18 Mar 2015 | Magazine, mobile, News and features, Volume 44.01 Spring 2015
Women’s Voices by Meltem Arikan
Index on Censorship magazine’s editor, Rachael Jolley, introduces a special issue on refugee camps, looking at how migrants’ stories get told across the world, from Syria and Eritrea to Italy and the UK
Nothing is national any more, everything and everyone is connected internationally: economies, communication systems, immigration patterns, wars and conflicts all map across networks of different kinds.
Those linking networks can leave the world better informed and more aware of its connections, or those networks can fail to acknowledge their intersections, while carrying as much misinformation as information.
Where people are living in fear a connected world can be frightening, it can carry gossip and information back to those who pursue them. Decades ago, when people escaped from their homes to make a new life across the world, they were not afraid that their words, criticising the government they had fled from, could instantly be broadcast in the land they had left behind.
It is no wonder that in this more connected world, those fleeing persecution are more afraid to tell the truth about what the regime that tortured or imprisoned them has been doing. While, on the one hand, it should be easier to find out about such horrors, the way that your words can fly around the world in seconds adds enormous pressures not to speak about, or criticise, the country you fled from.
That fear often produces silence, leaving the wider world confused about the situation in a conflict-riven country where people are being killed, threatened or imprisoned. The consequences of instant communication can be terrifyingly swift.
Yet a different side of those networks, new apps or free phone services such as Skype, can provide some help in getting messages back to families left behind, giving them some hope about their loved ones’ future. That is one aspect that those in decades and centuries past, who fled their homelands, could never do. In the late 19th century, someone who escaped torture in Russia and travelled thousands of miles to the United States, might never speak to the family they had left behind again.
Communication has been revolutionised in the last two decades – where once a creaky telephone line was the only way of speaking to a sister or father across a continent or two, now Skype, Viber, Googlechat, and others offer options to see and speak every day.
In this issue’s special report Across the Wires, our writers and artists examine the threats of free expression within refugee camps, and as refugees desperately flee from persecution. Sources estimate that there are between 15.5 and 16.7 million refugees in the world today. Some are forced to live in camps for decades, others are fleeing from new conflicts, such as three million who have already left Syria. Many of us may know someone who has been forced to flee from another regime, those that don’t may in the future, and have some understanding of what that journey is like.
In this issue, writer Jason DaPonte examines how those who have escaped remain worried that their words will be captured and used against their families, and the steps they take to try avoid this. He also looks at “new” technology’s ability to keep refugees in touch with the outside world and to help tell the story of the camps themselves.
Italian journalist Fabrizio Gatti spent four years undercover, discovering details of refugee escape routes and people trafficking. In an extract from his book, previously unpublished in English, he tells his story of assuming the identity of a Kurdish man Bilal escaping torture, and fleeing to Italy via the Lampedusa detention camp, and the treatment he encountered. He speaks only Arabic and English to camp officials, but is able to hear what they said to each other in Italian about those seeking asylum. He uncovers the inhumanity and lack of rights those around him experienced in this powerful piece of writing.
Some of our authors in this issue speak from personal experience of seeking refuge, not speaking the language of the land they are forced to move to, and the steps they go through to resettle and be accepted in another land. Kao Kalia Yang’s family fled Laos during the Vietnam war, moving first to Thailand and then to the United States. She remembers how the family struggled first without understanding or speaking in Thai, then the same battles with English once they settled in the United States.
Ismail Einashe, whose family fled from Somaliland, talks to those who have escaped from one of the most secretive countries in the world, Eritrea. Einashe talks to Eritreans, now living in the UK, who are still afraid to speak openly about the conditions at home for fear of retribution.
The report also examines how the global media portrays refugee stories, the accuracy of those portrayals and how projects such as a new Syrian soap opera, partly written by a refugee, are giving asylum seekers and camp dwellers more power to tell the stories themselves.
But when people are escaping danger, the natural inclination is to stay quiet and under the radar. Some bravely do not. They intend to alert the world to a situation that is unfolding, and to attempt to protect others. Our report shows how much easier it is for the world’s citizens to find out about terrible persecution than it was in other eras, but how those communication tools can be turned back on those that are persecuted themselves. The push and pull of global networks, to be used for freedom or to silence others, is an on-going battle and one that we can only become more aware of.
Order your digital version of the magazine from anywhere in the world here
© Rachael Jolley
16 Mar 2015 | Magazine, mobile, Volume 44.01 Spring 2015
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We follow the steps of Italian journalist Fabrizio Gatti, who spent four years undercover investigating migrant routes from Africa to Europe. We look at how social media has become a blessing and a curse – offering a connection back home and a means of surveillance. We have pieces by refugees, written from inside camps about persisting myths; by those struggling to claim rights as workers; and by those who have set up innovative, creative projects to share their stories.
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The issue also features a thoughtful analysis of the aftermath of the Charlie Hebdo attack in Paris, with contributions from Chilean writer Ariel Dorfman; Irish co-creator of Father Ted, Arthur Mathews; Turkish novelist Elif Shafak; British playwright David Edgar; former head of BBC news Richard Sambrook; and Hong Kong-based journalist Hannah Leung. Taking the long view, this group of writers looks at the worldwide picture, and how terror is used to silence.
Also, Martha Lane Fox and retired Major General Tim Cross go head-to-head, debating if privacy is more vital than national security. We have stories about attacks on journalists covering the drug trade in South America; a cover-up of abortion figures in Nicaragua; and the lessons to be learnt from attempts to downplay epidemics, from Aids to ebola. Plus an extract from Lucien Bourjeily’s new play, which has skirted the Lebanese censors’ ban, and poetry from Turkish writers Ömer Erdem and Nilay Özer – all translated into English for the first time.
The issue’s cover artwork is by cartoonist Ben Jennings, and the magazine also features work from our regular collaborator Martin Rowson; and extracts from a graphic reportage set in an Iraqi camp, by Olivier Kugler.
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How refugee stories get told
Undercover immigrant – Italian journalist Fabrizio Gatti spent four years undercover investigating refugee routes from Africa to Europe
Taking control of the camera – Almir Koldzic and Aine O’Brien on refugee camp projects – from soap operas to photography classes – that help refugees tell their own stories. Also: Valentino Achak Deng on life after fleeing Sudan’s civil war; Kate Maltby visits the Syrian Trojan Women’s acting project; and Preti Taneja on bringing Shakespeare to the children of Zaatari
The way I see it – Refugees Rana Moneim and Mohammed Maarouf share their viewpoints from inside a camp, plus a camp visitor shatters his preconceptions
Clear connections – Jason DaPonte on how social media’s power is being harnessed by refugees
Who tells the stories? – Mary Mitchell and Mohammed Al Assad on a storytelling project in a Lebanon camp
Realities of the promised land – Iara Beekma looks at life for Haitian immigrants in Brazil and their rights as workers
The whole picture – Photojournalist Chris Steele-Perkins’ honest account of decades spent capturing refugees’ stories, from Rwandans to the Rohingha
Stripsearch – Our regular cartoonist, Martin Rowson, imagines the Democratic Republic of Cyberspace
Escape from Eritrea – Ismail Einashe explores the dangers of fleeing one of the world’s harshest regimes
A very human picture – Artist Olivier Kugler illustrates life within Iraq’s Domiz refugee camp
In limbo in world’s oldest refugee camps – Tim Finch looks at the places where 10 million people can spend years, or even decades
Sound and fury – Rachael Jolley interviews musician Martyn Ware, from Heaven 17 and the Human League, on the power of soundscape storytelling
Sheltering against resentment – Natasha Joseph reports from Johannesburg on the end of the line for a sanctuary for those fleeing xenophobia
Understanding how language matters – Kao Kalia Yang recalls her childhood as a Hmong refugee in Thailand and the USA
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Outbreaks under wraps – Alan Maryon-Davis looks at how denials and cover-ups spread ebola, Sars and Aids
Trade secrets – César Muñoz Acebes investigates Paraguay’s drug war and the dangers for journalists, plus Duncan Tucker on Mexico’s courageous bloggers and social media users, who are filling the gaps where Mexico’s press fears to tread
Lies and statistics – Nina Lakhani reports from Nicaragua on the cover-up of abortion figures and domestic abuse
Charlie Hebdo: taking the long view – After the Paris murders, seven writers from around the world look at how offence and terror are used to silence, featuring Arthur Mathews, Ariel Dorfman, David Edgar, Elif Shafak, Hannah Leung, Raymond Louw, Richard Sambrook
Screened shots – Jemimah Steinfeld on the Chinese film industry’s obsession with portraying Japan’s invasion during World War II
Finland of the free – Risto Uimonen explains why the Finns always top media freedom indexes, and the Belfast Telegraph’s readers’ editor, Paul Connolly, shares his thoughts on the future of press regulation
Head to head: Is privacy more vital than national security? Martha Lane Fox and Tim Cross debate how far governments should go when balancing individual rights and safeguarding the nation
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
The state v the poets – Kaya Genç introduces works by Turkish poets Ömer Erdem and Nilay Özer
Knife edge – Lebanese playwright Lucien Bourjeily presents an exclusive extract from his latest play as it escapes the censors’ ban
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view – Index’s CEO Jodie Ginsberg says universities must not fear offence and controversy
Index around the world – Aimée Hamilton provides an update on Index on Censorship’s work
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Social disturbance – Vicky Baker looks at how user-generated content lost its innocence, from digital jihadis to hoaxes and propaganda
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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7 Mar 2015 | Magazine, Magazine Editions, Volume 44.01 Spring 2015
[vc_row disable_element=”yes” css=”.vc_custom_1495015777980{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column css=”.vc_custom_1474781640064{margin: 0px !important;padding: 0px !important;}”][vc_column_text css=”.vc_custom_1477669802842{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]CONTRIBUTORS[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1495015786238{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1474781919494{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Karim Miské” title=”Novelist” color=”#ee3424″ profile_image=”89017″]Karim Miské is a documentary maker and novelist who lives in Paris. His debut novel is Arab Jazz, which won Grand Prix de Littérature Policière in 2015, a prestigious award for crime fiction in French, and the Prix du Goéland Masqué. He previously directed a three-part historical series for Al-Jazeera entitled Muslims of France. He tweets @karimmiske[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781952845{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Roger Law” title=”Caricaturist ” color=”#ee3424″ profile_image=”89217″]Roger Law is a caricaturist from the UK, who is most famous for creating the hit TV show Spitting Image, which ran from 1984 until 1996. His work has also appeared in The New York Times, The Observer, The Sunday Times and Der Spiegel. Photo credit: Steve Pyke[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781958364{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Canan Coşkun” title=”Journalist” color=”#ee3424″ profile_image=”89018″]Canan Coşkun is a legal reporter at Cumhuriyet, one of the main national newspapers in Turkey, which has been repeatedly raided by police and attacked by opponents. She currently faces more than 23 years in prison, charged with defaming Turkishness, the Republic of Turkey and the state’s bodies and institutions in her articles.[/staff][/vc_column][/vc_row][vc_row equal_height=”yes” content_placement=”top” css=”.vc_custom_1474815243644{margin-top: 30px !important;margin-right: 0px !important;margin-bottom: 30px !important;margin-left: 0px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1474619182234{background-color: #455560 !important;}”][vc_column_text el_class=”text_white”]Editorial
Nothing is national any more, everything and everyone is connected internationally: economies, communication systems, immigration patterns, wars and conflicts all map across networks of different kinds. Those linking networks can leave the world better informed and more aware of its connections, or those networks can fail to acknowledge their intersections, while carrying as much misinformation as information.[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720631074{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495015899799{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/03/magazine.jpg?id=64775) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495015935223{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Contents
A look at what’s inside the spring 2015 issue[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720637924{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495016773444{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/04/4296204146_33b0eb8b50_o.jpg?id=65863) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495016143299{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Global View
The shrinking space for free expression on university campuses. It’s getting worse.[/vc_column_text][/vc_column][/vc_row][vc_row equal_height=”yes” css=”.vc_custom_1491994247427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1493814833226{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}”][vc_row_inner css=”.vc_custom_1495016306180{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/09/eritrea-1-yonatan-tewelde-with-permission.png?id=78123) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495016242267{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Escape from Eritrea
As refugees flee one of the world’s most repressive and secretive regimes, Ismail Einashe talks to Eritreans who have reached the UK but who still worry about the risks of speaking out.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815095611{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495016539021{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/03/Do-you-see-what-I-see1.jpg?id=65075) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495016592354{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Social Media Connections
Jason DaPonte looks at how migrants are using technology to keep in touch with distant relatives, and the security risks this can bring. [/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815155369{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495016635152{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/11/student_reading_list_shutterstock_160993595_1460X490-480-400-c.png?id=80964) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495016698861{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Student Reading Lists
Browse our lists of censorship topics for help in research.
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