Contents – The monster unleashed: How Hungary’s illiberal vision is seducing the western world

Contents

Hungary has been on our radar for a long time. The prime minister Viktor Orbán is not an autocrat like Russia’s Vladimir Putin, but he has been slowly eroding his society’s democratic institutions and helping his Fidesz party allies take them over.

It’s meant not only that power is increasingly concentrated in the hands of a few billionaires, but that the public space for freedom of expression and pluralistic thought has been narrowed.

President Donald Trump’s MAGA movement has been fascinated with the Orbán model and how Hungary became what Orbán himself has described as an illiberal democracy. Many powerful MAGA figures would not only like the USA but also other countries in Europe to follow suit. Orbán is an ally who wants to weaken the principles on which the European project was founded.

Freedom of expression globally seems further away than ever as Israel, the USA and Iran are locked in a war spreading across the Gulf states. But we will continue to write about what is happening in the increasingly contested world of censorship.

Finally back to Hungary. The country goes to the polls in April and the opposition leader Péter Magyar is tipped to win, but we all fear the illiberal model is unlikely to die anytime soon.

Up Front

The monster unleashed: Sally Gimson
Hungary’s nightmare politics threaten to engulf Europe

The Index: Mark Stimpson
The latest in the world of free expression, including deep dives on Iran

Features

From police to Pussy Riot: Olga Borisova
A Russian activist recounts her path to dissent

Hot off the prison press: Poppy Askham
Mothers of jailed protesters are making unusual paper rounds in Georgia

Kill the messenger: Salil Tripathi
Angry mobs in Bangladesh are putting journalists’ lives in danger

Challenging the lion: Danson Kahyana
A Tanzanian cartoonist goes into hiding

Taking out the opposition: Kaya Genç
Social scientists exposing the Turkish president are under attack

I can imagine going anywhere: Ai Weiwei, an artist without a country: JP O'Malley, Ai Weiwei
Chinese artist Ai Weiwei knows a thing or two about censorship

Jailed for wearing a T-shirt: Sophie Wilkinson
When Moroccan authorities took offence to the slogan “Allah is lesbian”

The monster unleashed

Light at the end of the tunnel?: Viktória Serdült
Encrypted messages are piling up in Hungarian journalists’ inboxes

Orbán rewrites the Habsburg fairy tale: Victor Sebestyen
A careful re-crafting of the past is bolstering nationalism in Hungary

Hungary leads the far-right charge on free speech: Martin Bright 
Far-right hardliners unite in Brussels, with an Orbán-linked institution playing host

Europe worries a lot about Trump. Trump doesn't think about Europe at all: Evan Sandsmark 
Is Trump’s America trying to destabilise Europe?

Orbán's anti-culture club: Katie Dancey-Downs
Book censorship in Hungary is just the beginning of the attack on LGBTQ+ people

The island of freedom: Mark Stimpson
A ticket to the Hungarian music festival where free expression is celebrated

Dissent is in the icy air: Connor O'Brien
Index, a camera and the streets of Budapest

Orbanology: Márton Hegedűs
A new cartoon pulling apart the politics of division

Print your own news: Connor O'Brien
In Hungary, Samizdat is back in circulation

Comment

Don't let labels mask the narrative: Akin Ajayi
An argument against using the word “genocide”

Unfinished revolutions: Roshaan Khattak
Exploring the links between Kenya and Balochistan

Indian cinema: propaganda at the pictures: Nilosree Biswas
The rise of anti-Muslim films

No unflattering portraits of the past, please: Jemimah Steinfeld
A global view of the countries sanitising history

Finding Annie on my mind: Sarah Hagger-Holt
The transformative moment of discovering a book about lesbians in the library

Culture

Escape to the woods: Alexandra Domenech
Russian theatre goes to the countryside

Like father like daughter: Katie Dancey-Downs
Kurt Vonnegut’s daughter Nanette is taking on the state of Utah

Growing up Russified: Connor O’Brien, Nina Kuryata
A Ukrainian author takes us back to her childhood, in this exclusive translation

Poems in the darkness: Mark Stimpson, Mohamed Tadjadit
Poetry by the jailed Algerian human rights activist in English for the first time

Totalitarianism on trial: Xue Yiwei, Jeffrey Wasserstrom
A chilling tale from China, published exclusively in Index

Should charities and music mix?: Rich Clarke
The inside track on War Child's new album

 

You can read the magazine online on Exact Editions here.

Will The Telegraph’s new owners give China media influence in the UK by the back door?

For years, the United Kingdom has looked to the United States for moral clarity and strategic leadership in confronting the challenge posed by China’s authoritarian state. Whether it was the decision to ban Huawei from Britain’s 5G networks or to speak out against abuses in Xinjiang and the erosion of freedoms in Hong Kong, British policymakers often found strength in US resolve. Washington’s warnings were heeded, and alignment on values was assumed. That is why it is all the more jarring that a possible threat to Britain’s free press is now emerging, not from Beijing, but from a private equity office in New York.

The deal in question is RedBird Capital Partners’ proposed acquisition of The Daily Telegraph, one of the UK’s oldest, most important and influential newspapers. At face value, this might seem like a typical media buyout. But behind the gloss lies something more serious: a growing fear that this deal could open the door to Chinese influence in Britain’s media ecosystem.

At the heart of these concerns is John Thornton, RedBird’s chairman. Thornton’s connections to the Chinese state are not historical or incidental, but ongoing. He sits on the International Advisory Council of the China Investment Corporation (CIC), the country’s sovereign wealth fund. He has held senior roles at Chinese state-linked institutions. He has chaired the Silk Road Finance Corporation, a Belt and Road Initiative vehicle backed by state-aligned Chinese entities. Most tellingly, he has consistently echoed CCP narratives in public, once praising Xi Jinping as “the right man, at the right place, at the right time,” according to the Wire.

In 2023, Thornton himself related that he had told senior Chinese officials that they were losing the global narrative war because their story was being told by Westerners. He advised them to “get into” English-language media channels to shape international perceptions. He said: “The Chinese story is told by people who are not Chinese… until you start to get into those channels, you’re going to be at a big, big disadvantage.”

Now, under his chairmanship, RedBird is attempting to purchase The Telegraph.

This is where the line between ownership and influence becomes critical. The UK government is proposing to change the law to facilitate the RedBird deal, lifting the ban on foreign government ownership of UK media, and allowing up to 15% instead (coincidentally precisely the percentage needed to facilitate the Telegraph deal). This, argues the UK, will be sufficient to prevent foreign influence. But ownership, especially in an era of sophisticated financial engineering and opaque sovereign investment, tells only part of the story.

Thornton leads a firm with documented co-investments alongside Tencent, a Chinese tech giant designated by the US Department of Defense as a Chinese military company. RedBird has established a regional headquarters in Hong Kong, now subject to China’s national security laws. And Thornton himself maintains overlapping personal, commercial and political links to the CCP ecosystem that make it more than valid to question whether genuine independence would be possible. It’s not for nothing that Thornton received the CCP’s highest honour for foreigners in 2008, or was invited to tour Xinjiang when even the United Nations wasn’t allowed in to investigate atrocity crimes against Uyghurs and other minorities.

Influence can be subtle: a boardroom conversation, a commercial pressure, a well-timed phone call. But in the case of a national newspaper like The Telegraph, even subtle influence can be profoundly distorting. It sets the editorial tone, shapes hiring decisions, filters coverage, inculcates self-censorship and ultimately shifts public debate. The risk is not just theoretical, it is structural.

And yet, instead of confronting the risk, the UK government is falling over itself to facilitate the acquisition. Happily, not everyone is fooled. A major rebellion is brewing in the House of Lords, where, on 22 July, lawmakers in the UK’s appointed House will vote on a fatal motion to block these changes, in what could be one of the most consequential media votes in a generation. I hope they succeed.

Curiously, meanwhile, the British press has largely remained silent. A kind of omertá seems to be prevailing, perhaps for fear of offending potential future owners, or attracted by the possibility of selling 15% of their own business to foreign governments. But silence only compounds the danger. If influence is allowed to masquerade as passive ownership, the integrity of democratic debate really is at risk. Nobody in their right mind believes that news proprietors have no influence over editorial direction.

This isn’t just a British problem. It’s a case study in how soft power and sovereign wealth are used to circumvent democratic safeguards. RedBird has also been at the heart of the effort to acquire Paramount, drawing criticism from the House Committee on the CCP over the involvement of Chinese company TenCent. The fact that these media deals are occurring under the umbrella of a US firm - one led by a man who has publicly supported a more assertive Chinese media presence in the West - should raise serious questions.

Democracies must learn to distinguish ownership from influence, and legislation from reality. The Telegraph may soon become a test of whether we still can.

RedBird and Thornton were approached for comment

Luke de Pulford is creator and executive director of the Inter-Parliamentary Alliance on China 

Contents – Unsung heroes: How musicians are raising their voices against oppression

Contents

Music has been described as a “cultural universal” – a practice found in all known human cultures and societies. While anthropologists still scratch their heads over exactly where the concept originated, evidence indicates that humans have used musical instruments for an astonishing 40,000 years.

During an excavation in 1995 in Slovenia, researchers discovered a bear’s femur bone with holes in it and concluded that it could be an ancient flute.
Humans have always found ingenious ways to make music, and it’s not difficult to see why. It is one of the most powerful forms of self-expression, capable of eliciting both intense happiness and sadness in the listener. It is used to celebrate, lament, respect and enrage, and its endless genres, styles and instruments form a core part of countries’ unique cultural heritages.

But despite its universality, music is being silenced globally. Religious extremism, political factions, racism and nationalism are all driving forces, stopping it being performed, produced and listened to. In this issue we explore how music bans have been weaponised to silence communities and erase histories.

Up Front

Songs of defiance: Sarah Dawood
How ever much authoritarians try to turn down the volume, musicians will play on

The Index: Mark Stimpson
Moments that matter in the free speech world, from US disinformation to a democracy void in Belarus

Features

Adding insult to injury: Nour El Din Ismail
Turkey is not always welcoming to Syrian journalists

Waiting for the worst: Alexandra Domenech
A daring few Russian politicians are staying put

Somalia’s muzzled media: Hinda Abdi Mohamoud
The challenge of seeking out the truth in the face of daily risks

Further into the information void: Winthrop Rodgers
A new law in Iraq could hinder rather than help journalists

Peace of mind: Chan Kin-man, Jemimah Steinfeld
From umbrellas, to prison, to freedom. A word from a founder of the Hong Kong Occupy movement

“She will not end up well”: Clemence Manyukwe
In Rwanda, opposition politicians have a nasty habit of being assassinated

Modi’s plans to stifle the internet: Shoaib Daniyal
India’s prime minister is keeping a tight grip on what goes online

Editor in exile: Ian Wylie
A Burmese journalist shares his story of arrest and escape

Evading scrutiny: Beth Cheng
China’s new tactic for dealing with critics: keep the trials under wraps

Lowering the bar: Ruth Green
Working in law in Afghanistan is now impossible – if you’re a woman

A promise is a promise: Amy Booth
Argentina’s president is taking a chainsaw to media freedom

Going offline: Steve Komarnyckyj
Beyoncé is blacklisted in Russia and the question remains: who runs the world?

The beacon of hope: Nilosree Biswas
The next chapter is unwritten for a library in Delhi

A story of forgotten fiction: Thiện Việt
In Vietnam, book censorship is a fact of life

Special Report: Unsung heroes - how musicians are raising their voices against oppression

The sound of silence: Sarah Dawood
Musicians in Afghanistan fear for their livelihoods, lives and culture

The war on drill: Mackenzie Argent
Artistic freedom is not a privilege extended to all musicians

A force for good: Salil Tripathi
Exploring the soundtrack of resistance in Bangladesh

Georgia on my mind: JP O’Malley
In the face of repression, the beat goes on in the Caucasus

Murdered for music: Kaya Genç
The meeting of politics and song can be deadly in Turkey

A Black woman who dared to rock: Malu Halasa
How one artist smashed into a genre ringfenced for white men

Fear the butterfly: Katie Dancey-Downs
Iranian singer Golazin Ardestani will never take no for an answer

In tune with change: Tiléwa Kazeem
In Nigeria, Afrobeats is about more than a good song

Singing for a revolution: Danson Kahyana
Nothing enrages the Ugandan government like hearing Bobi Wine

Cuba can’t stop the music: Coco Fusco
Government and musicians alike understand the political power of song

Comment

Dangerous double standards: Youmna El Sayed
Israel’s closure of Al Jazeera’s offices is a warning sign for press freedom

Musician, heal thyself: Mike Smith
The death of Liam Payne brings the issue of mental health into sharp focus

Democracy, but not as we know it: Martin Bright
Is the USA stuck in the hinterland between democratic and autocratic?

Silence has to be permitted in a world with free speech: Jemimah Steinfeld
Index’s CEO argues that the right to stay quiet is as precious as the right to protest

Big Tech shouldn’t punish women for seeking abortions: Raina Lipsitz
Trump is incoming. So too is a growing threat to online abortion discussions

Culture

Cell dreams: Russia’s prisoner art: Mark Stimpson
Dissident artwork created under Putin’s nose, and shared with Index

No Catcher In The Rye: Stephen Komarnyckyj, Hryhorii Kosynka
The words of a writer killed by the Soviet regime live on in a new translation

A life in exile: Mackenzie Argent, Jana Paliashchuk
What it means to be homesick, through the eyes of a Belarusian poet

An unfathomable tragedy: Sarah Dawood, Dimi Reider
One year on from 7 October, a moving piece reflects on the human devastation

You are now free: Abdelaziz Baraka Sakin, Katie Dancey-Downs
An exclusive translation from a Sudanese writer in exile, who has faced ban after ban

Putin will not stop until he’s stopped: Evgenia Kara-Murza
The Russian dissident who fought for her husband’s release (and won) has the last word

Contents – Inconvenient truths: How scientists are being silenced around the world

Contents

Ever since Galileo Galilei faced the Roman inquisition in the 17th century for proving that the Earth went round the sun, scientists have risked being ruthlessly silenced. People are threatened by new discoveries, and especially ones that go against their political ideologies or religious beliefs. The Autumn 2024 issue of Index examines how scientists to this day still face censorship, as in many places around the world, adherence to ideology stands in the way of scientific progress. We demonstrate how such nations crack down on scientific advancement, and lend a voice to those who face punishment for their scientific achievements. Reports from as far as China and India, to the UK, USA, and many in between make up this issue as we put scientific freedom under the microscope.

Up Front

When ideology enters the equation: Sally Gimson
Just who is silencing scientists?

The Index: Mark Stimpson
A tour around the world of free expression, including a focus on unrest in Venezuela

Features

A vote for a level playing field: Clemence Manyukwe
In Mozambique’s upcoming election, the main challenger is banned

Whistling the tune of ‘terrorism’: Nedim Türfent
Speaking Kurdish, singing in Kurdish, even dancing to Kurdish tunes: do it in Turkey and be prepared for oppression

Running low on everything: Amy Booth
The economy is in trouble in Bolivia, and so is press freedom

A dictatorship in the making: Robert Kituyi
Kenya’s journalists and protesters are standing up for democracy, and facing brutal violence

Leave nobody in silence: Jana Paliashchuk
Activists will not let Belarus’s political prisoners be forgotten

A city’s limits: Francis Clarke
The Hillsborough disaster still haunts Liverpool, with local sensitivities leading to a recent event cancellation

History on the cutting room floor: Thiện Việt
The Sympathizer is the latest victim of Vietnam’s heavy-handed censors

Fog of war masks descent into authoritarianism: Ben Lynfield
As independent media is eroded, is it too late for democracy in Israel?

Movement for the missing: Anmol Irfan, Zofeen T Ebrahim
Amid rising persecution in Pakistan, Baloch women speak up about forced disappearances

Mental manipulation: Alexandra Domenech
The treatment of dissidents in Russia now includes punitive psychiatry

The Fight for India’s Media Freedom: Angana Chakrabarti, Amir Abbas, Ravish Kumar
Abuse of power, violence and a stifling political environment – daily challenges for journalists in India

A black, green and red flag to repression: Mehran Firdous
The pro-Palestine march in Kashmir that became a target for authorities

Special Report: Inconvenient truths - how scientists are being silenced around the world

Choked by ideology: Murong Xuecun, Kasim Abdurehim Kashgar
In China, science is served with a side of propaganda

Scriptures over science: Salil Tripathi
When it comes to scientific advancement in India, Hindu mythology is taking priority

A catalyst for corruption: Pouria Nazemi
The deadly world of scientific censorship in Iran

Tainted scientists: Katie Dancey-Downs
Questioning animal testing is a top taboo

Death and minor details: Danson Kahyana
For pathologists in Uganda the message is clear: don’t name the poison

The dangers of boycotting Russian science: JP O’Malley
Being anti-war doesn’t stop Russian scientists getting removed from the equation

Putting politics above scientific truth: Dana Willbanks
Science is under threat in the USA, and here’s the evidence

The science of purges: Kaya Genç
In Turkey, “terrorist” labels are hindering scientists

The fight for science: Mark Stimpson
Pseudoscience-buster Simon Singh reflects on whether the truth will out in today’s libellous landscape

Comment

On the brink: Jo-Ann Mort
This November, will US citizens vote for freedoms?

Bad sport: Daisy Ruddock
When it comes to state-sponsored doping, Russia gets the gold medal

Anything is possible: Martin Bright
The legacy of the fall of the Iron Curtain, 35 years later

Judging judges: Jemimah Steinfeld
Media mogul Jimmy Lai remains behind bars in Hong Kong, and a British judge bears part of the responsibility

Culture

The good, the bad and the beautiful: Boris Akunin, Sally Gimson
The celebrated author on how to tell a story, and an exclusive new translation

Song for Stardust: Jessica Ní Mhainín, Christy Moore
Celebrating the folk song that told the truth about an Irish tragedy, and was banned

Put down that book!: Katie Dancey-Downs, Allison Brackeen Brown, Aixa Avila-Mendoza
Two US teachers take their Banned Books Week celebrations into the world of poetry

Keeping Litvinenko’s voice alive: Marina Litvinenko
The activist and widow of poisoned Russian dissident Alexander Litvinenko has the last word

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