[vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Index on Censorship has been awarded £55,441 as part of the Government’s £1.57 billion Culture Recovery Fund to help face the challenges of the coronavirus pandemic and to ensure they have a sustainable future. We want to thank the DCMS, HM Treasury and the Arts Council England for this incredible support.
We are one of 1,385 cultural and creative organisations across the country receiving urgently needed support. £257m of investment has been announced today as part of the very first round of the Culture Recovery Fund grants programme being administered by Arts Council England, with further rounds of funding in the cultural and heritage sector due to be announced over the coming weeks.
Index on Censorship is a non-profit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. Index has a proud history of providing a voice for the persecuted, shining a light on repressive regimes and ensuring that the citizens of those countries have a place to publish their work, including the writings of political prisoners and targeted individuals.
This funding will enable us to continue doing important work, promoting and defending freedom of expression amongst writers, artists and journalists – work which is especially crucial in these unprecedented times. It will help us support other areas of the sector through partnerships and commissioning new work from writers and artists.
CEO of Index on Censorship, Ruth Smeeth said:
“I can’t tell you how grateful we are, and relived, to receive the additional support so that we can make sure that the work of censored artists writers and scholars from around the world continues to be covered and has a platform.”
Culture Secretary Oliver Dowden said:
“This funding is a vital boost for the theatres, music venues, museums and cultural organisations that form the soul of our nation. It will protect these special places, save jobs and help the culture sector’s recovery.
“These places and projects are cultural beacons the length and breadth of the country. This unprecedented investment in the arts is proof this government is here for culture, with further support to come in the days and weeks ahead so that the culture sector can bounce back strongly.”
Chair, Arts Council England, Sir Nicholas Serota, said:
“Theatres, museums, galleries, dance companies and music venues bring joy to people and life to our cities, towns and villages. This life-changing funding will save thousands of cultural spaces loved by local communities and international audiences. Further funding is still to be announced and we are working hard to support our sector during these challenging times.”[/vc_column_text][/vc_column][/vc_row]
Acrassicauda concert at The Roxy in Hollywood, 10 June 2010. Credit: Flickr / Bruce Martin
Underground music scenes have begun sprouting up in many countries around the world in the last few years, where previously no such thing existed. These movements have managed, in many cases, to continue despite a continuing trend of censorship in the arts and government repression. Whether it be punks in Indonesia rebelling against Sharia law or hip-hop artists in Mumbai rapping about independence from Britain, people all over the world are fighting for their right to artistic freedom. Here are a few cities around the world where musicians refused to be silenced.
Karachi, Pakistan
Even after social activist and creator of The Second Floor, a cafe that promotes discussion, performance and art, Sabeen Mahmud was murdered by armed motorcyclists in Karachi in April 2015, the experimental and electronic music culture has continued to grow. Refusing to be intimidated into silence, artists like Sheryal Hyatt, who records as Dalt Wisney and founded Pakistan’s first DIY netlabel, Mooshy Moo, and the producing pair of Bilal Nasir Khan and Haamid Rahim, who created the electronic label and collective Forever South, are challenging conventional ideas about the music culture in Karachi.
Aceh, Indonesia
Punk music is one of the ultimate forms of expressing disdain for a system of oppression, so it comes as no surprise that so many youths in Indonesia have embraced the genre with a passion. The punk scene, which grew exponentially following the 2004 tsunami when a great many lost family members and help from the government was less than forthcoming. The hostility and discrimination against the punk subculture came to a head in 2012 when police rounded up 64 youths at a concert, arrested them and took them to a nearby detention centre to have their mohawk hairstyles forcibly shaved. Despite this, bands like Cryptical Death continue to promote their scene and pen songs about resisting repressive government figures.
Yangon, Burma
The vitality of punk music is also present in Burma, where musicians have been advocating for human rights through fast-paced music since around 2007. No U Turn and the Rebel Riot are popular punk groups that routinely rail against a government that they feel is repressive and unjust. No U Turn sounds like a resurrection of Bad Religion-meets-Naked Raygun with a blend of biting lyrics and punishing speed.
Mumbai, India
Indian hip-hop pioneers have been appearing more and more in the last 10 years, with Abhishek Dhusia, aka ACE, forming Mumbai’s Finest, the city’s first rap crew, and Swadesi, another local group whose work they think represents feelings and ideals of many young people in the city. Swadesi, in particular, advocates for social justice within their band’s mission, with working for NGOs and organising events being an important element of their group.
Baghdad, Iraq
Musicians in Iraq have faced a variety of oppressive control, ranging from young people being stoned to death by Shi’ite militants for wearing western-style “emo” clothes and haircuts to Acrassicauda, a popular heavy-metal band from Baghdad, receiving death threats from Islamic militants. Acrassicauda had to flee the country a few years after the USA invaded Iraq, going first to Syria and then to the USA, where they were given refugee status and from where they now continue to make music. They have hopes of touring the Middle East soon but have no idea when they will be able to return to Iraq.
Index on Censorship has teamed up with the producers of an award-winning documentary about Mali’s musicians, They Will Have To Kill Us First, to create the Music in Exile Fund to support musicians facing censorship globally. You can donate here, or give £10 by texting “BAND61 £10” to 70070.
Index on Censorship has been awarded £55,441 as part of the Government’s £1.57 billion Culture Recovery Fund to help face the challenges of the coronavirus pandemic and to ensure they have a sustainable future. We want to thank the DCMS, HM Treasury and the Arts Council England for this incredible support.