15 Sep 2021 | Awards, Egypt, Fellowship 2021, Kyrgyzstan, News and features, Niger, United Kingdom
[vc_row][vc_column][vc_images_carousel images=”117457,117451,117452,117454,117456,117458,117459,117460,117461,117462,117468,117469,117470,117471,117472,117463″ img_size=”full” speed=”3500″ autoplay=”yes”][vc_column_text]The winners of Index on Censorship’s 2021 Freedom of Expression awards have been announced at a ceremony in London hosted by actor, writer and activist Tracy-Ann Oberman.
The Freedom of Expression Awards, which were first held in 2000, celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world. Winners join Index’s Awards Fellowship programme and receive dedicated training and support. This year’s awards are particularly significant, coming as the organisation celebrates its 50th birthday.
Winners were announced in three categories – art, campaigning and journalism – and a fourth Trustees Award was also presented.
- The 2021 Trustees Award was presented to Arif Ahmed.
Arif Ahmed is a free speech activist and fellow at Gonville & Caius College at the University of Cambridge. In March 2020, Ahmed proposed alterations to the Statement of Free Speech at Cambridge. The proposed amendments were created to make the legislation “clearer and more liberal.” He aimed to protect university campuses as places of innovation and invention. That requires protecting the right to freely and safely challenge received wisdom.
- The 2021 Freedom of Expression Award for Journalism was presented to Samira Sabou.
Samira Sabou is a Nigerien journalist, blogger and president of the Niger Bloggers for Active Citizenship Association (ABCA). In June 2020, Sabou was arrested and charged with defamation under the restrictive 2019 cybercrime law in connection with a comment on her Facebook post highlighting corruption. She spent over a month in detention. Through her work with ABCA, she conducts training sessions on disseminating information on social media based on journalistic ethics. The aim is to give bloggers the means to avoid jail time. Sabou is also active in promoting girls’ and women’s right to freedom of expression, and wants to open her own news agency recruiting young people who want to be innovative in the field of information.
- The 2021 Freedom of Expression Award for Art was presented to Tatyana Zelenskaya
Tatyana Zelenskaya is an illustrator from Kyrgyzstan, working on freedom of expression and women’s rights projects. Zelenskaya has found inspiration for her work in the waves of anti-government protests that have recently erupted across Russia and Kyrgyzstan. In 2020, she created the artwork for a narrative video game called Swallows: Spring in Bishkek, which features a woman who helps her friend that was abducted and forced into an unwanted marriage. The game was downloaded more than 70,000 times in its first month. Its purpose is to break the silence around the issue of bride-kidnapping in Kyrgyzstan, with the aim of preventing them altogether.
- The 2021 Freedom of Expression Award for Campaigning was presented to Abdelrahman Tarek
Abdelrahman “Moka” Tarek is a human rights defender from Egypt, who focuses on defending the right to freedom of expression and the rights of prisoners. Tarek has experienced frequent harassment from Egyptian authorities as a result of his work. He has spent longer periods of time in prison and has experienced torture, solitary confinement, and sexual abuse. Authorities have severely restricted his ability to communicate with his lawyer and family. Tarek was arrested again in September 2020 and in December 2020, a new case was brought against him on terrorism-related charges. Tarek began a hunger strike in protest of the terrorism charges. In January 2021, he was transferred to the prison hospital due to a deterioration in his health caused by the hunger strike.
Index on Censorship chief executive Ruth Smeeth said: “As Index marks its 50th birthday it’s clear that the battle to guarantee free expression and free expression around the globe has never been more relevant. Inspired by the tremendous courage of our award winners, we will continue in our mission to defend free speech and free expression around the globe, give voice to the persecuted, and stand against repression wherever we find it”.
Trevor Philips, chair of the Index on Censorship board of trustees said: “Across the globe, the past year has demonstrated the power of free expression. For many the only defence is the word or image that tells the story of their repression; and for the oppressors the sound they fear most is diversity of thought and opinion. Index exists to ensure that in that battle, freedom wins – both abroad, and as this year’s Trustee award demonstrates here at home too.”[/vc_column_text][/vc_column][/vc_row]
11 Sep 2021 | Afghanistan, News and features
[vc_row][vc_column][vc_single_image image=”117433″ img_size=”full” add_caption=”yes”][vc_column_text]More than 80 leading lights from the worlds of film and theatre have signed an open letter to The Times calling on the British government to give artists, writers and film-makers who remain in Afghanistan and face an uncertain future under the Taliban safe passage out of the country.
The letter, organised by Index on Censorship and Good Chance Theatre, reads as follows: “Over the past two decades, civil society has flourished in Afghanistan with new freedoms ushering in a golden age of art, music, film and writing. At the same time, political dissent and journalism have thrived in a region where free expression is not always respected. With the Taliban takeover of the country, this rich legacy is in imminent peril. We now have a duty to those artists, writers and film makers who will be silenced if we do not act immediately.
“We urge the British government to cooperate with the international community to create a humanitarian corridor for those seeking safe passage out of the country. We also call on those in positions of influence in the creative industries to help those who have escaped to continue their vital work and safeguard the culture of Afghanistan for future generations.“
Signatories
Majid Adin, artist; Riz Ahmed, actor; Jenny Agutter, actor; Alison Balsom, musician; Siddiq Barmak, director; Sanjeev Bhaskar, actor; Hugh Bonneville, actor; Martin Bright, journalist; Barbara Broccoli, producer; Josephine Burton, director; Jez Butterworth, writer; Robert Chandler, poet; Benedict Cumberbatch, actor; Stephen Daldry, director; Catherine Davidson, writer; Amy Davies Dolamore, producer; Ged Doherty, producer; Parwana Fayyaz, poet; Jane Featherstone, producer; Colin Firth, actor; Sonia Friedman, producer; Stephen Fry, actor; Mark Gatiss, actor; Leah Gayer, director; Claire Gilbert, producer; Paul Greengrass, director; Sir David Hare, writer; Zarlasht Halaimzai, writer; Dame Pippa Harris, producer; Afua Hirsch, writer; Nancy Hirst, director; Mike Hodges, director; Sir Nicholas Hytner, director; Sabrina Guinness, producer; Asif Kapadia, director; Mohammad Akbar Karkar, writer; Daniel King, producer; Keira Knightley, actor; Natalia Koliada, producer; David Lan, producer; Jennifer Langer, editor; Stewart Lee, writer; Kerry Michael, director; Krishnendu Majumdar, producer; Mohsen Makhmalbaf, director; Simon McBurney, director; Kate McGrath, director; Sir Ian McKellen, actor; Nada Menzalji, poet; Sir Sam Mendes, director; David Morrissey, actor; Joe Murphy, writer; Zoe Neirizi, poet; Caro Newling, producer; David Nicholls, writer; Amir Nizar Zuabi, director; Sophie Okonedo, actor; Nasrin Parvaz, writer; Pascale Petit, poet; Trevor Phillips, broadcaster; Clare Pollard, poet; Atiq Rahimi, writer; Shirin Razavian, poet; Ian Rickson, director; Clare Robertson, producer; Joe Robertson, writer; Sir Mark Rylance, actor; Philippe Sands QC, writer; Sarah Sands, editor; Tracey Seaward, producer; Shabibi Shah, writer; Rouhi Shafi, writer; Meera Syal, actor; George Szirtes, poet; Dame Kristin Scott Thomas, actor; Elif Shafak, writer; Thea Sharrock, director; Imelda Staunton, actor; Sir Tom Stoppard, writer; Abdul Sulamal, writer; Jawed Taiman, director; Dame Emma Thompson, actor; Orlando von Einsiedel; producer; Emma Watson, actor; Naomi Webb, producer; Samuel West, actor; Krysty Wilson-Cairns, writer; Haidar Yagane, writer; David Yates, director[/vc_column_text][/vc_column][/vc_row]
10 Sep 2021 | Afghanistan, Belarus, Hong Kong, Ruth's blog
[vc_row][vc_column][vc_single_image image=”106069″ img_size=”full” add_caption=”yes”][vc_column_text]Afghanistan. Hong Kong. Belarus.
Every day we’ve learned of a new atrocity. A new act of repression. A new effort to silence. A new law to intimidate.
The news has been awful. There are too many heartbreaking stories, too many images of people being tortured or arrested. Too many things to be angry about. But the reality is, thankfully, as painful as these stories are. They are in the news. They are being covered. And the world knows what is happening – daylight is truly trying to act as a disinfectant.
So as much as I worry about the horrendous restrictions to free expression that we see on the news and the people behind the headlines, every night I find myself fretting about who we’re not reporting on. Who is missing? What other regimes should we be focusing on. Whose story needs to be told. And most importantly how can we help.
In part, the annual Index Freedom of Expression awards is our answer to that question. Shining a light on activists, campaigners, artists, writers and journalists who are being targeted by repressive regimes. Making sure that some of the bravest most inspirational people in the fight for the right to global free expression have their stories told. This weekend we will be announcing our winners. But it’s not just about our winners, it’s about every nominee from Brazil to Nicaragua, from Egypt to Russia. Their stories, their fights deserve the world’s attention. And on Sunday evening we get to share their stories.
So over the weekend please watch our social media for the coverage. But before we get there I want to thank this year’s sponsors, Facebook, Edwardian Hotels, the Times and Sunday Times, Microsoft and Sage publications for enabling us to shine a spotlight on repressive regimes that don’t always dominate the news.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”41669″][/vc_column][/vc_row]
8 Sep 2021 | News and features, United Kingdom
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It is now more than 20 years since The Guardian and The Observer fought off attempts by the UK government to force them to hand over documents in the case of MI5 whistleblower David Shayler. At a judicial review, Judge Igor Judge concluded that demands to hand over journalistic material “would have a devastating and stifling effect on the proper investigation of the … story”.
The case reinforced the special status of journalistic sources in law – even in official secrecy cases – and established the principle that the police should not use journalists as informers.
As the Observer journalist responsible for writing the stories about Shayler’s disclosures, which included allegations of the involvement of UK intelligence in a plot to topple Libya’s Muammar Gaddafi, I was particularly concerned to see the latest proposals for the reform of the Official Secrets Act.
These include enhanced search powers to give police access to just the sort of journalistic “special procedure material” (notes, emails and recorded interviews) we fought so hard to keep from the police two decades ago. The new OSA would thus enshrine in law the “devastating and stifling effect” on journalism that so concerned Judge.
Much has happened in the two decades since The Guardian and The Observer’s principled stand in the High Court. The growth of digital technology, the emergence of global Islamist terrorism and the increased national security threat to the UK from Russia and China have given the government good arguments for reform of legislation that was enacted when the world wide web was in its infancy.
But the new act is authoritarianism by stealth – a full-on assault on media freedom, carefully hidden behind an apparently reasonable desire for reform.
The National Union of Journalists has rightly sounded the alarm over plans to increase the maximum prison sentence for breaches of the OSA, which currently stands at two years. This will have significant chilling effect on journalists investigating government wrongdoing and their civil servant sources. More worrying still is the distinction now being made between espionage and so-called “unauthorised disclosure offences” (ie, leaks to journalists). As the consultation makes clear, this government believes “there are cases where an unauthorised disclosure may be as, or more, serious in terms of intent and/or damage”. The argument is that a large-scale digital disclosure could benefit a number of hostile actors, whereas espionage is usually carried out by a single state. The effect, in practice, is that a journalist in receipt of secret documents could face a longer sentence than a spy.
Where the government really lets its authoritarian slip show, however, is in a section of the consultation about the number of successful prosecutions under existing legislation. The truth is that the record here is woeful. The government argument is as follows: “This is primarily due to the sensitive nature of the evidence that would typically be required to be disclosed in order to bring prosecutions, but also because of the age of the legislation, which means many of the offences are not designed for the modern world. Prosecutions, as a result, are challenging and rare.”
This is patent nonsense. In most cases, Official Secrets prosecutions fail because they should not have been brought in the first place.
Since the Shayler case, I have been involved in two other high-profile Official Secrets cases, both of which eventually collapsed. The first concerned Katharine Gun, a GCHQ whistleblower, who leaked details to The Observer of a covert US/UK operation to fix the vote at the UN Security Council in advance of the Iraq War in 2003.
As the recent film of the case – Official Secrets – made clear, the problem was not disclosure of evidence of the crime (Gun confessed to the leak) but disclosure that would lead to ministerial embarrassment about the legality of the war.
The second case involved a Foreign Office official, Derek Pasquill, who leaked details of government policy on radical Islam in 2006. Here again, the trial did not collapse over evidential disclosure. In this case there were serious questions over whether any of his disclosures should have been covered by the OSA in the first place.
For those who care about free speech, civil liberties and democracy, the most serious concern should be the resistance of the government to a public interest defence in such cases. This is where the British state and the British people come into direct conflict.
In the cases of Gun and Pasquill, there is no doubt they acted in the public interest to reveal uncomfortable truths for the government. Their revelations served not just the public interest but the national interest. If the new legislation had been in place at the time, it is quite possible that Gun and Pasquill would both have been sent to prison.
Boris Johnson, the UK’s journalist prime minister, has said he doesn’t want to see a world where people are prosecuted for doing their public duty. I look forward to his column condemning his government’s own Official Secrets proposals, which will create just that nightmare world.
This piece first appeared in the British Journalism Review
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