Moments of Freedom 2023

04 Dec 23 | Afghanistan, Burma, China, Egypt, Iran, Poland, Russia, Rwanda

Moments of Freedom was Index on Censorship’s 2023 year-end campaign where we asked our readers and supporters to vote on the moments during the past twelve months that have given them hope that the world is not as bad as it sometimes feels.

Index’s staff and board looked back over the year and highlighted their moments where freedom of expression has been strengthened or celebrated. This could have been through the introduction of new legislation supporting free expression, the release of a prisoner of conscience or the escape of a dissident from tyranny to a safe third country.

Egyptian blogger Abdelrahman "Moka" Tarek reaches safety

Launch of the Begum Academy

First anniversary of women's protests in Iran

Rwanda declared "not a safe country"

Alexei Navalny's reaction to latest charges - Russia

Badiucao exhibition in Warsaw

Silent strike protests in Myanmar

Release of Mortaza Behboudi and Matiullah Wesa

Afghan TV present Spozhmai Maani finds refuge in France

Contents – In bad faith: How religion is being weaponised by the right

02 Oct 23 | Afghanistan, Chile, China, India, Israel, Kuwait, Magazine Contents, Nigeria, Pakistan, Peru, Poland, Russia, Saudi Arabia, Turkey, Uganda, United Arab Emirates, United States, Volume 52.03 Autumn 2023, Yemen

Contents

The Autumn 2023 issue of Index looks at blasphemy laws, and how they are being weaponised by the religious right as a means of imposing intolerance. We wanted to understand the ways in which religion is being used by states as an excuse for censorship, and how this has played out in a global context.

The writers in this issue have examined blasphemy laws in countries all over the world, shining a light on the those who have been left voiceless or have been persecuted in the name of religion. These worrying stories paint a picture of a growing movement amongst the religious right that threatens to suppress those who do not conform to increasingly strict cultures and norms.

Up Front

Faithful foot soldiers, by Jemimah Steinfeld: The religious right is in, our rights to speech out.

The Index, by Mark Frary: From fraught elections in Mali to Russians launching VPNs, this is free expression in focus.

Features

Oiling the wheels of injustice, by Francis Clarke and Mark Frary: Behind a mega-city construction and the roar of Formula 1, Saudi Arabia is driving human rights further into the ground.

Pinochet's ghost still haunts, by Juan Carlos Ramírez Figueroa: The Chilean dictator is long gone, but support lingers on.

The dissident lives on, by Martin Bright: The dissident is not dead, long live the dissident.

No place to hide, by Nik Williams: Transnational repression has no borders in a digital world.

Peer pressure, by Thiện Việt: In China, enforced social rankings aren’t just confined to the realms of Black Mirror.

No country for anxious men, by Laura Silvia Battaglia: A mental health crisis in Yemen has left people locked up with no voice.

Nollywood gets naked, by Tilewa Kazeem: It’s getting hot in Nigeria, as the film scene strips back on what’s deemed inappropriate.

Policing symbolism, by Jimena Ledgard: Peruvian protesters are being met with violence, and not even flower carpets are safe.

Setting the story straight, by Danson Kahyana: Uganda’s new anti-homosexuality law is having an unexpected effect, with literature being ripped apart.

A marriage made in transgression, by Alexandra Domenech: Despite being tortured by security forces and her fiancé thrown in jail, Russian dissident Alexandra Popova is staying put in Moscow.

Out of the oven, into the fire, by Mir Aiyaz: Rohingya Muslims hoping for open arms in India are getting a cold reception.

Special Report: In bad faith - how religion is being weaponised by the right

For the love of God?, by Rebecca L Root: As intolerance rises in many parts of the world, a misplaced profanity can spell out death.

Worshippers of power, by Jemimah Steinfeld: Under the eye of the religious right, Margaret Atwood discusses why a blasphemy accusation holds so much power.

King David he is not, by JP O'Malley: The USA's religious right is playing the Trump Card.

No sex please, we're Hindus, by Salil Tripathi: Oppenheimer isn't just breaking box office records, it's offending Hindu nationalists.

In the name of the father?, by Francis Clarke: A far from extensive list of the countries currently imposing sentences on those who "offend".

A call to harm, by Ayesha Khan: Pakistan has some of the world's harshest blasphemy laws, but punishments come from those outside the law too.

The blasphemy obstacle course, by Mai Al-Nakib: Kuwait's rocky relationship with blasphemy laws is breeding a generation of self-censored authors.

Self-worship is the new religion, by Tara Isabella Burton: A new faith is emerging and it's not necessarily open to different views.

Think of the children, by Katie Dancey-Downs: When Juno Dawson's stories are banned, is it really about the books?

Turkey's zealots still want blood, by Kaya Genç: A foundation related to the controversial and failed translation of The Satanic Verses continues to be attacked.

Sharia Law and disorder, by Kola Alapinni: When the state fails to step in, violent mobs control the punishments for blasphemy in Nigeria.

Loose hair in Tehran, by Farnaz Haeri: The writer describes her first time walking out in Iran without a headscarf.

Handmaid's tale in a holy land, by Jo-Ann Mort: In an Israel that is eroding women's rights, female-free billboards and segregated beaches are just some of the battlegrounds.

Practise what they preach, by Simon Coates: Religious values are an excuse to eradicate LGBTQ+ discussion in the UAE, while tolerance is forgotten.

Poland's papal problem, by Kseniya Tarasevich: One Pope's lack of integrity paints a picture of Poland's infiltrated politics.

Comment

Turkish and European courts failed me, by Nedim Türfent: How one journalist swapped a press card for a "terrorist" badge.

Truth in seduction, by Mark Hollingsworth: A historian struggles to lift the cloak of secrecy on a KGB-orchestrated sex scandal.

First they came for the female journalists, by Zahra Joya: The space for women in Afghanistan is ever-diminishing, and female journalists are crucial.

Speak, debate, challenge, by Ruth Anderson: Index's guiding framework remains the same in a 2023 context.

Culture

Will Paulina ever rest?, by Ariel Dorfman and Jemimah Steinfeld: The Death and the Maiden protagonist fights for justice once more. Plus an exclusive new short story.

Lines of inquiry, by Richard Norton-Taylor: The thorn in intelligence establishment's side explains the growing pressure on whistleblowers

How to celebrate Putin’s 71st birthday? At the Ukrainian festival telling him to ‘fuck off’

02 Oct 23 | News and features, Russia, Ukraine

The war grinds on, the cemeteries grow bigger by the day and comedy as a critical engine of power has ceased to exist in Russia. Not so in Ukraine where Vladimir Putin’s 71st birthday will be celebrated – that isn’t the right word – on 7 October by the second VPDFO festival. The letters stand for Vladimir Putin Do Fuck Off, a phrase that Index readers won’t tremble to read but the digi-lords at Meta/Facebook don’t favour. In Cult Motive, an old grain warehouse in Podil, the Shoreditch of Kyiv, people will be treated over the weekend to the very latest in Ukrainian bands, fashion, cuisines, stories about the war – and jokes.

Our two-day festival will do its best to reflect Ukraine’s unique sense of humour, anthracite-black as it is. Bleakness is all. For example, two soldiers, Dima and Vova, are discussing who is sending the best kit to Ukraine: the Americans, the Swedes, the Germans, the British?

Dima: “The British stuff is best.”

Vova: “But the steering wheel is on the wrong side.”

Dima: “Yes. The steering wheel is on the wrong side. So the Russian snipers shoot the passenger. What’s not to like?”

The festival will feature stand-up spots from four top Ukrainian comedians, Bohdan Vakhnyc, Ramil Yangulov, Max Vyshinskyi and Andrii Berezhko.

With soldiers dying at the front, the lion’s share of the humour will be directed at the Russian killing machine, at the tyrant who sent it to Ukraine and the Kremlin’s useful jellyfish in the West. Donald Trump will get it in the neck, the buttocks and the front bottom too but it’s bad form to write out comedians’ jokes in print.

Ukraine’s democracy is being forged in war and a robust honesty about the failings of civil society, from President Volodymyr Zelensky and the people around him down, comes as standard. Zelensky was a comedian, or, better, a comic actor before the big war. It is, to put it mildly, unlikely that whoever takes over from Vladimir Putin in Russia will have the same CV.

It's hard to define Ukraine’s sense of humour but it’s a combination of Jewish and Yiddish themes of self-deprecation under terror, a Soviet or post-Soviet love of irony written in cement and a wonderful, anarchistic fuck-you-ness. Even in the darkest days of Russia’s war against Ukraine, when the Kremlin’s heavy metal was just 12 miles from the centre of Kyiv, jokes blossomed, memes about Ukrainian tractors stealing Russian tanks flooded the internet. A year ago, when fears of a Russian nuclear strike against Kyiv were at their height – Putin won’t send nukes to Ukraine because the Chinese have told him not to – the word was that the moment the nuke birds were in the air, there would be a massive orgy on an unpronounceable hill in Kyiv. The beauty of the hill’s unpronounceability is that it would defeat Russian spies from gate crashing the orgy. And, it has to be said, British journalists too.

If you wish to support the festival, go to VPDFO.ORG  

Shortlists announced for the 2023 Freedom of Expression Awards

22 Sep 23 | Afghanistan, Awards, Burma, China, Fellowship 2023, India, Iran, News and features, Opinion, Russia, Ruth's blog, Somalia, Ukraine

For the last 22 years Index on Censorship has been proud to host the annual Freedom of Expression Awards. It’s an opportunity to celebrate the brave artists, journalists and campaigners from around the world who fight for freedom of expression in the most challenging of circumstances. There are some truly incredible nominees for the awards this year, who more than ever, are challenging the repressive regimes they live under to fight for the rights of ordinary people.

2023 has seen the continuation of Russia’s war on Ukraine with its horrific consequences for the people of Ukraine and the severe repression for those speaking out against the war in Russia. The CCP in China continues to repress journalists, particularly those who attempt to uncover the crimes against the Uyghur people, and activists and protesters for women’s rights in Iran and Afghanistan face vicious attacks from the authorities.

The shortlisted candidates for the Arts award are Visual Rebellion, a platform for sharing the work of photographers, filmmakers, and artists documenting the protests in Myanmar; Iranian rapper Toomaj Salehi, who sings about injustice and the abuse of civil society by the authorities, for which he has been imprisoned; and Ukrainians, curator Maria Lanko and artist Pavlo Makov, who have worked to protect Ukrainian art in the face of Russian war crimes.

The shortlisted candidates for the Campaigning award are Matiullah Wesa from Afghanistan who has worked to ensure all children, but especially girls, have access to education and educational materials; Russian student Olesya Krivtsova who has publicly opposed Russia’s war on Ukraine and has fled the country to avoid up to 10 years’ imprisonment; the Xinjiang Victim’s Database, which records the incarceration and persecution of the Uyghur population in Xinjiang province; and the Africa Human Rights Network which works to support and protect human rights defenders across the Great Lakes region of Africa.

And the shortlisted candidates for the Journalism award are Bilan Media, Somalia’s first women-only media organisation and newsroom; Mohammed Zubair, co-founder of the Indian fact-checking platform Alt News which has led to threats after challenging misinformation; and Afghan Mortaza Behboudi, in exile in France, who continues to travel to Afghanistan every month to work with different media outlets to ensure the voices of Afghans are heard.

The Freedom of Expression Awards are a time to remind ourselves of the importance of freedom of expression and to commit ourselves to protecting our own freedom of expression. It is easily lost but hard fought for. We must not forget that.