Contents – The final cut: How cinema is being used to change the global narrative

Contents

The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.

Up Front

Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen

The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner

Features

Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech

We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash

The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online

Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars

The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith

Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression

First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany

Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency

A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts

Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws

Special Report: The final cut - how cinema is being used to change the global narrative

Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch

Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury

Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos

Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood

Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor

When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?

Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin

A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle

Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers

Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia

Comment

Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile

Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time

Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement

We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners

Culture

It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics

No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content

The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality

Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents

Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index

Burkina Faso has chosen the tool of the tyrant

With the world absorbed in too much news some important stories in the world of freedom of expression can be lost. As we mark World Press Freedom Day it’s worth taking a moment to reflect on what is really happening around the world, away from the daily news agenda, from the ‘foreign agent’ bill in Georgia, to the restrictions being placed on journalists in Myanmar, Ethiopia, Hong Kong and of course Afghanistan.

It’s one of these unheard stories which I want to focus on this week. In the ongoing global struggle for press freedom, Burkina Faso finds itself embroiled in controversy once again. The recent suspension of foreign media outlets over their coverage of a damning report accusing the country's army of civilian massacres underscores an appalling trend towards censorship and repression.

The report, released by Human Rights Watch (HRW), alleges that Burkina Faso's military was responsible for the killing of 223 civilians in retaliation for their support of armed Islamists. This accusation has been vehemently denied by the military government, which seized power in a coup in 2022 with the promise of quelling the Islamist insurgency plaguing the nation.

But instead of choosing light and transparency the government has chosen the tool of the tyrant - censorship.

Foreign media outlets such as the BBC, Voice of America, and Deutsche Welle have been suspended, their websites blocked, and broadcasts halted for daring to report on HRW's findings. This outrageous approach to silencing truth and dissent stifles the flow of information and undermines the fundamental principles of freedom of expression.

The joint statement from the governments of the United States and United Kingdom unequivocally condemns Burkina Faso's actions, emphasising the importance of an unfettered press in fostering informed public discourse. As we mark World Press Freedom Day, these acts of censorship serve as a stark reminder of the critical role that media plays in holding power to account and safeguarding democracy.

The suspensions imposed by Burkina Faso's Superior Council of Communication not only violate the rights of journalists but also deprive the Burkinabe people of access to independent and accurate news. By blocking HRW's website and restricting media coverage of their report, the government effectively shields itself from scrutiny and accountability.

Such tactics are not unique to Burkina Faso; they are part of a broader global trend towards authoritarianism and censorship. Across the world, journalists face intimidation, harassment, and violence simply for doing their jobs. This week, the BBC World Service has revealed for the first time that 310 of its journalists are living in exile.

The international community must stand in solidarity with journalists and media organisations under attack. Advocating for freedom of expression is not only a matter of principle but also a practical necessity for the functioning of democratic societies. When the voices of the oppressed are silenced, tyranny reigns unchecked.

As the world marks World Press Freedom Day, let us reaffirm our commitment to defending the rights of journalists everywhere. In the face of adversity, their courage and resilience serve as a beacon of hope for a brighter and more just future.

Burkina Faso’s media freedom under attack

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Roch Marc Christian Kaboré

President Roch Marc Christian Kaboré. (Koch/MSC/WikiCommons)

Burkina Faso is supposedly one of Africa’s gems when it comes to press freedom.

In a continent full of countries with extremely poor records on how they treat the media, the Western African state has, traditionally, set a better example. It is placed at number 37 on Reporters Without Borders’ (RSF’s) World Press Freedom Index, sitting between the United Kingdom at 33 and the United States at 44.

But some in the country are raising concerns.

In February two Spanish reporters, David Beriain and Roberto Fraile, and Irishman Rory Young, head of anti-poaching group Chengta Wildlife, were killed in an ambush. The group were filming a documentary highlighting wildlife poaching in the country. Illegal poaching in Burkina Faso is largely facilitated by organised criminal and terror groups who reside mainly in northern Burkina Faso in regions such as the Sahel.

The jihadist group Jama’at Nusrat al Islam wal Muslimeen, an affiliate of al Qaeda, has claimed responsibility for the attack, according to AP. There is no suggestion that the journalists themselves were deliberately targeted but their deaths show the risks those reporting and working in the country face.

Another international journalist working in Burkina Faso, who wishes to remain anonymous, said: "The biggest threat to journalists is kidnapping, death or injury from Islamist terror groups. Second to that, it is local security forces and the state. There is no real threat of violence from them, but detention, deportation or obstruction of work are real concerns.” 

The deaths of Beriain and Fraile seem to represent a watershed moment.

“In Burkina, the threat has certainly gotten worse in recent weeks,” the journalist said. “From March 2020 there was a period of relatively few attacks. I was certainly feeling more emboldened to go out to more remote areas of the countryside to report.”

“[But] since what happened to [these] journalists, as well as a recent spate of major attacks in the last few weeks, that has led me to reconsider where I will travel and for how long.”

Burkina Faso is also facing a displacement crisis. The United Nations Office for the Coordination of Humanitarian Affairs says “violence [has] led to the displacement of more than one million people in just two years and has left 3.5 million people in need of assistance, a 60 per cent increase from Jan 2020 to Jan 2021”.

In May, journalists were denied access to internally displaced people (IDP) sites, with the government citing the “safety and the dignity” of those in the camps. However, the safety and dignity of the displaced is clearly already under threat, with reports of sexual abuse against female IDPs.

“The threat from the state and security forces has certainly gotten worse,” the ISS report continued. “Two French journalists were quietly deported from the country last month a few days after they arrived.”

In early June, more than 100 people were reported killed by militants in Solhan, north-eastern Burkina Faso. Some 500 people have been killed in this region alone in 2021.

Questioning the reporting of the attack, the government announced 132 dead and reprimanded Radio France International, who reported 160 deaths. 

President of the Association des journalistes du Burkina (AJB) Guézouma Sanogo says recent events are “unprecedented” and things are getting worse.

“Burkina Faso has been fighting terrorism since 2015. Journalists have since been threatened by telephone. Some have left their places of residence. Radio stations have closed in the Sahel. A radio station was even destroyed in the Sahel. But what happened in April 2021 is unprecedented. No journalist had yet been killed in the fight against terrorism in Burkina.”

Sanogo also pointed to increasingly restrictive legislation and says the country’s placement in the RSF index does not reflect the reality in the country.

In 2015, the ABJ accused the government of president Roch Marc Christian Kabore (pictured top)  of interfering in the professional duties of journalists when it issued a directive to state broadcaster RTB to prioritise coverage of the head of state.

Even before that, press freedom has been under attack for decades. 

In 1998, the investigative journalist Norbert Zongo, publishing director of the Independent, was assassinated in the country. “There has so far been no justice in this matter,” says Sanogo.

“RSF’s ranking is undoubtedly based on the laws which adopted in September 2015 and decriminalise press offences. But these laws have instituted very heavy fines for journalists in the range of 500,000 FCFA to 3,000,000 FCFA (£650 to £4,000).”

“Since then, the government has also passed laws criminalising coverage of terrorist attacks by journalists.”

Indeed, in 2019, the National Assembly of Burkina Faso introduced a reform to its penal code which stated that journalists and others can receive up to ten years’ imprisonment for reports that “demoralise” soldiers when reporting any military information regarding troop movements or weapons.

The amendment was introduced “to reduce the threat from terrorism”.

The Burkina Faso-based journalist who spoke to Index does not feel restricted by the country’s legislation.

They said: “The legislation for a free press in Burkina Faso actually looks quite good on the surface.”

“There is a prevailing culture here where journalists often self-censor and avoid certain subjects. Although there is little legislation to limit access to places or subjects, in practice there's a large number of unwritten rules and obstructions which can land you in trouble if you do not abide by them.”

The deaths of David Beriain and Roberto Fraile may well have been collateral damage in the escalating fight between Burkina Faso’s military and Islamist groups but, even if that is the case, the situation for journalists in the country remains precarious.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title="You may also like to read" category_id="581"][/vc_column][/vc_row]

Smockey: Burkinabe rapper and activist on European tour despite years of censorship

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Music in Exile Fellowship Winner Serge Bambara, aka Smockey (Photo: Elina Kansikas for Index on Censorship)

On 3 March in Belfort, France, Burkinabe rapper and activist Smockey began a two-month long European tour, despite having his studio destroyed twice in recent years. The rapper, whose given name is Serge Bambara, was the inaugural Index on Censorship Music in Exile Fellow in April of the same year. Just three months after the awards, his recording studio, Studio Abazon, was wrecked in a devastating fire.

“All my music files since 2001, including my master tapes and those of my productions and clients, were lost,” Smockey told Index in September 2016. Two years on, it remains unclear how the fire began.

Smockey’s studio was also bombed in September 2015 by armed forces loyal to Burkina Faso’s former president Blaise Compaoré. This was a vengeful attack for his political activism and music critical of Compaoré’s regime.

Despite these aggressive and censorious acts, Smockey continues to record and perform, combating different forms of injustice with each track. As the founder of the grassroots political movement Le Bilai Citoyen, which helped to oust Compaoré, he often promotes the progressive ideas of Burkina Faso’s former socialist leader Thomas Sankara. The Sankarist ideology involves advocating for women’s rights, fighting corruption and imperialism, and upholding the integrity of Burkinabe people, all of which are reflected in Smockey’s lyrics. La Bilai Citoyen translates as the “the citizen’s broom,” which is “a tribute to Thomas Sankara, who organised weekly street-cleaning sessions," Smockey told the BBC.

In March 2018 Smockey told news website Africa is a Country that Sankara’s image was that of “simplicity, modesty, and integrity … a model for anyone aspiring to manage public property”. He also noted that Sankara had the “courage and determination to build a Burkina Faso of social justice and inclusive development.”

Although the uprising of 2015 was successful in ridding Burkina Faso of an oppressive twenty-seven-year regime, Smockey is not an enthusiastic supporter of the country’s current government led by the progressive former opposition leader Roch Marc Christian Kaboré. Smockey is still a watchdog for human rights violations within his country. “The ones who were our friends before the revolution can be our enemies today,” he told Quartz Africa in July 2016. “We helped them have this power, but we are not friends because we are still sentinels.” For example, his song Tomber la Lame takes aim at widespread Female Genital Mutilation throughout Africa.

Despite multiple attempts to stop his political and artistic expression, Smockey continues to create and share his music globally. Over six weeks he will perform throughout Europe, finishing his tour in Brussels, Belgium, on 14 April.

Smockey's European Tour Dates and Locations 2018

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