Contents – The monster unleashed: How Hungary’s illiberal vision is seducing the western world

Contents

Hungary has been on our radar for a long time. The prime minister Viktor Orbán is not an autocrat like Russia’s Vladimir Putin, but he has been slowly eroding his society’s democratic institutions and helping his Fidesz party allies take them over.

It’s meant not only that power is increasingly concentrated in the hands of a few billionaires, but that the public space for freedom of expression and pluralistic thought has been narrowed.

President Donald Trump’s MAGA movement has been fascinated with the Orbán model and how Hungary became what Orbán himself has described as an illiberal democracy. Many powerful MAGA figures would not only like the USA but also other countries in Europe to follow suit. Orbán is an ally who wants to weaken the principles on which the European project was founded.

Freedom of expression globally seems further away than ever as Israel, the USA and Iran are locked in a war spreading across the Gulf states. But we will continue to write about what is happening in the increasingly contested world of censorship.

Finally back to Hungary. The country goes to the polls in April and the opposition leader Péter Magyar is tipped to win, but we all fear the illiberal model is unlikely to die anytime soon.

Up Front

The monster unleashed: Sally Gimson
Hungary’s nightmare politics threaten to engulf Europe

The Index: Mark Stimpson
The latest in the world of free expression, including deep dives on Iran

Features

From police to Pussy Riot: Olga Borisova
A Russian activist recounts her path to dissent

Hot off the prison press: Poppy Askham
Mothers of jailed protesters are making unusual paper rounds in Georgia

Kill the messenger: Salil Tripathi
Angry mobs in Bangladesh are putting journalists’ lives in danger

Challenging the lion: Danson Kahyana
A Tanzanian cartoonist goes into hiding

Taking out the opposition: Kaya Genç
Social scientists exposing the Turkish president are under attack

I can imagine going anywhere: Ai Weiwei, an artist without a country: JP O'Malley, Ai Weiwei
Chinese artist Ai Weiwei knows a thing or two about censorship

Jailed for wearing a T-shirt: Sophie Wilkinson
When Moroccan authorities took offence to the slogan “Allah is lesbian”

The monster unleashed

Light at the end of the tunnel?: Viktória Serdült
Encrypted messages are piling up in Hungarian journalists’ inboxes

Orbán rewrites the Habsburg fairy tale: Victor Sebestyen
A careful re-crafting of the past is bolstering nationalism in Hungary

Hungary leads the far-right charge on free speech: Martin Bright 
Far-right hardliners unite in Brussels, with an Orbán-linked institution playing host

Europe worries a lot about Trump. Trump doesn't think about Europe at all: Evan Sandsmark 
Is Trump’s America trying to destabilise Europe?

Orbán's anti-culture club: Katie Dancey-Downs
Book censorship in Hungary is just the beginning of the attack on LGBTQ+ people

The island of freedom: Mark Stimpson
A ticket to the Hungarian music festival where free expression is celebrated

Dissent is in the icy air: Connor O'Brien
Index, a camera and the streets of Budapest

Orbanology: Márton Hegedűs
A new cartoon pulling apart the politics of division

Print your own news: Connor O'Brien
In Hungary, Samizdat is back in circulation

Comment

Don't let labels mask the narrative: Akin Ajayi
An argument against using the word “genocide”

Unfinished revolutions: Roshaan Khattak
Exploring the links between Kenya and Balochistan

Indian cinema: propaganda at the pictures: Nilosree Biswas
The rise of anti-Muslim films

No unflattering portraits of the past, please: Jemimah Steinfeld
A global view of the countries sanitising history

Finding Annie on my mind: Sarah Hagger-Holt
The transformative moment of discovering a book about lesbians in the library

Culture

Escape to the woods: Alexandra Domenech
Russian theatre goes to the countryside

Like father like daughter: Katie Dancey-Downs
Kurt Vonnegut’s daughter Nanette is taking on the state of Utah

Growing up Russified: Connor O’Brien, Nina Kuryata
A Ukrainian author takes us back to her childhood, in this exclusive translation

Poems in the darkness: Mark Stimpson, Mohamed Tadjadit
Poetry by the jailed Algerian human rights activist in English for the first time

Totalitarianism on trial: Xue Yiwei, Jeffrey Wasserstrom
A chilling tale from China, published exclusively in Index

Should charities and music mix?: Rich Clarke
The inside track on War Child's new album

 

You can read the magazine online on Exact Editions here.

Slovakia: democracy just bearing up

You may have seen some of the coverage of the attack on Slovakia’s four-time and current Prime Minister Robert Fico. The attacker was apprehended and has not been formally named but is identified in Slovak media as a 71-year-old unsuccessful and disgruntled amateur writer who spread anti-Roma prejudices in his pamphlets. The blatant attack put Slovakia briefly in the global spotlight and came six years after Slovak investigative journalist Ján Kuciak and his fiancée Martina Kušnírová were murdered, reportedly on the orders of oligarch Marián Kočner.

No country could sensibly have wanted this attention. Slovakia still meets the threshold for democracy in global comparative measurements. Yet the attack, coupled with recent governmental assaults on independent institutions including public broadcasters, makes Slovakia appear dysfunctional and inspired by neighbouring Hungary. That country is ruled by Prime Minister Viktor Orbán in an increasingly authoritarian manner.

This sense of “something rotten” goes much deeper into the past than the 2024 assault, and the 2018 murder of Kuciak and Kušnírová was a critical juncture. Fico governed back then, too, for the third time, and his rule facilitated the impunity of Kočner and the like. While not known as a friend of independent institutions, Fico managed to persuade some democratic parties to form a coalition with him.

The 2018 murder sparked massive protests and Fico resigned - only to hand his seat to one of his deputies. That politician, Peter Pellegrini, is now Slovakia’s President-elect, to be inaugurated in June.

The 2020 elections were supposed to translate anger towards the previous political elite into a pro-reform government. A new government emerged, but led by an inexperienced populist, who was faced straight away by the immense challenges of the Covid-19 pandemic.

A post-pandemic cabinet emboldened qualified investigators to unearth crimes of corruption. In fact, this is why Kočner is already in jail, as his orchestration of the Kuciak murder is still being litigated. The first-instance court acquitted Kočner twice for the murder-related charges, despite the first acquittal being quashed on appeal.

The “untying of hands” of the investigators made some Slovak elites, Fico among them, worried. Fico himself narrowly avoided investigative detention although one of his closest aides spent a month inside.

Hence, when frustration from the mismanagement of the pandemic combined with unscrupulous use of disinformation catapulted Fico to become PM for the fourth time, his government identified those same anti-corruption bodies as a key target. If democracy was to fall with them, why not?

With the police and special prosecution service gutted, the media has become the obvious next target. Fico has not hidden the fact that Kuciak’s journalistic successors, as well as intellectuals speaking truth to power, irritated him.

Some Slovak independent media have resisted this slide from democracy and a good deal of resistance remains, including from journalists themselves even in major commercial media which the government has had a hard time to subdue directly. Media owners are less enthusiastic about the risks of losing profit though, and signs of their willingness to compromise good relations with the government have been scarce so far.

There are other institutions that can help democracy, too. The Constitutional Court, an influential interpreter of the Slovak constitution, remains largely untouched by the government and difficult to be subordinated by the executive.

Slovakia's constitution enshrined democracy at the front of its wording when it was enacted more than 30 years ago. That principle is still there, as are the rule of law and a relatively broad rights catalogue. As such, the Constitutional Court has much to work with to address, for example, challenges to legislation curbing independent public broadcasting.

These forms of resistance may even generate new leaders and ideas. Yet, there is little social energy left to go beyond just bearing up under the strain.

On New Year’s Eve 1990, weeks after the Velvet Revolution, dissident and last Czechoslovak President Václav Havel argued that “our country is not flourishing”. He meant to prepare the public for the difficulties of the transition from authoritarian state socialism.

These words apply equally for today’s Slovakia. The government is going to have a hard time to completely silence the opposition even with the additional support gained from the attack on Fico. The EU institutions may weigh in as well, especially if they learned some lessons from having observed the Hungarian regime change with minimal questioning.

But the energy to resist is taken from addressing long-term local and global issues - the climate emergency, demographic changes, a braindrain of Slovakian talent, underperformance in research and much more.

Arguably, Slovakia has lacked an elected government with a vision for more than a decade. NGOs, the media, or the public at large cannot replace vision-building completely. That leaves Slovak academia, where most Slovak political leaders were educated. Comparative disadvantages abound here: the oldest surviving university is just over a century old, and the country did not get an intellectual injection akin to, for example, the founding of the Central European University in Hungary. But these hurdles do not excuse its insufficient contribution towards a societal vision.

In Hungary, Orbán succeeded in effectively forcing most of the CEU out of Budapest and subordinating most public universities. In Slovakia, it is unclear whether the followers of Orbán would need to bother with academic resistance in the first place. And long-term democratic resistance is difficult to sustain without a positive societal vision.

Five years on from 2019, the individual who fired five bullets at Fico lamented that definitions and notions no longer apply. He should have stuck to his writing and talking. After this desperate act, a critical mass of Slovak journalists is trying their best to prevent even more definitions and notions being captured by non-democrats, an increasingly uphill struggle.

Alone, they will not succeed but others can help - both in daily vigilance to the government’s new measures, and by refocusing to a long-term vision for life in and of Slovakia beyond mere bearing up.

Curtailing creativity today will lead to greater censorship tomorrow

How we express ourselves and the mediums we choose is an intensely intimate process. Artists, writers, dancers, actors and musicians think very hard about what they wish to convey and how they wish to convey it.

Creativity and freedom of expression go hand in hand. To curtail one imperils the other. Creativity that is confined is censorship and when freedom of expression is under threat, self-censorship in art and culture becomes more prevalent.

All of us who value our voices and our freedoms have a duty to promote and protect creativity and ensure that everyone can tell their stories - however challenging they may be - in whatever medium they choose.

We expect these challenging but universal rights to be upheld in every nation - and especially those that claim to share our democratic values. And you would have thought they would be a given within the European Union member states. Yet, it seems all too often we are likely to be disappointed.

Victor Orbán’s government of Hungary is a case in point. A member of the European Union, Hungary is seemingly on a path leading further away from the democratic norms we all hold dear and venturing off to the dark recesses of oppression.

This week, the target of Hungary's increasing authoritarianism is the World Press Photo exhibition and specifically the work of Hannah Reyes Morales.

Reyes Morales is a widely respected artist who uses her art and her skill to tell the story of LGBTQI+ life in the Philippines based on her own lived experience. She explores the joy, the optimism, the heartache and the sorrow that modern life brings to everyone.

Her artwork is a canvas in which her representation of emotion is weaved delicately against her own experiences. It is a celebration of what it is to be human and a stark reminder of the fragility of what we all hold dear.

So, a celebrated artist of international standing showcasing her work in a European Country. That’s all good then, yes?

Apparently not.

Orbán’s government not only sought to censor the World Press Photo exhibition - they sought to ban any and all works which featured LGBTQI+ works.

The head of Hungary’s National Museum, Laszlo Simon, has now also been sacked for his curation of the exhibition. He is accused of providing access to material to under 18s which ‘promotes’ homosexuality under the controversial Hungarian law that bans the “display and promotion of homosexuality” in materials accessible to children, such as books and films.

While the head of the museum is clear that no laws were intentionally broken, the compliance with the rule is not the issue. It is the law itself which is an affront to freedoms. And the fact that for the first time on European soil the World Press Photo exhibition has been censored.

LGBTQI+ rights in Hungary are under attack and those who speak out are ostracised. Artistic freedom is under attack and those that challenge it do so at the fear of losing their jobs.

This is yet another attempt by the repressive regime of Viktor Orbán to erase minority voices, silence campaigns and censor anything that does not fit into his narrow world view.

The European Commission chief Ursula von der Leyen has already called Orbán’s legislation a ‘disgrace’. Human rights organisations around the world have marked Hungary’s lurch to the populist right as a defining moment in European history and should pose the question to other EU members about the sort of leaders they want in their club.

But it also exposes the ease with which authoritarianism and censorship can spread. Curtailing creativity today will lead to greater censorship tomorrow.

Index on Censorship continues to - and always will -  share the stories of those silenced by Orbán. And we stand with Simon and Reyes-Morales as they try to make sure that all voices are heard and celebrated.

 

An end to the ‘desperate situation’ for Europe’s journalists?

Sofia Mandilara really likes her job. As a reporter for the Greek news agency Amna, she is "often at the forefront of important events", she said. "Through us, people find out what is going on in our country." But not all that goes on in Greece is reported. This is because Amna belongs to the Greek state and is subject to the office of Prime Minister Kyriakos Mitsotakis. Anyone who reports critically on his conservative government is censored, the 38-year-old said.

A similar situation exists at the Italian state broadcaster, Rai, which plays a major role in shaping public opinion. It is increasingly under the influence of Italy’s right-wing populist government. Immediately after taking office in October 2022, Prime Minister Giorgia Meloni filled all management positions with her followers. The two previous governments did the same, but none as radically as Meloni. Prominent reporters left and even high-profile journalist and anti-Mafia author Roberto Saviano’s show was cancelled after he tangled with Meloni. Positive reports about Meloni’s government, meanwhile, account for around 70% of all political news on Rai stations, according to the media research institute Osservatorio di Pavia.

Journalists at the Journal du Dimanche, France’s leading Sunday newspaper, have also suffered a radical change of regime. In the spring, Vivendi, owned by billionaire Vincent Bolloré, got the go-ahead to buy the publishing giant Lagardère, including the JDD. Bolloré publicly denies any political interest. But as with his acquisitions of CNews in 2016 and the magazine Paris Match last year, the buy-out was followed by a sharp turn in the editorial orientation of the JDD towards the far right.

State officials who demand censorship, party functionaries who misuse public broadcasters for their propaganda and billionaires who buy media to propagate their own political interests - what was long known only in Viktor Orbán’s Hungary - is spreading across Europe. The creeping decline in media freedom and pluralism has been documented for years by the Centre for Media Freedom at the European University of Florence, an EU-funded project. There is now "an alarming level of risk to media pluralism in all European countries", researchers wrote in their annual report in June.

This puts Europe in a "desperate situation", said Věra Jourová, the EU Commission vice-president for values and transparency. The Czech Commissioner has personal experience of life without a free press. "I lived under communism, that was uncontrolled power - and unchallengeable power. This should not happen in any EU member state," she said in an interview with Investigate Europe, a co-operative of journalists from different European countries. Media are "the ones who keep politicians under control. If we want the media to fulfil its important role in democracy, we have to introduce a European safety net." That is why she is pushing to implement a landmark EU law "to protect media pluralism and independence", which would set legally binding standards to preserve press freedom in all EU member states.

She and her colleagues introduced the bill in September 2022. Among other things, it provides that: public service media must report "impartially" and their leadership positions must be "determined in a transparent, open and non-discriminatory procedure"; the allocation of state funds to media for advertising and other purposes must be made "according to transparent, objective, proportionate and non-discriminatory criteria"; governments and media companies must ensure that the responsible "editors are free to make individual editorial decisions"; owners and managers of media companies must disclose "actual or potential conflicts of interest" that could affect reporting; and the enforcement of journalists to reveal their sources, including through the use of spyware, must be prohibited.

All of this seems self-evident for democratic states and yet it met with massive resistance from not only Hungary and Poland, but also Austria and Germany. They argued the proposal is overreaching, "with reference to the cultural sovereignty of the member states", according to minutes from the legislative negotiations in the EU Council, obtained by Investigate Europe. The four governments wanted a directive rather than a legally binding regulation, which would allow the governments to undermine the bill.

In Germany, media supervision is the task of regional states. On their behalf, Heike Raab from the state government of Rhineland-Palatinate, led the negotiations in the EU Council. The EU was acting as a "competence hoover in an area that was expressly reserved for the member states in the treaties", Raab argued, saying the law would be an "encroachment on publishers’ freedom" in line with the respective lobby. If publishers are no longer allowed to dictate the content of their media alone, this would "destroy the freedom of the press", the Federal Association of Newspaper Publishers declared. The European Publishers Association claimed that the EU proposal was in fact a "media unfreedom act". However, Raab and the publishers’ lobby failed to present any practical proposals on how to stop the attacks on editorial freedom.

Such opposition has so far proved largely unsuccessful. Although several controversial amendments to the law have been put forward (most notably when a majority of EU governments backed a change to allow the possible use of spyware in the name of national security), the key proposals of Jourová and her colleagues were adopted in June by most EU governments. If, as expected, the parliament also gives its approval at the beginning of October, the law could come into force early next year – and trigger a small revolution in the European media system. At least that is what Jourová hopes.

The direct influence on public service media by way of appointment of politically affiliated managers, as seen in Greece and Italy, for example, would not be compatible with the new law. “The state must not interfere in editorial decisions," Jourová said. If a member state does not comply, the Commission could open proceedings against the government for violation of the EU treaties. And if the violations continue, this could "lead to very serious financial penalties from the European Court of Justice.”

Journalists themselves could also sue governments or private media owners in national courts against censorship or surveillance on their part, the Commissioner explained.

It is questionable, however, whether this can help reverse the decline of media diversity in the right-wing populist-ruled countries. The Hungarian and Polish government are already accepting the blocking of billions in payments from EU funds because they violate the principles of the rule of law with their political control of the courts. So why should they fear further rulings by EU judges?

Viktor Orbán’s regime has for years engineered a "creeping economic strangulation" of independent media in Hungary, says journalist Zsolt Kerner of the online magazine 24.hu. The government withdrew all state advertising contracts for independent media and then pressured commercial advertisers to do the same. Today, advertising revenues only go to media loyal to the government. 24.hu survived only thanks to an economically strong and independent investor. The rest either had to close or were taken over by those connected to Orbán. This would all become illegal with the planned regulation because EU law trumps national legislation. But Kerner and his colleagues "doubt whether it will do any good in our country." After all, the government has "many good lawyers".

"Maybe Hungary is a bit immune now," said Commissioner Jourová. But there, too, the government will "sooner or later feel the political impact". An “independent European media board", including media experts from all 27 EU states, is planned under the new regulation. While the board can decide by majority vote only on assessments without legal consequences, Jourová expects that countries "which the board certifies as restricting media freedom" will "lose their international reputation, for which most governments are very sensitive.”

This could well put pressure on the right-wing nationalists in Poland, thinks Roman Imielski, deputy head of Gazeta Wyborcza, the country’s last major independent newspaper. Prime Minister Mateusz Morawiecki’s government has also turned public television and the national news agency into "a Russian-style propaganda machine" that brands all critics as "traitors to the nation and conspirators", Imielski said. But if Poland looks bad to the US government, for example, "that puts pressure on it", as happened when the government tried to sell the government-critical TVN station, owned by a US group, to a Polish buyer. Under pressure from Washington, the Polish president vetoed the corresponding law in 2021.

When or even if Jourová’s grand plan actually becomes law is still unknown. After the parliamentary adoption scheduled for the beginning of October, its representatives still have to agree on a common text with the Council. As mentioned, most EU governments want to reverse the planned ban on the use of surveillance software against journalists and explicitly allow it in cases of danger "to national security". Article six, which obliges media owners to respect "editorial freedom", is also highly controversial. Member states, including Germany, want to weaken this provision considerably by only granting this freedom "within the editorial line" set by media owners. If successful, the law would fail at a crucial point.

“The problem is not media concentration in itself, the problem is that it gets into the wrong hands,” said Gad Lerner, a columnist at the still independent Il Fatto Quotidiano, who worked for La Repubblica until it was sold. “More and more entrepreneurs with a core business in other industries are buying newspapers, TV or radio to give visibility to the politicians on whom they depend for their real business."

"Of course, we don’t want rich people to buy media to influence politics. But we are not here to micromanage how the newsrooms should be organised,” Jourová said, pointing to the need for civil society and journalists to help push for stronger editorial freedoms.

The Greek journalist Sofia Mandilara, who works at the state news agency, has already given a starting signal for this. With the help of the trade union, she filed a public complaint against the censorship of statements critical of the government in one of her articles and - to her surprise - was allowed to write another article on the subject. Since then, "at least they always ask me when they want to change my texts," she said with a laugh.

This is a modified version of an article that first appeared on Investigate Europe here

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