Drawing pressure: Cartoons from around the world

The attacks on French satirical magazine Charlie Hebdo in January threw a global spotlight on the challenges faced by cartoonists worldwide. Index has since its earliest days reported on the persecution of satirists. As part of our work in celebrating as well as defending free expression, Index has this year asked cartoonists to reflect on the past year for free expression in their own way.

South America

Xavier Bonilla (Bonil) bonil self portrait

Xavier Bonilla (Bonil)

Ecuador

Bonil has been criticising Ecuador’s political leaders in his cartoons for 30 years. Regularly denounced, threatened and fined, Bonil has earned the title “the pursued cartoonist”. @bonilcaricatura


North America

Kevin Kallaugher (Kal)

kal self portrait

Kevin Kallaugher (Kal)

United States

US artist Kal spent 10 years drawing cartoons in London before returning home, where he continues to work. He has won numerous awards and his cartoons have been featured in more than 100 publications around the globe. @kaltoons | web


Signe Wilkinson (Signe) signe self portrait 1

Signe Wilkinson (Signe)

United States

In 1992, Signe became the first woman to win the Pulitzer Prize for Editorial Cartooning, and she has since won several other awards for her work. She comments on topical political issues and is best known for her daily cartoons in The Philadelphia Daily News. @SigneWilk | Facebook


Europe

Jean Plantureux (Plantu) 1516_file_b_PORTRAIT_PLANTU

Jean Plantureux (Plantu)

France

Plantu, the chief cartoonist for France’s Le Monde, is co-founder of Cartooning for Peace. Since the Charlie Hebdo attacks, Plantu has had a constant security detail but says he intends to continue to draw. @plantu | web


Martin Rowson

martin_rowson_self_portrait

Martin Rowson

United Kingdom

Political satirist Martin Rowson contributes cartoons to The Guardian and the Daily Mirror as well as Index on Censorship magazine. His work has earned him several awards, as well as an official appointment as Cartoonist Laureate of London in 2001. @MartinRowson


Middle East

Ali Farzat

ferzat self portrait

Ali Farzat

Syria

Former Index arts award winner Ali Farzat came to global attention in 2011, when he was pulled from his car and beaten by Syrian security forces who broke both his hands. Farzat recently worked for Kuwaiti Newspaper Al-Watan, which has been closed by authorities after criticising the government.


Doaa El Adl

doaa self portrait

Doaa El Adl

Egypt

Doaa El Adl has been an award-winning cartoonist for prominent Egyptian newspaper Al Masry Al Youm since 2008. She has faced threats and charges of blasphemy for her illustrations. @doaaeladl


Asia

Zulkiflee Anwar Haque (Zunar)

zunar malaysian cartoonist

Zulkiflee Anwar Haque (Zunar)

Malaysia

“Why pinch when you can punch?!” says Zunar, believing the best way to make a political impact is to criticise his country’s powerful leaders as harshly as possible. The Malaysian government has banned much of Zunar’s work and repeatedly subjected him to raids, arrest and detainment. Zunar continues undeterred, despite two arrests in 2015 already. @zunarkartunis | web


Australia

David Rowe

DAVID-ROWE

David Rowe

Australia

Award-winning cartoonist David Rowe has worked as an editorial artist for the Australian Financial Review for 22 years. Rowe’s bright and colorful watercolors are famously merciless. He is a three-time winner of the Stanley Award for Australia’s Cartoonist of the Year. @roweafr


Africa

Damien Glez (Glez)

GLEZ1

Damien Glez (Glez)

Burkina Faso

Glez’s cartoons regularly appear in publications spanning three continents, including Le Journal du Jeudi, for which he is the delegated director of publication, and the satirical Le Marabout, which he co-created. He writes his own comic strip called Divine Comedy. @DamienGlez | web

Padraig Reidy: Women are denied the right to exist in public space — even in death

Screen Shot 2015-03-12 at 10

A scene from the recently released documentary India’s Daughter (Image: BBC)

Whoever, intending to insult the modesty of any woman, utters any word, makes any sound or gesture, or exhibits any object, intending that such word or sound shall be heard, or that such gesture or object shall be seen, by such woman, or intrudes upon the privacy of such woman, shall be punished with simple imprisonment for a term which may extend to one year, or with fine, or with both. 

– Section 509, Indian Penal Code

“The lady…or the girl, or woman, is more precious than a gem, a diamond. It is up to you how you want to keep that diamond in your hand.”

“Someone put his hand inside her and pulled out something long. It was her intestines.”

“My husband told me I was stupid because I went to protest and didn’t think about the consequences”

– From the documentary India’s Daughter

The rape and murder of Jyoti Singh on a bus in Delhi in December horrified much of India and the world. Rape is by definition an act of violence and violation, but the details of the brutality meted out by the gang of six attackers were particularly shocking. Singh was flown to a specialist hospital in Singapore, but eventually succumbed to her injuries.

The 23-year old had been returning home from a trip to the cinema to see The Life Of Pi with a male friend. Of course, in discussions of rape, it does not matter what the victim was doing; where the victim was going, or when, or why or with whom. But it was extraordinary how the “asking for it” argument was extended in the prosecution of Singh’s killers.

Watching the BBC’s stunning India’s Daughter documentary was a disturbing experience. Singh had not gone out alone, it was true. She had not gone to a bad part of town: but she had gone out in the evening, with a man who was not a family member. That was enough.

She was female in public. That was enough to justify the attack. One attacker spoke of taking “pleasure” where you found it: the rich man will pay for his “pleasure”, the poor man will attain it “through courage” — that is, rape.

India’s Daughter was a shocking, grim and important hour of television that laid the misogyny of society bare for all to see. All, that is, except Indian BBC viewers, who were denied the opportunity to watch the documentary.

The Indian government obtained an injunction barring the film being shown in the country after it emerged the filmmakers had interviewed one of the rapists, Mukesh Singh. The attacker was apparently unrepentant, repeating the mantra that a “good girl” would not have got herself into the situation where he raped her.

Indian Home Minister Rajnath Singh was appalled, saying: “It was noticed the documentary film depicts the comments of the convict which are highly derogatory and are an affront to the dignity of women.” The government invoked section 509 of the Indian penal code

So the film was banned from television. And then later from YouTube in India. An hour of forensic, challenging film-making, exploring violence against women and the attitudes around violence against women was censored in order to protect women’s honour — a woman’s “honour” being patriarchy’s most precious bauble. Indian society had failed to protect Jiyoti Singh in life and now, still, she, through her story, was to be denied access to public space in death. This is not how we “protect” women.

It is not the job of society to “protect” women: rather it is the job of society to ensure women’s rights. This is not done by keeping quiet, or suggesting that women keep quiet, but rather by talking loud and clear.

This week, Naz Shah, the Labour parliamentary candidate for Bradford West (where she will challenge George Galloway) became an instant star after an article about her life and what had driven her to seek political office. Her mother had been brutalised for years. Shah’s father had run off with another woman, and her mother sought shelter for herself and her children with another man. But she found torture, not sanctuary. After years of abuse, Shah’s mother killed her tormentor. Following campaigning work from the ever-inspirational Southall Black Sisters, Shah’s mother Zoora saw her jail sentence for the killing reduced from 20 years to 12.

Borrowing a phrase from Barack Obama, Shah described how her political ambition had stemmed from the “dream of her mother”. After Shah’s father left, it was the mother, the innocent party, who was left with the shame, the besmirched honour. While in prison, Zoora Shah told her daughter that she would like to see her become a prison governor, so that she could help women in incarceration. Shah’s impulse ever since, she says, was to be in a position to influence change.

But still she realises there will be people who are not interested in women taking up public spaces. “Already my ‘character’ has been attacked and desecrated through social media and trolling. The smear campaign that has started has been some of the most vicious and disgusting I have seen. But it does not scare me, will not change me, and it in fact fuels my passion for change more,” she wrote for Urban Echo.

The impulse to deny women the right to exist in public is not limited to the streets of Delhi, or Bradford. Think of the threats received by feminist Caroline Criado Perez, by MPs such as Stella Creasy and Luciana Berger. Think, even of the sexist chants against female officials and staff that have been highlighted by the Football Association recently. The language may be openly hateful, or couched in “protective” metaphor, but the message is always clear. The public sphere, public interaction, is for men, and at best, you are here by our permission. But the question is not, fundamentally, about who grants permission. As long as we accept that that power belong to one group and not the other, then we are accepting and entrenching inequality. The aspiration is to smash any idea of who is “allowed” to go where, who is allowed to wear what, who is allowed to say what. In an equal world, there can be no concept of “permission” being granted by one group to another. Instead, as Naz Shah wrote, there must be “real meaningful and honest conversations not only with ourselves but with our families, our communities and beyond”.

This column was posted on 12 March 2015 at indexoncensorship.org

#IndexAwards2015: Campaigning nominee Amran Abdundi

Campaigning nominee Amran Abdundi

Campaigning nominee Amran Abdundi

Amran Abdundi is a women’s rights activist based in northeastern Kenya. She runs the Frontier Indigenous Network, an organisation which mobilises female peace builders and rights activists to set up shelters along the dangerous border with Somalia. It offers first aid to the injured as well as to women and girls who have been raped, moving victims to a safer part of Kenya.

As well as protecting citizens endangered by the guerrilla activities of the Al Qaeda-linked group Al Shabaab, Abdundi and her organisation also help those fleeing drought and failed harvests in Somalia. Abdundi is also behind radio-listening groups for women, which share information about access to tuberculosis treatment, among other things.

In a society that teaches women to leave decision-making to men and to look down when men pass, Abdundi’s Frontier Indigenous Network empowers, educates and mobilises rural women to challenge such outdated social codes.

The Al Qaeda-allied Islamist group Al Shabaab has sown terror in the Kenya-Somalia border region, one of the world’s most inhospitable areas. Women in the region are often the victims of violence, rape and murder. The northern region of Kenya is one of deeply conservative social customs, in which a man owns property on a woman’s behalf – even when the woman has bought the land. In the environment Abdundi operates in, a quarter of Kenyan girls and women have endured genital mutilation, despite legislation outlawing the practice.

Abdundi told Index: “I want to see them go to school. I don’t want to see them moving here and there without education – early marriage and female circumcision are also major issues.”

She said that some of the initial challenges the organisation faced have been overcome. In the beginning it was hard to talk to parents about their girls and “how the women have suffered”, she explained. “But now they understand us. They know how good we are and we want to change their lives.”

One of Frontier Indigenous Network’s biggest achievements in 2014 has been in mapping out conflict areas in northern Kenya. It focuses on the factors which fuel armed violence occurring after peace agreements are signed between warring parties. Aware that small arms and light weapons were one of the biggest obstacles to peace in the region, Abdundi and her group mapped many of the weapons used by the combatants. She then instigated a regional agreement to pursue arms traffickers, closing boltholes used by smugglers along the Somali border and developing a register of all recovered weapons. The agreement also targeted a network of groups running an illegal arms trade.

Abdundi has established radio-listening groups specifically for women, in which she encourages them to challenge the repressive cultural values preventing women from being permitted to own property or livestock. She uses the radio groups to reach women with tuberculosis, educating them about access to treatment and breaking cultural beliefs that tuberculosis is caused by curses and bad omens.

Abdundi has also mobilised women along the Kenya-Somalia border to rise against Al-Shabaab, a militant terrorist group, by educating them on the dangers of following the doctrine propagated by the terror organisation; she has received a number of death threats as a result of this work. She has also campaigned against the practice of female circumcision in northern Kenya.

She said: “My dream is to help women, girls and children. I just want to see them doing good. That’s my dream.”

This article was published on March 2, 2015 at indexoncensorship.org

Padraig Reidy: There is not a limited amount of free speech to go round

(Illustration: Shutterstock)

(Illustration: Shutterstock)

There is, I am told, a war going on in feminism. A war between “intersectionalists” (I think) and TERFs (Trans-Exclusionary Radical Feminists, as far as I can tell).

I am not about to stick my oar into this particular boating lake, for two reasons:

Reason 1. Self-awareness. I am a white middle class western European media professional, north-London dwelling male, born in a time when there is little chance of conscription. I am practically the most privileged thing that ever existed, and the last thing people struggling for equality need is me, turning up, cheerily shouting “Only me!!!” like Harry Enfield’s Mr-You-Don’t-want-to-do-it-like-that, and telling people how to do a real feminism. That is not to say I do not have a right to have an opinion, but…

Reason 2: lurking in that apparently placid boating lake are piranhas, reading to chew up and spit out any oarsman (or woman) who does not know every ebb and eddie of the lake.

It’s a horrible sight to see. Every so often some poor naive jumps in their little pleasure boat, having been assured by the man that it’s perfectly safe, and rows happily to the middle of the lake. You watch from the shore. They wave back. What’s that sound? They’re singing Sister Suffragette from Mary Poppins, their rowing keeping a brisk beat with the jaunty marching tune. “Shoulder-to-shoulder” and-stroke-and-stroke.

Unbeknownst to them, the piranhas have smelled blood. They row on. Gleefully, they reach the crescendo: “Our daughters’ daughters’ will adore us…”. They raise their hands to punch the air. An unattended oar slips into the water. The piranhas stir. Daughters? That sounds like determinism. The water begins to froth. The poor unsuspecting oarsman (or woman) is still singing. Eventually they catch the commotion in the corner of one eye: they hear it grow louder, under the boat, which now seems irresponsibly flimsy.

They sing still, but now in trepidation: “No more the meek and mild subservients we!”.

The frenzy grows stronger, at what was certainly a slight on members of the BDSM community (well, the Ms anyway). Stronger and stronger. Our rower tries to resist, we can see, but the boat is now falling apart, as if rotten, under their feet. Our previously carefree rower feels first a nip, and then a rush. They are simultaneously drowning and being eaten alive.

A final defiant shriek from a the near-eviscerated pleasure seeker, and then there is nothing. The waters are calm once more.

We tut, from the shore. Such a shame, such a loss. Did you see the cowbell dog?

That’s one version, but then try to see it from the fishes’ point of view. Fish have got to live. Piranhas have been, for years, maligned as a generality by the mainstream. The very word “piranha” is thrown around as an insult. Piranhas are irrational, illogical, even abominations against nature. And of course, there is more than one type of piranha, and not every piranha has the same experience of what it’s like being a piranha. Piranha identity is complex, to say the least. But that doesn’t mean piranhas shouldn’t bond together and work together. What outsiders view as a “feeding frenzy” is actually the best – only – way piranhas can continue to exist safely.

Besides, the piranhas grew up in this lake. They know it like the back of their fins – how to navigate, how to communicate. If anyone’s in a wrong place in the boating lake, it’s not the piranhas.

This is not an unreasonable case. The question then (and here’s where the horrendous tortured boating lake analogy comes to an end, you’ll be pleased to know) is: Was George Bush right? Can the human beings and the fish coexist peacefully?

The issue emerged again recently with a terse exchange of letters in the Observer newspaper, which followed the cancellation of a show by comic Kate Smurthwaite at Goldsmith’s college. Smurthwaite said she’d been banned because some university feminists who are pro sex work were threatening to protests against her anti sex work views, and the college security didn’t want the hassle.

A letter was put together, as letters are, decrying campus censorship and the narrowing of debate (with specific mention of the National Union of Students’ policy of “no-platforming” feminist Julie Bindel for statements on trans people). There was a response, disputing the facts of the first letter and suggesting that there are bigger campus free speech issues – around student protest for example – than whether certain already powerful people can take part in a panel debate or a comedy show.

The problem here is the commodification of free speech: who is allowed it and who isn’t, and, in hierarchical societies (i.e. pretty much every society we’ve come up with so far) who grabs it as theirs and who should be granted more in order to even things out, and who can “use” free speech against whom.

This is to treat free speech as a weapon rather than a space. There is not a limited amount of free speech to go round: rather, there is a (hopefully) ever-expanding free speech arena in which we can argue. The signatories of both letters have actually identified the same problem, the narrowing of the space, particularly in education. Perhaps it would be beneficial for them to defend the space in which to argue rather than trying to push the other side overboard.

This article was posted on 26 February 2015 at indexoncensorship.org

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