Content bans won’t just eliminate “bad” speech online

[vc_row][vc_column][vc_column_text]Social media platforms have enormous influence over what we see and how we see it.

We should all be concerned about the knee-jerk actions taken by the platforms to limit legal speech and approach with extreme caution any solutions that suggest it’s somehow easy to eliminate only “bad” speech.

Those supporting the removal of videos that “justify discrimination, segregation or exclusion based on qualities like age, gender, race, caste, religion, sexual orientation or veteran status” might want to pause to consider that it isn’t just content about conspiracy theories or white supremacy that will be removed.

In the wake of YouTube’s announcement on Wednesday 5 June, independent journalist Ford Fischer tweeted that some of his videos, which report on activism and extremism, had been flagged by the service for violations. Teacher Scott Allsopp had his channel featuring hundreds of historical clips deleted for breaching the rules that ban hate speech, though it was later restored with some videos still flagged.

It’s not just Google’s YouTube that has tripped over the inconsistent policing of speech online.

Twitter has removed tweets for violating its community standards as in the case of US high school teacher and activist Carolyn Wysinger, whose post in response to actor Liam Neeson saying he’d roamed the streets hunting for black men to harm, was deleted by the platform. “White men are so fragile,” the post read, “and the mere presence of a black person challenges every single thing in them.”

In the UK, gender critical feminists who have quoted academic research on sex and gender identity have had their Twitter accounts suspended for breaching the organisation’s hateful conduct policy, while threats of violence towards women often go unpunished.

Facebook, too, has suspended the pages of organisations that have posted about racist behaviours.

If we are to ensure that all our speech is protected, including speech that calls out others for engaging in hateful conduct, then social media companies’ policies and procedures need to be clear, accountable and non-partisan. Any decisions to limit content should be taken by, and tested by, human beings. Algorithms simply cannot parse the context and nuance sufficiently to distinguish, say, racist speech from anti-racist speech.

We need to tread carefully. While an individual who incites violence towards others should not (and does not) enjoy the protection of the law, on any platform, or on any kind of media, tackling those who advocate hate cannot be solved by simply banning them.

In the drive to stem the tide of hateful speech online, we should not rush to welcome an ever-widening definition of speech to be banned by social media.

This means we – as users – might have to tolerate conspiracy theories, the offensive and the idiotic, as long as it does not incite violence. That doesn’t mean we can’t challenge them. And we should.

But the ability to express contrary points of view, to call out racism, to demand retraction and to highlight obvious hypocrisy depend on the ability to freely share information.[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1560160119940-326df768-f230-4″ taxonomies=”4883″][/vc_column][/vc_row]

Forcing social media companies to act as law enforcers without due legal process undermines fundamental principles of democracy

[vc_row][vc_column][vc_column_text]Responding to calls from politicians for founder of the far-right English Defense League Tommy Robinson’s videos to be removed from YouTube, Jodie Ginsberg, CEO of Index on Censorship said:

“Tommy Robinson is a vile bigot but this level of government intervention on what is and is not acceptable speech should make us all worried. Investigation into whether something is a crime – and prosecution of it – is what we have an independent police force and judiciary for.

“If Robinson has broken the law (threatening/inciting violence, engaging in intimidatory behaviour) he should be investigated and prosecuted accordingly. We have plenty of laws that can deal with this.

“Politicians should not be leaning on anyone to enforce the law – forcing social media companies to act as law enforcers without any due legal process undermines fundamental principles of democracy.”[/vc_column_text][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1551968738540-b660aa54-ea07-4″ taxonomies=”6534″][/vc_column][/vc_row]

Turkish censors vs Netflix, series 1 episode 1

[vc_row][vc_column][vc_single_image image=”100332″ img_size=”full” alignment=”center”][vc_column_text]All that is solid in the Turkish media melted into air over the past year, and much of the entertainment content has migrated from traditional platforms to streaming services like YouTube and Netflix.

Turkey’s watchdogs took notice. In March parliament passed a law that expands the powers of Turkey’s Radio and Television Supreme Council (RTÜK), including blocking internet broadcasts. With the new law the state hopes to have some degree of control over online content that it considers dangerous.

This spring, many bulwarks of Turkish media have shape-shifted. In April, Turkey’s biggest media conglomerate, Doğan, changed hands. Foreign media titles with Turkish editions, including the Wall Street Journal, Newsweek and Al Jazeera, have already pulled out of the Turkish market. Newspaper circulations saw sharp decline.

Meanwhile online streaming services have thrived. Spotify entered Turkey in 2013 and pushed its premium service with a Vodafone deal two years later. On Twitter, BBC’s Turkish service has just short of three million followers. Netflix introduced its Turkish service in 2016. Last year it too signed a deal with Vodafone, and Netflix Turkey pushed its products aggressively, with posters of House of Cards plastered in Istanbul’s subway stations.

Statista, an online statistics website, predicts there will be approximately 397.4 thousand active streaming subscribers to Netflix in Turkey in 2019.

Turkish-owned streaming services also came to the fore. In 2012 Doğuş Media Group launched its video on demand service, puhutv, and there was excitement last year when the channel showed its first series, Fi, based on a best-selling trilogy by Turkish author Azra Kohen. The series quickly became a sensation, largely thanks to scenes featuring nudity and racy sexual encounters.

Puhutv is a free, ad-supported service and watching Fi on Puhutv meant seeing many ads of condoms, dark chocolates and other products linked with pleasure. In just three days, the pilot episode of Fi was viewed more than four and a half million times.

For content producers the Turkish love for the internet means new opportunities for profit. In February a report by Interpress found that the number of internet users increased by 13 percent to 51 million from the past year. Turkey is one of the largest markets for social media networks and it ranks among the top five countries with largest Facebook country populations.

The RTÜK watchdog, which now has great control over streaming services, normally chases television broadcasters. It famously went after popular TV dating shows last year, and producers faced heavy fines accused of violating ‘public morals’. Marriage with Zuhal Topal, Esra Erol and other shows were pulled off the air. A famous dating show duo, Seda Sayan and Uğur Arslan, considered releasing their show Come Here if You’ll Get Married on the internet.

Those dating shows outraged not only conservatives but many other swaths of Turkish society. Feminists considered them an affront to women’s struggle and they signed a petition to ban dating shows en masse. RTUK announced there were around 120 thousand complaints from viewers about the shows.

With the new bill, producers of shows streamed online will need to obtain licenses. “The broadcasts will be supervised the same way RTÜK supervises landline, satellite and cable broadcasts,” reads the new law which gives RTÜK the power to ban shows that don’t get the approval of Turkish Intelligence Agency and the General Directorate of Security.

Family Ties, a recent episode of the US series Designated Survivor angered many viewers when it was broadcast last November. One of the characters in the episode was a thinly veiled representation of Fethullah Gülen, an imam who leads a global Islamist network named Hizmet (‘The Service’).

The Turkish state accuses Hizmet, its US-based leaders and followers in the Turkish Army of masterminding 2016’s failed coup attempt, during which 250 people were killed. Turkey has requested Gülen’s extradition.

But in Family Ties, the Gülen-like character was described as an “activist”, and this led to protests on Twitter in Turkey. Some Turks wanted the show banned. In Turkey Designated Survivor is streamed by Netflix.

In September Netflix will release The Protector, its first Turkish television series by up and coming film director Can Evrenol. “The series follows the epic adventure of Hakan, a young shopkeeper whose modern world gets turned upside down when he learns he’s connected to a secret, ancient order, tasked with protecting Istanbul,” according to a Netflix press release.

“Streaming services give freedom and enthusiasm to directors who are normally reluctant to work for television,” Selin Gürel, a film critic for Milliyet Sanat magazine said.

“Content regulations are unwelcome, but I don’t think anyone would give up telling stories because of them. Directors like Can Evrenol are capable of finding some other way for protecting their style and vision.”

In Gürel’s view, the new regulations will not lead to dramatic changes for Turkish films.

“It is annoying that RTÜK now spreads its control to interactive platforms like Netflix,” said Kerem Akça, a film critic for Posta newspaper. “RTÜK should keep its hands away from paid platforms.”

Akça has high expectations from Evrenol’s new film, but he fears the effects of new regulations on The Protector and future Turkish shows for Netflix can be harmful.

“The real problem is whether RTÜK’s control on content shape-shifts into self-censorship,” Akça said. “Before it does, someone needs to take the necessary steps to avoid content censorship on Netflix.”

But Turkish artists have long found ways of avoiding the censors, and new regulations can even lead to more original thinking.

“This is a new zone for RTÜK,” Gürel, the critic, said. “I am sure that vagueness will be useful for creators, at least for a while.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Press freedom violations in Turkey reported to Mapping Media Freedom since 24 May 2014

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Six sites blocked by China’s Great Firewall

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The New York Times is blocked in China.

Last month, China’s Ministry of Industry and Information Technology unveiled the country’s a new 14-month campaign to tighten control over the internet. The Chinese government is specifically concerned about virtual private networks, which punch holes through the country’s so-called “Great Firewall”. Without the VPNs, China’s internet users are unable to browse some of the world’s largest web sites. So the campaign made big news around the world.

But Charlie Smith of the 2016 Index on Censorship Digial Activism Award-winning GreatFire, an anonymous collective fighting Chinese internet censorship, told us that the VPN campaign is “actually kind of being mis-reported by the press, in general. It’s not as big a deal as it is being made out to be. We’d make a lot of noise if it was a big deal.”

Here are just six sites that are regularly blocked by China’s Great Firewall:

  1. YouTube

YouTube was first blocked in March of 2008 during riots in Tibet and has been blocked several times since, including on the 25th anniversary of the Tiananmen Square protests in 2014. At the time of the Tibetan riots, much of China’s population speculated that the YouTube ban was an attempt by the government to filter access to footage that a Tibetan exile group had released

  1. Instagram

It’s typical for China’s internet censors to go into overdrive during politically sensitive events and/or time periods, which is why it doesn’t come as a surprise that Instagram was blocked in 2014 after pro-democracy protests in Hong Kong. To some, the block on Instagram during the protests exposed Beijing’s fears that people in the mainland might be inspired by the events taking place in Hong Kong. While some parts of the social media site may be restored, the site is still listed as 92 percent blocked.  

  1. The New York Times

In late December 2016, the Chinese government made waves by ordering Apple to remove their New York Times app from the Chinese digital app store. According to the newspaper, the app had been removed on 23 December under regulations prohibiting all apps from engaging in activities that endanger national security or disrupt social order. The New York Times website as a whole has been blocked since 2012 in China, after the newspaper published an article regarding the wealth of former prime minister Wen Jiabao and his family. People turned to the NYT app after the blockage in order to maintain access to the the paper’s stories. Now that the app is blocked as well, the New York Times is only available to those who had downloaded the app before its removal from the store.

  1. Bloomberg

In June of 2012, the popular business and financial information website published a story regarding the multimillion dollar wealth of Vice President Xi Jinping and his extended family. Considering this story too invasive, the Chinese government blocked Bloomberg and has yet to reopen the site to the public. At the time, the Chinese government was going through a period of transition, as power shifted from then President Hu Jintao to Jinping. 

  1. Twitter

Censors in China blocked access to Twitter in June of 2009 in anticipation of the 20th anniversary of the pro-democracy protests in Tiananmen Square. The move seems to reflect the government’s anxiety when it comes to the anniversary and the sensitive memories that come with it. The blocking of Twitter has also allowed for the rise of the Chinese app Weibo, a censored Twitter clone, which quickly became one of China’s most popular.

  1. Reuters

One of the more recent bans by the Chinese government came in the form of the international news agency Reuters. In March 2015, the organisation announced that both its English and Chinese sites were no longer reachable in the country . China has blocked media outlets like Reuters in the past, but these moves have always come after the release of a controversial story. In the case Reuters, the ban seemed to have come out of nowhere, with the reason behind the blockage still unclear.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1487260644692-d841ab7e-8ed3-4″ taxonomies=”85″][/vc_column][/vc_row]