From left: Cartoonist Martin Rowson accepting the Arts Award on behalf of Chinese cartoonist Rebel Pepper; Alp Toker of Digital Activism Award-winner Turkey Blocks; Isik Mater of Digital Activism Award-winner Turkey Blocks; Anastasia Zotova, wife and campaign partner of Campaigning Award-winner Ildar Dadin; Ahmed Naish, deputy editor of Journalism Award-winning Maldives Independent; Zaheena Rasheed, former editor of Journalism Award-winning Maldives Independent. (Photo: Elina Kansikas for Index on Censorship)
Since the Index on Censorship Awards, the 2017 fellows have been busy doing important work in their respective fields to further their cause and for stronger freedom of expression around the world.
Rebel Pepper / Arts
Baby Pepper
Rebel Pepper, the Chinese cartoonist critical of the country’s government, now lives in exile in the USA where he works for Radio Free Asia. “Everything is going well, and I have a lot of friendly colleagues who like my work,” he told Index on Censorship.
He also continues to write his column in the Japanese version of Newsweek and worries about many recent developments in his home country. “The CCP’s control of society is becoming more and more severe, people are exposed to less and less real news from the outside world, and vice versa,” he says. “It’s hard to sum up because there are so many problems right now.”
The artist is still getting cartoons published and says the Index on Censorship award gave him the energy to “keep walking on the creative road”.
There is a new addition to the Rebel Pepper family, with baby Kitano. “Every day I have to change a lot of diapers, which has had a big influence on my sleeping patterns, so I have to find some fun from him,” Rebel Pepper tells Index, brandishing a cartoon to illustrate his point.
Idler Dadin / Campaigning
Campaigning fellow Ildar Dadin has returned to activism since his release from prison in February. “Along with friends or on single pickets, we are openly showing that we aren’t in agreement with what’s happening in the country,” Dadin tells Index.
Last month he was detained in St Petersburg while trying to film a woman being assaulted by police. “The situation in this country now is really bad,” Dadin says. “There’s a new kind of police force which can attack and humiliate people, which is very serious.”
He describes the arrests of more than 260 people during anti-Putin protests across Russia — including St Petersburg — in October as “pretty much normal for any activist in the country”.
Dadin believes that pressure from civil society both in Russia and abroad were partially responsible for his release. He hopes for “justice for all people, not just Russians”.
Moving forward, Index is helping Dadin with his transition to life outside of prison and prioritising his health and also helping him to gain additional international exposure.
Turkey Blocks / Digital Activism
“We are now going to be the NetBlocks project and expand our work,” director of research at Turkey Blocks Isik Mater tells Index. The team are taking steps to formalise some of their tools and methodologies, expand into new regions that have similar needs and now cover several countries experimentally.
The Turkey Blocks team have also developed a new tool called Cost, which calculates the financial impact of mass-censorship. “Governments don’t tend to care about the human rights argument, so they don’t listen to it,” says Alp Toker, founder of Turkey Blocks. “But if you tell them ‘this will cost x million dollars of harm to GDP’ then they perk up because that can become a political issue, which is a very powerful method of convincing governments not to censor content.”
Turkey, however, has been quite quiet recently in terms of internet shutdowns, after a barrage of such incidents in the year following the attempted coup in July 2016. In fact, the Turkish government have been using Turkey Blocks data on internet shutdowns as a kind of audit, Toker explains. “We ran our first panel with the Turkish government just a few weeks ago, which is kind of historic,” he says. “We are seeing really positive things, and although they have a long way to go it should be noted that they’ve been willing to have a dialogue with civil society and with a human rights group.”
Index on Censorship is helping Turkey Blocks through the process of forming a board and incorporating public speaking training skills for Mater so that she too can begin to make more public appearances.
Maldives Independent / Journalism
Staff at the Maldives Independent taking part in self-defence training.
Journalism fellows at Maldives Independent are going through a period of change. Former editor Zaheena Rasheed left the publication soon after awards week in London to take up a position on the online team at Al Jazeera, where she has recently been doing a lot of work covering the Rohingya refugee crisis from Bangladesh.
For personal reasons, Rasheed finds it difficult to be involved with the Maldives on top of this. “A friend of ours in the Maldives, Yameen Rasheed, was murdered at the end of the Index awards week in London and that was a big blow — it was very hard for me.”
Yameen Rasheed was a prominent blogger and internet activist who died from multiple stab wounds after an attack in the stairway of his apartment building in Malé on Sunday 23 April 2017. Index on Censorship has been involved in helping the Maldives Independent better secure their personal and office safety since Yameen Rasheed’s murder, including a recent self-defence training session.
A new editor took over at the Maldives Independent in mid-September and since then the publication has seen a noticeable spike in readership, and reporters are encouraged to get out and meet people, build relationships and contacts.
“It’s fairly calm at the moment — there have been no coups, for example — so I see this period as a time to hone the team’s reporting and feature writing skills,” a staff member tells Index. “We’re doing a broad mix of news and features: politics, tourism, mental health, rave culture, the hipster coffee scene, rural development, sex abuse cover-ups.”
Staff at the Maldives Independent hope that the publication continues to be a forum for debate and free speech, that it holds power to account, exposes wrongdoing and corruption and most of all give insight into a country that many people have only one image of.
Manus Island, in Papua New Guinea, is the location of a controversial detention centre which the Australian government uses to hold over 1,000 asylum seekers indefinitely. It is also home to Iranian journalist and 2017 Index journalism award nominee Behrouz Boochani. His film Chauka, Please Tell Us the Time, which exposes the realities of life as a detainee on Manus Island, has been selected for the BFI London Film Festival.
An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Boochani while detained on Manus, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in.
Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.
Manus Island is the location of a controversial detention centre which the Australian government uses to hold over 1,000 asylum seekers indefinitely. It is also home to Iranian journalist and 2017 Index journalism award nominee Behrouz Boochani.
His film Chauka, Please Tell Us the Time, which exposes the realities of life as a detainee on Manus Island, has been selected for the London Film Festival in October after premiering at the Sydney Film Festival in June 2017. Shot with a smartphone acquired in return for his shoes, the feature length film exposes daily life as a Manus Island inmate.
Journalists are banned from the island but Boochani hopes that his film will expose the horrible conditions of the detention centre. He was forcibly relocated there after attempting to seek asylum by boat in May 2013. The Kurdish cultural magazine he wrote for had been raided and 11 of his colleagues were arrested forcing him to flee his native Iran.
Boochani was denied a visa to attend the premiere in Sydney but is hopeful of attending the London screening having written to the High Commissioner of the UK to Australia and the Sadiq Khan, the Mayor of London.
“The London Film Festival is one of the biggest cultural events in England and cinema can make our world more peaceful and remind us that we should care about our humanity and values,” Boochani told Index. “I’m sure the people who are running this festival want to make our world better. I wrote a letter to get a visa to go and share my ideas with people in London and I’m sure that the organisers of the festival and Mayor of London will support me.”
“I hope that more people become aware of this concentration camp and know more about how the Australian government is torturing people in this remote prison,” Boochani added. “I have been working as a journalist and human rights defender in this prison for more than three years and have found that journalism is not powerful enough to tell the history of the suffering in this prison.”
Boochani had been approached in the past about making a film but did not feel comfortable until he spoke to Dutch-Iranian filmmaker Arash Kamali Sarvestan. “Although some directors made contact with me two years ago we could not understand each other,” Boochani said. “I did not want to make a simple movie but fortunately Arash could understand me.”
Making a feature-length film is hard enough, but Boochani had no previous experience. “Arash helped me a lot. We had long conversations every day and talked a lot about the shots and how we can make this movie. I’m a novelist and I think a novelist is able to do any kind of art.”
Boochani hopes his film will also show how Manus Island and its people are being affected by the centre. “A part of this movie is about Manusian people and their culture and how Australia is using this island for its political benefits,” he said.
“This movie is not only for me or Arash but is a voice of 2,000 children, women and men who have suffered under torture for more than four years and we want the world to hear their voice,” Boochani added.
He does not think that it is the current global attitudes towards refugees which are causing mistreatment of asylum seekers. “We should think deeply in a philosophical way about liberalism. Why has liberalism lost its human values? A lot of people died in Manus and Nauru but still, most people in Australia don’t care,” Boochani said.
Boochani describes Australia’s behaviour on Manus Island as a “new kind of fascism” which is “very dangerous to our values”.
Manus Island detention centre was scheduled to close last year after the Papa New Guinea Supreme Court declared it to be illegal. Many detainees now face resettlement in Papa New Guinea but face rising hostility from the locals. Many have been acknowledged as refugees but many still remain informal or waiting to know their status. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1504690014885-9d831161-78d0-4″ taxonomies=”9020, 9030, 8148″][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”89311″ img_size=”full” alignment=”center”][vc_column_text]Freedom of Expression Campaigning Award-winner Ildar Dadin has returned to activism since his release from prison in February when his conviction was overturned by Russia’s constitutional and supreme courts.
Dadin was sentenced to three years in prison in December 2015 under a 2014 public assembly law. His crime was staging one-man pickets, often holding a billboard, in public. In November 2016, a letter from Dadin to his wife was published, exposing torture he experienced in prison. In April 2017, Dadin was prevented from attending the Index Freedom of Expression Awards in London.
When asked about the international attention his imprisonment received, Dadin expressed that he feels Russian civil society is part of a global society, rather than a totally isolated group. He believes that pressure from civil society both in Russia and abroad were partially responsible for his release. The ultimate goal of his activism shares this global view. He hopes for “justice for all people, not just Russians, humans”.
In June, Dadin was awarded the Boris Nemtsov Prize, which honours individuals who are “particularly committed to fighting for the freedom of expression and helping those who are persecuted on political, racial or religious grounds.” Dadin previously referenced Nemtsov as an example of a Russian opposition leader killed for his activism and beliefs in his Index Awards acceptance speech . Without proper travel documents, Dadin was unable to attend the awards ceremony.
A Russian court ordered the Russian Ministry of Finance to pay Dadin a compensation of 2.2 million rubles for unlawful criminal prosecution in May. He originally demanded five million rubles, and in June filed an appeal to increase the compensation.
Previous prosecution for his activism has not stopped Dadin from continuing to push for freedom of expression in Russia. In June, he read aloud from the Russian constitution on Red Square. He was fined 20,000 rubles ($350) for holding a public gathering without permission.
Moving forward, Index is helping Ildar with his transition to life outside of prison and prioritizing his health.
