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Beatrice Mtetwa is a noted Zimbabwean human rights attorney. She received the Bindmans Law and Campaigning Award from Index in 2006 for her efforts in protecting journalists arrested by Zimbabwe’s repressive regime, headed by President Robert Mugabe. Since receiving the award, she has continued in much the same vein and gone on to scale even greater heights – defending the human rights of Zimbabwean citizens at significant risk to her own liberty. Notable cases include defending, and securing the release of, two foreign journalists from The New York Times and The Telegraph in 2008.
In that case the two journalists, Barry Bearak and Stephen Bevam, were arrested in Harare as they attempted to cover the bitterly contested – and possibly rigged – presidential elections. The charges were based on the fact that they had practised journalism without being accredited – an act that did not amount to an offence under Zimbabwean law. Mtetwa was instrumental in securing the quick release of the journalists from an uncertain period of detention as political prisoners of the Mugabe regime. In 2009, she became the first African after Nelson Mandela, to receive the Ludovic-Trarieux International Human Rights Prize for her efforts at advancing human rights in Zimbabwe.
In her attempts to protect Zimbabweans from violations of the rule of law, she has also found herself at the receiving end of targeted prosecutions. Most recently, in 2013, she was charged with “obstructing justice” during a police raid. The state alleged that she made insulting statements to officers during the raid. The specific allegations in question? That Mtetwa shouted “at the top of her voice” that the raid was “unconstitutional, illegal, and unlawful” – statements that the court found did not warrant the charges that were brought against her.
Despite this arrest, Mtetwa has not been deterred from her indefatigable efforts to hold her government accountable. In 2016, she acted to secure the release of leaders of the war veterans association taken into custody by the Mugabe regime. She has also fought for and won several other critical human rights cases for people persecuted by the Mugabe regime.
With all the instability and uncertainty surrounding the rule of law in Zimbabwe, there is one constant. The world continues to watch Beatrice Mtetwa with admiration.
Tarun Krishnakumar is a member of Index on Censorship’s Youth Advisory Board. He graduated from the National Law School of India in Bangalore and currently works with a New Delhi-based law firm on public policy and regulatory affairs with a focus on technology.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”85476″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/awards-2017/”][/vc_column][vc_column width=”1/2″][vc_column_text]
Seventeen years of celebrating the courage and creativity of some of the world’s greatest journalists, artists, campaigners and digital activists
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One of the great difficulties with satire is that often those who actually get it are those who are already on board with the message. This has been the case for Zambezi News, Zimbabwe’s leading satirical show.
Co-founder Samm Farai Monro, aka Comrade Fatso, says: “An old member of parliament may not understand our show or some of the content will go over their head, but this isn’t our target audience; our aim is reaching young Zimbabweans.”
Zambezi News parodies the Zimbabwe Broadcasting Corporation, “the state-controlled propaganda mouthpiece”, for its uncritical approach to Robert Mugabe’s government. Unsurprisingly, you won’t find the show on Zimbabwean television, and the cast is frequently harassed by state officials.
The show shot its first season in 2011 and self-promoted through independent radio and activists groups. “When we first started the show, we printed thousands of DVDs and distributed them ourselves across the country,” he says. “But now with the advent of social media and people’s access to the internet through mobile phones, we can distribute through Facebook and WhatsApp to get the message out there.”
The snubs by the state clearly haven’t hurt Zambezi News. The show has been viewed by six million Zimbabweans, and the cast have performed in Sweden, South Africa, Swaziland, the USA and with Index on Censorship in London.
Still, given the treatment of critics and dissidents in Zimbabwe, there is no doubt that Monro and his comedy troupe are risking their freedom and even their lives to make some of the hardest hitting satire in Africa. In 2010, artist Owen Maseko exhibited paintings critical of Mugabe, depicting government-led massacres in the country in the 1980s. As it’s against the law to insult the president’s authority, Maseko was arrested, interrogated and faced a possible 20-year prison sentence.
Other critics, such as activist Itai Dzamara, who had told the country’s 92-year-old dictator that he was too old to run the country and was causing Zimbabwe’s economic woes, have been disappeared. Dzamara was abducted in March 2015 never heard from again.
For Zambezi News co-founder Tongai Makawa, aka Outspoken, the danger satirists specifically find themselves in around the world “is a testament to the power of the medium”.
“Satire affords ordinary people an opportunity to connect with a message or conversation in lighter terms outside of the regular intellectual jargon that you find these politicians spouting on a daily basis,” he says. “It allows that engagement to keep flowing without people disconnecting or just feeling depressed or hopeless.”
Satire also has a knack of being able to bend its targets out of shape. “There is a group of government supporters who are really disgruntled by what we do,” says Makawa. “With satire, there has to be a degree to which people agree with you, while at the same time leaving a lot of ruffled feathers in its wake.”
Makawa and Monro have certainly ruffled many feathers, in whatever medium they are working in. Both have backgrounds in spoken word, hip hop and as activists. They run Magamba, “a cultural activist network”, which uses arts and culture in the struggle for social justice in Zimbabwe, and Shoko Festival, Zimbabwe’s “biggest festival of urban culture”.
“Shocko is about creating a space for free expression, debate and giving people a platform to talk about social and political issues, often using the vehicle of hip hop,” says Monro.
Long before his involvement with Zambezi News, Monro’s band Chabvondoka saw their debut album House of Hunger — which mixes hip hop with traditional African music such as Chimurenga to discuss political and social issues — banned from state-controlled radio and TV.
“We released the album two weeks before the presidential elections at the time, and it’s heavily critical of the government,” says Monro. “The symbolism behind the album was a book by Dambudzo Marechera, the great Zimbabwean writer, which talked about how Rhodesia was a house of hunger, but we’ve still got that situation in places.”
An estimated 1.5 million people – 16% of the population – were projected to be food insecure in 2015, a 164% on the previous year. And while the white colonial rulers of the past may be gone, the oppressors have “now been painted black and we still have the same structure of repression in places,” Monro adds.
The repression has also taken the form of an intensified campaign of artistic censorship by the government since the early 2000s, especially against defiant art.
“Hip hop, by its nature, has always been a defiant genre, something that speaks against the status quo and gives an alternative voice to a group of people who don’t have any other means of channelling their feelings,” says Makawa.
Although busy making with comedy — the pair have just toured a new show and have recently begun recording more Zambezi News— Makawa and Monro still have time for the music.
“I’ve grown to understand that we live like those superheroes who have to do admin work by day and their activism by night,” says Makawa. “I still write rhymes and think about concepts for music, so it really doesn’t ever die, it’s there gathering dust until that time when you need it.”
Monro has just completed his second album, which he has been working on for three years, due to be released later this year. He has kept his skills sharp by making hip hop “a big part of Zambezi News”.
“On the show we have these characters called the Even Mo Lil Swaggery Boys, who are like our alter-egos, a gangster rap crew, and on every season of Zambezi News we record a few hip hop tracks that take the piss out of different issues from elections to power shortages,” he says. “It’s just another way of using hip hop and satire to communicate the important political messaging and get dressed in very silly, over-bling outfits at the same time.”
– Poetic Pilgrimage: Hip hop has the capacity to “galvanise the masses”
– Colombian rapper Shhorai: “Can you imagine a society in which women have no voice?”
– Jason Nichols: Debunking “old tropes” through hip hop
A conference followed by a day of performance to consider hip hop’s role in revolutionary social, political and economic movements across the world.
A satirical television commercial for the South African-owned Nando’s restaurant group has been axed.
The ad depicted Zimbabwean President Robert Mugabe’s difficulty in coming up with enough dictators to fill a Christmas Party this festive season.
Nando’s International Headquarters decided to pull the advert on Wednesday, after threats to Nando’s staff, customers and suppliers in Zimbabwe’s capital, Harare. Musekiwa Kumbula, corporate affairs director for Nando’s biggest shareholder, called the ad “insensitive and in poor taste.” It is still a crime to insult Mugabe in Zimbabwe.
The commerical, called the Last Dictator Standing, shows Mugabe and Muammar Qaddafi having a watergun fight; Mao Zedong and Mugabe singing karaoke; Saddam Hussein and Mugabe making snow angels in the sand, in their boxer shorts; Mugabe and Idi Amin mimicking that front-of-the Titanic “flying” scene aboard a tank; and most improbably of all, Mugabe pushing apartheid defender, ex President P.W. Botha on a swing.
Alas, whether by NATO bombs or natural causes, all of Mugabe’s invitees are now dead. It’s going to be a lonely Christmas. Despite the commercial’s popularity — it went viral on YouTube — Nando’s has withdrawn the commercial, citing physical threats to staff and customers at the Nando’s fanchises inside Zimbabwe.
Youth members of Mugabe’s ZANU-PF party had reportedly begun to protest outside Nando’s chain stores in Harare and elsewhere in the country. On Tuesday, a militant youth group loyal to Mugabe called for a boycott against the chain unless the 60-second commercial was dropped and an apology made to Mugabe, 87, who led Zimbabwe to independence in 1980.
Nando’s responded: “We feel strongly that this is the prudent step to take in a volatile climate and believe that no TV commercial is worth risking the safety of Nando’s staff and customers”.
Police in Zimbabwe have arrested two journalists from the Sunday Standard newspaper: editor Nevanje Madanhire and reporter Patience Nyangove for publishing allegedly “false statements” about the arrest of a government official. The official, Jameson Timba is minister for the Movement for Democratic Change party and was arrested for reportedly calling President Robert Mugabe a liar. Mr Timba’s release was later ordered during a special hearing in the Harare High Court. It is a criminal offence to insult the President under Zimbabwean law. Nyangove and Ramakgapola were charged with “publishing false statements prejudicial to the state” and are due to appear in court tomorrow.