The most ridiculous book bans

24 Sep 24 | News and features

Banned Books Week is here once again. And so too are more stories of books being censored across the world. This week, Pen America reported that the number of book bans in public schools has nearly tripled in 2023-24 from the previous school year. 

While the week-long Banned Books Week event, supported by a coalition including Index on Censorship, looks largely towards bans in the USA, we’re taking a moment to reflect on global censorship of literature. We asked the Index team to share what they think is the most ridiculous instance of book censorship, from the outright silly to the baffling but dangerous. Some of these examples verge on amusing — the Chinese Communist Party (CCP)’s aversion to talking animals, for example — but the bans that have ended in attempted murders just go to show that the practice of book banning itself is completely nonsensical, and can lead to real harm.

Banned Books (Photo by Aimée Hamilton)

Too many talking animals

You don’t have to have children to imagine what a clichéd kids book might look like. Yes, you’ve guessed right – animated animals. Tigers, mice, dogs – they’re all common in children’s literature. But the Chinese authorities have an uncomfortable relationship with our furry friends. 

In 2022 a Hong Kong court sent five people to prison for publishing a series of books called Sheep Village (and of course they banned the books too). To be fair these illustrated books, aimed at kids aged four to seven, didn’t code their political messages well: a flock of sheep (stand-in for Hong Kongers) peacefully resist a savage wolf pack (the guys in Beijing). So this might not be the most absurd example, though it did feel like an absurdly low moment.

However, what was clearly absurd on all levels was the 1931 ban of Alice in Wonderland by the governor of Hunan Province. The book’s crime? Talking animals. Apparently they shouldn’t have used human language and putting humans and animals on the same level was “disastrous”. What unites the CCP with the Republic of China that came before it? Unease around anthropomorphised animals it would seem.

  • Jemimah Steinfeld, CEO

 

Too many banned books

Ban This Book by Alan Gatz, a book about book bans, has been banned by the state flying the banner for banning books. This is not a tongue twister, riddle or code. It is the crystallisation of the absurdity of banning books.

In January 2024, the book was banned in Indian River County in Florida after opposition from parents linked to Moms for Liberty. According to the Tallahassee Democrat, the school board disliked how the book “referenced other books that had been removed from schools” and accused it of “teaching rebellion of school board authority”. When you are trying to reshape the world in line with your own blinkered view it is probably best not to draw attention to it by calling out reading as an act of rebellion. Just a thought.

The book tells the story of Amy Anne Ollinger’s fight to overturn a book ban in her fictional school library. The book’s conclusion leads Amy Anne “to try to beat the book banners at their own game. Because after all, once you ban one book, you can ban them all”. 

This tells us something – the self-harming absurdity of book bans is apparent to kids like Amy Anne but not to the prudish administrators and thuggish groups wielding their mob veto like a weapon. Groups like Moms for Liberty and their fellow censors obscure the darkness of our shared history by removing any reference to it and by pretending it did not happen — not by addressing the root causes or working to ensure it does not happen again.

  • Nik Williams, policy and campaigns officer

 

Too Belarusian

In Belarus, numerous books in the Belarusian language by the country’s best classical and modern writers have been banned, especially following the 2020 presidential election and pro-democracy protests. Unbelievably, Lukashenka’s regime — often called the last dictatorship in Europe and backed by Russia — views Belarusian historical, cultural and national identity as a threat.

Many books in Belarusian have been labelled extremist and even destroyed from the National Library’s collection since the protests started in August 2020. This includes Dogs of Europe by Alhierd Baharevich, works by 19th century writer Vincent Dunin-Marcinkievich and 20th century poet Larysa Hienijush, among others.

  • Jana Paliashchuk, researcher on Index’s Letters from Lukashenka’s Prisoners project

 

Too decadent and despairing

Franz Kafka’s The Metamorphosis, possibly the greatest short story ever written, was banned by both the Nazis and the Soviets. Being a Jewish author, the Nazis burned Kafka’s books on their “sauberen” (cleansing) pyres. But in the Soviet Union, his books were banned as “decadent and despairing”. This was clearly a judgement made by officials without much knowledge of the history of the novel, where so many titles are filled with human despair. Without these, we would not get the contrasting light of decadent writers like Oscar Wilde and JK Huysmans.

  • David Sewell, finance director

 

Too mermaidy

One of my favourite books to read with my son is Julian is a Mermaid by Jessica Love. It’s a beautiful picture book where a young boy dreams of becoming a mermaid after seeing a school / pod (collective noun to be determined) of merfolk on the way to the Coney Island Mermaid Parade, then rummages around his nana’s home for a costume.

In various parts of the USA, Julian has been banned. In a school district in Iowa, it was flagged for removal under a law that “bans books that depict or describe sex acts”, which apparently also covers gender identity — there are definitely no sex acts in this book. In other districts, it’s been fully banned due to representing the LGBTQ+ community.

If book banners in the USA are really worried about kids becoming mermaids, then I’d like to know on what grounds. Because, quite frankly, I always wanted to be a mermaid, and if it turns out it was a viable option, I have some regrets. Personally, I’d be more concerned about Julian ripping down his nana’s curtains to make a tail, à la Julie Andrews making costumes for the Von Trapp children.

  • Katie Dancey-Downs, assistant editor

 

Too accurate

In Egypt, Metro, the country’s first graphic novel by Magdy El Shafee, was quickly banned after publication in 2008 for “offending public morals”. This was likely due to the novel’s depiction of a half-naked woman, inclusion of swear words and general portrayal of poverty and corruption in Egypt during the former president Hosni Mubarak’s 30-year rule. The author was charged under article 178 of the Egyptian penal code for infringing “upon public decency” and fined 5,000 LE. It was eventually republished in Arabic in 2012.

  • Georgia Beeston, communications and events manager

 

Too dystopian

Aldous Huxley’s 1932 dystopian classic Brave New World explores an imagined future centred on productivity and enforced “happiness” at the expense of individual freedom. Set in 2540, society has been stripped of families, with babies manufactured synthetically with specific characteristics, then forced into a predetermined “caste” system. People are encouraged to prioritise short-term gratification through casual sex and taking a “happiness” drug called soma, making them blissfully unaware of their imprisonment within the system.

Since its publication nearly 100 years ago, the novel has caused controversy globally. It was initially banned in Ireland and Australia in 1932 for eschewing traditional familial and religious values, then later banned in India in 1967 for its sexual content, with Huxley even being referred to as a “pornographer” for depicting a society that encourages recreational sex. It is still banned in many classrooms and libraries across America for a range of wild reasons, from use of offensive language and sexual explicitness to racism and “conflict with a religious viewpoint”.

But Huxley’s imagined future is one of horror. He uses themes of enforced, unfettered pleasure and a twisted genetic-based class system to express how humans’ complex problems and moral quandaries cannot be solved by scientific advancement alone. The main point of dystopian fiction is to tell a cautionary tale of the levels of exploitation that society could sink to, in order to save the world at large. While it was undoubtedly shocking and crass for its time, the fact that Huxley’s novel still ruffles feathers reveals a complete misunderstanding of allegory.

  • Sarah Dawood, editor

 

Too many lesbians

I first read Radclyffe Hall’s legendary lesbian novel, The Well of Loneliness, published in 1928, with bated breath as a young, closeted queer person. Her portrayal of young woman ‘Stephen’ Gordon and her romance with Mary Llewellyn was wildly liberating and satisfying to read. Of course, as a product of its time it is in many ways outdated and of course laced with problematic values, for example biphobia and misogyny. But it was hugely important in terms of normalising queer relationships over a century ago. 

Shortly after publication, the book went to trial in Britain on the grounds of “obscenity” and was subsequently banned — but this is no Lady Chatterley’s Lover. There are no real ‘hot under the collar moments’. The only ‘obscenity’ was the portrayal of two women in a romantic relationship, even though (unlike male homosexuality), lesbianism wasn’t actually illegal in 1928.

  • Anna Millward, development officer

 

Too friendly

The award-winning writer and painter Leo Lionni’s first children’s book Little Blue and Little Yellow (1959) is a short story for young children about two best friends who, one day, can’t find each other. When they meet again, they give each other such a big hug that they turn green. 

Despite its important message about the power of love and friendship, the mayor of Venice decided to ban it from all preschools in the province for “undermining traditional family values”. It was one of more than 50 children’s books to have been banned just days after he took up the post after his election in 2015.

  • Jessica Ní Mhainín, head of policy and campaigns

 

Too uncensored

As ironies go, the banning of Ray Bradbury’s Fahrenheit 451 may be the strangest. The novel describes a dystopian future in which books are banned and “firemen” burn any that are found – its title comes from the ignition temperature of paper. 

In 1967, a new edition of the book aimed at high schools, known as the Bal-Hi edition, was substantially altered to remove swear words and references to drug use, nudity and drunkenness. Somehow, the censored text came to be used for the mass-market edition in 1973 and “for the next six years no uncensored paperback copies were in print, and no one seemed to notice”, wrote Jonathan R. Eller in the introduction to the 60th anniversary edition of the book. 

Readers eventually realised and alerted Bradbury. He demanded that the publisher retract the censored version, writing that he would “not tolerate the practice of manuscript ‘mutilation’”.

  • Mark Stimpson, associate editor

 

Too unflattering

It’s not altogether surprising that UK authorities attempted to prevent the autobiography of former MI5 officer Peter Wright, Spycatcher (co-written by Paul Greengrass), from hitting the shelves. The book did not present British intelligence agencies in a flattering light, and the government’s claims that they were suppressing its publication in the interests of security — rather than to save face — were eventually dismissed by the courts. 

However, the ridiculous part about this book banning was that it only applied to England and Wales and the book was freely accessible elsewhere — including Scotland. This led to an absurd situation where newspapers around the world were reporting on the book’s contents while the press in England was subject to a gagging order, despite the information having already been revealed and books being easily shipped into the country. The ban was eventually lifted after it was acknowledged that the book wasn’t exposing any secrets due to its overseas publication.

  • Daisy Ruddock, CASE coordinator

 

Too blasphemous

The most absurd book banning is also, arguably, the most serious in recent history. The Satanic Verses by Salman Rushdie was published in 1988 to deserved critical acclaim. It is a playful and complex novel that examines, among other things, the origins of Islam. The death sentence imposed on the author by Iran’s supreme leader Ayatollah Khomeini was fuelled by, and in turn itself fuelled an ideology that believes that a novel can be blasphemous and its author should be killed. It would be laughable if the consequences weren’t so deadly.

  • Martin Bright, editor at large

Back to school: a hard lesson for Hong Kong

06 Sep 24 | Asia and Pacific, China, Hong Kong, News and features, Newsletters

It is September and the kids are back at school. Many will likely be excited for the year ahead but perhaps not Hong Kong students. They’re returning to a new lesson: Xi Jinping Thought. As announced this week, the curriculum has been updated in secondary schools to include teachings from China’s leader. The new module aims to instil “patriotic education”.

I pity these kids, I really do. Firstly because unlike Mao, who many saw as a great wordsmith (a tyrant yes but a tyrant who could write lyrically and coin a zinger, “revolution is not a dinner party” being one classic example), Xi’s words are flat. The Economist declared his Thought “woolly: a hodgepodge of Dengist and Maoist terminology combined with mostly vague ideas on topics ranging from the environment (making China “beautiful”) to building a “world-class” army.” The academic Kevin Carrico studied his Thought through a distance-learning course and wrote that it was impoverished. “It comes across as a cash-rich North Korea,” he said. I’ve never got very far. Sentences like “The fundamental reason why some of our comrades have weak ideals and faltering beliefs is that their views lack a firm grounding in historical materialism” contain too many words and too little meaning.

But beyond criticising the content is a much bigger issue. As one Hongkonger said in response to the announcement, it’s “brainwashing”. That it is. And more than that. It’s another way to strip Hong Kong of its unique identity. The curriculum is aimed at “cultivating students’ sense of nationhood, affection for our country and sense of national identity” and by identity that means one dictated through the narrow lens of the Chinese Communist Party from Beijing.

Since it was introduced formally in China in 2017, Xi Jinping Thought has become a mainstay of academic life throughout the country for all levels of students. In our forthcoming Autumn magazine, which looks at how scientists are being attacked worldwide, Chinese novelist Murong Xuecun lays bare some of the absurdities of this:

“Every scientist needs to study Xi’s speeches and thoughts. Their Western counterparts may not be able to empathise with this but imagine a group of physicists or astronomy professors sitting in a conference room at MIT or Harvard, studying Donald Trump’s or Joe Biden’s speeches, and then considering how much it would help in their research.”

Xi Jinping Thought should be relegated to the history books not promoted to textbooks. But classrooms have always been central to Beijing’s ambitions in Hong Kong, which partly explains why many of the protest leaders were students. In 2010, for example, then Hong Kong chief executive Donald Tsang announced plans to change primary education so that its messages were more in line with the CCP (one teaching manual called the CCP an “advanced, selfless and united ruling group”). These plans were shelved due to widespread protests, protests which themselves were later removed or reworded in textbooks. More recently, in 2022 history textbooks were rewritten to downplay the city’s colonial past. Today they’re taking the textbook meddling one step further.

Here’s a kicker: interference in textbooks by Beijing is happening in the UK too. The Telegraph reported this week that British GCSE books were edited to remove references to Taiwan after complaints from Chinese officials. The AQA GCSE Chinese textbook deleted references to “the Republic of China” (Taiwan) from subsequent editions. The first edition of the GCSE textbook said: “Yangmingshan National Park is the third national park of the Republic of China, and the park is located in the northern part of Taipei City.” Later editions: “Yangmingshan National Park is a very famous national park.”

The UK is not Hong Kong and the CCP cares a lot less about what British textbooks contain. And yet they still clearly care. There’s a long road to be taken before a few words removed from a Mandarin-teaching title turns into Xi Jinping Thought on the UK syllabus and it’s encouraging that Lord Alton raised the issue in Parliament this week. We must not journey further down this road and not just because his Thought is deathly dull.

Finally, on the note of back to school a reminder of the many girls of Afghanistan who are not starting school at all. Last year we gave the Index campaigning award to Matiullah Wesa, who together with his brother founded Pen Path, a remarkable organisation dedicated to improving girls’ education in Afghanistan. For over a decade, Wesa has travelled the country with his mobile library, distributing books to children and working to establish schools in conflict-riven areas. Today he meets with Taliban leaders to call for schools to be reopened for girls. Wesa is a frequent target of the Taliban and has been imprisoned. He dreams of a time when he can retire this work because access to education – a universal right – is respected and promoted in Afghanistan. Today that dream has never felt further away.

All of the above reinforces a line we often say at Index: freedoms are hard won and easily lost. So students: cherish learning, enjoy debate and never take the ability to enquire more, to read widely and to speak freely for granted.

Contents – The final cut: How cinema is being used to change the global narrative

19 Aug 24 | Burkina Faso, Canada, China, Germany, India, Iran, Magazine Contents, Malaysia, Nigeria, Pakistan, Palestine, Russia, Saudi Arabia, Turkey, Ukraine, United Kingdom, United States, Volume 53.02 Summer 2024

Contents

The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.

Up Front

Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen

The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner

Features

Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech

We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash

The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online

Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars

The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith

Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression

First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany

Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency

A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts

Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws

Special Report: The final cut - how cinema is being used to change the global narrative

Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch

Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury

Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos

Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood

Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor

When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?

Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin

A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle

Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers

Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia

Comment

Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile

Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time

Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement

We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners

Culture

It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics

No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content

The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality

Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents

Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index

The latest rubbish joke from China

19 Jul 24 | China, Hong Kong, News and features, Newsletters, Russia

Has China entered a "garbage time of history"? Some netizens think so. According to a Guardian article from yesterday, the term is trending, coined to reflect a generation who feel squeezed by rising costs and other social burdens. Those behind the term even created a “2024 misery ranking grand slam”, which tallies up the number of misery points that a person might have earned this year (one star for unemployment, two stars for a mortgage, another for hoarding the expensive liquor Moutai and so on). I always felt bonded to many of my Chinese friends by what I'd say was a shared sense of humour - the dry, acerbic sort that Brits are famed for, the one that is still able to chortle no matter how bad the news. It's very much on display in this story.

The censors though aren't laughing. They're scrubbing. Pity these people who take away the lemonade from those with lemons.

Two other stories emerged from the region this week that, while not necessarily "garbage", were bad. The first concerned a rumour that Xi Jinping had a stroke (side note: Xi is 71, his mother is 97, and his father died aged 88). The rumour spread across Chinese social media and was picked up on X by the activist Jennifer Zeng, who has a huge following. It was later debunked, including by the Reuters Fact Check team here. In the interim, China's censors blocked posts about it.

The story was troubling, and not just the censorship angle. There are perils to getting things wrong when you are meant to be on the side fighting for freedoms, a central one being that it's an own goal, a way to feed into the autocrats’ line that it is others, not themselves, who can't be trusted.

Another troubling story this week came out of Hong Kong. On Wednesday Wall Street Journal reporter Selina Cheng was laid off. The Post said it was part of a restructuring. Cheng believes it was linked to her taking up the position of chair at the Hong Kong Journalists Association, a union that campaigns for media freedom. She said she was pressed by her employer not to stand for election for chair, being told the role would be “incompatible with my employment at the Wall Street Journal”. The WSJ have not commented on her firing. But a pattern appears to be emerging of major international outlets being spooked by association with the HKJA. According to an article from the China Media Project, three recently elected members of the HKJA board, alongside an outgoing leader of the Foreign Correspondents’ Club of China, said they faced similar pressures.

"All asked to remain anonymous, fearing reprisals from their employers, but confirmed that the Journal is not alone: the biggest names in Hong Kong and China’s foreign press have been pressuring their employees to stand back and stay quiet, or face the repercussions. For the territory’s embattled journalists, defending the free press has become a fight on two fronts: against both an increasingly authoritarian government and their own employers, based in the West and nominally committed to liberal principles," the article said.

Meanwhile Tom Grundy from Hong Kong Free Press, one of the few independent media to still operate from Hong Kong, told Index that the news added to the sense of vulnerability felt by journalists there. He said:

"When a giant international news organisation fails to support the city's only independent media union and its officers, they further erode press freedom by closing precious space. It sends a terrible signal, and makes their own remaining staff more vulnerable in the long run. Especially locals."

The Beijing supporting media of course is loving it. The Global Times tabloid was calling the press union "a malignant tumour that harms the city's safety and security".

Finally on the note of the WSJ, we have just heard news that the reporter Evan Gershkovich has been sentenced to 16 years in a Russian prison on espionage charges after he was arrested last March while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow. That this news was predicable doesn't make it any less disturbing. We will continue to fight for his release.