Awards
ABOUT THE AWARDS Index on Censorship’s Freedom of Expression Awards celebrate those who have had significant impact fighting censorship anywhere in the world. There are three categories: Arts, Campaigning and Journalism. Winners are honoured at a gala celebration in...Contents – Index at 50: The battles won, lost and currently raging
The spring issue of Index magazine is special. We are celebrating 50 years of history and to such a milestone we’ve decided to look back at the thorny path that brought us here.
Editors from our five decades of life have accepted our invitation to think over their time at Index, while we’ve chosen pieces from important moments that truly tell our diverse and abundant trajectory.
Susan McKay has revisited an article about the contentious role of the BBC in Northern Ireland published in our first issue, and compares it to today’s reality.
Martin Bright does a brilliant job and reveals fascinating details on Index origin story, which you shouldn’t miss.
Index at 50, by Jemimah Steinfeld: How Index has lived up to Stephen Spender’s founding manifesto over five decades of the magazine.
The Index: Free expression around the world today: the inspiring voices, the people who have been imprisoned and the trends, legislation and technology which are causing concern.
“Special report: Index on Censorship at 50”][vc_column_text]Dissidents, spies and the lies that came in from the cold, by Martin Bright: The story of Index’s origins is caught up in the Cold War – and as exciting
Sound and fury at BBC ‘bias’, by Susan McKay: The way Northern Ireland is reported continues to divide, 50 years on.
How do you find 50 years of censorship, by Htein Lin: The distinguished artist from Myanmar paints a canvas exclusively for our anniversary.
Humpty Dumpty has maybe had the last word, by Sir Tom Stoppard: Identity politics has thrown up a new phenonemon, an intolerance between individuals.
The article that tore Turkey apart, by Kaya Genç: Elif Shafak and Ece Temulkuran reflect on an Index article that the nation.
Of course it’s not appropriate – it’s satire, by Natasha Joseph: The Dame Edna of South Africa on beating apartheid’s censors.
The staged suicided that haunts Brazil, by Guilherme Osinski: Vladimir Herzog was murdered in 1975. Years on his family await answers – and an apology.
Greece haunted by spectre of the past, by Tony Rigopoulos: Decades after the colonels, Greece’s media is under attack.
Ugandans still wait for life to turn sweet, by Issa Sikiti da Silva: Hopes were high after Idi Amin. Then came Museveni …People in Kampala talk about their
problems with the regime.
How much distance from Mao? By Rana Mitter: The Cultural Revolution ended; censorship did not.
Climate science is still being silenced, by Margaret Atwood: The acclaimed writer on the fiercest free speech battle of the day.
God’s gift to who? By Charlie Smith: A 2006 prediction that the internet would change China for the better has come to pass.
50 tech milestones of the past 50 years, by Mark Frary: Expert voices and a long-view of the innovations that changed the free speech landscape.
Censoring the net is not the answer, but… By Vint Cerf: One of the godfathers of the internet reflects on what went right and what went wrong.[/vc_column_text][vc_custom_heading text=”Five decades in review”][vc_column_text]An arresting start, by Michael Scammell: The first editor of Index recounts being detained in Moscow.
The clockwork show: Under the Greek colonels, being out of jail didn’t mean being free.
Two letters, by Kurt Vonnegut: His books were banned and burned.
Winning friends, making enemies, influencing people, by Philip Spender: Index found its stride in the 1980s. Governments took note.
The nurse and the poet, by Karel Kyncl: An English nurse and the first Czech ‘non-person’.
Tuning in to revolution, by Jane McIntosh: In revolutionary Latin America, radio set the rules.
‘Animal can’t dash me human rights’, by Fela Kuti: Why the king of Afrobeat scared Nigeria’s regime.
Why should music be censorable, by Yehudi Menuhin: The violinist laid down his own rules – about muzak.
The snake sheds its skin, by Judith Vidal-Hall: A post-USSR world order didn’t bring desired freedoms.
Close-up of death, by Slavenka Drakulic: We said ‘never again’ but didn’t live up to it in Bosnia. Instead we just filmed it.
Bosnia on my mind, by Salman Rushdie: Did the world look away because it was Muslims?
Laughing in Rwanda, by François Vinsot: After the genocide, laughter was the tonic.
The fatwa made publishers lose their nerve, by Jo Glanville: Long after the Rushdie aff air, Index’s editor felt the pinch.
Standing alone, by Anna Politkovskaya: Chechnya by the fearless journalist later murdered.
Fortress America, by Rubén Martínez: A report from the Mexican border in a post 9/11 USA.
Stripsearch, by Martin Rowson: The thing about the Human Rights Act …
Conspiracy of silence, by Al Weiwei: Saying the devastation of the Sichuan earthquake was partly manmade was not welcome.
To better days, by Rachael Jolley: The hope that kept the light burning during her editorship.
Plays, protests and the censor’s pencil, by Simon Callow: How Shakespeare fell foul of dictators and monarchs. Plus: Katherine E McClusky.
The enemies of those people, by Nina Khrushcheva: Khrushchev’s greatgranddaughter on growing up in the Soviet Union and her fears for the US press.
We’re not scared of these things, by Miriam Grace A Go: Trouble for Philippine
journalists.
Windows on the world, by Nazanin Zaghari-Ratcliffe and Golrokh Ebrahimi Iraee: Poems from Iran by two political prisoners.
Beijing’s fearless foe with God on his side, by Jimmy Lai: Letters from prison by the Hong Kong publisher and activist.
We should not be put up for sale, by Aishwarya Jagani: Two Muslim women in India on being ‘auctioned’ online.
Cartoon, by Ben Jennings: Liberty for who?
Amin’s awful story is much more than popcorn for the eyes, by Jemimah Steinfeld: Interview with the director of Flee, a film about an Afghan refugee’s flight and exile.
Women defy gunmen in fight for justice, by Témoris Grecko: Relatives of murdered Mexican journalist in brave campaign.
Chaos censorship, by John Sweeney: Putin’s war on truth, from the Ukraine frontline.
In defence of the unreasonable, by Ziyad Marar: The reasons behind the need
to be unreasonable.
We walk a very thin line when we report ‘us and them’, by Emily Couch: Reverting to stereotypes when reporting on non-Western countries merely aids dictators.
It’s time to put down the detached watchdog, by Fréderike Geerdink: Western newsrooms are failing to hold power to account.
A light in the dark, by Trevor Philips: Index’s Chair reflects on some of the magazine’s achievements.
Our work here is far from done, by Ruth Smeeth: Our CEO says Index will carry on fighting for the next 50 years.
In vodka veritas, by Nick Harkaway and Jemimah Steinfeld: The author talks about Anya’s Bible, his new story inspired by early Index and Moscow bars.
A ghost-written tale of love, by Ariel Dorfman and Jemimah Steinfeld: The novelist tells the editor of Index about his new short story, Mumtaz, which we publish.
‘Threats will not silence me’, by Bilal Ahmad Pandow and Madhosh Balhami: A Kashmiri poet talks about his 30 years of resistance.
A classic case of cancel culture, by Marc Nash: Remember Socrates’ downfall.
“All this for a simple post on Facebook”
Samira Sabou
Nigerien journalist Samira Sabou, winner of Index on Censorship’s Freedom of Expression Awards 2021 in the journalism category, has been handed a one-month suspended prison sentence and a fine of 50,000 FCFA (around £65) for circulating an article on drugs trafficking in the country. The sentence was handed down by the courts despite her house being searched without a warrant and Sabou being questioned without a lawyer being present.
The article – Strange Days for Hashish Trafficking in Niger – reported on the trafficking of cannabis through West Africa to North Africa, and the seizure by Nigerien authorities of a large shipment, some of which later went missing.
“On 26 May 2021, I posted an article on drug trafficking in the country,” says Sabou. “The following day I was summoned by an individual who called me on the phone. He told me that he was from the anti-drug unit and that I must come immediately. He didn’t tell me why. I told him that I would first call my lawyer and I would get back to him. But I was told that if I did not show up immediately he would send agents to look for me.”
Within 30 minutes at least 10 people showed up at Sabou’s house to search it.
“After reminding them that they could not come to my home and search it without a warrant, there was a fight,” she says. “They handcuffed my husband and took his phone to prevent him from calling my lawyer. They also confiscated my phone maybe because I had posted on social media about what was happening. In the face of legal harassment against me, it has become a habit of mine to make society my witness through Facebook posts.”
“Later that day police officers from the Central Office for the Repression of Illicit Trafficking in Narcotic Drugs (OCRTIS) came to take me in for questioning. They begged my husband to let me go with them, still without a warrant, and without my lawyer. And all this for a simple post on Facebook. I am neither a murderer nor a drug dealer, let alone a fugitive. I am a simple journalist!”
Sabou was taken against her will to the OCRTIS premises and interrogated. Following this, OCRTIS filed a complaint against Sabou for indirect defamation and she was summoned on 6 June to the Directorate of the Judicial Police (DPJ).
“At this stage I would like to point out that no responsible and ethical judge would agree to proceed given that the complainant (OCRTIS) had me forced from my home, without a warrant, and had questioned me without a lawyer. It is outrageous, completely senseless in a country of ‘rights’. And all this for sharing a post on Facebook!” she says.
On 9 September Sabou appeared before the Tribunal de Grande Instance Hors Classe in Niamey, where she was prosecuted for “defamation” and “diffusing information to disrupt public order” under the cyber crime law of 2019.
However on 27 December 2021, ORCTIS withdrew its complaint but her prosecution did not stop there.
“The public prosecutor’s office did not honour its part of the agreement and instead of dropping charges, asked for a conviction. On 3 January this year I was found guilty of defamation. I received a one-month suspended prison sentence and a fine of 50,000 FCFA. My colleague Moussa Aksar was also found guilty, with a two-month suspended sentence and a fine of 100,000 FCFA.”
It is not the first time Sabou has had brushes with the authorities.
In June 2020, she was arrested and charged with defamation in connection with a Facebook post highlighting corruption, specifically possible overbilling by the country’s defence ministry. She spent over a month in detention before eventually being discharged and released.
Sabou says, “The most incredible thing about this affair is that we are not the only Nigerien journalists, citizens and media to have shared the article. But we are the only ones to have been punished by the justice system in such an extreme way. It is very clear that this is all part of a broader campaign of harassment against me and the work that I do, a campaign to silence me.”