#IndexAwards2016 Fellowship update: “We want change now”

Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara -- aka "Smockey" (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship

Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship

In the short three months since the Index on Censorship Awards, the 2016 fellows have been busy doing important work in their respective fields to further their cause and for stronger freedom of expression around the world.

GreatFire / Digital activism

GreatFire, the anonymous group of individuals who work towards circumventing China’s Great Firewall, has just launched a groundbreaking new site to test virtual private networks within the country.

“Stable circumvention is a difficult thing to find in China so this new site a way for people to see what’s working and what’s not working,” said co-founder Charlie Smith.  

But why are VPNs needed in China in the first place? “The list is very long: the firewall harms innovation while scholars in China have criticised the government for their internet controls, saying it’s harming their scholarly work, which is absolutely true,” said Smith. “Foreign companies are also complaining that internet censorship is hurting their day-to-day business, which means less investment in China, which means less jobs for Chinese people.”

Even recent Chinese history is skewed by the firewall. The anniversary of Tiananmen Square protests of 1989 last month went mostly unnoticed. “There was nothing to be seen about it on the internet in China,” Smith said. “This is a major event in Chinese history that’s basically been erased.”

Going forward, Smith is optimistic for growth within GreatFire, and has hopes the new VPN service will reach 100 million Chinese people. “However, we always feel that foreign businesses and governments could do more,” he said. “We don’t see this as a long game or diplomacy; we want change now and so I feel positive about what we are doing but we have less optimism when it comes to efforts outside of our organisation.”

Winning the Index on Censorship Freedom of Expression Award for Digital Activism has certainly helped morale. “With the way we operate in anonymity, sometimes we feel a little lonely, so it’s nice to know that there are people out there paying attention,” Smith said.

Murad Subay / Arts

During his time in London for the Index awards, Yemeni artist Murad Subay painted a mural in Hoxton, which was the first time he had worked outside of his home country. “It was a great opportunity to tell people what’s going on in Yemen, because the world isn’t paying attention,” he explained to Index.

Since going home, Subay has continued to work with Ruins, his campaign with other artists to paint the walls of Yemen. “We launched in 2011, and have continued to paint ever since.”

Last month, artists from Ruins, including Subay, painted a number of murals in front of the Central Bank of Yemen to represent the country’s economic collapse.

In his acceptance speech at the Index Awards, Subay dedicated his award to the “unknown” people of Yemen, “who struggle to survive”. There has been little change in the situation since in the subsequent months as Yemenis continue to suffer war, oppression, destruction, thirst and — with increasing food prices — hunger.

“The war will continue for a long time and I believe it may even be a decade for the turmoil in Yemen to subside,” Subay says. “Yemen has always been poor, but the situation has gotten significantly worse in the last few years.”

Subay considers himself to be one of the lucky ones as he has access to water and electricity. “But there are many millions of people without these things and they need humanitarian assistance,” he says. “They are sick of what is going on in Yemen, but I do have hope — you have to have hope here.”

The Index award has also helped Subay maintain this hope. As has the inclusion of his work in university courses around the world, from John Hopkins University in Baltimore, USA, and King Juan Carlos University in Madrid, Spain.

Subay’s wife has this month travelled to America to study at Stanford University. He hopes to join her and study fine art. “Since 2001 I have not had any education, and this is not enough,” he explains. “I have ideas in my head that I can’t put into practice because i don’t have the knowledge but a course would help with this.”

Zaina Erhaim / Journalism

Syrian journalist and documentary filmmaker Zaina Erhaim has been based in Turkey since leaving London after the Index Awards in April as travelling back to Syria isn’t currently possible. “We don’t have permission to cross back and forth from the Turkish authorities,” she told Index. “The border is completely closed.”

Erhaim is with her daughter in Turkey, while her husband Mahmoud remains in Aleppo.

“The situation in Aleppo is very bad,” she said. “A recent Channel 4 report by a friend of mine shows that the bombing has intensified, and the number of killings is in the tens per day, which hasn’t been the case for some weeks; it’s terrible.”

The main hospital in Aleppo was bombed twice in June. “Sadly this is becoming such a common thing that we don’t talk about it anymore,” Erhaim added.

She has largely given up on following coverage of the war in Syria through US or UK-based media outlets. “It is such a wasted effort and it’s so disappointing,” she explained. “I follow a couple of journalists based in the region who are actually trying to report human-side stories, but since I was in London for the awards, I haven’t followed the mainstream western media.”

Erhaim has put her own documentary making on hold for now while she launches a new project with the Institute for War and Peace Reporting this month to teach activists filmmaking skills. “We are going to be helping five citizen journalists to do their own short films, which we will then help them publicise,” she said.

Documentary filmmaking is something she would like to return to in future, “but at the moment it is not feasible with the situation in Syria and the projects we are now working on”.

Bolo Bhi / Campaigning

The last time Index spoke to Farieha Aziz, director of Bolo Bhi, the Pakistani non-profit, all-female NGO fighting for internet access, digital security and privacy, the country’s lower legislative chamber had just passed the cyber crimes bill.

The danger of the bill is that it would permit the Pakistan Telecommunication Authority to manage, remove or block content on the internet. “It’s part of a regressive trend we are seeing the world over: there is shrinking space for openness, a lot of privacy intrusion and limits to free speech,” Aziz told Index.

Thankfully, when the bill went to the Pakistani senate — which is the upper house — it was rejected as it stood. “Before this, we had approached senators to again get an affirmation as they’d given earlier saying that they were not going to pass it in its current form,” Aziz added.

Bolo Bhi’s advice to Pakistani politicians largely pointed back to analysis the group had published online, which went through various sections of the bill and highlighting what was problematic and what needed to be done.

This further encouraged those senators who were against the bill to get the word out to their parties to attend the session to ensure it didn’t pass. “It’s a good thing to see they’ve felt a sense of urgency, which we’ve desperately needed,” Aziz said.

“The strength of the campaign throughout has actually been that we’ve been able to band together, whether as civil society organisations, human rights organisations, industry organisations, but also those in the legislature,” Aziz added.We’ve been together at different forums, we’ve been constantly engaging, sharing ideas and essentially that’s how we want policy making in general, not just on one bill, to take place.”

The campaign to defeat the bill goes on. A recent public petition (18 July) set up by Bolo Bhi to the senate’s Standing Committee on IT and Telecom requested the body to “hold more consultations until all sections of the bill have been thoroughly discussed and reviewed, and also hold a public hearing where technical and legal experts, as well as other concerned citizens, can present their point of view, so that the final version of the bill is one that is effective in curbing crime and also protects existing rights as guaranteed under the Constitution of Pakistan”.

A vote on an amended version of the bill is due to take place this week in the senate.

Smockey / Music in Exile Fellow

Burkinabe rapper and activist Smockey became the inaugural Music in Exile Fellow at the Index on Censorship Freedom of Expression Awards, and last month his campaigning group Le Balai Citoyen (The Citizen’s Broom) won an Amnesty International Ambassador of Conscience Award.

“This was was given to us for our efforts in the promotion of human rights and democracy in our country,” said Smockey. The award was also given to Y en a marre (Senegal) and Et Lucha (Democratic Republic of the Congo).

“We are trying to create a kind of synergy between all social-movements in Africa because we are living in the same continent and so anything that affects the others will affect us also,” Smockey added.  

Le Balai Citoyen has recently been working on programmes for young people and women. “We will also meet the new mayor of the capital to understand all the problems of urbanism,” Smockey added.

While his activism has been getting international recognition, he remains focused on making music with upcoming concerts in Belgium, Switzerland and Germany, and he is currently writing the music for an upcoming album. A major setback has seen Smockey’s acclaimed Studio Abazon destroyed by a fire early in the morning of 19 July. According to press reports the studio is a complete loss. The cause is under investigation. 

Despite this, Smockey is still planning to organise a new music festival in Burkina Faso. “We want to create a festival of free expression in arts,” Smockey said. “And we are confident that it will change a lot of things here.”

He is thankful for the exposure the Index Awards have given him over the last number of months. “It was a great honour to receive this award, especially because it came from an English country,” he said. “My people are proud of this award.”

Yavuz Baydar: Escalation in the clampdown on Turkey’s media and academia

nokta erdoganIt was at the early hours of Friday that a journalist sent a note to her colleagues.

“We are told by the management that our publication is discontinued with immediate effect,” she said. “We are told to pack our belongings and leave the office. You can’t imagine how sad I am.”

The weekly news magazine Nokta, which had been launched in the aftermath of a military coup in 1980s, is no more.

Lately, under a new management, Nokta belonged to the critical mass of what remained of independent journalism in Turkey, with long reads and popular, bright commentators such as Perihan Mağden and Gükhan Özgün.

My colleague went on to say that the management internal communique cited the loss of a printing house as the reason for the closure. Given the waves of restriction over basic freedoms in the wake of Emergency Rule declared in 81 provinces of Turkey, this explanation came as no surprise.

Commenting on the closure, a Kurdish colleague who has extensively covered the operations in Cizre and Diyarbakır, added: “It’s a disaster to have the media outlets shut down, but it’s even worse to see media professionals left without a job.”

In another incident, Paolo Brera, a well-known reporter with La Repubblica, was held by the police officers at Sultanahmet Square yesterday while interviewing tourists, and taken to police headquarters. At first his whereabouts were unknown, and Italy had to intervene at the highest level to have him released after four hours.

As of Friday afternoon the situation of the columnist and human rights lawyer Orhan Kemal Cengiz was unclear. Cengiz is an international figure and close friend of the Kurdish lawyer Tahir Elçi who was assassinated in Diyarbakır last summer. Among other assignments, Cengiz followed the case of Christian missionaries slain in Malatya in 2007. He attended the UN’s Human Rights Summit in Geneva some months ago, commemorating by explaining the situation to a larger audience. His colleagues are on standby, knowing that he is held at the Anti-Terror Unit in Istanbul. His wife, also a lawyer, had been told that the detention was related to a case from 2014, but nobody has any further details.

The Emergency Rule means that no lawyers other than those appointed by the bar associations are now allowed to have access to all the cases. What is also known is that those who are arrested are held in cells at police headquarters.

Justice Minister Bekir Bozdağ said in an interview yesterday that in “crimes related to terrorist activities” individuals can be detained for at least seven-to-eight days. “Our staff is working on the possibilities of even extending that time,” he said, adding that he shares the concern that it will be very difficult to distinguish innocents from criminals.

The overall situation continues to be opaque, with scarce information, and experienced journalists caution each other to compare what’s being officially stated with what’s really being done. The measures so far leave little doubt that the media and the academia are under severe pressure, and the growing concern is there is an escalation of a clampdown, without much explanation of what the media and academic freedom had to do with the very coup attempt itself.

A version of this article was originally posted to Suddeutsche Zeitung. It is published here with permission of the author.


Turkey Uncensored is an Index on Censorship project to publish a series of articles from censored Turkish writers, artists and translators.

Index on Censorship condemns decision to axe Flemming Rose as speaker on academic freedom

Index on Censorship is appalled by the decision by the University of Cape Town to rescind an invitation to Danish editor Flemming Rose to deliver the annual TB Davie lecture on academic freedom – especially at a time when academic freedom is under threat around the world – and considering recent events in Turkey.

Rose, the editor responsible for publishing controversial cartoons of the Prophet Mohammed in the Danish newspaper Jyllands-Posten in 2005, was invited last year to give the August 2016 lecture, which UCT describes as a “flagship lecture to promote academic freedom and freedom of speech” and which is organised by the university’s academic freedom committee.

However, in a letter sent by UCT Vice-Chancellor Max Price on 12 July, Price tells the committee that the university executive had decided “it would be extremely unwise to proceed with the address.”

What follows in the letter is an attempt by Price to justify a decision that makes a mockery of the university’s supposed defence of free speech and academic freedom.

Price – who signed an Index on Censorship letter defending academic freedom last year – begins by pointing out that no freedoms are unlimited, and highlights the limitations on free speech imposed by the South African constitution in which the right to free speech does not extend to propaganda for war, incitement of violence or advocacy of hatred. The implication of this reference is that Rose’s speech might amount in some way to one of these three. This is a dangerous and damaging route for an academic institution to take.

The letter then goes on to say that Rose’s appearance might provoke conflict on campus, pose security risks and might “retard rather than advance academic freedom on campus.” Although the letter acknowledges that the university considered holding the event as a debate with some representatives of the Muslim community – and acknowledges these representatives had been open to the idea – the letter goes on to say: “However, Mr Rose is seen by many as persona non grata and while most would protest peacefully against him, we believe there is a real danger that among those offended by the cartoons, an element may resort to violence.”

The academic freedom committee responded to Price, saying in a statement: “Academic freedom is severely compromised when security and other pragmatic considerations preclude inviting speakers who – while controversial – in no way violate our Constitutional limitations on free speech… We regret the Executive’s decision and what it reveals about the limited scope of academic freedom at UCT. Ours should be a campus on which people are free to express and contest ideas, even unpopular ones.”

The decision taken by the administration of UCT is a clear example of a type of “assassin’s veto” in which those who argue they are offended by the speech of others can use the threat of violence to silence those with whom they disagree.

Jodie Ginsberg, Index on Censorship chief executive said: “This a huge blow to free expression and academic freedom and UCT’s attempts to dress this up as otherwise are to be condemned in the strongest terms.”

Also read:

Flemming Rose responds to the University of Cape Town

Dr Max Price, Vice-Chancellor of UCT, letter to the academic freedom committee

UCT Academic freedom committee response to Dr. Max Price

UCT statement: Withdrawal of invitation to speaker of TB Davie Academic Freedom Lecture

Kenan Malik: Academic freedom and academic cowardice

Flemming Rose responds to the University of Cape Town

The University of Cape Town rescinded an invitation to journalist and editor Flemming Rose, who had been scheduled to deliver the annual TB Davie lecture on academic freedom in August. In 2005 Rose commissioned the cartoons of the prophet Mohammed that sparked protests and riots across the world.

Regarding my thoughts on the matter and the arguments put forward as motivation for taking back the invitation I find three things important:

1. I find it disgraceful that the Vice-Chancellor Mr. Max Price puts the blame on me instead of taking responsibility for his decision. He is afraid that some people might react in certain ways to my presence. That’s not my responsibility. If they choose to act in a way that concerns the VC, it’s their decision, not mine. The VC has to hold them responsible for their actions, not me. It’s the heckler’s veto. Mr. Price talks about “the harm that unlimited freedom of expression could cause.” I don’t know any person including myself who is in favor of unlimited free speech, that’s a caricature of free speech activists. What I oppose is the kind of “I am in favor of free speech, but”-position that Mr. Price provides a classic example of. His approach to free speech would make it possible to ban any speech.

2. Mr. Price is misrepresenting my position. He writes: “Mr. Rose is regarded by many around the world as right wing, Islamophobic, someone whose statements have been deliberatively provocative, insulting and possibly amount to hate speech, and an editor of a publication that many believe took a bigoted view of freedom of expression.” He adds that I am defender of “selective blasphemy”. What are the sources for these accusations? An article from 2006 at the height of the cartoon crisis, when a lot of unchecked information and rumors were making the rounds, among them that I was working for Mossad, the KGB’s successor in Russia and the CIA. My guilt seems to be that I have met and interviewed Daniel Pipes. The other source is a review of my book The Tyranny of Silence: How One Cartoon Ignited a Global Debate on the Future of Free Speech by a Danish professor who has been biased against me and Jyllands-Posten from the outset.

I find it strange that the VC uses Peter Hervik’s review as a source of authority. Hervik labels me a “radical rightwing activist” without defining what he means by that and even worse without quoting anything from what I have said and written. I am a classical liberal. I do not defend selective blasphemy, I defend the right to blasphemy as such. To provide you with an impression of his approach let me quote from the review. He writes about me:

“Not least his enormous urge to gather any news coverage from around the world in order to show that ‘I was right and that others were wrong’.”

Sounds a bit like a fanatic, or at least that’s the impression he wants to convey.

This is what I actually wrote:

“At first I wanted to document that I was right and others were wrong. But along the way, I found out that I needed to look inward, to reflect on my own story and background. Why was this debate so important to me? Why was I from the outset, almost, instinctively, able to identify the core issue… I am fully aware that other versions exist that are no less true than my own; in some cases they may be even more complete.”

“I do have strong opinions when it comes to certain things. But I am not a person who takes an instant stand on just anything. I am a natural skeptic. I ponder at length and lose myself in layers of meaning and the many sides of an issue, I don’t see that trait as a flaw: It is the condition of modern man and indeed the core strength of secular democracies, which are founded on the idea that there is no monopoly on truth. Doubt is the germ of curiosity and critical questioning, and its prerequisite is a strong sense of self, a courage that leaves room for debate.”

A bit different than Hervik’s version, right?

To me this looks like a deliberate distortion of I was trying to say in that paragraph. Disagreement is necessary and fine but we have to present the point of view of our opponents in a more or less fair way. Anyone who needs to misrepresent the point of view of his opponent usually has a bad case.

It’s really a sign of poor judgement and bad academic standards to disinvite me on the basis of what other people say about me, when I have published a book that covers my own story, which tells how my views on politics were formed and analyses the history of tolerance and free speech. The book is not only focusing on Islam. I write about the Russian Orthodox’ Church silencing of criticism, Hindu-nationalists attacks on an Indian Muslim artist and so on and so forth. Why use second-hand sources when you can read the primary source in English and make up your mind?

This doesn’t mean that I would favour banning a “radical right wing” speaker, whatever that means. I would defend such a speaker’s right to make his case. After all, that’s the way we learn to argue against points of views that we don’t like.

3. Mr. Price is also getting the facts wrong about Jyllands-Posten and its position. The newspaper published several cartoons ridiculing Jesus, even by Kurt Westergaard, the artist that did the cartoon of the Mohammad with a bomb in his turban. The Jesus cartoons that were refused were submitted by a freelancer not a staffer, so it was like refusing any other article or cartoon by a freelancer.

In my book (the Danish version) I have included some of those and other images. Apart from Westergaard’s I have added Serrano’s Piss Christ and an image by Jens Jørgen Thorsen, a Danish artist who in 1984 painted Jesus with an erection on a public building and cartoons from the Nazi Magazine Der Stürmer, George Grosz’ drawings of a Christ-like figure equipped with a gas mask on the cross next to a canon (World War I) and Manet’s Lunch on the Green Grass. All this to show examples of images that throughout history have caused controversy.

Contrary to what Mr. Price writes, Jyllands-Posten published antisemitic cartoons and cartoons mocking the Holocaust (a full page on 4 February, 2006 at the height of the cartoon crisis) that previously had been published in Arab newspapers. We, like most other Danish newspapers, published submissions to the Iranian Holocaust cartoon contest as well. We did it, not because we support the views expressed in the cartoons (the same point goes for the Mohammed-cartoons) – publication does not mean endorsement. We did it in order for our readers to see what makes people laugh in the countries where many were so upset by the Mohammed cartoons.

Recently I have defended radical imams’ right to hate speech, and I have (in Danish) written favorably about a book by a socially conservative Norwegian Muslim (title: Is it possible to love the Koran and Norway at the same time?).

Also read:

Index on Censorship condemns decision to axe Flemming Rose as speaker on academic freedom

Dr Max Price, Vice-Chancellor of UCT, letter to the academic freedom committee

UCT Academic freedom committee response to Dr. Max Price

UCT statement: Withdrawal of invitation to speaker of TB Davie Academic Freedom Lecture

Kenan Malik: Academic freedom and academic cowardice

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