15 Dec 21 | Artistic Freedom, Events, Magazine, News and features, Turkey, Wales
Death threats targeting a playwright who has become the target of the Turkish government; self-censorship that messes with your thoughts and changes how a play is written – these were just two things that were discussed as part of the launch this week of the winter issue of Index on Censorship magazine, Playing With Fire: How theatre is resisting the oppressor. In this new issue, writers, playwrights and actors discuss how the world of theatre is facing and confronting censorship around the globe. As reflected in the magazine and at the event, which was held on Monday, the theatre world still has the strength to bring people together, despite censorship.
The launch event specifically focused on Turkey and featured a conversation between the playwright Meltem Arikan and the writer Kaya Genç. The conversation was led by Kate Maltby, critic, columnist, scholar and deputy chair of Index on Censorship’s Board of Trustees.
Arikan told the audience that her first experience of censorship dates back to 2004, when her novel Yeter Tenimi Acıtmayın (Stop Hurting my Flesh) was banned by the Committee to Protect Minors from Obscene Publications.
“I protested a lot and nobody joined me. Before my book was banned, people loved watching me on television. I was openly talking about women. Now I can see that censorship is a similar problem all around the world, not only in Turkey,” said the Turkish and Welsh author who was short-listed for the Freedom of Expression Award in 2014 by Index. Arikan’s play Mi Minor was accused by the Turkish authorities as provoking the Gezi Park protests in 2013. She says that after Mi Minor was performed, she received death and rape threats constantly: “If you are a woman they focus more on your gender.”
The production of Meltem Arikan’s Mi Minör play.
Censorship also restrains people’s ideas, almost like putting an ideological filter inside someone’s brain.
“Self-censorship affects the tone of your writing, including the adjectives you use. I started writing in English for Index, which gave me a great amount of liberty,” said Genç, a journalist who lives in Istanbul and is a contributing editor for the magazine.
Genç told everyone watching the event that Turkish theatre was flourishing when Mi Minör’s play came out, although most of the plays were about torture and Turkish prisons in the 1980s, instead of contemporary Turkey.
“It’s very important that people like Meltem speak out. I see forced exile in Turkey as a tragedy,” he continued.
In Arikan’s words, she had to give up on Turkey. Today, she feels at peace with that decision.
“In Wales I feel I found my home. I’m so happy here. When I came here, at first I tried to give up on writing, but I couldn’t. There is a difference of attitude in the United Kingdom.”
She said: “We need more courageous writers in theatre.”
Maltby, who has written a piece for this edition on Belarus Free Theatre, said that one thing that clearly comes to mind when she thinks about theatre and dissent is theatre’s power to bring people together
“It’s a unique moment where there are a bunch of people who have never met before, but are suddenly physically inhabiting the same space, even in the social media landscape,” she said.
Playing With Fire: How theatre is resisting the oppressor, is out next week. Click here for information on how to read it.
03 Dec 21 | Greece, News and features, Turkey
Ingeborg Beugel had been living and working in Greece on and off for years when, last month, a stone thrown at her head and a wave of online bullying and threats against her life forced her to return to the Netherlands. The attacks happened after she asked Greek prime minister Kyriakos Mitsotakis why he “keeps lying about pushing back refugees” from Greek to Turkish waters. Her case adds to a growing list of violations against media freedoms in Greece, a worrying sign that all is not well in the European country.
“I hadn’t expected a digital witch hunt”, Beugel told Index on Censorship after she had returned to the Netherlands. Beugel is known in the Netherlands for her many reports from the Greek islands, where refugees are held in camps in dire conditions and where she tracks refugees personally, collecting first-hand evidence of those who are sent back to Turkey. Press conferences with authorities are not her cup of tea, but this time was different, she said:
“This was my chance to let two prime ministers, Mitsotakis of Greece and Rutte from the Netherlands, not get away with denial of push-backs anymore. Until the last minute I wasn’t sure how to phrase my question, but I knew I had to be sharp.”
What she came up with was: “When at last will you stop lying about the push-backs? Please don’t insult either mine or the intelligence of all the journalists in the world. There has been overwhelming evidence and you keep denying and lying. Why are you not honest?”
Mitsotakis reacted furiously, taking it as an insult to both himself and the Greek people. Asked if she had been impolite, Beugel answered: “You know what’s impolite? Pushing refugees back, which is against international law, and lying about it.”
In the evening following the press conference, a rock was thrown at her as she left a grocery shop, grazing her forehead. She ran home and only then discovered the digital witch hunt. [Some of those online were criticising Beugel for helping an asylum seeker, for which she was briefly arrested over the summer. – Editor]
A couple of days later, she was on a plane back to the Netherlands. The Dutch embassy in Athens, the Dutch Foreign Affairs Ministry and the Dutch Journalists Union NVJ strongly advised her to leave because her safety couldn’t be guaranteed anymore.
“’Let it blow over’, they said. So I’m waiting for it to blow over,” Beugel said.
Yannis Kotsifos, director of the Journalists’ Union of Macedonia and Thrace in Greece and chairperson at the European Center for Press and Media Freedom (ECPMF) in Germany, told Index: “Mitsotakis didn’t react in the right way to Beugel’s question and even though I didn’t like her style, I understand why she did it this way. But we need to be careful not to make the debate about press freedom political. Greece’s position on the press freedom list is in decline but it’s not just about this government. The problems are deeper rooted.”
Beugel agreed, and indeed placed the way she phrased her question in a wider context of the Greek media landscape, in which media don’t dedicate a lot of space to the illegal turning away of refugees to Turkey. “Mitsotakis’ denial keeps defining the journalistic narrative and I wanted to break that,” Beugel said. “I knew I would have a big audience at this press conference and that Greek pro-government media couldn’t ignore what I said and what then happened.”
Beugel recalls when she first started as an aspiring journalist in Greece 40 years ago. There was a lot of hope for the future, following the end of the Greek junta, a military dictatorship that lasted from 1967 to 1974.
“But now, the press is mostly in the hands of tycoons who are not in media for the sake of good journalism. Public TV works for the government in power, and has been underfunded,” she said.
Ownership is a problem, but ECPMF’s Kotsifos also highlighted a lack of self-regulation in the press, a lack of finances for independent journalism and for proper working conditions, and a growing distrust in the media because of rising polarisation.
“This leads to hate rhetoric against journalists and sometimes to physical violence,” said Kotsifos.
To break this cycle and encourage a freer press, the Media Freedom Rapid Response, a project that has monitored violations of media freedom across the EU since March 2020, and the ECPMF are conducting a fact finding mission in Greece this month.
The mission was considered necessary because of several worrying “signals”, the worst being earlier this year when crime reporter Giorgos Karaivaz was fatally shot outside his house in Athens. Other incidents include surveillance by the Intelligence Service of Stavros Malichoudis, who reports about migration and refugees.
New legislation is of concern too, most notably the proposed introduction of fines and jail sentences for journalists found guilty of publishing “fake news”, which would, MFRR said,”undermine the freedom of the press and have a chilling effect at a time when independent journalism is already under pressure in Greece”. SLAPP lawsuits, in which journalists are bombarded with legal cases to drain them financially and stifle their work, are also a huge point of concern (as reported here by Index).
Today Beugel is in Amsterdam waiting until the commotion “blows over”. She said: “I want to return as soon as possible. I miss my dogs, who are luckily taken care of by a friend. I miss my friends, my house, my work. This situation is hard, but I know there is not only rejection, but support for my work in Greece as well.”
03 Dec 21 | 2021 year end campaign, Campaigns, China, News and features, Syria, Turkey
At the end of every year, Index on Censorship launches a campaign to focus attention on human rights defenders, artists and journalists who have been in the news headlines during the past twelve months and their oppressors.
This year, we asked for your help in identifying the Tyrant of the Year. There was fierce competition, with many rulers choosing to use the cover of Covid lockdowns to crack down on their opponents.
Heartbreakingly there was fierce competition – with too many repressive regimes in the running. However, your views were clear.
The crown for the most oppressive Tyrant of 2021 goes to Turkish President Recep Tayyip Erdoğan.
We can think of a few reasons why Erdoğan claimed the top spot. He refuses to release civil society leader Osman Kavala, imprisoned since 2017 despite being acquitted twice. Student LGBTQ+ artwork and campaigning on International Women’s Day has also led to arrests in the country.
He has also, perhaps ironically, become the first European leader to withdraw from the Istanbul Convention on violence against women. Kurds have also continuously seen their rights to freedom of expression curtailed while opposition politicians such as the Democracy and Progress Party’s Metin Gurcan have also been jailed for criticising the president.
While Erdoğan topped this year’s poll, two other names pulled in plenty of votes: China’s Xi Jinping came in second with Syria’s Bashar al-Assad following closely in third.
The December poll saw huge amounts of traffic on our website with thousands of votes cast. We also saw the number of cyber attacks on our site double during the period, suggesting that it had annoyed some of those in the poll or their supporters.
We give thanks to all those who voted, to those continuing to loudly criticise tyrants globally, and remind everyone to stay vigilant to those seeking to silence them and us all.
