China’s feminists walk a tightrope

It was in 2015, during my internship at one of China’s most prominent digital media publications, that I had my first close encounter with censorship. Every so often the editor-in-chief would repost a message to our online chat group coming from someone whose username was “The Person is Present” (“人在呢”). They were from the Cyberspace Administration, which is the national internet regulator and censor of China. The message was always an instruction such as “Look up and delete all related reportage on the topic of A, report by 6PM.” The username, together with the requests they made, created an Orwellian atmosphere that even at my level as just an intern was chilling. All I could think was: “Big Brother is watching you.”

That same year, “the Feminist Five”, a group of feminist activists, were arrested for planning to protest against sexual harassment on public transport just before International Women’s Day. Today even more feminists have been targeted, including Index 2022 award winner Sophia Huang Xueqin, who has been in jail for years now for her journalism and activism. Many of those who protested and were later arrested during the White Paper Revolution were also connected to the feminist movement. But not all discussions around women’s rights were or are silenced.

“To be honest, in today’s China, it’s difficult to discuss other topics in detail, but the topic of feminism can be discussed to some extent,” the journalist Qing Wang said in one episode of her podcast The Weirdo. Books about feminism by authors such as the Japanese feminist Chizuko Ueno have become bestsellers in China, even though the publishing sector censors other subjects. Feminist conversations with Chinese characteristics, which oppose the display of female sexuality and eroticism, as exemplified in the discussions around K-pop star Lisa’s Crazy Horse cabaret performance, are allowed to flourish rather than being censored because they essentially align with the ruling patriarchal and traditional Confucius values.  

The most recent incident that sparked a widespread debate on feminism in the Mandarin-speaking world was a unique eulogy article written by Dr Lang Chen, the wife of assistant professor Xiaohong Xu at the University of Michigan, in which she delineated the gender dynamic in an intellectual household. The single article went viral online and reached more than 100,000 readers this January.

General feminist topics such as period poverty and gender-based healthcare inequalities are also essentially allowed. The latter discussion has even led to positive change. For example, in September 2022, after a woman’s complaint about the unavailability of sanitary towels on bullet trains became a trending topic on Weibo, the bullet trains started selling period products.

As shown in the Baidu Index, searching for the word “nvquan” (feminism) surged to a historical high at the time of the 2022 Tangshan restaurant attack, in which four women were savagely beaten by a group of men after rejecting their unwanted advances. However, the censorship machine soon turned the narrative from gender-based violence and femicide towards gang violence. Any efforts to approach the incident from a feminist angle on social media such as Weibo and WeChat was subject to the accusation of “inciting conflict between genders” and therefore scrubbed by the censors. For example, an article from the account Philosophia哲学社, which discussed the incident under the title “The Tangshan Barbecue Restaurant Incident Is Exactly An Issue of Gender”, was promptly removed from the WeChat platform. All the while other discussions asserting the idea that it was not a gender issue but rather a matter of human safety were allowed to spread.  

Another illustration of where it starts to move into murkier waters is the well-known case of Zhou Xiaoxuan (better known as Xianzi) accusing Zhu Jun, a host from the state broadcaster CCTV, of sexual harassment. This case did spark widespread feminist discussions and helped launch the #MeToo movement in China. But the #MeToo term itself was promptly banned on social media (which led to a series of other terms to try and bypass the censors), Xianzi was suspended from Weibo and the court case ruled against her, symbolising a setback for China’s feminist movement.

The Chinese-US novelist Geling Yan was also silenced on Chinese social media because she voiced her anger in 2022 about the Xuzhou chained woman incident, where a woman was trafficked before being chained to a wall for years, continuously raped and gave birth to eight children. Yan called Xi Jinping “a human trafficker” in one interview. Directing her anger to the top was not appreciated. Her essays were removed from social media, she was blocked and her name was even removed from a Zhang Yimou film based on one of her novels. 

So how can we make sense of the fact that some discussion of feminism is allowed while some discussion is not? Essentially feminist debate faces censorship once it starts to attract public attention, challenge the ruling power and has the potential to move to offline collective action. As one activist and member of the civic group BCome, who acted in the feminist theatre play Our Vaginas, OurSelves, has said:

“The censorship machine is most concerned with the potential of offline gathering and organised collective action. As made evident in ‘the Xuzhou chained woman incident’, Wuyi was just an ordinary netizen who had no previous activist records, and she got arrested only because she took the action of going to the actual place and investigating the incident herself.”

Due to the action-oriented nature of her work, the actor-turned-activist suffered from constant harassment from state security agents, and her phone which was registered in China, was traced and tapped.

This also helps explain the swift action around Chinese tennis player Peng Shuai, who accused a top Chinese official of sexual harassment. Shuai has largely disappeared from the public space since she spoke out. While what she did didn’t necessarily fit into the box of collective action, like the Feminist Five’s actions, Peng still went after a top official. As this Index article highlights, China has space for people to accuse low-level officials but not those at the top and Peng learnt the hard way. 

Another issue that feminists now face is China’s low birthrate, which fell for the seventh year in a row in 2023. Fear is that censorship of feminism will increase as an growing number of Chinese feminists now hold negative views on marriage and childbearing. This is especially true for those identified as “radical feminists”, who are strongly against heteronormative marriage and childbearing. Many believe this was the reason behind the overnight crackdown on eight radical feminist groups in 2021 on Douban, with the officially stated reason being that they “consisted of extremism and radical political ideology”.

One episode of the critically acclaimed feminist podcast Seahorse planet, which discussed resisting the tradition of unconditionally obeying one’s parents, was similarly censored as filial piety is seen as the bedrock of the Chinese patriarchal order – which demands an increasing birthrate. On the flipside you have labels like “leftover women”, a negative term that gained traction from 2006 to essentially try and shame women into getting married, which continues to be used on one form or another. Ultimately it’s expedient for the government to pressure Chinese women into having children and they’ll ramp up rhetoric that helps that, while curtailing conversations advocating the opposite. 

So is the topic of feminism free to discuss in China? Yes, so long as it’s not oriented towards collective-action, it leaves the ruling power of the party-state untouched and doesn’t threaten the birthrate, which doesn’t really leave much to discuss at all, except perhaps sanitary pads and lipstick. 

Chilling intimidation campaign against journalist outside Chinese borders

One day last October, journalist and former China correspondent with the Dutch daily newspaper de Volkskrant Marije Vlaskamp received an odd email. It contained confirmation of a hotel reservation at the Holiday Inn Express in The Hague made on Booking.com in her name.

Two things struck her as extremely strange. One is that the reservation had been made on the Chinese language version of the website; the second is that she had never made the booking.

After calling the hotel to cancel the reservation, things became even more unsettling.

She received a message from the Chinese dissident Wang Jingyu, whom she had interviewed before. Wang had recently found refuge in the Netherlands and she had been in touch with him for a story about the ‘long arm of China’. He told Vlaskamp that a room had been booked in his name in the same hotel. Wang had also received an anonymous threat in Chinese: “‘One tip-off from me and the police will come and arrest you and your journalist friend.”

This was the moment Vlaskamp thought it was about time to inform her superiors at the paper – but not before she made herself a pot of jasmine tea. After having worked in China as a correspondent between 2001 and 2019, she knew the intimidation tactics of the Chinese state very well. She just never expected to be confronted with them after her return to the Netherlands.

Vlaskamp told the story in a long-form article in de Volkskrant in early April.

In it she revealed that the hotel reservation was just the first step in a campaign of intimidation targeted at both her and Wang.

Vlaskamp says as part of the campaign that she had received an anonymous warning that her name would be linked with bomb threats. A day later, she saw on the news that the residence of Dutch prime-minister Mark Rutte had been cordoned off and police, fire brigades and the bomb disposal unit were on the scene. Her heart “skipped a beat” when she heard that the threat was a car with a foreign number plate parked in the street where the Chinese embassy is located, just 200 meters away from the PM’s residence. That’s when she knew that the messages were part of a serious threat against her.

What is unclear is who is sending these intimidating messages. Putting pieces of the puzzle together, there is no doubt that they were acting on behalf of the Chinese state. In her article, Vlaskamp writes about researchers and scientists who have been warning for some time that China has been working on a network of influencing, subversion and intimidation abroad, while digital traces lead Dutch police investigators to IP-addresses in China and Hong Kong. But the Chinese state couldn’t be caught red-handed.

Vlaskamp is one of the first journalists to be subject to an intimidation campaign by China outside Chinese borders. In the summer 2023 issue of Index on Censorship magazine, we wrote about the case of Australian journalist Vicky Xiuzhong Xu. She and her family were harassed after contributing to a 2020 report on human rights violations in Xinjiang.

The frightening events Vlaskamp experienced illustrate perfectly just how far China is willing to go to protect its interests and silence dissidents and journalists.

But would it be wise to publish? No one could predict what effect a publication would have, and whether it would bring more risks for Vlaskamp. Both her and Wang had been threatened anonymously and told to stop their interviews and not to re-publish previous articles about Wang. They both refused to comply.

Eventually, the decision to publish was made but only after six months of soul-searching and journalistic research.

The paper explained at the time: “We only wanted to publish this story if our reporter was fully behind it. Which she is. As she writes herself, the journalistic duty to reveal wrongs takes precedence here. Besides, it is by no means certain that the intimidations would stop if she would not write about this. If her assailants believe that these intimidating practices are effective, only more of the same would be in store for her later on. And not just for Marije Vlaskamp. We are worried about a chilling effect: if de Volkskrant allows itself to be muzzled by persons claiming to act on behalf of a foreign power, this essentially affects all journalists who write critically about autocratic regimes.”

In a strongly-worded comment piece two days after the publication, de Volkskrant put the intimidation campaign against Vlaskamp and dissident Wang in a broader perspective. Not just the perspective of press freedom, which was clearly in jeopardy here, but also that of autocrats like China’s Xi Jinping and Russia’s Vladimir Putin, who increase pressure on those who refuse to surrender to the autocrat’s personal version of reality. Within their own borders, their methods are harsh, and abroad they resort to increasingly shameless psychological warfare, the paper wrote.

Thomas Bruning, secretary general of the Dutch Association of Journalists, said that the events underscore the importance of not underestimating the use of spyware and other forms of digital surveillance. He said: “Vlaskamp’s case makes clear that journalists who critically follow regimes like China’s are vulnerable and deserve protection. More generally, journalists should be aware that digital intimidation and threats are an issue against they will have to arm themselves pro-actively.”

A search in the archives of de Volkskrant shows that the piece of early April is the last one Vlaskamp wrote about China. The paper has had a new China correspondent since 2019 but Vlaskamp had continued to write pieces for which her extensive knowledge of the country gave her analysis extra depth. Since April, she has written about Pakistan, India, Japan, North and South Korea, but not about China.

It begs the question of whether this is to protect her. Both Vlaskamp and de Volkskrant have refused to say.

[Both Vlaskamp and de Volkskrant were contacted to contribute to this story but would not comment further.]

India tightens grip on social media platforms

India is a globally important market for the social media platform Twitter. Even though in absolute numbers its 23 to 24 million users is small compared to the size of the population of what is now thought to be the world’s most populous country, it is believed to be the platform’s third biggest market after the US and Japan.

Recent events relating to India and Twitter should therefore be taken in context of the country’s importance for Twitter’s owner, Elon Musk.

Even before Musk’s takeover of Twitter in October 2022, Narendra Modi’s government has not been slow to ask the platform to remove content which it disagrees with.

India has been in the top five nations that have asked Twitter to remove content or block accounts for the past three years. In its July 2022 transparency report, Twitter said that 97% of the total global volume of legal demands for such removals in the last half of 2021 originated from five countries: Japan, Russia, South Korea, Turkey, and India.

You could argue that because Twitter has so many users in the country, this is inevitable. However, the US does not feature in this list despite being the biggest market.

The Indian government clearly has a problem with what its critics are saying on Twitter.

In line with the worsening situation for media freedom in the country, India frequently clamps down on what the media is able to say on Twitter. In the last half of 2021, India was the country making the highest number of legal demands relating to the accounts of verified journalists and news outlets, some 114 out of a total of 326 for the period, comfortably ahead of Turkey and Russia.

A new onslaught on what Indians are saying on Twitter may have opened up last week. On 6 April, an amendment to India’s Information Technology Act came into force which now requires social media platforms to fact-check any post relating to the Indian government’s business with the Press Information Bureau, a “fact-checking” unit that is part of the country’s Ministry of Information and Broadcasting.

The threat to social media platforms who do not comply with this is that they would then no longer be protected by the country’s safe harbour regulations under which they are currently not liable for what their users post.

The Indian digital liberties organisation Internet Freedom Foundation says it is “deeply concerned” by the amendments.

It said in a statement: “Assigning any unit of the government such arbitrary, overbroad powers to determine the authenticity of online content bypasses the principles of natural justice, thus making it an unconstitutional exercise. The notification of these amended rules cement the chilling effect on the fundamental right to speech and expression, particularly on news publishers, journalists, activists, etc.”

Twitter has long published details of how it handles requests from governments. In the event of a successful legal demand, such as a court order, Twitter follows these rules if it is required to delete individual tweets or an entire account. Typically these rules relate to a single country.

Under Musk’s ownership, these rules look as though they are changing.

Indian investigative journalist Saurav Das wrote recently about discovering that a number of his tweets had been removed and that they were not available worldwide. He told Scroll.In that  tweets relating to Union Home Minister Amit Shah had been removed worldwide, not just in India.

The tweets seem relatively benign, although Das says he cannot remember exactly the context around posting them.


Tweeting on 9 April in response Das said, “Can Twitter allow the Indian government to sit in judgement over content that it may deem fit for blocking in America, or any other country apart from India?”.

He added, “If this global restriction of content on behest of a country’s govt is ignored, this will open a whole new chapter of censorship and prove disastrous for free speech and expression.”

Twitter’s actions seem to fly in the face of its stated policy – pre-Musk ownership – towards India. In 2021, Twitter said that it would only block content and accounts within India and said it would not do so for “news media entities, journalists, activists, and politicians”. That scope now appears to have changed.

I asked Twitter’s press team for a statement on the case and received an automated email containing just a poop emoji. This has been a common response from Twitter’s press email since Elon Musk’s takeover, when the press team was significantly reduced.

During Elon Musk’s surprise interview with the BBC this week, Musk was asked about the issue of censorship of social media in India in the wake of the country banning the BBC’s documentary on Narendra Modi. Musk said: “The rules in India for what can appear on social media are quite strict, and we can’t go beyond the laws of a country…if we have a choice of either our people go to prison or we comply with the laws, we’ll comply with the laws.”

Major new global free expression index sees UK ranking stumble across academic, digital and media freedom

A major new global ranking index tracking the state of free expression published today (Wednesday, 25 January) by Index on Censorship sees the UK ranked as only “partially open” in every key area measured.

In the overall rankings, the UK fell below countries including Australia, Israel, Costa Rica, Chile, Jamaica and Japan. European neighbours such as Austria, Belgium, France, Germany and Denmark also all rank higher than the UK.

The Index Index, developed by Index on Censorship and experts in machine learning and journalism at Liverpool John Moores University (LJMU), uses innovative machine learning techniques to map the free expression landscape across the globe, giving a country-by-country view of the state of free expression across academic, digital and media/press freedoms.

Key findings include:

  • The countries with the highest ranking (“open”) on the overall Index are clustered around western Europe and Australasia – Australia, Austria, Belgium, Costa Rica, Denmark, Estonia, Finland, Germany, Ireland, Latvia, Lithuania, Netherlands, New Zealand, Norway, Portugal, Sweden and Switzerland.

  • The UK and USA join countries such as Botswana, Czechia, Greece, Moldova, Panama, Romania, South Africa and Tunisia ranked as “partially open”.

  • The poorest performing countries across all metrics, ranked as “closed”, are Bahrain, Belarus, Burma/Myanmar, China, Cuba, Equatorial Guinea, Eritrea, Eswatini, Laos, Nicaragua, North Korea, Saudi Arabia, South Sudan, Syria, Turkmenistan, United Arab Emirates and Yemen.

  • Countries such as China, Russia, Saudi Arabia and United Arab Emirates performed poorly in the Index Index but are embedded in key international mechanisms including G20 and the UN Security Council.

Ruth Anderson, Index on Censorship CEO, said:

“The launch of the new Index Index is a landmark moment in how we track freedom of expression in key areas across the world. Index on Censorship and the team at Liverpool John Moores University have developed a rankings system that provides a unique insight into the freedom of expression landscape in every country for which data is available.

“The findings of the pilot project are illuminating, surprising and concerning in equal measure. The United Kingdom ranking may well raise some eyebrows, though is not entirely unexpected. Index on Censorship’s recent work on issues as diverse as Chinese Communist Party influence in the art world through to the chilling effect of the UK Government’s Online Safety Bill all point to backward steps for a country that has long viewed itself as a bastion of freedom of expression.

“On a global scale, the Index Index shines a light once again on those countries such as China, Russia, Saudi Arabia and United Arab Emirates with considerable influence on international bodies and mechanisms – but with barely any protections for freedom of expression across the digital, academic and media spheres.”

Nik Williams, Index on Censorship policy and campaigns officer, said:

“With global threats to free expression growing, developing an accurate country-by-country view of threats to academic, digital and media freedom is the first necessary step towards identifying what needs to change. With gaps in current data sets, it is hoped that future ‘Index Index’ rankings will have further country-level data that can be verified and shared with partners and policy-makers.

“As the ‘Index Index’ grows and develops beyond this pilot year, it will not only map threats to free expression but also where we need to focus our efforts to ensure that academics, artists, writers, journalists, campaigners and civil society do not suffer in silence.”

Steve Harrison, LJMU senior lecturer in journalism, said: 

“Journalists need credible and authoritative sources of information to counter the glut of dis-information and downright untruths which we’re being bombarded with these days. The Index Index is one such source, and LJMU is proud to have played our part in developing it.

“We hope it becomes a useful tool for journalists investigating censorship, as well as a learning resource for students. Journalism has been defined as providing information someone, somewhere wants suppressed – the Index Index goes some way to living up to that definition.”