Former Pussy Riot member and Uyghur activist say encryption keeps them safe

To mark World Privacy Day this year (28 January 2026), Index on Censorship invited extraordinary human rights activists to share their experiences of the importance of encrypted apps at an event sponsored by former cabinet minister Louise Haigh MP. A number of members of parliament took part in the discussion. Among the speakers were Uyghur activist Rahima Mahmut and ex-Pussy Riot member Olga Borisova. They both told us why encryption is not a nice-to-have. It is essential to their lives and work.

End-to-end encryption has been designated a risk factor by Ofcom as part of their role in implementing the Online Safety Act. This means pressure could seriously mount to create a “backdoor” to the apps that have encryption as their central feature. This would be a disaster for our privacy and one we won’t stand for. We’ve written about the many reasons this is a terrible path to walk here. And so long as the future of encryption remains precarious in the UK, we will continue to make noise. As these women told us powerfully at the event, there is so much at stake if end-to-end encryption is broken.

Below we share the speeches delivered by Mahmut and Borisova. Both act as powerful reminders of the extreme costs incurred when privacy is laid to waste.

Rahima Mahmut, Uyghur human rights activist and director of Stop Uyghur Genocide

As a Uyghur, when I hear the words “online safety” I do not hear reassurance.

I hear a warning.

I come from a community where the language of “safety” was used to justify one of the most extensive systems of digital surveillance the world has ever seen. In China, the government claimed it was keeping people safe, while it monitored every message, every contact, every digital footprint of Uyghur lives. People disappeared not because they committed crimes, but because of what they searched, shared or said online.

That is why I am deeply concerned by the Online Safety Act.

I understand its intention. Protecting children and preventing harm matters. But intention is not enough. We must look at how power operates once it is written into law.

When governments pressure platforms to remove vaguely defined “harmful” content, the result is not safety – it is pre-emptive censorship. Platforms will always choose caution over justice. They will silence first and ask questions later.

For Uyghurs in exile, digital platforms are not a luxury. They are our lifeline.

They are how we document atrocities, speak to journalists, warn the world and preserve our culture.

When content is removed, when accounts are suspended, when voices are quietly buried by algorithms, the cost is not abstract. It is human.

I have seen where this road leads. In China, online control did not stop at content moderation. It led to mass surveillance, collective punishment and genocide.

The UK must not – even unintentionally – normalise the logic that safety requires less freedom, less privacy and more state control.

True online safety does not come from expanding surveillance powers. It comes from protecting rights, enforcing transparency and defending the most vulnerable voices – not silencing them.

As someone who has lived the consequences of digital authoritarianism, I urge you: do not build a system that future governments could abuse. Do not trade freedom for a false sense of security. Because once lost, our voices are very hard to recover.

Olga Borisova, former member of Pussy Riot and Russian human rights activist

For people like me, online safety is not an abstract concept. It is directly connected to physical safety and survival.

I now live in the UK, but my work and many of the people I communicate with are still connected to Russia and Belarus – countries where surveillance is routine and political repression is part of everyday life.

I have been sentenced in absentia to eight years in prison in Russia for my anti-war stance and support for Ukraine. I am on a federal wanted list and cannot travel to half of the countries in the world. Because of this, I have no choice but to think carefully about the security of my communications every single day.

For activists, journalists and human rights defenders, encrypted communication is not about hiding, it is about preventing state surveillance. It is about making sure that conversations cannot be intercepted, taken out of context or used as evidence.

One of the tools I rely on in my work is Signal. I use it precisely because neither the company nor any government can read the messages. That is the whole point of the technology.

Signal helps Russian human rights workers and other people to flee persecution in Russia and avoid being sent to the war.

Russia already banned calls in WhatsApp and Telegram. And sending information from Russia abroad can be considered a high treason.

Signal is just an example, but it is considered the most secure way to communicate.

In fact, encryption helps save lives. Encryption helps provide the truth.

If the Online Safety Act forces companies to scan private messages or weaken encryption, services like Signal may simply stop operating in the UK. If that happens, the impact will be very real. Human rights defenders based here will lose one of the few secure ways they have to communicate with people living under authoritarian surveillance.

The UK is home to many exiled activists and journalists like me. If secure tools disappear here, the UK becomes a less safe place to do human rights work, not by intention, but by technical design.

There is also a security issue. Russia actively uses cyber operations and state-linked hackers as part of hybrid warfare, and the UK itself has been a target. Weakening encryption does not make societies safer, it creates vulnerabilities that hostile actors know how to exploit.

I recognise that serious crimes, including child sexual exploitation, do take place in private and encrypted messaging spaces. But the evidence also shows that these crimes are addressed through targeted investigations, intelligence-led operations and lawful hacking, not through blanket access to everyone’s private communications.

That is why I believe the Online Safety Act should be amended to draw a clear and explicit line: end-to-end encrypted private messaging must not be subject to scanning requirements or technical backdoors. Instead, the focus should remain on proportionate, targeted enforcement against suspects, while preserving strong encryption as a core part of public safety, digital resilience and democratic infrastructure.

This approach protects children and the public without exposing journalists, activists, victims of abuse and people targeted by hostile states to new and irreversible risks.

Shortlists announced for the 2023 Freedom of Expression Awards

For the last 22 years Index on Censorship has been proud to host the annual Freedom of Expression Awards. It’s an opportunity to celebrate the brave artists, journalists and campaigners from around the world who fight for freedom of expression in the most challenging of circumstances. There are some truly incredible nominees for the awards this year, who more than ever, are challenging the repressive regimes they live under to fight for the rights of ordinary people.

2023 has seen the continuation of Russia’s war on Ukraine with its horrific consequences for the people of Ukraine and the severe repression for those speaking out against the war in Russia. The CCP in China continues to repress journalists, particularly those who attempt to uncover the crimes against the Uyghur people, and activists and protesters for women’s rights in Iran and Afghanistan face vicious attacks from the authorities.

The shortlisted candidates for the Arts award are Visual Rebellion, a platform for sharing the work of photographers, filmmakers, and artists documenting the protests in Myanmar; Iranian rapper Toomaj Salehi, who sings about injustice and the abuse of civil society by the authorities, for which he has been imprisoned; and Ukrainians, curator Maria Lanko and artist Pavlo Makov, who have worked to protect Ukrainian art in the face of Russian war crimes.

The shortlisted candidates for the Campaigning award are Matiullah Wesa from Afghanistan who has worked to ensure all children, but especially girls, have access to education and educational materials; Russian student Olesya Krivtsova who has publicly opposed Russia’s war on Ukraine and has fled the country to avoid up to 10 years’ imprisonment; the Xinjiang Victim’s Database, which records the incarceration and persecution of the Uyghur population in Xinjiang province; and the Africa Human Rights Network which works to support and protect human rights defenders across the Great Lakes region of Africa.

And the shortlisted candidates for the Journalism award are Bilan Media, Somalia’s first women-only media organisation and newsroom; Mohammed Zubair, co-founder of the Indian fact-checking platform Alt News which has led to threats after challenging misinformation; and Afghan Mortaza Behboudi, in exile in France, who continues to travel to Afghanistan every month to work with different media outlets to ensure the voices of Afghans are heard.

The Freedom of Expression Awards are a time to remind ourselves of the importance of freedom of expression and to commit ourselves to protecting our own freedom of expression. It is easily lost but hard fought for. We must not forget that.

Index on Censorship host event Beijing would rather you didn’t see

Index on Censorship’s upcoming “Banned by Beijing” event will highlight the Chinese Communist Party’s efforts to censor and repress freedom of expression through an evening of art and performance. The CCP’s repression of human rights has been widely documented but few realise that their repression extends far beyond its borders, including into Europe. This event will provide an opportunity for attendees to see and hear what the CCP have tried to repress.

Earlier this month, the Chinese Embassy in Poland tried to block the opening of the exhibition, “Tell China’s Story Well”, by the political cartoonist and human rights activist Badiucao. Chinese embassies in Prague and Rome have previously made similar attempts to close his exhibitions. He will join the event to speak about his experience of transnational repression. 

Uyghur campaigner Rahima Mahmut will also speak about her experience of transnational repression, and perform with her band the London Silk Road Collective. Mahmut  previously contributed to a report by Index, which highlighted the transnational repression faced by the Uyghur community in Europe.

The event will also mark the opening of the Banned by Beijing exhibition, aimed at highlighting transnational repression from China. As well Badiucao’s artwork, works from husband-and-wife painting duo Lumli Lumlong and cartoonist and former secondary school visual arts teacher Vawongsir, will be displayed. The exhibition will run until 10 July.

The event will take place as we mark the third anniversary of the enactment of Hong Kong’s National Security Law. The exhibition will pay tribute to the 75-year-old British businessman and founder of Hong Kong’s Apple Daily newspaper, Jimmy Lai who remains in prison in Hong Kong, charged with violating the national security law among other offences. It will be the first time that Lumli Lumlong’s “Apple Man” will be shown in public.

Jessica Ní Mhaínin, Head of Policy and Campaigns at Index on Censorship said:

“This Banned by Beijing event will provide an opportunity to see a side of China that the Chinese Communist Party would much rather you didn’t. We want people to join us on the evening to stand in solidarity with those who are being subject to transnational repression. The event will send a clear message: dissident artists and performers cannot and will not be censored by the long arm of the regime.”

ENDS

NOTES TO EDITORS

  1. The event takes place on Tue, 27 June 2023 19:00 – 22:00 at St John’s Church in Waterloo and the exhibition will run until 10 July.
  2. Report into repression of Uyghurs in Europe: https://www.indexoncensorship.org/2022/02/landmark-report-shines-light-on-chinese-long-arm-repression-of-ex-pat-uyghurs/ 
  3. For more information, please contact Sophia Rigby on [email protected] or Jessica Ní Mhaínin on [email protected].
  4. The artists will attend the event in person and we can organise for interviews during the evening with any of the artists and Rahima Mahmut.

Seeing Auschwitz is a timely reminder of the importance of documenting atrocities

It was the 80th anniversary on Saturday of the first time the Holocaust was acknowledged in the British House of Commons. On 17 December 1942, Jewish Labour MP Sydney Silverman, who formed a committee to organise Jewish refugee resettlement, asked the Foreign Secretary Anthony Eden to make a statement on the Nazi plan to "deport all Jews from the occupied countries to Eastern Europe and there put them to death before the end of the year.” Eighty years is a long time, but the horror of the Holocaust persists in the public’s consciousness.

The exhibition Seeing Auschwitz, which opened recently in South Kensington, London, focuses on the images which play a large part in our collective perception of the Holocaust. What makes the images in this exhibition unique is that they were predominantly taken by the perpetrators of the Holocaust.

A focus of the exhibition is to try and humanise these images. Blown up large, we are invited to study the small detail for any stories we can see. A farewell embrace, children laughing, a gaze up to the sky.

The pictures in the exhibition were taken over a three-month period in 1944. The clear, more polished photos taken by the Nazis are juxtaposed by a section of the exhibition which shows several snatched photos taken by the Sonderkommando (work units made up of death camp prisoners). One of the photos (it’s not known how they accessed a camera) shows a group of women being forced naked, a hurried snapshot of terror. Drawings made after the war by one of the Sonderkommando gives an insight into the horror of the gas chambers.

One interesting photo is taken by neither perpetrator nor victim. The image, taken by a 14-year-old boy from his bedroom window, shows inmates from Dachau on a death march through his village. It places the horrors of the concentration camp, very rarely, in a normal, suburban setting.

The exhibition reminds us that, with around two million visitors per year, Auschwitz itself isn’t the only place we can understand what happened there. It can also be ‘seen’ in the void - the absence of large Jewish populations, common in towns and cities throughout Europe before the Second World War, which signifies whole generations of people who will never be born.

Attempts to destroy evidence of the Holocaust by the Nazis failed overall. Aside from antisemitic and right-wing conspiracy theorists, the world is clear about what the Holocaust was, and who the perpetrators were.

Similar efforts to bear witness to atrocities continue today. In March 2022, at least 458 people were killed in and around the town of Bucha in Ukraine by the invading Russian Army, which Russia’s UN envoy denied and claimed was a ‘staged provocation’. Journalists and civilians alike collected evidence to prove that was a falsehood. Elsewhere it is not so easy. In a chilling echo of the Holocaust, around five years ago there were reports that China was building internment camps for its Uyghur population, a mainly Muslim ethnic minority living in the far north western region of the country. The Chinese Foreign Ministry publicly denied there was a genocide in 2021; reporters are rarely allowed into the region where the genocide is taking place and when they are, they are often followed and/or their press trips tightly controlled. Those who have left the region are subject to harassment and intimidation, as we reported in our Banned by Beijing report. Still, a growing network of brave individuals are speaking out, journalists are working hard to obtain information and a clear picture of what is taking place is emerging.

Like Sydney Silverman did in 1942, it’s important for organisations like Index on Censorship to pressure those in power to take action against human rights abuses, to support those who are on the frontlines of gathering information and to also fight back against denial in spite of evidence. In an age of misinformation and disinformation, the fear is that evidence of atrocities, like the Bucha and Uyghur genocides, become distorted from the side of the perpetrator. Seeing Auschwitz reminds us to look deeper into what we’re viewing.

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