an ideological filter inside someone’s brain.

“Self-censorship affects the tone of your writing, including the adjectives you use. I started writing in English for Index, which gave me a great amount of liberty,” said Genç, a journalist who lives in Istanbul and is a contributing editor for the magazine. 

Genç told everyone watching the event that Turkish theatre was flourishing when Mi Minör’s play came out, although most of the plays were about torture and Turkish prisons in the 1980s, instead of contemporary Turkey.

“It’s very important that people like Meltem speak out. I see forced exile in Turkey as a tragedy,” he continued.

In Arikan’s words, she had to give up on Turkey. Today, she feels at peace with that decision.

“In Wales I feel I found my home. I’m so happy here. When I came here, at first I tried to give up on writing, but I couldn’t. There is a difference of attitude in the United Kingdom.”

She said: “We need more courageous writers in theatre.”

Maltby, who has written a piece for this edition on Belarus Free Theatre, said that one thing that clearly comes to mind when she thinks about theatre and dissent is theatre’s power to bring people together

“It’s a unique moment where there are a bunch of people who have never met before, but are suddenly physically inhabiting the same space, even in the social media landscape,” she said.

Playing With Fire: How theatre is resisting the oppressor, is out next week. Click here for information on how to read it. 

It’s unequivocal – the Chinese government is committing genocide. We must all act

As Human Rights Day is marked around the world, the Uyghur Tribunal in London has just announced that “beyond reasonable doubt” the Chinese government is perpetrating genocide. Evidence proving forced sterilisation, torture, imprisonment, rape, forcible transfer and displacement and other inhumane acts are overwhelming. 

As stated by member of parliament Nus Ghani the judgement has offered “a rare moment of accountability for victims and survivors of the PRC [People’s Republic of China] regime’s cruelty.” The ruling is the result of time, energy and bravery over the last year and a half of individuals involved with the UT, without which this small justice for the Uyghur people would have likely never materialised. 

It has not been without personal and institutional cost for those involved though. The PRC has sanctioned key barristers and legal institutions involved in the proceedings, while Uyghur witnesses have been threatened in order to silence them; yesterday a UT official, Hamid Sabi, confirmed at least one Uyghur witness refused to testify due to the CCP threatening the safety of their parents in Xinjiang. 

With Chinese state propaganda continuing to work hard to discredit the ruling with accusations of it being a “fake tribunal” “delivering lies of the century”, UT officials and UK politicians have long sought to emphasise the tribunal’s independence and neutrality. During the judgement summary, Geoffrey Nice QC stressed the rigorous and impartial processes used; there was no “pre-judgement” on the PRC, assuming innocence until proven guilty for example. Ghani stated “the tribunal has worked to the highest criminal standards and has proof beyond reasonable doubt” to come to the guilty verdict of genocide, crimes against humanity and torture.

With a concrete ruling like this, many hope it will be hard for the UK government to ignore. 

In a Westminster Hall debate on the eve of the UT judgement, member of parliament Chris Bryant stated: “If global Britain is to mean anything, it has to mean a passionate commitment by the United Kingdom, in every corner of the globe, to liberty, personal freedom, fair trial, the rule of law, freedom from torture […]” and to utilise sanctions against foreign officials complicit in eroding such principles. He noted that the recent leaked Xinjiang papers have been crucial but not critical in implicating the policies and actions taken by high-level Chinese government officials in the genocide, including President Xi Xinping. 

This call for action now carries even more weight following the UT ruling. Ghani said this “emphatic decision must now compel the UK government to take action” with the duty to “engage all state-craft, due diligence, risk assessment, all internal and international toolkits available to ensure we are not aiding or abetting the Uyghur genocide.” This includes the government publically recognising genocide is occurring in Xinjiang, placing sanctions on the architects of the genocide and making good on promised export and import controls. 

While this ruling is a very positive step, it will still need individuals and organisations to speak up for Uyghurs. Index has been shining a light on Chinese government abuses in Xinjiang for years. Please support us by subscribing to our newsletter and magazine, following us on Twitter and joining in our calls for an end to the genocide.

Index condemns the conviction of Myanmar leader Aung San Suu Kyi

Index on Censorship condemns the sentencing to four years in prison of Myanmar leader Aung San Suu Kyi and calls for all charges to be dropped. She was convincted of incitement and also of breaking Covid regulations during the campaign for the election last year.

It is the first of eleven charges she faces which, if convicted on all counts, could mean she spends the rest of her life behind bars. Suu Kyi has been under house arrest since a military coup in the country in February 2021.

UK foreign secretary Liz Truss has expressed her concerns that “the arbitrary detention of elected politicians only risks further unrest”.

While Suu Kyi has attracted criticism for her silence over the Rohingya genocide she remains a respected political figure who won the 1991 Nobel Peace Prize for her non-violent struggle for democracy and human rights in the country. Before her current house arrest, Suu Kyi was state counsellor of Myanmar, similar to the role of prime minister in the UK, and also as minister of foreign affairs, roles she took on in 2016.

Suu Kyi has also been a frequent contributor to Index on Censorship over the years, including in March 1996, just after her release from a previous period of house arrest.

At the time, she wrote: “The regaining of my freedom has in turn imposed a duty on me to work for the freedom of other women and men in my country who have suffered far more – and who continue to suffer far more – than I have.”

In an article in 2012, she wrote about taking responsibility for the words we say.

“Can freedom of speech be abused? Since historical times it has been recognised that words can hurt as well as heal, that we have a responsibility to use our verbal skills in the right way”, she wrote.

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