Index relies entirely on the support of donors and readers to do its work.
Help us keep amplifying censored voices today.
![]() Battle of Ideas 2016 |
Are reactions against offensive comics part of healthy debate over where we draw the line or is there something uniquely censorious in the reaction of audiences and comics alike? Should promoters and venues play a role in deciding what is acceptable, or is that between performers and the public? Has the online age made it easier for comics to find platforms for their work, or contributed to a more toxic atmosphere? Is the fear of offence killing comedy or are comics simply losing their nerve?
Chaired by stand-up comedian Andrew Doyle, the panel will include: Steve Bennett, the editor of Chortle; Will Franken, satirist, comedian, writer; Jodie Ginsberg, chief executive, Index on Censorship; Timandra Harkness, journalist, writer & broadcaster; Tom Walker, actor; creator, Jonathan Pie.
Reading list:
‘It’s only a joke’: How far is too far in comedy?, Ava Vidal, Telegraph, March 2014
Offensive Comedy Is Inevitable And Should Not Be Censored, Sean Fitzsimons, Sabotage Times, February 2015
Censorship can kill comedy. But not all jokes need telling, Libby Brooks, Guardian, November 2009
The biggest threat to comedy? Self-censorship, Tom Slater, Spiked, August 2015
That’s Not Funny!, Caitlin Flanagan, The Atlantic, September 2015
Should anything be ‘beyond a joke’?, Mick Hume, Spiked, January 2016
When: 23 October, 10-11:30am
Where: Cinema 2, Barbican, London
Tickets: Available from the Battle of Ideas
We condemn the decision of UK border officials to confiscate the passport of Syrian journalist, Zaina Erhaim, at the request of Syrian authorities. We urge the British government to protect the freedom of the press by refusing to let foreign governments use manipulation of the passport system to punish journalists.
The Syria coordinator for the Institute of War and Peace Reporting (IWPR), Ms Erhaim has been recognised by a number of organisations internationally – including Reporters Without Borders (RSF) in 2015 – for her work training citizen journalists to report on the conflict within Aleppo.
Ms Erhaim was invited to the UK in her capacity as winner of this year’s Index on Censorship Freedom of Expression Awards for journalism to speak about her experiences alongside veteran journalist Kate Adie.
When Ms Erhaim arrived in the UK on Thursday 22 September for the event she was detained by the UK Border Agency (UKBA) and questioned for an hour before UKBA confiscated her passport. Erhaim was told that the passport had been reported by the Syrian authorities as stolen and therefore UKBA was compelled to retain it and return it to the Syrian government.
Ms Erhaim had her old passport, which remains valid but is effectively unusable because the pages are filled, and was able to enter the UK for the debate. Further travel may be impossible, however, as Ms Erhaim no longer has a passport with which to apply for a new visa to enter Europe.
When Ms Erhaim challenged this decision, she was told to seek consular advice from the Syrian government in Damascus.
“It seems quite astonishing that the UK would accede to a request from a government whom it has only this week accused of being complicit in war crimes – especially when it is clear that the Syrian government is using tools, such as passport cancellations, to harass those who oppose or expose its behaviour,” Jodie Ginsberg, CEO of Index on Censorship, said.
Anthony Borden, IWPR executive director and managing director, said: “Zaina Ehraim is internationally recognized as one of the most courageous and professional independent voices from Syria – working at great personal risk to support media and civic society inside the country to inform the world about this terrible conflict and keep hope alive for some kind of positive future.”
“The idea that the British government – which has directly supported our work in Syria – should accede to the demands of the Syrian authorities to seize her passport is profoundly offensive to any democratic thinking, directly undermines the effort to build civic options inside Syria, and sends precisely the wrong message to the criminal regime in Damascus,” he added.
Four organisations – the Council for Arab-British Understanding, Index on Censorship, IWPR, and RSF – have raised the matter with the Home Office and Foreign and Commonwealth Office.
“We are appalled that the UK authorities have allowed our system to be manipulated in this way. British law is meant to protect freedom of expression, not to be used to harass critical journalists at the urging of repressive regimes. We call on the Home Office to take immediate steps to assist Erhaim and issue a public statement in her support,” said Rebecca Vincent, RSF’s UK Bureau Director.
Chris Doyle, Director, Council for Arab-British Understanding said: “The precedent set by seizing Erhaim’s passport and the message it sends to oppressive governments around the world is alarming. In theory, any vicious regime could demand the return of a passport from any government merely by fraudulently claiming that the passport is stolen.”
The Frontline Club is also supporting a campaign to raise awareness of the issue.
If you would like to write a letter in support of Zaina Erhaim, address your correspondence to:
Rt Hon Amber Rudd MP
Secretary of State for the Home Department
Direct Communications Unit
2 Marsham Street
London
SW1P 4DF
public.enquiries@homeoffice.
Rt Hon Boris Johnson MP
Secretary of State for Foreign and Commonwealth Affairs
King Charles Street
London
SW1A 2AH
Press contact: Jodie Ginsberg, [email protected]
Norwegian musician Moddi’s new album, Unsongs, is made up of renditions of songs from around the world that had been banned, censored or silenced. Unsongs includes cover versions of songs from countries including China, Russia, Mexico and Vietnam, on topics such as drugs, war and religion.
Index on Censorship caught up with Moddi on Twitter to find out more.
To kick off our Twitter Q&A with @moddimusikk: Where did the idea for your new album, Unsongs, come from? #WithTheBanned pic.twitter.com/REWUt4tvxd
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship It all began with a song about the Israeli officer Eli Geva, who refused to lead his forces into Beirut in 1982.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship The Norwegian singer Birgitte Grimstad heard the story of the officer, and had a song written about him.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship She didn’t perform it though – it was considered “too controversial” at the time. And so it wasn’t sung for 32 years.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I heard the song 32 yrs after, then the snowball started rolling. There’s so much out there never played! #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
With so many banned or censored songs to choose from, how did you narrow it down to just 12? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship First of all: 12 songs does not represent the huge amount of censored art out there. They’re just examples. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I wanted to choose 12 songs that represented 12 different forms of censorship. 12 different perspectives. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Murder, imprisonment, radio bans, social pressure, self-censorship. Different, but equally important. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I believe it is a great mistake to consider the brutal forms of suppression more worthy of our attention. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship So basically, I chose 12 songs to show the diversity of the phenomenon. I could have made 12 albums though. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship @moddimusikk It must have been hard to pick only 12 songs, what was your favourite song that didn’t make the final cut?
— Sara French (@FrenchiedMuse) September 29, 2016
@FrenchiedMuse @IndexCensorship Oh, that’s probably something Kurdish, e.g. this masterpiece: https://t.co/MELFeWcIHa. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@FrenchiedMuse Have no idea what the lyrics say though. It’s always a little like Christmas eve. @IndexCensorship #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@FrenchiedMuse Another candidate is from the Iranian revolution https://t.co/WejoFpEzK8 but was too difficult to translate @IndexCensorship
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@moddimusikk have you ever heard a song so offensive you’ve thought ‘actually yeah, ok that should definitely be banned’ #withthebanned
— James Green (@JamesGreen6) September 29, 2016
@JamesGreen6 I considered some neo-nazi music for the album, but seriously, those words hurt physically to sing. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@JamesGreen6 Nonetheless not sure if long prison sentences is the right response. But that of course is a long debate.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
How did Index on Censorship magazine help you find inspiration for the album? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Index helped me grasp the diversity of the issue. At first I only looked to Jara, Biermann…the classics. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Index helped me grasp the diversity of the issue. At first I only looked to Jara, Biermann…the classics. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Must most important: Orgs such as Index helped me understand that this is really an important topic. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship At first it was a hobby project. In the end it felt like a small part of a big movement. That helped. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
You tried to film the video for your version of @pussyrrriot‘s Punk Prayer in Russia but failed. What happened? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Yes, I seriously considered going to Russia to sing in solidarity with @pussyrrriot. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I settled for the second best: singing it on the Russian border. There’s a beautiful old stone church there. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Unfortunately the parish did not approve and so the video had to be filmed on the church steps. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship It was minus five and stormy, ubearably cold, but felt good afterwards. @pussyrrriot‘s song it a true gem! #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Must say I’m disappointed with the Norwegian church though. I genuinely thought this song would be welcome. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship PS: The video turned out really well. https://t.co/YRdnimuycB @pussyrrriot
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
What was the hardest journey to make when visiting one of the original songwriters? #WithTheBanned
— ΛSHΣR ΛLΣXΛNDΣR (@AsherAlexander) September 29, 2016
@AsherAlexander Vietnam. Very confusing. Officially he was allowed to have visitors but in reality we were unwelcome. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@AsherAlexander Also the language and culture barriers were significant. But the meeting was still incredibly inspiring. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@AsherAlexander And in general: For a white, Norwegian boy, meeting with the genuinely banned has really been an eye-opener. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
#WithTheBanned Besides being a censored song, why did you choose a narcocorrido as part of the album? What caught your attention?
— Verito (@Veritokun) September 29, 2016
@Veritokun @IndexCensorship The double meaning! To me, who know that it is a narcocorrido, the underlying metaphor is obvious.#WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@Veritokun @IndexCensorship But to children and to many others, it may sound almost like a normal farm song. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@Veritokun @IndexCensorship The narcocororrido genre is terrible, but the way it avoided getting banned is – in this context – inspiring.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@moddimusikk if you had to write a protest song, like Punk Prayer, what regime would you be challenging/ trying to change #WithTheBanned
— Ethan Beer (@EthanDuffmanB) September 29, 2016
@EthanDuffmanB My own, Norway! Protest is always best from inside. #WithTheBanned @IndexCensorship
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@EthanDuffmanB I’m not trying to change other countries, but presenting songs where others have tried. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@EthanDuffmanB Hopefully it can inspire other musicians across the globe to do the same. I know it has changed me, at least. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
How did your experience cancelling a concert in Tel Aviv change your approach to music? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship It made me realise that everything – even singing a love song – is political. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship In a conflict, remaining silent gives strength to the dominant side. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship And in this context, singing love songs and songs about the sea was equal to remaining silent. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship When I discovered “Eli Geva”, I felt that finally there was a song – a message – which was stronger than its own context.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship When I write my own songs in the future, that will always be something I’ll aspire towards. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Like the songwriter Richard Burgess said “I could have written a song that she would have been allowed to perform…
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship …but I don’t think it would have been as good a song.” #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
What were the main things you learned about censorship when making Unsongs? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Censorship, in one form or anohter, is everywhere, all times, and it comes in different shapes. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship And it isn’t only states and religious authorities that are behind it. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Basically, whereever there is power, there is also censorship. Those two seem to be mutually constituitive. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship So in a way, this project of interpreting banned songs is a case study of challenging power through music. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship As a young musician, that has probably been the most important lesson: That music CAN still be powerful. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
To mark the release of Unsongs, Index on Censorship is proud to announce a special series of appearances by currently banned voices from around the world.
Moddi will hand over the stage at three of the biggest gigs on his current European tour to unleash the power of free expression, replacing the support band with the genuinely banned.
In Amsterdam on 1 October, Maryam Al-Khawaja will share her and her family’s story of imprisonment and exile in the struggle for democracy in Bahrain. In London on 3 October, Vanessa Berhe will speak about life in the prison state of Eritrea and her campaign One Day Seyoum fighting to free her journalist uncle Seyoum Tsehaye who has been in jail for 15 years. In Berlin on 6 October, Raqqa Is Being Slaughtered Silently will tell how the Syrian civil war has destroyed the free expression of a generation. Co-founder Abdalaziz Alhamza will share the story of how and why he co-founded it inside IS-controlled territory.
Burkinabe rapper and activist with Le Balai Citoyen, Smockey, became the inaugural Music in Exile Fellow at the Index on Censorship Freedom of Expression Awards in April 2016. In July his recording studio, the lionised Studio Abazon, was destroyed in a fire.
“All my music files since 2001, including my master tapes and those of my productions and clients, were lost,” Smockey told Index on Censorship. “I was working on the album of a young rapper named Balla, volume three of my compilation called La Part des Ténèbres and original music for a mobile phone service product – all gone.”
Two months on, it still isn’t clear what caused the blaze. “I don’t have any news about ongoing investigations, so all I know is that anyone could have caused it apart from me,” he said.
Studio Abazon was impossible to insure due to a September 2015 firebomb attack by forces loyal to Burkina Faso’s ousted president, which destroyed the studio. Having recently finished rebuilding in the months before the fire, Smockey said he is obliged to do so again. “But this time I will build it underground to make it more secure.”
Some of Smockey’s friends have launched a crowdfunding campaign to raise funds for the studio and the rapper said he would welcome all the help he can get.
When he last spoke with Index, Smockey was writing tracks for his new album. Plans to record have now been put on hold.
Still, the setback hasn’t put the rapper off performing. He recently played to packed gigs in Switzerland, Germany and Belgium, where he took part in the Esperanzah! music festival. In October he will take the stage in his home country at the Waga Hip Hop Festival. In November he will return to Germany — for appearances in Berlin and Munich — and Switzerland. In December, he will perform in Spain.
Le Balai Citoyen, which Smockey co-founded, is a grassroots political movement which helped bring to an end the three-decade rule of former president Blaise Compaoré. It is currently involved in a new project to build a memorial for the late revolutionary Burkinabe leader, and hero of Smockey’s, Thomas Sankara. To raise funds and awareness for the memorial, Smockey will soon perform at Revolution Square, where up to a million people had gathered to demand Compaore’s resignation in 2014.
“We are just nine months past the insurrection, so now is a good time for the memorial,” Smockey told Index. “Seeing it every day in the city would help put pressure on those in power — those who think they can manipulate us but are mistaken — to do their job.”
Rehabilitating the memory of Sankara – who was overthrown and assassinated in a coup d’état led by Compaoré in 1987 – is, therefore, an important part of bringing about of justice for all affected by the crimes of the former regime, Smockey said.
The former prime minister of Burkina Faso, Luc-Adolphe Tiao, who was appointed by Compaoré, was this month charged and jailed for murder. Smockey welcomes this as a step forward for the country.
“We encourage everyone who is implicated in these crimes to stand before justice in this country, at least because we have a certain sense of honour,” he said. “Burkina Faso literally means the land of men with integrity, so we would like to trust the justice of our country.”
Le Balai Citoyen is now working with a coalition of seven other organisations, collectively called Ditanyè, to tackle the challenges facing the country and to preserve “the positive gains from the revolution,” Smockey added.
Looking forward, he understands the country must have priorities and the courage to define them. “After justice, which is necessary for reconciliation, we have to work on the economic recovery and jobs for young people,” he said. “We want to work now.”
Nominations are now open for 2017 Index on Censorship Freedom of Expression Awards. You can make yours here.
Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship
Also read:
Zaina Erhaim: Balancing work and family in times of war
Artist Murad Subay worries about the future for Yemen’s children