8 Mar 2021 | News and features
[vc_row][vc_column][vc_single_image image=”116379″ img_size=”full”][vc_column_text]I was a teenage journalism student when I first discovered the magnificent Nellie Bly.
It was my first week at university in Northern Ireland and my tutor handed each person in our class a list of suggested books to read for the upcoming term.
When scouring the shelves of the campus library, I stumbled across ‘Cupcakes and Kalashnikovs’, a book which, 15 years later, I still pick up and flick through when I need a dose of inspiration.
Put together by the wonderful Eleanor Mills and Kira Cochrane, it is one of the first detailed collections of groundbreaking and history-making journalism by women over the last 100 years.
It includes powerful pieces such as Martha Gellhorn’s ‘Dachau’; Audre Lorde’s haunting ‘That Summer I left Childhood was White’ and the late Ruth Picardie’s deeply emotive, and last ever, Observer column, ‘Before I Say Goodbye’.
It was in this breathtaking anthology that I found Nellie, a fierce female who trailblazed her way through newspaper journalism and paved the way for female investigative reporters around the world.
Born Elizabeth Jane Cochrane in 1864, she began her career after her parents’ deaths by writing a letter to the editor of the Pittsburgh Dispatch.
That letter – signed simply ‘Lonely Orphan Girl’ – piqued George Madden so much, he immediately hired her.
It was Madden who suggested she change her name to Nellie Bly, taken from a popular Stephen Foster song at that time, and the rest, they say, is history.
From the moment she entered journalism, Nellie refused to conform.
Instead of writing about society gatherings and parties, a genre many women journalists were pigeonholed at that time, she sunk her teeth into social issues affecting women, from divorce laws to factory working conditions.
When working for the New York World in 1888, she feigned insanity to be committed into an asylum where she lived side by side with vulnerable women to expose the horrific, rat-infested and abusive conditions they were incarcerated in.
Her fearless piece, ‘Ten Days in a Madhouse’ led to the City of New York spending an extra $1,000,000 per annum on the care of those with serious mental health issues. She risked her freedom and her welfare for the truth.
She saw it as a small price to pay to highlight injustice, particularly for women who at that time didn’t even have the right to vote.
It’s been over 100 years since Nellie Bly penned her last article, but the bravery, tenacity, and resilience she showed back then still inspires me today.
In her own words: “I said I could and I would. And I did.”
Timeless.[/vc_column_text][/vc_column][/vc_row]
8 Mar 2021 | China, Cuba, Hong Kong, Media Freedom, Middle East and North Africa, News and features, Saudi Arabia, Turkey
[vc_row][vc_column][vc_single_image image=”116366″ img_size=”full” add_caption=”yes”][vc_column_text]West Wing writer Aaron Sorkin has taken another foray into the world of American politics with The Trial of the Chicago 7, starring Sacha Baron Cohen, Eddie Redmayne and Mark Rylance. The film delves into the trial of seven activists arrested for inciting violence during clashes with police that resulted from protests against the Vietnam War at the 1968 Democratic National Convention; it is a reminder of the importance of a fair trial.
Similar in tone, then, to BAFTA’s best film nominee The Mauritanian (pictured above) and the story of Mohamedou Ould Salahi.
Salahi was imprisoned in Guantanamo Bay due to perceived connections with terrorist group al-Qaeda for more than 14 years without charge until his eventual release in 2016.
In 2005, Salahi wrote a memoir that was eventually published in 2015 with numerous redactions and is the basis of the film.
Forty prisoners still remain at the camp and most have not been charged or tried with any crime. Despite this, as the film shows, legal challenges are deliberately stifled for political purposes.
President Joe Biden has committed to close the camp by the time he leaves office.
There are several recent documentaries that celebrate the crucial work of investigative journalists.
Collective is remarkable film about corruption and political cover-up at the heart of Romanian institutions.
In 2015, a fire broke out at Colectiv night club in Bucharest, resulting in the deaths of 64 people. Hospitals were overwhelmed by the casualties and the deaths of 13 of the victims were attributed to bacterial infections that arose from being treated with watered down disinfectant used to save money. The story would have been forgotten had it not been for the tireless work of a daily sports newspaper. The ordeal exposed corruption and corner-cutting that fuelled anger on the streets of Romania. Protests eventually led to the resignation of Prime Minister Victor Ponta.
During the film, lead investigator for the paper Catalin Tolontan says of the situation: “When the press bows down to authorities, the authorities will mistreat the citizens.”
Collective is an insight into how teams of journalists break such stories
Athlete A is another testament to the power of investigative journalism.
Over recent years, numerous scandals have revealed the toxic atmospheres of some elite sports teams. None more so, perhaps, than the sexual abuse of US gymnasts shown in Athlete A. The Indianapolis Star helped uncover victims’ stories of sexual abuse by USA team gymnastics doctor Larry Nassar, who was found to have assaulted at least 265 girls over a period of two decades. The film’s title refers to Maggie Nichols, the gymnast who reported her experiences in 2015, only to be dropped from the 2016 Olympics team shortly after.
Collective and Athlete A highlight the lengths governments and organisations will go to keep quiet such scandals.
More extreme examples can lead to deaths, such as the brutal killing of Jamal Khashoggi, investigated in The Dissident.
Khashoggi was a US-based journalist and columnist for the Washington Post and was murdered inside the Saudi Arabian consulate in Istanbul, Turkey. The CIA eventually determined the killing was premeditated and ordered by Crown Prince Mohammed bin Salman.
After its release in January 2020, producer Thor Halvorssen alleged there were attempts by “Saudi-backed trolls” to reduce its score on film-rating sites IMDB and Rotten Tomatoes to below 70 per cent.
“The moment you drop under 70 per cent, your film is essentially dead,” Halvorsson told Variety at the time. “People who follow individual critics will watch it; but the regular public will not.”
Public pressure that arises as a result of the revelations of the press are important, democratic displays of dissent. Their value is emphasised when authorities try to take away such expression.
Protests over a proposed extradition law allowing people in Hong Kong to be sent for trial in mainland China began in 2019. The law was met with such hostility by people in Hong Kong, that China eventually brought in the controversial National Security Law, criminalising any act of secession, subversion, terrorism, and collusion with external forces.
The citizens of Hong Kong have suffered under the law, as have the press. On 6 January, 53 pro-democracy activists were arrested by Chinese authorities.
Do Not Split – which takes its name from a Cantonese phrase which translates loosely as “Do not split, do not divide, do not snitch on others” – follows the course of the early protests up to the imposition of the law that now threatens freedom in Hong Kong.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”581″][/vc_column][/vc_row]
5 Mar 2021 | Afghanistan, Burma, Opinion, Ruth's blog
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Ma Kyal Sin aka Deng Jia Xi aka Angel (photo: Facebook)
Everything will be OK…
I really hope it is. But this week has been heartbreaking and it’s been women who have featured in the news paying the ultimate price for their beliefs, as they have stood tall against tyrants, as they refused to be silenced, as they demanded their rights and their freedoms. Brave, inspirational women. Women who were doing their bit to make our world just a little bit fairer, a little freer, a little better informed.
It’s hard to read the headlines. Three women journalists murdered in Afghanistan. A teenager among the 38 dead in Myanmar.
But it’s even harder to think about the reality behind the headlines. Of the person no longer with us, of the family grieving and the friends who are scared. The only thing we can really offer them as they grieve is our support and solidarity. We must bear witness, we must tell their stories, so that the world knows what happened to their loved ones. Our job is to make sure that the tyrants (whoever they are) don’t win and that they are ultimately held accountable.
So, we must not forget them. We have a responsibility to celebrate their lives, to know who they were. We need to know their stories.
Ma Kyal Sin, was known to her friends and family as Angel. A dancer from a family who just wanted to live in a democratic state. A teenager wearing a t-shirt which said “Everything Will Be OK”.
On Wednesday, she was shot dead by the police on the streets of Myanmar, while on a peaceful protest. She was one of 38 who died this week protesting against the military coup.
Mursal Wahidi, 23. Mursal had just started her dream job, that of being a journalist at the local TV station in Eastern Afghanistan (along with Sadia and Shahnaz). She was gunned down as she left her office on Wednesday.
Sadia Sadat, 21, worked at the same station in the dubbing department. Sadia was on her way home in a rickshaw when she and her colleague, Shahnaz, were ambushed and killed by a gunman on Wednesday evening near their homes.
Shahnaz Raufi, 21, who had fought for her right to be educated and who dreamed of going to university was murdered with Sadia as they travelled home together on Wednesday. Islamic State have claimed responsibility of these assassinations of young women. Women determined to be part of a free press.
On Monday, we mark International Women’s Day. This year the theme is Choose to Challenge. These women chose to challenge the status quo. They chose to stand up for their rights. They chose to believe in a better future.
In their memory – for Angel, Mursal, Sadia and Shahnaz, we need to choose to challenge tyranny wherever we see it. And we need to choose to remember them as the inspirational women they so clearly were.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”41669″][/vc_column][/vc_row]
5 Mar 2021 | Equatorial Guinea, News and features
[vc_row][vc_column][vc_single_image image=”116347″ img_size=”full” add_caption=”yes”][vc_column_text]Delfin Mocache Massoko, an investigative journalist from Equatorial Guinea, has been the subject of threats following the publication of an article alleging corruption at the highest level in his home country.
Mocache Mossako is the founder of Diario Rombe, a website dedicated to Equatoguinean affairs based in Spain, where he has refugee status. He was one of the authors of a cross-border investigation published in January by the Organised Crime and Corruption Reporting Project.
According to the investigation, Gabriel Obiang, minister of mines and hydrocarbons and son of the President of Equatorial Guinea, diverted funds into offshore companies controlled by his associates.
A Twitter campaign launched by South Africa-based lawyer NJ Ayuk (who has close ties to the Obiang family) accused Mocache Massoko of spreading misinformation. One tweet read: “the lies of Delfín Mocache … have generated an incalculable amount of damage to many people, businesses and Africans.”
In another tweet, Ayuk said: “He is scared because we are going to catch him… those responsible for his lucrative lies. I’m looking forward to questioning these money-hungry charlatans. You will have a lot of fun. We will imprison him.”
At present, there is no suggestion that Ayuk is threatening anything beyond lawful investigation and prosecution, but there is a risk that his words will be misinterpreted in the environment of a country where dissidents are forced into exile.
Mocache Massoko told Index: “There is a history of citizens of Equatorial Guinea critical of the country’s political system being abducted abroad and clandestinely transferred to African prisons. In the past there have been cases of torture against dissidents, activists, and human rights defenders.”
This week, a South African court ordered Ayuk and his company, Centurion Law Group, to cease its campaign against Mocache Mossako and OCCRP and issue apologies. However, they responded today by issuing further threats to issue “multiple legal claims in various jurisdictions.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”540″][/vc_column][/vc_row]
