Contents: Fashion rules

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The latest issue of Index on Censorship magazine looks at fashion and how people both express freedom through what they wear. But it also looks at how women in particular have their freedom of expression curtailed by rigid dress codes – whether they are women in Saudi Arabia who have to wear abayas by law or women in the UK and Canada whose employers insist they wear high heels shoes.

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Models Lily Cole and Daphne Selfe discuss why changes in society are reflected in the clothes we (are allowed) to wear. Maggie Alderson, former editor of Elle describes how she was arrested for being a punk rocker in the 1970s, while Eliza Vitri Handayani talks about how punks in Indonesia today are still persecuted for what they wear and how they look. Nigerian model and journalist Wana Udobang riffs on fashion in Nigeria and how she was snubbed by bouncers and waiters at a wedding for wearing the wrong clothes.

Ismail Einashe describes how traditional dress can be life-threatening for Oromos in Ethiopa, while Magela Baudoin delves into class and ethnic gradations in Bolivia and reveals that the way some women dress means they are discriminated against. Novelist Linda Grant describes how her Jewish immigrant parents used the way they dressed to try and fit into middle-class British society. Meanwhile Katy Werlin gives a historical perspective as she discusses how the 18th century French revolutionaries,  known as sans-culottes, celebrated their peasant clothes as they overthrew the aristocratic regime.

Martin Rowson brings another perspective to fashion in his new cartoon which depicts a catwalk on which despots show off their latest costumes. Spot President-elect Donald Trump sporting a furry thong. Trump is also in US media expert Eric Alterman’s sights as he describes why journalists in the USA believe the new president will seek to challenge media freedoms guaranteed by the constitution. Turkish researchers Burak Bilgehan Özpek and Başak Yavcan investigate how the Turkish government is using state advertising to control the media.

We also publish an interview with Turkish intellectual, linguist and  founder of a mathematics village Sevan Nişanyan. Our reporter communicated with him using notes smuggled out from the prison where he is serving a 16-year sentence on charges connected with freedom of speech. The culture section includes poems from a former North Korean propagandist Jang Jin-sung who defected to the South and now runs a website smuggling news out of North Korea. We also carry poems about the extraordinariness of everyday life from Brazilian author Paulo Scott and a never before seen English translation of a short story by legendary Argentine writer Haroldo Conti.

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Dressing to oppress: why dress codes and freedom clash

The censors’ new clothes, by Rachael Jolley: Freedom is not about the amount of clothing you put on or take off, but about having the choice to do so

Fashion police, by Natasha Joseph: Some feel the miniskirt is a threat to the state in Uganda and women are getting attacked for wearing it

Wearing a T-shirt got me arrested, by
 Maggie Alderson: Wearing punk clothes in 1970s London was dangerous, but now British teenagers can wear anything

Colour bars, by Magela Baudoin: Traditional clothing is still a sign of social status in Bolivia and wearing such clothes often leads to discrimination

Models of freedom, by Bibi Russell: Bangladeshi women are now vital to the economy but they are still restricted in their dress

The big cover-up, by Laura Silvia Battaglia: Women in Saudi Arabia and Yemen test how far they can customise what they are allowed to wear. Translation by Lucinda Byatt

Rebel with a totally fashionable cause, by Wana Udobang: A Nigerian model refuses to conform to stifling social expectations and sees the consequences

Stripsearch cartoon, by Martin Rowson: A fetching new range of despotwear

Ethiopia in crisis, closes down news, by Ismail Einashe The Oromo people use traditional clothing as a symbol of resistance and it is costing them their lives

Baggy trousers are revolting
, by Katy Werlin: The sans-culottes of the French revolution transformed peasant dress into a badge of honour

Muslim punks in mohawks attacked, by Eliza Vitri Handayani: Punks in Indonesia are persecuted but still manage to maintain a culture which stands up for difference

Design is the limit, by Jemimah Steinfeld: China is loosening up on personal freedoms including fashion, but designers still face some constraints

A modest proposal, by Kaya Genç: “Modest” dress codes are all the rage in Turkey as some turn their backs on the legacy of Atatürk

Uniformity rules, by Jan Fox: Prisoners often try to customise their uniforms but does stripping individuality make rehabilitation more difficult?

Keeping up appearances, by Linda Grant: Linda Grant’s immigrant family were upwardly mobile and bought clothes that showed their aspirations

Sewing it up, by Rachael Jolley:  At 88 Daphne Selfe is Britain’s oldest supermodel. She talks about how fashion has changed in her lifetime

Style counsels, by Kieran Etoria-King: Model, activist and actor Lily Cole talks about how school girls customise their uniforms to give them a sense of individuality

Tall stories, by Sally Gimson: Wearing high heels is a way for some women to express freedom, while for others it’s a form of oppression

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Challenging media, by Eric Alterman: If his campaign is anything to go by, President Trump is likely to restrict freedom of the press

Living in limbo, by Marco Salustro: A journalist reveals the challenges of reporting from inhumane migrant detention camps in Libya

Follow the money, by
 Burak Bilgehan Özpek and Başak Yavcan: The Turkish government is rewarding newspapers which favour its position with more state-sponsored advertising

Fighting for our festival
 freedoms, by Peter Florence: Mutilated bodies, petitions and a citizen’s arrest: the director of the Hay literary festivals describes the trials and tribulations of his job

Barring the bard, by Jennifer Leong:  Actor Jennifer Leong on confronting attempts to censor performances of Shakespeare around the world

Assessing Correa’s freespeech heritage, by Irene Caselli: The Ecuadorian president’s record on free speech is reviewed as his term in office comes to an end. He gave sanctuary to Wikileaks founder, Julian Assange, in the country’s London embassy but brought in restrictive media laws at home

Framed as spies, by Steven Borowiec: South Korean journalist Choi Seung-ho hit a national nerve when he exposed the security services for framing ordinary citizens as North Korean spies

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Back from the Amazon, by
 Paulo Scott: Newly translated poems from Scott’s acclaimed collection, Even Without Money I Bought a New Skateboard. Interview by Kieran Etoria-King. Poems translated by Stefan Tobler

A story from the disappeared, by Haroldo Conti: Jon Lindsay Miles introduces a poignant short story, published in English for the first time, by the award- winning Argentine writer who disappeared in 1976. Translation also by Jon Lindsay Miles

Poems for Kim, by Jang Jin-sung: North Korean propagandist poet turned high profile defector talks about life within the world’s most secretive country. Interview by Sybil Jones

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Global view, by Jodie Ginsberg: Face-to-face encounters are still important and governments worldwide know that restricting travel continues to be an effective way of stifling voices

Index around the world, by
 Kieran Etoria-King: Coverage of Index’s work over the last few months including exposing the difficulties of war reporting and our Mapping Media Freedom project

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Where’s our president? by
 Kiri Kankhwende:  Malawi’s journalists tease their president as part of a campaign to make the government more transparent

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Fashion rules

 

 

FEATURING

My book and the school library: Norma Klein

This article is part of the spring 1987 issue of the global quarterly Index on Censorship magazine. Click here to subscribe to the magazine.

This article is part of the spring 1987 issue of the global quarterly Index on Censorship magazine. Click here to subscribe to the magazine.

In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is an article by children’s book author Norma Klein, on the censorship of children’s books, taken from the spring 1987 issue. It’s a great starting point for those who plan to attend the Banned books: controversy between the covers session at the festival this year.

Index on Censorship is a global quarterly magazine with reporters and contributing editors around the world. Founded in 1972, it promotes and defends the right to freedom of expression.

I used to feel distinguished, almost honoured, when my young books were singled out to be censored. Now, alas, censorship has become so common in the children’s book field in America that almost no one is left unscathed. Some of the most conservative writers are being attacked; it’s reached a point of ludicrousness which, for me, was symbolised by my most recent encounter with ‘the other side’ in Gwinett county, Georgia, in April 1986.

Usually, my books are attacked for their sexual content. The two school board meetings I had attended in the early 1980s, one in Oregon, one in the State of Washington, had centred on two books for older teens, It’s Okay if You Don’t Love Me, a book about two 18- year-olds having a love affair, and Breaking Up, a novel about a 15-year-old girl who discovers her mother is gay. I might add parenthetically that these books have just been published in England for the first time by Pan Books in a new series aimed at teenagers, ‘Horizons’. Already, as in America, they are selling well and already, as in America, I have been told of indignant parents storming into bookstores and objecting to certain passages. It seems that things are not very different in other countries.

What was unusual about the Gwinnett county case was that the book selected to be attacked was one of my early ones, Confessions of an Only Child, about an eight-year-old girl. The offending sentence was one where the girl’s father is putting up wallpaper. Here it is in its entirety:

‘God damn it,’ Dad said as the wallpaper swung around and whacked him in the face.

When the paperback publisher of Confessions first heard of the attack, he attempted to defend the book in the following way:

Abrasive words are sometimes used by writers to add definition to a character or a story; they give the reader an understanding of the situation or kind of person speaking, but are not meant to be words which the reader should use or admire. It is our belief that the family relationships are so positive in this book that they far outweigh the use of realistic language.

My attacker, Theresa Wilson, a stunning blonde, had been heartened by her success in having another book she objected to, Deanie by Judy Blume, removed from the shelves. Her first attempt to remove my book was defeated by a 10-member review panel consisting of six parents, three teachers and a librarian. Ms Wilson claimed to have ‘stumbled’ upon the offending passage one afternoon while in the Beaver Ridge library looking for books that contain material to which she might object. In her thirties, she has no profession and, in a sense, being a censor has led to her becoming a local celebrity; she now, whether her attacks succeed or fail, appears regularly on TV and radio and is covered widely in local newspapers. The 10-member panel voted to keep Confessions on the shelves; only one person voted to keep it on a restricted shelf. ‘The consensus is that the book had literary merit for the age group intended,’ said principal Becky Hopcraft.


Free thinking: Reading list for the Cambridge Festival of Ideas 2015

Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.

Drawing out the dark side: Martin Rowson

Thoughts policed: Max Wind-Cowie

Deliberately lewd: Erica Jong

My book and the school library: Norma Klein

Future imperfect: Jason DaPonte

The politics of terror: Conor Gearty

Moving towards inequality: Jemimah Steinfeld and Hannah Leung

Escape from Eritrea: Ismail Einashe

Defending the right to be offended: Samira Ahmed

How technology is helping African journalists investigate: Raymond Joseph

24 Oct: Can writers and artists ever be terrorists?

25 Oct: Question Everything – Cambridge Festival of Ideas

Full Free Thinking! reading list


Current issue: Spies, secrets and lies

In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.


Incidentally, Ms Wilson said she didn’t object to my heroine’s mother saying, ‘Ye Gods,’ in the next line, because she does not believe ‘Gods’ refers to the Christian god. She wants every book containing the word ‘damn’ restricted from Gwinnett elementary schools. She cited a US Supreme Court ruling against hostility toward religion and said the use of God Damn in Confessions indicated a ‘hostility toward Christianity’.

All this, the initial attack on my book and its initial success in being retained on the shelves, helped to achieve an important result — the founding of a group called Gwinnett Citizens for Freedom in Education. Initially a small group, it now has nearly 500 members. Its president, Lorna Cox, said she was amazed at the diversity of the group’s members, proving that liberals in America are not, as some right-wingers insist, an elitist minority. ‘We’ve got people who didn’t graduate from high school,’ Ms Cox said, ‘college graduates, doctors, professionals, and people who aren’t even affiliated with a school but have a deep, burning desire to be involved in education.’ The group participates in workshops to learn more about censorship at the local and national levels and contacts school administrators each week to learn about potential book bannings.

As in the cases involving It’s Okay if You Don’t Love Me, and Breaking Up, my travel expenses to Georgia were paid by the author’s organisation, PEN. They have a Freedom to Read committee with a fund for cases like this. My own reason for attending these meetings is that I feel having the author appear and help argue the case not only gives heart to the local anti-censorship organisations involved, such as Gwinnett Citizens for Freedom in Education, but may focus national attention on the case. Perhaps it was co- incidental, but CBS did appear in the courtroom to cover the debate for a TV segment on ‘secular humanism’.

Before flying to Georgia I was interviewed by phone. I was quoted as saying, ‘I’m not a religious person… To me the phrase god damn has no more negative a connotation than the expression, Oh gosh. I added that I attributed the swing toward censorship in America to the conservative mood of the Reagan administration. When I arrived, I was told by two of my supporters that the negative reference to Reagan was a mistake. ‘Everyone is for him down here,’ they said. I have to add parenthetically that one of the reasons I write the kinds of books I do and am, perhaps ingenuously, surprised at the reaction they provoke, is due to the fact that I’ve lived all my life in New York City and know personally only liberal people. I’ve never met anyone who voted for Reagan; I am always amazed when the Republicans win an election. But it’s probably similar that in a two-week stay in London’ in the spring of 1986,1 didn’t meet anyone who was for Margaret Thatcher either. This may, however, give me a kind of inner freedom from certain restrictions, due simply to underestimating the power of the right.

The school board meeting I attended was crowded with supporters from both sides. It was conducted as a kind of mock trial. Both sides were allowed to question anyone from the other side about anything that was relevant to the case. I was pleased and relieved that every time Ms Wilson tried to bring the questioning around to my own personal religious beliefs, she was told that was not relevant to the book. In a perverse way I found her performance at the trial fascinatiing. She alternately flirted with, and tried to antagonise, the three-member school board which consisted of two men and a woman. Luckily for me, her case was weak and she overstepped the bounds of tolerance — even within a conservative, religious community — by telling the school board members that if they didn’t ban my book, they would, on Judgment Day, go straight to Hell. ‘One day each and every one of you will stand before God almighty and you will answer to how’you believe, how you voted, how you stand.’ Evidently this threat did not frighten anyone sufficiently.

The closest Ms Wilson got to making me come forward and state my personal beliefs was when she asked if I considered myself to be ‘above God’. I responded, ‘I assume that’s a rhetorical question.’ She laughed nervously and said she didn’t know what ‘rhetorical’ meant.

Confessions of an Only Child is about a family in which the mother gets pregnant and loses her baby. It shows how this affects the heroine who was enjoying her only child status. In deciding that Confessions had ‘redeeming educational value’, one of the board members, Louise Radloff, stated, ‘I think this book has much literary merit and it shows an open discussion within the family’. I had argued in my presentation that I felt that books could be an avenue to open discussion… a way to bring parents and children closer together, that simply having a book available was not forcing it on anyone.

What amazed me, though, was that in their closing remarks, though each school board member re-iterated the literary values of my book, all three said that, indeed, the phrase ‘God damn’, was offensive and should have been left out. One board member said he, thank heaven, had never used that word. Another said he had used it once, at the age of 10 and had been beaten so severely by his parents for this that he had never used it again. I am utterly unable to judge the sincerity of these remarks. What I did feel was the pressure on everyone living in these suburban communities to conform to what is felt to be a general set of beliefs. People are terribly afraid to come out and say they are feminists, atheists, or even, God forbid, Democrats.

In a sense this is a success story. Not only will my book remain on the shelves, but the Gwinnett Citizens for Freedom in Education feel heartened that the positive publicity they received will help them in future battles. But Theresa Wilson is, seemingly, not daunted. She’s already after another book, Go Ask Alice. ‘I don’t love publicity,’ she said when interviewed on a local radio show the day after the hearing. ‘I love showing the glory of God.’ Sadly, even the local people who are against her regard her as good copy. Although she had lost her case, she was brought forward to be on the radio show with me and most of the time was spent, not debating the issues involved, but in baiting her with peculiar call-in questions from the audience. What a pity. But still, no matter how absurd and tiny this one case is, I feel I would do it again for my own books and would encourage other authors to do the same. Passivity and inaction only encourages censorship groups even more. I think now they are beginning to realise they will, at least, have a fight on their hands.

Reporting the Third World

World leaders, or their top ministers, in an effort to arrive at something we call ‘balanced coverage’. Most Third World leaders feel you are either for ’em or against ’em and there is not much middle ground to walk upon. Some, as in Saudi Arabia, just don’t want to talk to the Western press. I can remember one visit to the Saudi kingdom in early 1981 when four American correspondents — from the New York Times, Time magazine, the Associated Press, and myself from The Washington Post — jointly applied for an interview with either King Khalid or Crown Prince Fahd. Each of us knew it was unlikely either would bother with an interview for just one publication, but here was a broad segment of the US print media asking collectively for an interview. After waiting around for two weeks, we collectively gave up and left.

One major problem for American correspondents is the near total ignorance of Third World leaders about how the Western media work and how to use them for their own ends. While the correspondent may regard his or her request for an interview with a leader or top minister as a chance to air their views, they seem to look upon it as a huge favour which they are uncertain will be rewarded in any way.

Other forms of indirect censorship come in control over a correspondent’s access to the story or means of communication. Israel restricted, or at least tried to restrict, access to southern Lebanon after its invasion in June 1982 to those it felt were sympathetic to its cause or important to convince of its view. The policy never really worked because correspondents could always get into Israeli-occupied territory from the north through one back road or another. But it got more difficult as time went on. The Israeli attempt at restricting access to southern Lebanon was hardly the worst example of this kind of censorship I experienced in nearly two decades of working in the Third World, however. Covering the war between Iran and Iraq was, and remains, far more difficult. In four years, I never once got a visa to Iran. I got to Baghdad several times, but imagine my surprise the first time customs officials seized my typewriter at the airport and told me I would have to get special permission from the Information Ministry to bring it in. (At the airport in Tripoli there was a roomful of confiscated typewriters the last time I visited there in September 1984.) Whether one was allowed to the Iraqi war front depended on either an Iraqi victory or a lull in the war. As for permission to travel into Iraqi Kurdistan, it was never granted to any Western correspondent I can think of in the four-to-five years I was covering the Middle East.

The other game Iraqi information officials play is attempting to censor your coverage of the war. When I first went there, there was a Ministry of Information official sitting at the hotel who had to okay your copy or you could not send it out by phone or telex. This kind of direct censorship of copy was rare in my experience, however. Other than Israel, where military news is supposed to pass through the censor’s office, and Iraq and Libya, I can think of no examples where I had to submit my copy before sending it.

Are the techniques of indirect censorship getting worse? In the areas of the world where I have worked, I am not sure. If Syria has become worse, Iraq is probably better today. Egypt has definitely got better, and so had Kuwait until recently. Saudi Arabia, on the other hand, has restricted access to a far greater degree in the past two years, and Bahrain has become more sensitive. South Africa has taken a turn for the worse. Countries that were always difficult to cover, such as Zaire, Malawi, Ethiopia and Angola, remain more or less the same.

As economic problems have got worse or rulers have felt a greater threat to their regimes, Third World governments seem to be tightening up when it comes to outside press coverage.

If this is indeed the underlying principle governing the degree of press censorship, then the problem may be more cyclical than linear, getting worse or better according to the political and economic health of a country or the special challenges it is facing at that time.

Who believes it?

‘That is how the theory goes: Restrict the press to supportive comment, and a country’s life will be calmer and better. But experience and reason suggest that the opposite will happen. Faulty government policies, if they are not subject to real criticism, grow worse. Autocrats become more autocratic. Can anyone believe that repression of criticism leads to efficiency in a society, to new ideas?’

Anthony Lewis, The New York Times, February 1987

© Norma Klein and Index on Censorship

Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg. 

This article is part of the spring 1987 issue of the global quarterly Index on Censorship magazine. Click here to subscribe to the magazine.

Letter: Academic freedom is under threat and needs urgent protection

The summer 2015 issue of Index on Censorship magazine focusing on academic freedom will be available from 12 June.

The summer 2015 issue of Index on Censorship magazine focusing on academic freedom will be available from 12 June.

With threats ranging from “no-platforming” controversial speakers, to governments trying to suppress critical voices, and corporate controls on research funding, academics and writers from across the world have signed Index on Censorship’s open letter on why academic freedom needs urgent protection.

Academic freedom is the theme of a special report in the summer issue of Index on Censorship magazine, featuring a series of case studies and research, including stories of how setting an exam question in Turkey led to death threats for one professor, to lecturers in Ukraine having to prove their patriotism to a committee, and state forces storming universities in Mexico. It also looks at how fears of offence and extremism are being used to shut down debate in the UK and United States, with conferences being cancelled and “trigger warnings” proposed to flag potentially offensive content.


Summer 2015: Is academic freedom being eroded?

Editorial: Shades of McCarthyism as global academic freedom challenged
Open letter: Academic freedom is under threat and needs urgent protection
Fear of terror and offence pushing criticial voices out of UK universities
Table of contents
Subscriptions


Signatories on the open letter include authors AC Grayling, Monica Ali, Kamila Shamsie and Julian Baggini; Jim Al-Khalili (University of Surrey), Sarah Churchwell (University of East Anglia), Thomas Docherty (University of Warwick), Michael Foley (Dublin Institute of Technology), Richard Sambrook (Cardiff University), Alan M. Dershowitz (Harvard Law School), Donald Downs (University of Wisconsin-Madison), Professor Glenn Reynolds (University of Tennessee), Adam Habib (vice chancellor, University of the Witwatersrand), Max Price (vice chancellor of University of Cape Town), Jean-Paul Marthoz (Université Catholique de Louvain), Esra Arsan (Istanbul Bilgi University) and Rossana Reguillo (ITESO University, Mexico).

The letter states:

We the undersigned believe that academic freedom is under threat across the world from Turkey to China to the USA. In Mexico academics face death threats, in Turkey they are being threatened for teaching areas of research that the government doesn’t agree with. We feel strongly that the freedom to study, research and debate issues from different perspectives is vital to growing the world’s knowledge and to our better understanding. Throughout history, the world’s universities have been places where people push the boundaries of knowledge, find out more, and make new discoveries.  Without the freedom to study, research and teach, the world would be a poorer place. Not only would fewer discoveries be made, but we will lose understanding of our history, and our modern world. Academic freedom needs to be defended from government, commercial and religious pressure.

Index will also be hosting a debate in London, Silenced on Campus, on 1 July, with panellists including journalist Julie Bindel, Nicola Dandridge of Universities UK, and Greg Lukianoff, president and CEO of Foundation for Individual Rights in Education, US.

To attend for free, register here.

If you would like to add your name to the open letter, email [email protected]

A full list of signatories:

Professor Mike Adams, University of North Carolina, Wilmington, USA

Monica Ali, author

Lyell Asher, associate professor, Lewis & Clark College, USA

Professor Jim Al-Khalili OBE, University of Surrey, UK

Esra Arsan, associate professor, Istanbul Bilgi University, Turkey

Julian Baggini, author

Professor Mark Bauerlein, Emory University, USA

David S. Bernstein, publisher, USA

Robert Bionaz, associate professor, Chicago State University, USA

Susan Blackmore, visiting professor, University of Plymouth, UK

Professor Jan Blits, professor emeritus, University of Delaware, USA

Professor Enikö Bollobás, Eötvös Loránd University, Hungary

Professor Roberto Briceño-León, LACSO, Caracas, Venezuela

Simon Callow, actor

Professor Sarah Churchwell, University of East Anglia, UK

Professor Martin Conboy, University of Sheffield, UK

Professor Thomas Cushman, Wellesley College, USA

Professor Antoon De Baets, University of Groningen, Holland

Professor Alan M Dershowitz, Harvard Law School, USA

Rick Doblin, Association for Psychedelic Studies, USA

Professor Thomas Docherty, University of Warwick, UK

Professor Donald Downs, University of Wisconsin-Madison, USA

Professor Alice Dreger, Northwestern University, USA

Michael Foley, lecturer, Dublin Institute of Technology, Ireland

Professor Tadhg Foley, National University of Ireland, Galway, Ireland

Nick Foster, programme director, University of Leicester, UK

Professor Chris Frost, Liverpool John Moores University, UK

AC Grayling, author

Professor Randi Gressgård, University of Bergen, Norway

Professor Adam Habib, vice-chancellor, University of Witwatersrand, Johannesburg, South Africa

Professor Gerard Harbison, University of Nebraska-Lincoln

Adam Hart Davis, author and academic, UK

Professor Jonathan Haidt, NYU-Stern School of Business, USA

John Earl Haynes, retired political historian, Washington, USA

Professor Gary Holden, New York University, USA

Professor Mickey Huff, Diablo Valley College, USA

Professor David G. Hoopes, California State University, USA

Philo Ikonya, poet

James Ivers, lecturer, Eastern Michigan University, USA

Rachael Jolley, editor, Index on Censorship

Lee Jones, senior lecturer, Queen Mary University of London, UK

Stephen Kershnar, distinguished teaching professor, State University of New York, Fredonia, USA

Professor Laura Kipnis, Northwestern University, USA

Ian Kilroy, lecturer, Dublin Institute of Technology, Ireland

Val Larsen, associate professor, James Madison University, USA

Wendy Law-Yone, author

Professor Michel Levi, Universidad Andina Simón Bolívar, Ecuador

Professor John Wesley Lowery, Indiana University of Pennsylvania, USA

Greg Lukianoff, president and chief executive, Foundation for Individual Rights in Education (Fire), USA

Professor Tetyana Malyarenko, Donetsk State Management University, Ukraine

Ziyad Marar, global publishing director, Sage

Charlie Martin, editor PJ Media, UK

Jean-Paul Marthoz, senior lecturer, Université Catholique de Louvain, Belgium

Professor Alan Maryon-Davis, King’s College London, UK

John McAdams, associate professor, Marquette University, USA

Timothy McGuire, associate professor, Sam Houston State University, USA

Professor Tim McGettigan, Colorado State University, USA

Professor Lucia Melgar, professor in literature and gender studies, Mexico

Helmuth A. Niederle, writer and translator, Germany

Professor Michael G. Noll, Valdosta State University, USA

Undule Mwakasungula, human rights defender, Malawi

Maureen O’Connor, lecturer, University College Cork,  Ireland

Professor Niamh O’Sullivan, curator of Ireland’s Great Hunger Museum, and Quinnipiac University, Connecticut, USA

Behlül Özkan, associate professor, Marmara University, Turkey

Suhrith Parthasarathy, journalist, India

Professor Julian Petley, Brunel University, UK

Jammie Price, writer and former professor, Appalachian State University, USA

Max Price, vice-chancellor, University of Cape Town, South Africa

Clive Priddle, publisher, Public Affairs

Professor Rossana Reguillo, ITESO University, Mexico

Professor Glenn Reynolds, University of Tennessee College of Law, USA

Professor Matthew Rimmer, Queensland University of Technology, Australia

Professor Paul H. Rubin, Emory University, USA

Andrew Sabl, visiting professor, Yale University, USA

Alain Saint-Saëns, director,Universidad Del Norte, Paraguay

Professor Richard Sambrook, Cardiff University, UK

Luís António Santos, University of Minho, Portugal

Professor Francis Schmidt, Bergen Community College, USA

Albert Schram, vice chancellor/CEO, Papua New Guinea University of Technology

Victoria H F Scott, independent scholar, Canada

Kamila Shamsie, author

Harvey Silverglate, lawyer and writer, Massachusetts, USA

William Sjostrom, director and senior lecturer, University College Cork, Ireland

Suzanne Sisley, University of Arizona College of Medicine, USA

Chip Stewart, associate dean of the Bob Schieffer College of Communication, Texas Christian University, USA

Professor Nadine Strossen,  New York Law School, USA

Professor Dawn Tawwater, Austin Community College, USA

Serhat Tanyolacar, visiting assistant professor, University of Iowa, USA

Professor John Tooby, University of California, USA

Meena Vari, Srishti Institute of Art, Design and Technology, Bangalore, India

Professor Leland Van den Daele, California Institute of Integral Studies, USA

Professor Eugene Volokh, UCLA School of Law, USA

Catherine Walsh, poet and teacher, Ireland

Christie Watson, author

Ray Wilson, author

Professor James Winter, University of Windsor, Canada

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