7 Nov 2016 | Awards, Awards year slider
[vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner el_class=”awards-inside-desc”][vc_custom_heading text=”FREEDOM OF EXPRESSION AWARDS 2017″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_video link=”https://www.youtube.com/playlist?list=PLlUhPA3TuB56Ow0JmVsGgeXY5XEy0wwmh” align=”center”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”2017 Fellows” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
Selected from over 400 public nominations and a shortlist of 16, the 2017 Freedom of Expression Awards Fellows exemplify courage in the face of censorship. Learn more about the fellowship.
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[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500367746306{background-color: #f2f2f2 !important;}”][vc_column][awards_gallery_slider name=”2017 AWARDS GALA” images_url=”89583,89582,89581,89580,89577,89578,89576,89575,89574,89565,89560,89559,89553,89552,89551,89550,89549,89548,89547,89546,89545,89544,89543,89542,89541,89540,89539,89538,89537,89536,89535,89534,89533,89532,89531,89530,89529,89528,89527,89526,89525,89524,89523,89522,89520,89521,89519,89518,89517,89515,89513,89512,89511,89510,89509″][vc_column_text]
The Awards were held at London’s Unicorn Theatre on Wednesday 19 April 2017.
High-resolution images are available for download via Flickr.
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By donating to the Freedom of Expression Awards you help us support individuals and groups at the forefront of tackling censorship.
Find out more
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ARTS
for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://www.youtube.com/watch?v=SxXBCcuFOGQ”][/vc_column_inner][/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner width=”1/4″][vc_single_image image=”84885″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/index-awards-luaty-beirao/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84888″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/indexawards2017-rebel-pepper-china-caroonist/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84881″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/fahmi-reza-art-weapon-against-corruption/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84890″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/index-awards-hungary-two-tailed-dog-party/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Campaigning” tab_id=”1500362988646-d5275c82-89e2e509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
CAMPAIGNING
for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression
Supported by Doughty Street Chambers
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DIGITAL ACTIVISM
for innovative uses of technology to circumvent censorship and enable free and independent exchange of information
Supported by Private Internet Access
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/6VDEpJYlB5s”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”84883″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/jensiat-cyber-security-sexuality-iran/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84878″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/bill-marczak-spyware/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84875″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/evan-mawarire-hope-nation/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84889″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/turkey-blocks-win-back-internet/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Journalism” tab_id=”1500375685814-07dc032c-abfae509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
JOURNALISM
for courageous, high-impact and determined journalism that exposes censorship and threats to free expression
Supported by CNN
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/aczK0uN0ytU”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”84877″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/kurdish-journalist-behrouz-boochani/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84880″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/daptar-hope-women-dagestan/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”85704″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/krik-crime-corruption-serbia/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84887″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/maldives-independent-hold-government-to-account/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”2017 JUDGING PANEL” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Noma Dumezweni” title=”Actor” profile_image=”85068″]Noma Dumezweni, who plays Hermione in the stage play Harry Potter and the Cursed Child, was shortlisted in 2016 for an Evening Standard Theatre Award for Best Actress. Speaking about the importance of the Index Awards she said: “Freedom of expression is essential to help challenge our perception of the world”.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Caoilfhionn Gallagher QC” title=”Barrister” profile_image=”85067″]Caoilfhionn Gallagher is a public law specialist at Doughty Street Chambers who represented the bereaved families in the 7/7 London bombings, and the Hillsborough football stadium tragedy. In October 2016 she was named Human Rights and Public Law Junior of the Year at the Chambers UK Bar Awards.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Tina Brown” title=”Journalist and editor” profile_image=”82577″]Tina Brown is an award-winning journalist and former editor-in-chief of Tatler, Vanity Fair and The New Yorker. She is founder of Women in the World Summits.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Anab Jain” title=”Tech entrepreneur” profile_image=”82573″]Anab Jain is a TED fellow and co-founder of Superflux.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Stephen Budd” title=”Music manager” profile_image=”82576″]Stephen Budd is chairman of the Music Managers Forum and co-founder of Damon Albarn’s ‘Africa Express’ musical collaborations project.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Jodie Ginsberg” title=”CEO, Index on Censorship” profile_image=”80210″]Jodie Ginsberg joined Index on Censorship from the think-tank, Demos. A former London Bureau Chief for Reuters, Jodie worked for more than a decade as a foreign correspondent and business journalist. She was previously Head of Communications for Camfed, a non-profit organisation working in girls’ education.[/staff][/vc_column_inner][/vc_row_inner][vc_column_text]Each year Index recruits an independent panel of judges – leading voices with diverse expertise across campaigning, journalism, the arts and human rights. Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others. Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.
The Freedom of Expression Awards are open to anyone involved in tackling free expression threats – either through journalism, campaigning, the arts or using digital techniques – is eligible for nomination. Any individual, group or NGO can nominate or self-nominate. There is no cost to apply. Nominees must have had a recognisable impact in the past 12 months.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374747691{margin-top: 20px !important;margin-bottom: 20px !important;padding-top: 20px !important;padding-right: 15px !important;padding-bottom: 20px !important;padding-left: 15px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner][awards_news_slider name=”2017 COVERAGE” years=”2017″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374757272{margin-top: 20px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading text=”SPONSORS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1484567001197{margin-bottom: 30px !important;}”][vc_column_text]
The Freedom of Expression Awards and Fellowship have massive impact. You can help by sponsoring or supporting a fellowship.
Index is grateful to those who supported the 2017 Awards:
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If you are interested in sponsorship you can contact [email protected]
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27 Oct 2016 | Campaigns, Campaigns -- Featured, Statements, Turkey, Turkey Statements
The Grand National Assembly of Turkey. Credit: Wikimedia
The undersigned organisations call on Turkey’s national assembly to end the recently extended state of emergency, and take immediate steps to repair the damage to freedom of expression and Turkish democracy since the defeat of the 15 July coup.
We respect the need for every government to assure the safety of its citizens, yet the measures taken under the state of emergency since July go far beyond what is necessary for public safety, and are destroying the vibrant political culture of open, diverse dialogue that distinguishes a democracy from a dictatorship.
In the three months since 15 July, over 100,000 people have been dismissed from their positions, most for supposed affiliation with the Gulenist movement. Over 25,000 have been arrested, over 2,000 educational establishments have been closed, and more than 150 media outlets have been shut down. Since the declaration of the state of emergency at least 98 journalists have been jailed, bringing the total number of imprisoned journalists in Turkey to 130, not counting those that have been detained and released without charge – making Turkey the world’s leading jailer of journalists.
As Reporters without Borders has documented, those who have worked with or for organisations sympathetic to the Gulenists are being treated as automatic members of the movement. Members of the movement, in turn, are treated as participants in the coup. In casting such a wide net in its crackdown, Turkey’s government is violating both internationally recognised human rights and universally understood principles of justice by ascribing guilt by association, not evidence, and punishing individuals for their thoughts and beliefs, not their actions.
The extension of the crackdown to Kurdish, Alevi and left-wing media uninvolved in the coup suggests that the state of emergency is being abused beyond its stated purpose and is used for harassing individuals and groups that are merely inconvenient to the government in power, not threats to the democratic system. Many are being detained and punished not for a threat they pose to the Turkish government, or to their fellow citizens, but because they disagree with the government’s actions or policy, or are part of or sympathetic to a minority group.
The survival of democracy requires strong tolerance for a broad spectrum of opinion and belief in public life, including those that majority opinion finds inconvenient. Suppressing the independent voice and participation of minorities in public discourse in the name of anti-terrorism is not only a subversion of their free expression rights – it feeds the discontent that grows into extremism. It will be a poor tribute to the peaceful and democratic spirit of 15 July if weakening democracy and strengthening extremism is the direction chosen by the Turkish people’s political representatives in its aftermath.
We call on the national assembly to take immediate steps to protect the right of all citizens to freedom of expression and belief. We believe the state of emergency must either be ended, or greatly narrowed in its scope. We therefore recommend that you:
- Return police detention without legal review to the normal maximum four day period, and amend other provisions of the state of emergency to be compatible with the European Convention on Human Rights and International Covenant on Civil and Political Rights;
- Explicitly limit terrorism charges to individuals for whom clear evidence exists of acts of violence, intent to commit acts of violence, or advocating of acts of violence, and drop terrorism charges against all those, like Ayşe Çelik and her co-defendants, who have not committed such an act;
- Refer cases of media affected by the recent shutdowns back to the judiciary, and permit them to re-open unless and until they are found guilty of a serious crime;
- Set clear limits on the use of travel bans and passport confiscation, and end the extension of these measures to family members;
- Renew respect for press credentials by state agents, and return confiscated credentials to press not found guilty of a crime.
Signed,
Initiative for Freedom of Expression – Turkey
Afghanistan Journalists Center
Albanian Media Institute
Americans for Democracy and Human Rights in Bahrain
ARTICLE 19
Association for Civil Rights
Bytes for All
Canadian Journalists for Free Expression
Center for Independent Journalism – Hungary
Center for Independent Journalism – Romania
Freedom Forum
Freedom House
Free Media Movement
Human Rights Network for Journalists – Uganda
Index on Censorship
International Press Centre
Journaliste en danger
Maharat Foundation
Media, Entertainment and Arts Alliance
Media Institute of Southern Africa
Media Watch
Norwegian PEN
Observatorio Latinoamericano para la Libertad de Expresión – OLA
OpenMedia
Pakistan Press Foundation
PEN American Center
PEN Canada
PEN International
Reporters Without Borders
Trinidad and Tobago’s Publishers and Broadcasters Association
Vigilance pour la Démocratie et l’État Civique
World Association of Community Radio Broadcasters – AMARC
Anatolian Heritage Foundation
Association of European Journalists
Centre for Freedom of Expression at Ryerson University
English PEN
SEEMO
PEN Germany
Wales PEN Cymru
21 Sep 2016 | Magazine, mobile, News, Volume 45.02 Summer 2016 Extras, Youth Board
In the latest issue of Index on Censorship magazine, The Unnamed: Does anonymity need to be defended?, Index’s contributing editor for Turkey, Kaya Genç, explores anonymous artists in Turkey. In the piece the artists discuss how vital anonymity is in allowing them to complete their more controversial work. The Index on Censorship youth advisory board have taken inspiration from this piece for their latest task, in which they investigate anonymous art around the world.
Keizer by Constantin Eckner
Ants feature in Keizer’s work to sybolise “the forgotten ones, the silenced, the nameless, those marginalised by capitalism”. Image: Keizer
Prior to the January 25 Revolution political street art was anything but common in Egypt, yet it has proliferated in public spaces in the aftermath of the revolution. One of the most productive street artists in Cairo is Keizer, who has gained popularity and notoriety in recent years. Like Banksy and other street artists, he uses the well-known stencil technique to empower his fellow countrymen, and people in general, with his thought-provoking work. He likens people to ants, which are featured in most of his graffiti. Keizer explains on his Facebook account that the ant “symbolises the forgotten ones, the silenced, the nameless, those marginalised by capitalism. They are the working class, the common people, the colony that struggles and sacrifices blindly for the queen ant and her monarchy.”
Asked about the reason for protecting his identity, Keizer said: “I am very concerned over my safety and the repercussions of street art which I’ve already had a taste of, especially with this current regime. Including death threats,
Egyptian street artist Keizer has gained popularity in recent years. Image: Keizer
my twitter account was hacked twice. In the past five years of working on the street I’ve been caught once. I came out of it with a few bumps and bruises, nothing major. I consider myself lucky that I came out one day later.
“You can imagine that being caught here is very different than being caught in Europe. There is no proper procedure and that makes you a victim of the person handling you, and the uncertainty of what comes next. Graffiti is a grey area here, they don’t have any definition or classification for it in the books, so they make it up as they go along, taking you for the fear ride. It’s all under vandalism, so they can make it look small or escalate it to exaggerated levels. For instance, you can be dubbed as a political traitor; it can be considered racketeering; they can glue your name to any political movement unpopular with the people…etc.”
Tall walls, low profiles: Icy and Sot by Layli Foroudi
Icy and Sot describe themselves as stencil artists from Tabriz, Iran. As for their identities, they reveal only that they are brothers, born in 1985 and 1991. Their work is created under pseudonyms in countries around the world, including Iran, USA, Germany, Norway, and China, on legal and illegal walls as well as in galleries.
The anonymous duo, who paint on themes like human rights, censorship, and justice, say that charges against artists in Iran make going public risky.
“Pseudonyms help us to keep a low profile,” the brothers explained in an interview with ArtInfo, “Being arrested in Iran is completely different, because they charge you with crimes that you have not even committed, like Satanism or political crimes.”
Their work often uses striking human faces in black and white to make statements about politics and the environment, to call for peace, and to direct messages at the government of Iran. In 2015, Icy and Sot used their art to protest for freedom of expression in Iran, prompted by the arrest and 18-month imprisonment of Atena Farghadani, an Iranian artist who was detained for publishing a cartoon that satirised the Iranian government as animals. In solidarity, they stenciled a tribute piece depicting Farghadani with a backdrop of protesters on a wall in Brooklyn.
Maeztro Urbano’s fight to change a criminal image by Ian Morse.
In the most recent data, Honduras has the highest homicide rate in the world, with 84 intentional homicides per 100,000 people in 2013. The prominence of drug trafficking and ubiquity of poverty does not improve its reputation.
To some Hondurans, their country’s international image has done nothing but hurt citizen’s attempts to improve daily life in the country’s bustling cities and lively cultural centers. Maeztro Urbano and his friends became the face of an urban street art project to disrupt the atmosphere of crime and reveal another side of the country outside of the headlines.
His projects range from adjusting street signs promoting gender equality to vandalising billboards with corrupt politicians, to wall graffiti showing the effect of violence on children. Working his day shifts in the advertising industry, Maeztro Urbano said he wants to contribute more to his country than proliferating consumerism.
“Change should start within society. With each individual,” El Maestro – as he is also called – told The Creators Project. “To have respect for the lives of others, to respect the right to sexual diversity, to a better education.”
“If we don’t change that as a society and as individuals, we will never be able to change as a country.”
Assailants in Honduras have not been very hospitable to those reporting on crime or those wishing to express their identity. Faced with police harassment and shootings from unknown attackers, Maeztro Urbano chooses to wear a mask while he works to spread messages of hope around the country.
Bleeps.gr: Over a decade of political artivism in Athens by Anna Gumbau.
Bleeps.gr is one of Greece’s most prominent street artists, having painted murals on the streets of Athens for over 10 years. Image: Bleeps.gr
“I have been radically oriented to the political discourse, utilising the public sphere, and I am not afraid or discouraged”, Bleeps.gr, one of the most prominent Greek street artists, told Index.
Bleep.gr has been designing murals, that are mostly critical of the austerity policies imposed to Greece, on the streets of Athens for over 10 years. The Greek social turmoil has had a strong influence on his artwork, not only in his scenes, but even in his methods. “I buy very cheap materials and can’t afford those impressive equipment to create a mural”, he said in an interview with Street Art Europe.
Bleeps.gr chooses to use a pseudonym as an attempt to challenge “the institutionalised perception of the identity”, he told Index. While he is not afraid of the state authorities, he points at art institutions, such as galleries, exhibitions and festivals, who reject and exclude his art. “Most of the censorship I have received has come from other artists, especially the ones related to systemic initiatives, who in the past years have removed all of my works from the city center” he said. Greek political street artists often suffer from the exclusion of art galleries and exhibitors; in the summer of 2013, the CRISIS? WHAT CRISIS? street art festival in Athens, which celebrates the value of street art in the current political happenings, invited 20 artists from different European countries but failed to invite any Greek artists.
Nevertheless, Bleeps.gr stresses the fact that the internet “has provided a virtual field of allocation”, and most of the political street art discourse happens there.
Bleeps.gr highlights the mechanisms of such institutions to “absorb street artists” and make them become part of the art “business”, adding: “the majority of them nowadays serve gentrification policies and turn policies and turn political art into a spectacle for tourist pleasure”.
King of Spades by Sophia Smith-Galer.
When it comes to anonymous artists, the art tends to speak far louder than any speculation into the artist themselves. This anonymous artist in Lebanon is no Arab Banksy that lurks tantalisingly close to the limelight; this artist could quite literally be anyone, and the lack of anybody claiming the piece as their own is revelatory of the grave reality of artists in developing countries that test the patience of despots and tyrants.
Despite its tired and no longer relevant label “Paris of the Middle East”, even the dazzlingly artistic city of Beirut, Lebanon, can’t quite get away with hanging something like this banner, depicting the late Saudi Arabian monarch King Abdullah bin Abdul Aziz as a brutal King of Spades. Shortly after its creation in 2013, the Lebanese state prosecutor ordered an investigation to reveal the source of these posters after complaints from Saudi Ambassador Ali Awad Asiri.
It seems that nobody got caught, and nor do I particularly want to dwell on what would have happened to the artist if they had. But in the Middle East, such a daring artistic expression must be forbidden fruit in a region of gagged political artistry; demonstrated no better than in this mysterious artist who gambled with the assumed impunity of that gentleman with the bloodied scimitar.
Dede Bandaid by Shruti Venkatraman.
One of Dede Bandaid’s most well known works, a missile target painted in the middle of a large car park, a reference to the Gaza conflict in 2014. Image: Dede Bandaid / Wikicommons
Dede Bandaid is an anonymous Israeli artist who has added colour to Tel Aviv’s streets with thought provoking and politically relevant street art. His artistic career began in 2000 during his compulsory military service, and most of his earlier pieces demonstrated a clear anti-establishment sentiment. His more recent works, following the end of his stint in the military, aim to communicate social and political messages. One of his most well known works is a missile target painted in the middle of a large car park, a reference to the Gaza conflict in 2014.
Dede enjoys using public spaces as a canvas as this approach allows freer and more controversial expression, while also being accessible to and viewable by a larger audience especially when the street art is photographed and its images are circulated online. He also makes use of traditional symbols of peace, like the white dove, and frequently incorporates Band-Aids that represent healing and remedy in his artwork, with “Bandaid” being the pseudonym he signs on all his pieces. Over time, Dede’s style has evolved from stencilling to free-hand painting and collage and he interestingly also exhibits certain pieces in galleries across the world.
Cabbage Walker in Kashmir by Niharika Pandit.
A pheran-clad man walks around with a cabbage on a leash in the neighbourhoods of Srinagar, Kashmir. This performance act that he presents is inspired by Chinese artist Han Bing’s “Walking the Cabbage” social intervention work. While Bing chose to walk the cabbage to reflect on the changing values in the Chinese society, where once cabbage was a subsistence food product but is now only embraced by the poor, in Kashmir, this anonymous artist aims to normalise the cabbage walking to show the absurdity of militarisation in the region. Both the performances employ cabbage as an element of satire to expose the irony inherent in what how elitism and militarisation come to be normalised in societies across the world.
The Kashmiri Cabbage Walker writes on his blog, “I as a Kashmiri am willing to recognise walking the cabbage as part of the Kashmiri landscape but I will never accept the check posts, the bunkers, the army camps, the torture centers, the barbed wire, the curfews, the arrests, the toxic environment of conflict and war, as part of the same.”
This performance artist chooses to remain anonymous as it helps in focusing on the message and not the messenger. The Kashmiri Cabbage Walker says that he represents all Kashmiri lives under militarisation thereby revealing the artist’s identity becomes unimportant here.
Cracked pavements in Budapest by Fruzsina Katona.
Anonymous volunteers have joined the satirial political party the Two-Tailed Dog party (MKKP) to paint cracked pavement on the streets of Budapest. Image: Fruzsina Katona
Anonymity does not necessarily mean that one is trying to hide his or her identity. Sometimes the identity of the person is utterly irrelevant. In Budapest, several anonymous volunteers are painting the streets of the city.
The pavement on the streets of the Hungarian capital are falling apart, ruining the image of the city and endangering those who walk on it. Authorities are known to do very little to fix the problem, but something had to be done. Hungary’s satiric political party, the Two-Tailed Dog party (MKKP) called for action and its artsy, anonymous volunteers started colouring the cracked pavement pieces resulting in dozens of cheerful spots across the city.
Unfortunately, there are some who find quarrels in a straw, and the police were called on the ad-hoc artists while they were peacefully decorating the pavement in a touristic neighbourhood. Now the volunteers are being prosecuted with vandalism.
But we still do not know their identity or how many of them are out decorating. All we know is that now we look at colourful patches of pavements while running our errands, instead of the sad and ugly cracked pavements.
31 Aug 2016 | Bahrain, Bahrain Letters, Campaigns, Campaigns -- Featured, Press Releases, Statements
Bahraini human rights defender Nabeel Rajab (Photo: The Bahrain Institute for Rights and Democracy)
Playwright David Hare, author Monica Ali, comedian Shazia Mirza, MP Keir Starmer and Nobel laureate Wole Soyinka are among those who have written to Prime Minister Theresa May asking the UK government to call on Bahrain to release a campaigner imprisoned for just tweeting his opinions.
Nabeel Rajab has been in pre-trial detention in Bahrain since July. He has been held largely in solitary confinement, and for the first two weeks after his arrest was held in a filthy police cell that aggravated heart and other health issues.
Rajab was arrested for expressing opinions. He did not advocate or condone violence, nor is he accused of any violent act. Some of the “criminal” communications he is charged with include retweets of his support for organisations like Index on Censorship, which organised the letter. Rajab is also accused of “insulting“ Bahrain’s ally Saudi Arabia. He faces up to 15 years in prison for his “crimes”.
Rajab is a former winner and judge of the Index on Censorship Freedom of Expression Awards and those who signed the letter included former fellow winners and judges.
“Free expression is under severe threat in Bahrain and the region,” said Index on Censorship CEO Jodie Ginsberg. “It is vital that Bahrain’s democratic allies make clear to Bahraini authorities that their behaviour is unacceptable. The US State Department has already publicly called for Nabeel’s release. The British government should do the same.”
September 1, 2016
Dear Prime Minister,
We are writing to ask you to call publicly for the release of Nabeel Rajab. One of the Gulf region’s best-known human rights defenders, Mr Rajab has been in pre-trial detention since July. He has been held largely in solitary confinement, and for the first 15 days after his arrest on 13 June was held in a filthy police cell that aggravated heart and other health issues.
Mr Rajab was arrested simply for expressing opinions. He did not advocate or condone violence, nor is he accused of any violent act. Indeed, some of the “criminal” communications he is charged with include retweets in his support from international civil rights organisations like Index on Censorship. He is also accused of “insulting” Bahrain’s ally Saudi Arabia. He faces up to 15 years in prison for his “crimes”.
Free expression is under severe threat in Bahrain and the region. It is vital that Bahrain’s democratic allies make clear to Bahraini authorities that their behaviour is unacceptable. The US State Department has already publicly called for Nabeel’s release. We ask Britain to do the same.
Yours sincerely,
Index on Censorship former winners and judges
Jodie Ginsberg, CEO, Index on Censorship
Keir Starmer MP
David Hare, playwright
Monica Ali, author
Howard Brenton, playwright
Maureen Freely, author
Shazia Mirza, comedian
Charlie Smith, GreatFire.org, China
Rafael Marques de Morais, journalist, Angola
Serge Bambara, musician, Burkina Faso
Shazad Ahmed, campaigner, Pakistan
Yoav Shamir, director, Israel
Tamas Bodoky, campaigner, Hungary
Sanar Yurdatapan, composer, Turkey
Rakesh Sharma, filmmaker, India
Maria Teresa Ronderos, journalist
Farieha Aziz, campaigner, Pakistan
Safa Al-Ahmed, journalist, Saudi Arabia
Jean Hatzfeld, journalist and author, France
Mahsa Vahdat, artist, Iran
Murad Subay, artist, Yemen
Jimmy Wales, Wikipedia founder
Baroness Helena Kennedy QC, House of Lords
Wole Soyinka, playwright and poet
Zaina Erhaim, journalist, Syria
Mouad Belrhouate, musician, Morocco
For more information, please contact Sean Gallagher at [email protected] or +44 (0)207 963 7262
