15 Oct 2024 | India, News and features, Volume 53.03 Autumn 2024
We knew it was coming. It was 28 November 2021, and I was meeting my friend Ravish for the first time in nearly 20 months.
Because of Covid I had been working from home since March 2020; a home that was 660km away from Delhi.
It was a smoggy winter, as is usually the case in Delhi, but that day was a bright sunny one. We walked along Lodhi Road, and at one point in our conversation Ravish turned to me and said with a grim smile: “Don’t worry. When NDTV shuts down, we will set up a YouTube channel.”
Such comments were not new for him, but this was the first time Ravish had spoken of what would happen after our jobs had gone.
I would always brush away such fearful forecasts, and I disregarded this one until August 2022, when NDTV was taken over by billionaire Gautam Adani.
In November of that year – almost exactly a year after that winter afternoon on Lodhi Road, as the takeover neared completion – Ravish quit. The YouTube channel that we run today – Ravish Kumar Official – became operational with the release of his resignation episode.
The response at the time was overwhelming.
In the first month, more than 2.75 million people subscribed to the channel. Ravish and I never formally sat down to discuss working together. I was far more clueless than I had ever been but also sure of the fact that, for a variety of reasons, I was part of something momentous. And I knew I wanted to be here.
My first experience of the editorial independence we had bought for ourselves came two months after we started.
In January 2023, US financial forensic investigators Hindenburg Research issued a critical report on Adani’s companies, which led to a collapse in stock prices.
Throughout the next few days, we regularly reported on the story on our channel, and realised that we were on different turf now. We did not have the resources of a TV station. We had no network of journalists to rely on. We could not afford lights and live transmission systems. We struggled with visuals as everything was copyrighted. We were a small team of four yet, somehow, we managed.
It has been 20 months since Ravish’s resignation. In that time, I have found greater confidence in myself as a journalist. My political sense has evolved and my writing has improved. I can produce and edit very quickly and can create compelling reports on the most meagre of resources.
I have started my own series called Vox Vrinda, but it has not been an easy ride. After five years of working under the regime in India, I now know that censorship works in insidious ways.
It is not just about the jailing of a journalist. It is also about making their life and livelihood so precarious that they question their choices every waking moment.
Every other day, Ravish and I talk about what will happen when this channel is taken down. As a young female journalist, I do not know what my future looks like in this profession. The powers that govern my life and want to control my voice have received electoral shocks, but they are as vicious as ever.
It is true that my experience as a journalist is informed by the very stifling political environment that I am in – but it has also been about finding my way and my voice by knocking my knees and elbows against all that comes my way.
I know the path ahead is not an easy walk, but I have good shoes on.
28 Aug 2024 | Asia and Pacific, India, News and features
On 1 April, less than a month before India went to the polls, a young YouTuber named Dhruv Rathee released a video calling India’s Hindu nationalist prime minister a dictator. Speaking in a loud, declamatory style, Rathee delivered fact after fact, laying out how Narendra Modi had tried to throttle Indian democracy. The video ended with an appeal to vote against the Prime Minister.
At the time of writing, Rathee’s harangue had garnered an incredible 37 million views on YouTube. This number does not capture the fact that many Indians would have viewed this video as a “forward” on WhatsApp. With an incredible 24.6 million subscribers, Rathee is the person Indians increasingly turn to when they want to consume current affairs. And he’s not the only one. Ravish Kumar, one of India’s most well-known journalists, now broadcasts on YouTube with nearly 12 million subscribers. These one-person YouTube channels frequently garner more views and subscribers than corporate-funded mainstream media channels.
For a decade now, India’s mainstream media has stopped doing the job it’s meant to do – holding the powerful to account. Using a mixture of carrot and stick, Modi has ensured his government has little to fear from traditional broadcasters or newspapers. The result: Indians are now increasingly turning to the internet for news and opinion. This trend is so significant that Modi is making increasingly desperate attempts to control what takes place online.
Throttling the press
As a wave of autocratic strongmen sweeps the world, arguably Modi leads the pack. The power he commands in India and the ideological changes he has made to the country have few parallels either globally or in India’s own history. The tactical keystone of this politics? Control over the country’s media.
In 2014, India’s Congress-led liberal coalition crashed to a defeat, bringing Modi to power. This loss was portended by loud television debates bashing the government over corruption, women’s safety and, most of all, so-called Muslim appeasement. Once he came to power, Modi had digested that hard political lesson and was determined to ensure that it would not happen to him.
This was relatively easy to do given the Indian media’s structure. Owned by large corporations who looked to curry favour with the government, India’s powerful national television channels bent over backwards for Modi. In 2022, NDTV, India’s last news network not seen to be pro-Modi was acquired: a billionaire who is not only seen as Modi’s close ally but one whose remarkable rise has been facilitated by his government. The change of NDTV’s ownership was like flipping a switch: the network simply stopped doing any critical reporting, leading to an exodus of its top journalists.
If not directly controlled through a proprietor, the Modi government can also influence media houses through ad spending. Oddly enough, the main source of advertising income for legacy media houses in India is the government. Previously, the Modi government has withheld ads from media houses seen as being critical of the government.
Carrot to stick
What happens if a media house does not bend to Modi? In that case, Indian law provides massive powers to the federal government to regulate and even ban television networks. In 2022 the Modi government peremptorily shut down a Malayalam-language news channel, MediaOne, citing “national security” as a reason. While the ban was later reversed by the Supreme Court, the action had a chilling effect on news networks, which simply cannot afford to be yanked off air overnight.
Starting in 2020, the Modi government employed even harsher provisions against a small, left-wing website called NewsClick. First, India’s severe money-laundering laws were deployed against the media outlet. Not satisfied, the government then charged it under India’s draconian terror legislation, which provides for long prison terms even before a court pronounces on the guilt of the accused. Newsclick’s founder, Prabir Purkayastha, found himself spending more than seven months in jail before the Supreme Court granted him bail.
Modi has not been shy of using similar tactics against the BBC. In 2023, the government launched income tax raids against the British broadcaster’s offices in Delhi after the network aired a documentary that was critical of Modi’s role as chief minister in the 2002 anti-Muslim riots in Gujarat.
All this creates a climate where outright violence against journalists is common. Since Modi took power 28 journalists have been killed. Reporters without Borders calls India “one of the world’s most dangerous countries for the media”.
Broadcast Bill
With the traditional media subdued, Modi is now swivelling his guns towards the internet. In 2023, the government released a new Broadcasting Services (Regulation) Bill looking to regulate television and OTT internet broadcasters. However, in 2024 a new draft significantly expanded the bill’s scope to include internet content creators, apparently driven by the critical role social media had played in the 2024 general election where Modi sustained considerable losses.Copies of this bill were circulated privately by the Modi government and then, just as abruptly, withdrawn.
Even as the exact status of the bill remains unclear – is this truly a withdrawal or a tactical retreat before the final charge? – the provisions in the 2024 draft version are a good pointer as to the scope of Modi’s ambitions when it comes to controlling India’s internet.
The 2024 draft bill, for example, demanded that content creators subject themselves to a draconian regulatory regime designed expressly to stifle free expression. The bill called for content creators to set up “content evaluation committees” which would need to approve the majority of content before it was broadcast (certain programmes such as news and current affairs programmes were exempt), appoint a grievance officer and join a government-approved “self-regulatory organisation” to address grievances as well as ensure compliance with the relevant codes that would be drafted by the government alone. A new Broadcast Advisory Council would have been created by the Indian government which would, in turn, sit above, these self-regulatory organisations.
The entire edifice is a marvel of Orwellian “red tape-ism”, not only bringing content creators under government regulation but making them pay for it themselves. This is significant since adherence to the relevant provisions in the bill would represent a significant, even crippling, cost for small outfits or individual content creators.
How successful has Modi been in his desire to curb free expression in India? While he has achieved a substantial number of his goals, it is credit to India’s democratic traditions that the country’s media has not bent in its entirety. While major media houses are unlikely to play their role as watchdog, independent media and even individual content creators have stepped in to do the job. In fact, the fierce criticism Modi faced when he released the draft of the Broadcast Bill is a fine example of how India’s democratic traditions are trying to push back against curbs to free speech. It is not insignificant that Modi withdrew the draft bill and has gone back to the drawing board on trying to control the internet.
19 Aug 2024 | Burkina Faso, Canada, China, Germany, India, Iran, Magazine Contents, Malaysia, Nigeria, Pakistan, Palestine, Russia, Saudi Arabia, Turkey, Ukraine, United Kingdom, United States, Volume 53.02 Summer 2024
Contents
The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.
Up Front
Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen
The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner
Features
Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech
We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash
The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online
Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars
The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith
Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression
First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany
Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency
A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts
Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws
Special Report: The final cut - how cinema is being used to change the global narrative
Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch
Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury
Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos
Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood
Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor
When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?
Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin
A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle
Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers
Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia
Comment
Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile
Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time
Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement
We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners
Culture
It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics
No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content
The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality
Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents
Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index
12 Jun 2024 | Asia and Pacific, India, News and features
As Prime Minister Narendra Modi readies for his third term, he formally took the oath of office on Sunday, casting a shadow over the nation's landscape of free speech and press freedom. With each successive term, Modi's administration has faced criticism for tightening control over the media and curbing dissenting voices, with instances of journalists and activists facing harassment, intimidation, and even legal action for criticisng the government or expressing views contrary to the official narrative.
India's extensive six-week election period concluded with a tally of 640 million votes on 4 June. In the 2024 Lok Sabha elections, the BJP-led NDA (National Democratic Alliance) secured an outright majority by winning 292 seats out of the 543 seats, surpassing the 272 seats required for a clear majority in India's lower house of Parliament.
Meer Faisal, a 23-year-old journalist and the founder of The Observer Post, an online news portal based in Delhi, holds little optimism regarding Modi’s government when it comes to censorship and freedom of expression in India. He has faced significant censorship in the past during Modi's tenure for his coverage on atrocities against Muslims in India. In October last year, his Twitter account faced restrictions in India due to his reporting.
"As a journalist, especially being a Muslim, it invites more censorship and trouble. The Modi government aims to silence every voice that speaks against them. They want to build a narrative in the country and label everyone who criticises government policies as anti-national,” said Faisal.
Faisal is among many in India who express fear concerning Modi's third term, citing concerns beyond censorship to include threats to freedom of speech.
Since August 2019, the Modi government has also barred many Kashmiri journalists from travelling abroad, offering no explanation for restricting their fundamental rights.
"In Modi's third term, I fear that there will be more harsh policies against journalists and more tactics will be employed to intimidate us. This will directly impact our reporting abilities and help authorities in curbing the voice of people,” said Faisal.
In the 2024 edition of the Press Freedom Index published by Reporters Without Borders, India is ranked 159th out of the 180 nations considered. “With violence against journalists, highly concentrated media ownership, and political alignment, press freedom is in crisis in “the world’s largest democracy”, ruled since 2014 by Prime Minister Narendra Modi, leader of the Bharatiya Janata Party (BJP) and embodiment of the Hindu nationalist right,” RSF stated while releasing the data.
Asif Mujtaba, 34, an advocate for people's rights and director of the Miles2smile Foundation—which works with survivors of mob lynching, communal violence, and selective communal demolition—believes that the space for dissent has significantly decreased since Modi came to power, and public participation in protests has also diminished.
"It's become a tough task for social and political activists, regardless of any religion, to work for people's rights under Modi's regime. The government can use any stringent law to frame you and silence your voice,” saidMujtaba.
According to Mujtaba, many people in India are apprehensive about openly criticising Modi because they are aware of the potential repercussions. A significant number of individuals who were once vocal against the regime have now become quiet..
"Modi's administration is aware of the escalating dissent and the potential for increased protests against their policies in the third term. The growing public dissent will force Modi to resort to heavy-handed tactics to silence the people," said Mujtaba.
In the first four months of 2024, India has experienced at least 134 instances of free speech violation, impacting journalists, academics, YouTubers, and students, according to a report published by the Free Speech Collective in early May. The organisation tracks and categorises free speech violations and offers support to those affected.
Niranjan K S, 22, a fourth-year law student at Jamia Millia Islamia, Delhi, and a member of the All India Revolutionary Students Organisation (AIRSO), argues that the suppression of dissent is driven by the corporate-Hindutva fascist nexus, which aims to transform the country into a fascist dictatorship. As a result, free speech will be stifled, and only those who support the ruling forces will retain their right to free expression.
"The surge in the enforcement of the Unlawful Activities Prevention Act (UAPA) and the uptick in political detentions, particularly aimed at students and activists like Sharjeel Imam and Umar Khalid, who were involved in the anti-CAA protests of 2019, demonstrate a systematic use of these draconian laws to quash all forms of dissent," said Niranjan.
During the protests, students played an active role in amplifying the voices of the oppressed within the country. However, the BJP regime labeled these students as "anti-national" and "terrorists," attempting to delegitimise their activism and dissent.
Niranjan emphasised that secularism and communal harmony are already under significant threat due to the Hindutva ideology of the current regime, which could further hinder free speech. “In this third term of the Modi government, the non-state elements of fascism will be more utilised to advance their offensive than the state elements,” said Niranjan.
Index on Censorship sought a response from a BJP spokesperson regarding censorship as Modi embarks on his historic third term. Answer came there none.