15 Jan 2019 | Awards
[vc_row full_width=”stretch_row_content_no_spaces” css_animation=”fadeIn” css=”.vc_custom_1547219633236{padding-top: 250px !important;padding-bottom: 250px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2019/01/freedom-of-expression-awards-2019-1460×490-with-year-1.jpg?id=104692) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500449679881{margin-top: -50px !important;}”][vc_column][vc_custom_heading text=”2019 FREEDOM OF EXPRESSION AWARDS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner disable_element=”yes”][vc_column_inner][vc_empty_space height=”15px”][vc_custom_heading text=”ABOUT THE AWARDS” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner el_class=”awards-inside-desc” width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.
Awards are offered in four categories: Arts, Campaigning, Digital Activism and Journalism. Anyone who has had a demonstrable impact in tackling censorship is eligible. Winners are honoured at a gala celebration in London. Winners join Index’s Awards Fellowship programme and receive dedicated training and support.
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Selected from over 400 public nominations and a shortlist of 16, the 2019 Freedom of Expression Awards fellows exemplify courage in the face of censorship. Learn more about the fellowship.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_custom_heading text=”Arts” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”104529″ img_size=”full”][vc_column_text]Zehra Doğan | Turkey
Released from prison on 24 February 2019, Zehra Doğan is a Kurdish painter and journalist who, during her imprisonment, was denied access to materials for her work. She painted with dyes made from crushed fruit and herbs, even blood, and used newspapers and milk cartons as canvases. When she realised her reports from Turkey’s Kurdish region were being ignored by mainstream media, Doğan began painting the destruction in the town of Nusaybin and sharing it on social media. For this she was arrested and imprisoned. During her imprisonment she refused to be silenced and continued to produce journalism and art. She collected and wrote stories about female political prisoners, reported on human rights abuses in prison, and painted despite the prison administration’s refusal to supply her with art materials.
Full profile | Acceptance speech[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_custom_heading text=”Campaigning” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”104518″ img_size=”full”][vc_column_text]Cartoonists Rights Network International | United States / International
Cartoonists Rights Network International (CRNI) is a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. Marshalling an impressive worldwide network, CRNI helps to focus international attention on cases in which cartoonists are persecuted and put pressure on the persecutors. CRNI tracks censorship, fines, penalties and physical intimidation – including of family members, assault, imprisonment and even assassinations. Once a threat is detected, CRNI often partners with other human rights organisations to maximise the pressure and impact of a campaign to protect the cartoonist and confront those who seek to censor political cartoonists.
Full profile | Acceptance speech[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/2″][vc_custom_heading text=”Digital Activism” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”104520″ img_size=”full”][vc_column_text]Fundación Karisma | Colombia
Fundación Karisma is a civil society organisation that challenges online trolls by using witty online ‘stamps’ that flag up internet abuse. It is an initiative that uses humour to draw attention to a serious problem: the growing online harassment of women in Colombia and its chilling effect. The organisation offers a rare space to discuss many issues at the intersection of human rights and technology in the country and then tackles them through a mix of research, advocacy and digital tools. Karisma’s “Sharing is not a crime” campaign supports open access to knowledge against the backdrop of Colombia’s restrictive copyright legislation.
Full profile | Acceptance speech[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_custom_heading text=”Journalism” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”104523″ img_size=”full”][vc_column_text]Mimi Mefo | Cameroon
Mimi Mefo is one of less than a handful of journalists working without fear or favour in Cameroon’s climate of repression and self-censorship. An award-winning broadcast journalist at private media house Equinoxe TV and Radio, Mefo was arrested in November 2018 after she published reports that the military was behind the death of an American missionary in the country. Mefo reports on the escalating violence in the country’s western regions, a conflict that has become known as the “Anglophone Crisis” and is a leading voice in exposing the harassment of other Cameroonian journalists, calling publicly for the release of those jailed.
Full profile | Acceptance speech[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][awards_gallery_slider name=”2019 AWARDS GALA” images_url=”105882,105875,105876,105877,105878,105879,105880,105881,105883,105884,105885,106029,106030,106031,106032,106033,106034,106058,106057,106056,106055,106054,106053,106052,106051,106050,106059,106060,106063,106064,106065,106066,106067,106068,106069,106075,106070,106077,106078,106079,106080,106081,106091,106090,106089,106088,106087,106086,106085,106084,106083,106082,106092,106094″][vc_column_text]
The Awards were held at London’s May Fair Hotel on Thursday 4 April 2019.
High-resolution images are available for download via Flickr.
[/vc_column_text][vc_custom_heading text=”THE 2019 FELLOWSHIP SHORTLIST” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section title=”Arts” tab_id=”1554809902471-b3c9fc73-9d6d”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
ARTS
for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/gL5qzotQJzI”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”104515″ img_size=”full”][vc_column_text]ArtLords | Afghanistan[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104529″ img_size=”full”][vc_column_text]Zehra Doğan | Turkey[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104519″ img_size=”full”][vc_column_text]ElMadina for Performing and Digital Arts | Egypt[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104526″ img_size=”full”][vc_column_text]Ms Saffaa | Saudi Arabia / Australia[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Campaigning” tab_id=”1554809902549-60799150-d1e3″][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
CAMPAIGNING
for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression
Sponsored by Mainframe
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/2dyUzhOE7Cw”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”104518″ img_size=”full”][vc_column_text]Cartoonists Rights Network International | United States / International[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104521″ img_size=”full”][vc_column_text]Institute for Media and Society | Nigeria[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104525″ img_size=”full”][vc_column_text]Media Rights Agenda | Nigeria[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104527″ img_size=”full”][vc_column_text]P24 | Turkey[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Digital Activism” tab_id=”1554810071532-b8b029f3-2bd1″][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
DIGITAL ACTIVISM
for innovative uses of technology to circumvent censorship and enable free and independent exchange of information
Sponsored by Private Internet Access
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/1K7rOcfma2c”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”104520″ img_size=”full”][vc_column_text]Fundación Karisma | Colombia[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104524″ img_size=”full”][vc_column_text]Mohammed Al-Maskati | Middle East[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104528″ img_size=”full”][vc_column_text]SFLC.in | India[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Journalism” tab_id=”1554810135332-a68bcfef-814d”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
JOURNALISM
for courageous, high-impact and determined journalism that exposes censorship and threats to free expression
Sponsored by Daily Mail and General Trust, Daily Mirror, France Medias Monde, News UK, Telegraph Media Group, Society of Editors
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/w1ff5zMDnp8″][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”104516″ img_size=”full”][vc_column_text]Bihus.info | Ukraine[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104517″ img_size=”full”][vc_column_text]Center for Investigative Journalism of Serbia (CINS) | Serbia[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104522″ img_size=”full”][vc_column_text]Mehman Huseynov | Azerbaijan [/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”104523″ img_size=”full”][vc_column_text]Mimi Mefo | Cameroon[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1484569093244{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”JUDGING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner el_class=”mw700″][vc_column_inner][vc_column_text]
Each year Index recruits an independent panel of judges – leading voices with diverse expertise across campaigning, journalism, the arts and human rights. Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others. Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.
The 2019 judging panel:
[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1510244917017{margin-top: 30px !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1/4″][staff name=”Khalid Abdalla” title=”Actor and Filmmaker” profile_image=”104118″]Khalid Abdalla is an actor, producer and filmmaker. He has starred in award-winning films, including Paul Greengrass’s United 93 and Marc Forster’s The Kite Runner. He has producing credits on Hanan Abdalla’s In the Shadow of a Man and the upcoming film The Vote and has appeared in Jehane Noujaim’s Oscar-nominated The Square. Khalid is a founding member of three collaborative initiatives in Cairo – Cimatheque, Zero Production and Mosireen. Brought up in the UK to Egyptian parents, Cairo and London are his two cities.[/staff][/vc_column_inner][vc_column_inner width=”1/4″][staff name=”Nimco Ali” title=”Writer and Social Activist” profile_image=”104121″]Nimco Ali is a British Somali feminist, writer and social activist. She is co-founder and director of Daughters of Eve, a survivor-led organisation which has helped to transform the approach to ending female genital mutilation, and is the lead advisor to the UK’s APPG to End FGM. She is working to ban FGM in Somaliland, is a former ambassador for #MAKERSUK and was awarded Red Magazine’s Woman of the Year award 2014 and placed No. 6 in Woman’s Hour Power List. Her book ‘RUDE’ comes out in early 2019.[/staff][/vc_column_inner][vc_column_inner width=”1/4″][staff name=”Kate Devlin” title=”Writer and Academic” profile_image=”104081″]Kate Devlin is a writer and an academic in the department of Digital Humanities in King’s College London where she works on artificial intelligence and human-computer interaction. Her book, Turned On: Science, Sex and Robots, explores intimacy and ethics in the digital age.[/staff][/vc_column_inner][vc_column_inner width=”1/4″][staff name=”Maria Ressa” title=”CEO and Executive Editor” profile_image=”104085″]Maria Ressa is CEO and executive editor of social news network Rappler in the Philippines. She was CNN’s bureau chief in Manila then Jakarta, and became CNN’s lead investigative reporter focusing on terrorism in Southeast Asia. She is an author of two books on terrorism, co-founder of production company Probe and managed ABS-CBN News and Current affairs. Maria has won numerous awards for her work, including the prestigious Golden Pen of Freedom Awards in 2018.[/staff][/vc_column_inner][/vc_row_inner][vc_column_text][/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1500453384143{margin-top: 20px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading text=”SPONSORS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1484567001197{margin-bottom: 30px !important;}”][vc_column_text]
The Freedom of Expression Awards and Fellowship have massive impact. You can help by sponsoring or supporting a fellowship.
Index is grateful to those who are supporting the 2019 Awards:
[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”80918″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://uk.sagepub.com/”][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”80921″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://www.google.co.uk/about/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”85983″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.privateinternetaccess.com/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”85977″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://www.edwardian.com/”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”105358″ img_size=”234×234″ alignment=”center” onclick=”custom_link” link=”https://mainframe.com/”][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”105536″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http://www.vodafone.com/content/index.html#”][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”105360″ img_size=”234×234″ alignment=”center” onclick=”custom_link” link=”https://www.francemediasmonde.com/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”105359″ img_size=”234×234″ alignment=”center” onclick=”custom_link” link=”https://www.dailymail.co.uk/home/index.html”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”80924″ img_size=”200×200″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://psiphon.ca/”][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”105361″ img_size=”200×200″ alignment=”center” onclick=”custom_link” link=”https://www.telegraph.co.uk/”][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”105363″ img_size=”200×200″ alignment=”center” onclick=”custom_link” link=”https://www.societyofeditors.org/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”105365″ img_size=”200×200″ alignment=”center” onclick=”custom_link” link=”https://www.news.co.uk/”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][vc_single_image image=”106100″ img_size=”200×200″ alignment=”center” onclick=”custom_link” link=”https://www.mirror.co.uk/” css=”.vc_custom_1569840872089{margin-top: -70px !important;}”][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][/vc_column_inner][/vc_row_inner][vc_column_text]
If you are interested in sponsorship you can contact [email protected]
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4 Jan 2019 | Magazine, News and features, Volume 47.04 Winter 2018 Extras
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Credit: iStock / LemonTreeImages
Sex and pregnancy continue to be taboo subjects around the world as a special report in Index on Censorship magazine shows. From using toothpaste as emergency contraception to not receiving proper treatment during childbirth, fictional beliefs around sex education and reproductive health, combined with a lack of resources, are leading to sexually transmitted diseases, unwanted pregnancies and problems or death during pregnancy.
Toothpaste isn’t just for cleaning teeth, it can also prevent pregnancy
In Ecuador’s Amazonian region, health workers have reported instances of women using toothpaste after sex to prevent pregnancy. A woman in Mexico, who believed contraception was immoral, thought she’d successfully avoided pregnancies when she had green vaginal discharge — a sign of infection. Latin America and the Caribbean are the only regions in the world where pregnancies are rising among girls ages 15 and under due to ineffective use of contraception and lack of education.
Just touching a man’s hand can lead to pregnancy
In North Korea, a country where information is restricted by the government, topics such sex and reproduction are off-limits in schools, and myths such as touching a man’s hand can lead to pregnancy so prevalent, that STIs and unwanted pregnancies are major problems. Condoms and other forms of contraception are unknown, even among adults. Because the signs of pregnancy aren’t talked about, many women won’t know they’re pregnant until they start to show, leading to a rise in illegal and unsafe abortions. But, as Jieun Baek writes in the latest Index on Censorship magazine, the situation may be improving.
Only “weak” and “lazy” women have Caesarean sections
Nigeria has the highest rate of maternal deaths in sub-Saharan Africa, and sentiments like this contribute to societal pressure for women not to have C-sections. Even yelling or shouting during delivery may be viewed as a sign of personal failure. Many women who have C-sections still tell people they had a vaginal delivery, and the stigma against is so strong that some may attempt or be pressured into a vaginal delivery at the cost of their or their babies’ lives. According to Unicef, Nigeria has the second highest global maternal mortality rate, behind only India, a country with more than five times Nigeria’s population.
If someone experiences pain during childbirth, it’s their fault
Obstetric abuse in Russia has become almost commonplace, with often only three to four midwives and four doctors to care for 30 to 40 women. Doctors and obstetricians carry out procedures like inducing labour without asking for permission or informing the mother. And if the patient is in pain? The response may be: “How are you planning on delivering the baby if you’re already in pain?” The systemic issue of a lack of resources in hospitals has become a health endemic for women in Russia.
If you don’t have a condom, chicken skin or cling film will work just fine
According to a 2009 survey in the UK questioning 1,000 women aged 18-50, one in five said they had heard of these items being used. Misinformation such as this may be the cause behind Britain’s high rate of teenage pregnancy. Based on 2016 data, this number is at an all-time low for the country, with a rate of 18.9 conceptions per thousand women aged 15 to 17, but Britain still has the highest teenage pregnancy rate in western Europe.
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The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?
With: Liwaa Yazji, Karoline Kan, Jieun Baek
[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”104225″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/12/birth-marriage-death/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fshop.exacteditions.com%2Findex-on-censorship|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
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17 Dec 2018 | Magazine, News and features, Volume 47.04 Winter 2018
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Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.
Birth, marriage and death–these are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.
Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.
Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.
Not knowing about information or medical advice can also mean exposing people to illness and even death.
The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.
The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.
For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.
The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.
Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.
It also explores why Chinese families don’t talk about death and funerals, or even write wills.
In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.
These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.
Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.
It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.
Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”
In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.
Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.
As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.
Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.
We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”
Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.
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In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.
The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.
She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.
At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”
His belief in magazines as an item that will continue to be in demand, if they offer something different from something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”
The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.
We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out https://shop.exacteditions.com/index-on-censorship for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.
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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.
Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about? We explore these taboos in the issue.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F12%2Fbirth-marriage-death%2F|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?
With: Liwaa Yazji, Karoline Kan, Jieun Baek[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner][vc_column_inner][vc_single_image image=”104225″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/12/birth-marriage-death/”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left”][vc_row_inner][vc_column_inner][vc_column_text]In print, online. In your mailbox, on your iPad.
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13 Dec 2018 | Magazine, Magazine Contents, Volume 47.04 Winter 2018
[vc_row][vc_column][vc_custom_heading text=”With contributions from Liwaa Yazji, Karoline Kan, Jieun Baek, Neema Komba, Bhekisisa Mncube, Yuri Herrera, Peter Carey, Mark Haddon”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The winter 2018 issue of Index on Censorship magazine looks at why different societies stop people discussing the most significant events in life: birth, marriage and death.
In China, as Karoline Kan reports, women were forced for many years to have only one child and now they are being pushed to have two, but many don’t feel like they can talk about why they may not want to make that choice. In North Korea Jieun Baek talks to defectors about the ignorance of young men and women in a country where your body essentially belongs to the state. Meanwhile Irene Caselli describes the consequences for women in Latin America who are not taught about sex, contraception or sexually transmitted infections, and the battle between women campaigners and the forces of ultra conservatism. In the USA, Jan Fox finds Asian American women have always faced problems because sex is not talked about properly in their community. President Trump’s new “gag” law which stops women getting advice about abortion is set to make that much worse. In the far north of Scotland, controversy is raging about gay marriage. Joan McFadden finds out about attitudes to gay marriage on the Isle of Lewis in Scotland, and catches up with the Presbyterian minister who demonstrated against the first Lewis Pride. In Ghana Lewis Jennings finds there are no inhibitions when it comes to funerals. Brightly coloured coffins shaped like coke bottles and animals are all rage.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”104226″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report: Birth, Marriage and Death”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Labour pains by Daria Litvinova: Mothers speak out about the abuse they receive while giving birth in Russian hospitals
When two is too many by Karoline Kan: Chinese women are being encouraged to have two babies now and many are afraid to talk about why they don’t want to
Chatting about death over tea by Tracey Bagshaw: The British are getting more relaxed about talking about dying, and Stephen Woodman reports on Mexico’s Day of the Dead being used for protest
Stripsearch by Martin Rowson: Taboos in the boozer. Death finds a gloomy bunch of stiffs in an English pub…
“Don’t talk about sex” by Irene Caselli: Women and girls in Latin America are being told that toothpaste can be used as a contraceptive and other lies about sex
Death goes unchallenged by Wendy Funes: Thousands of people are murdered in Honduras every year and no one is talking about it – a special investigation by Index’s 2018 journalism fellow
Reproducing silence by Jan Fox: Asian-American communities in the USA don’t discuss sex, and planned US laws will make talking about abortion and contraception more difficult
A matter of strife and death by Kaya Genç: Funeral processions in Turkey have become political gatherings where “martyrs” are celebrated and mass protests take place. Why?
Rest in peace and art by Lewis Jenning: Ghanaians are putting the fun into funerals by getting buried in artsy coffins shaped like animals and even Coke bottles
When your body belongs to the state by Jieun Baek: Girls in North Korea are told that a man’s touch can get them pregnant while those who ask about sex are considered a moral and political threat to society
Maternal film sparks row by Steven Borowiec: South Korean men are getting very angry indeed about the planned film adaption of a novel about motherhood
Taking Pride in change by Joan McFadden: Attitudes to gay marriage in Scotland’s remote islands are changing slowly, but the strict Presbyterian churches came out to demonstrate against the first Pride march in the Hebrides
Silence about C-sections by Wana Udobang: Nigeria has some of the highest infant and maternal mortality rates in the world, in part, because of taboos over Caesarean sections
We need to talk about genocide by Abigail Frymann Rouch: Rwanda, Cambodia and Germany have all dealt with past genocides differently, but the healthiest nations are those which discuss it openly
Opposites attract…trouble by Bhekisisa Mncube: Seventy years after interracial marriages were prohibited in South Africa, the author writes about what happened when he married a white woman
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Global View”][vc_column_text]
Snowflakes and diamonds by Jodie Ginsberg: Under-18s are happy to stand up for free speech and talk to those with whom they disagree
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]
Killing the news by Ryan McChristal: Photographer Paul Conroy, who worked with Sunday Times correspondent Marie Colvin, says editors struggle to cover war zones now
An undelivered love letter by Jemimah Steinfeld: Kite Runner star Khalid Abdalla talks about how his film In the Last Days of the City can’t be screened in the city where it is set, Cairo
Character (f)laws by Alison Flood: Francine Prose, Melvin Burgess, Peter Carey and Mark Haddon reflect on whether they could publish their acclaimed books today
Truth or dare by Sally Gimson: An interview with Nobel prize-winning author Svetlana Alexievich about her work and how she copes with threats against her
From armed rebellion to radical radio by Stephen Woodman: Nearly 25 years after they seized power in Chiapas, Mexico, Zapatistas are running village schools and radio stations, and even putting people up for election
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]
Dangerous Choices by Liwaa Yazji: The Syrian writer’s new play about the horror of a mother waiting at home to be killed and then taking matters into her own hands, published for the first time
Sweat the small stuff by Neema Komba: Cakes, marriage and how one bride breaks with tradition, a new short story by a young Tanzanian flash fiction writer
Power play by Yuri Herrera: This short story by one of Mexico’s most famous contemporary authors is about the irrational exercise of power which shuts down others. Translated into English for the first time
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Index around the world – Artists fight against censors by Lewis Jennings: Index has run a workshop on censorship of Noël Coward plays and battled the British government to give visas to our Cuban Index fellows 2018 (it took seven months)
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The new “civil service” trolls who aim to distract by Jemimah Steinfeld: The government in China are using their civil servants to act as internet trolls. It’s a hard management task generating 450 million social media posts a year
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”104225″ img_size=”medium”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]The winter 2018 magazine podcast, featuring interviews with Times columnist Edward Lucas, Argentina-based journalist Irene Caselli, writer Jieun Baek and law lecturer Sharon Thompson
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