18 Jun 12 | Asia and Pacific
Although the political situation in Malaysia has been very tense since 1998, now the majority of Malaysians are beginning to show defiance against the ruling party Barisan Nasional, which has ruled the country for 54 years. People cannot accept the widespread corruption and high inflation with people living in economic hardship anymore.
The current Prime Minister, Najib Razak, is involved in the corruption scandal of the purchasing of Scorpene submarine. This is further scandalised by the murder of a Mongolian model by the name of Altantuya who was also involved in the submarine deal.
She was killed in Malaysia by those close to the Prime Minister. Nevertheless, the Barisan Nasional still stays in power from the bountiful of deceits throughout the election. Since all local newspapers, television and radio are controlled by the BN government, the people had to use alternative media such as the Facebook and Twitter to criticise and vent their frustrations.
As a political cartoonist, I use cartoons as a way to criticise the government. Not surprisingly, my cartoons are banned from being published in the government media. I produce cartoons for Malaysiakini.com, my own website, and on Facebook and Twitter.
I also publish cartoon books, but my seven books are banned on the grounds that the contents were “detrimental to national security.” Printers who printed my books and stores that sold them are constantly threatened by the authorities.
In 2010, I was arrested under the Sedition Act when my then new book, Cartoon-O-Phobia, was about to be launched. I challenged the book-banning and the unlawful detention. For this, the Kuala Lumpur High Court will decide on the 27 June.
No matter, I continue to draw, with my work now being followed by a bunch of young cartoonists. As a result, the government-controlled Election Commission recently decided to ban the use of cartoons in the coming general election (to be called before the current term ends in March 2013).
The banning of cartoons during the election is comical and ludicrous. This is because cartooning is a legally-practised medium in Malaysia and therefore the Commission does not have the right to forbid its use. Moreover, this is contradicting the freedom of expression provided to all citizens in the Malaysian Constitution.
I call for the Commission to withdraw this rule or it will become another Malaysian product of jokes to the global community. Recently, Malaysia has become a laughing stock due to the action on cartoonists such as banning of comic books and the detention of cartoonists under the Criminal Act.
I would like to announce that I will be leading a group of cartoonists, the Kumpulan Kartunis Independen (KKI) and will be actively involved before and during the next election campaign.
We will be opening our own Cartoonist Operations Centre and will be moving as a group in a van while campaigning for the coming election.
Our focus is to expose fraud and corruption and misuse of public funds by the current government, such as Scorpene Scandal or the domineering of the PM’s wife. The message-laden cartoons will be distributed in various forms: brochures, posters, banners, videos, to name a few.
I am ready to face the consequences! And I will keep drawing until the last drop of my ink!
Zunar is the foremost Malaysian political cartoonist. Last year, he has been conferred “2011 Courage In Editorial Cartoon” award by Cartoonist Rights Network International in Washington
04 Apr 19 | Awards, Cameroon, Colombia, Fellowship 2019, News and features, Press Releases, Turkey
[vc_row full_width=”stretch_row”][vc_column][vc_video link=”https://youtu.be/JeDl0BWXXOc”][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”105881″ img_size=”full” add_caption=”yes” alignment=”center” css_animation=”fadeIn”][vc_column_text]A Kurdish artist imprisoned for her paintings of the destruction of a town in Turkey’s Kurdish region and a worldwide network monitoring threats and abuses against editorial cartoonists around the world are among the winners of the 2019 Index on Censorship Freedom of Expression Awards.
The winners, who were announced on Thursday evening at a gala ceremony in London, also include a Colombian civil society organisation that challenges online trolls by flagging abuse and an award-winning broadcast journalist from Cameroon who was arrested in November 2018 for her reporting.
Awards were presented in four categories: arts, campaigning, digital activism and journalism.
The winners are: Turkish artist Zehra Doğan (arts); Cartoonists Rights Network International (campaigning); Fundación Karisma, an organisation challenging the growing online harassment of women in Colombia (digital activism); and Mimi Mefo, one of less than a handful of journalists working without fear or favour in Cameroon’s climate of repression and self-censorship (journalism).
“These winners deserve global recognition for their amazing work,” said Index on Censorship CEO Jodie Ginsberg. “Like all those nominated, they brave massive personal and political hurdles simply so that others can express themselves freely.”
Drawn from more than 400 public nominations, the winners were presented with their awards at a ceremony at The Mayfair Hotel, London, hosted by comedian Nish Kumar.
Actors, writers and musicians were among those celebrating with the winners. The guest list included Tim Moloney QC, the deputy head of Doughty Street Chambers, writer, broadcaster and chair of Index on Censorship Trevor Philips, Malaysian cartoonist Zunar, historian and commentator Timothy Garton Ash and more.
Winners were presented with cartoons created by Egyptian cartoonist Doaa el-Adl.
Each of the award winners will become part of the fifth cohort of Freedom of Expression Awards fellows. They join last year’s winners — The Museum of Dissidence, a public art project and website celebrating dissent in Cuba (arts); The Egyptian Commission for Rights and Freedoms, one of the few human rights organisations still operating in a country which has waged an orchestrated campaign against independent civil society groups (campaigning); Habari RDC, a collective of more than 100 young Congolese bloggers and web activists, who use Facebook, Twitter and YouTube to give voice to the opinions of young people from all over the Democratic Republic of Congo (digital activism); and Wendy Funes, an investigative journalist from Honduras who regularly risks her life to report on what is happening in the country, an extremely harsh environment for reporters (journalism) — as part of a world-class network of campaigners, activists and artists sharing best practices on tackling censorship threats internationally.
Through the fellowship, Index works with the winners – both during an intensive week in London and the rest of the awarding year – to provide long-term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.
This year’s panel of judges included actor and filmmaker Khalid Abdalla, writer and social activist Nimco Ali, writer and academic Kate Devlin and Rappler CEO and executive editor Maria Ressa.
Awards judge Abdalla said: “The abyss we are facing all over the world requires acts of courage and intellect capable of changing the terms of how we think and respond to the challenges ahead. We have to celebrate those who inspire us and lead by example, not just because they have managed to break barriers in their own contexts, but because some part of what they do holds a key for us all.”
This is the 19th year of the Freedom of Expression Awards. Former winners include activist Malala Yousafzai, cartoonist Ali Ferzat, journalists Anna Politkovskaya and Fergal Keane and Bahrain Center for Human Rights.
Ziyad Marar, president of global publishing at Sage, said: “We are once again proud to sponsor tonight’s awards ceremony. We’re inspired by the achievements recognised tonight and remain in awe of Index’s work to champion, and bring to light, the work of these remarkable individuals. The protection and promotion of free speech is a belief deeply ingrained within our values at Sage and, as publisher of the magazine, we’re committed to supporting Index as they continue to confront issues of censorship globally. Congratulations to all those recognised tonight.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”2019 Freedom of Expression Arts Award” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”105885″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Zehra Doğan | Turkey
Released from prison on 24 February 2019, Zehra Doğan is a Kurdish painter and journalist who, during her imprisonment, was denied access to materials for her work. She painted with dyes made from crushed fruit and herbs, even blood, and used newspapers and milk cartons as canvases. When she realised her reports from Turkey’s Kurdish region were being ignored by mainstream media, Doğan began painting the destruction in the town of Nusaybin and sharing it on social media. For this she was arrested and imprisoned. During her imprisonment she refused to be silenced and continued to produce journalism and art. She collected and wrote stories about female political prisoners, reported on human rights abuses in prison, and painted despite the prison administration’s refusal to supply her with art materials.
Speech: “It is not only art that has had boundaries drawn around it in Turkey”
Profile: Artist Zehra Doğan refused to be silenced[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”2019 Freedom of Expression Campaigning Award” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”105883″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Cartoonists Rights Network International | United States / International
Cartoonists Rights Network International (CRNI) is a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. Marshalling an impressive worldwide network, CRNI helps to focus international attention on cases in which cartoonists are persecuted and put pressure on the persecutors. CRNI tracks censorship, fines, penalties and physical intimidation – including of family members, assault, imprisonment and even assassinations. Once a threat is detected, CRNI often partners with other human rights organisations to maximise the pressure and impact of a campaign to protect the cartoonist and confront those who seek to censor political cartoonists.
Speech: “Like virtually no other profession the cartoonist makes it their business to remind the citizenry that the emperor is naked”
Profile: Cartoonists Rights Network International defends cartoonists worldwide[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”2019 Freedom of Expression Digital Activism Award” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”106261″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]
Fundación Karisma, Colombia
Fundación Karisma is a civil society organisation that challenges online trolls by using witty online ‘stamps’ that flag up internet abuse. It is an initiative that uses humour to draw attention to a serious problem: the growing online harassment of women in Colombia and its chilling effect. The organisation offers a rare space to discuss many issues at the intersection of human rights and technology in the country and then tackles them through a mix of research, advocacy and digital tools. Karisma’s “Sharing is not a crime” campaign supports open access to knowledge against the backdrop of Colombia’s restrictive copyright legislation.
Speech: “At the heart of Karisma’s work has always been the promotion of access to knowledge and culture”
Profile: Colombia’s Fundación Karisma works to enhance digital rights
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”2019 Freedom of Expression Journalism Award” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”105884″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Mimi Mefo | Cameroon
Mimi Mefo is one of less than a handful of journalists working without fear or favour in Cameroon’s climate of repression and self-censorship. An award-winning broadcast journalist at private media house Equinoxe TV and Radio, Mefo was arrested in November 2018 after she published reports that the military was behind the death of an American missionary in the country. Mefo reports on the escalating violence in the country’s western regions, a conflict that has become known as the “Anglophone Crisis” and is a leading voice in exposing the harassment of other Cameroonian journalists, calling publicly for the release of those jailed.
Speech: “This award is for those who stood and have continued to stand for press freedom”
Profile: Mimi Mefo works without fear or favour in Cameroon’s climate of repression and self-censorship[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_single_image image=”105882″ img_size=”full” add_caption=”yes” css_animation=”fadeIn”][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces”][vc_column][vc_column_text]
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Index is grateful to those who are supporting the 2019 Awards:
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If you are interested in sponsorship you can contact [email protected]
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04 Apr 19 | Artistic Freedom, Awards, Fellowship, Fellowship 2019, News and features
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Terry Anderson, deputy executive director of Cartoonists Rights Network International, accepted the award on its behalf.
Ladies and Gentlemen, distinguished judges, new friends at Index on Censorship,
To accept this award and enter into fellowship with you is an honour intensified by the stature of the other nominees and recipients. On behalf of the CRNI board of directors and our regional reps around the world, thank you.
Those of us concerned with freedom of expression care about cartoonists because we are a societal safety-valve, expressing dissatisfaction about all the injustices and irritants of the world bluntly yet harmlessly, communicating an idea that is consumed in a matter of seconds. This immediacy gives cartoons their sensation of impudence. They are opinion pieces, not reportage. Nonetheless humour falls flat without veracity. Thus we look to cartoonists not for nuanced analysis of policy but to reveal deeper truths and it is for this reason that those in power have cause to fear them. Like virtually no other profession the cartoonist makes it their business to remind the citizenry that the emperor is naked. If they are not safe to say so, we are all diminished.
CRNI has at times had to make do with a skeleton crew and empty coffers even while trying to assist vulnerable practitioners on the other side of the planet and contend with the rising tide of authoritarianism and extremism well-understood by all rights defenders. To receive a plaudit is pleasant indeed, but for us the real prize is a year of fellowship that we hope will prove transformative to our profile and capacity.
I would like to mention some names. Two of our own award-winning cartoonists are with us: Zunar, a political cartoonist who faced 43 years in prison for criticising the Malaysian government, and Eaten Fish, an Iranian cartoonist who spent four years in a refugee detention camp – please do talk to them both this evening and hear their stories.
Two of our most important allies, the UK’s Professional Cartoonists’ Organisation & the International Cities of Refuge Network are represented, thank you. This fellowship recognises CRNI’s campaigning in particular and if we have had any success in this regard it’s due to the tireless efforts of our comms officer Patricia Bargh who stepped down last year. Finally I want to extend thanks on behalf of our founder director Dr Robert Russell who cannot cross the miles between us but rest assured will have the award hand-delivered as soon as possible.
Full profile: Cartoonists Rights Network International defends cartoonists worldwide[/vc_column_text][vc_basic_grid post_type=”post” max_items=”10″ element_width=”6″ grid_id=”vc_gid:1554466528428-22ad1975-324c-9″ taxonomies=”8935″][/vc_column][/vc_row]
11 Mar 19 | Awards, News and features
[vc_row][vc_column][vc_video link=”https://youtu.be/UOjkQdP9AlM”][vc_column_text]Cartoonists Rights Network International (CRNI) is a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. It is a lifeline for cartoonists in danger across the world. Despite the organisation’s limited size, resources and capacity, it is able to marshall an impressive network to focus international attention on cases in which cartoonists are persecuted and put pressure on the persecutors.
The network was instrumental in the release of graphic novelist Ramón Nsé Esono Ebalé who was imprisoned in Equatorial Guinea on bogus counterfeiting charges because of his criticism of the country’s president and government.
CRNI tracks censorship, fines, penalties and physical intimidation (including of family members), assault, imprisonment, and even assassinations. Once a threat is detected, CRNI often partners with other human rights organisations to maximise the pressure and impact of a campaign to protect the cartoonist and confront those who seek to censor political cartoonists.
Cartoonists are frequently targeted by authoritarian governments and lack the protection offered by unions or large media organisations, therefore external support is crucial.
CRNI participated in the campaign to assist Malaysian cartoonist Zunar, accused of sedition on nine counts and subjected to a travel ban. The charges were dropped in July 2018. They helped Nikahang Kowsar leave Iran after a prison sentence and resettle his family in North America.
Others supported include American cartoonist Jake Thrasher, for whom they raised awareness of his work when he was received death threats and homophobic abuse. It helped Tony Namate, Zimbabwe, who then faced personal threats by pro-Mugabe thugs and loss of income after his employer was forced into closure by government court action.
Another way CRNI helps cartoonists’ free expression is through its yearly Courage in Editorial Cartooning Award. Receiving the award brings international attention to a cartoonist’s work, grows his or her readership, and thus reduces the amount of pressure he or she is subject to.
CRNI has also helped fund the 2017 gathering of cartoonists in Cape Town, South Africa, facilitated by Africartoons, where personal safety and survival strategy in response to hostile working environments were discussed.
In 2018, CRNI was instrumental in the release of graphic novelist Ramón Nsé Esono Ebalé. CRNI also campaigned for the the release of Ali Dorani, aka Eaten Fish, from the “regional processing centre” on Manus Island, Papua New Guinea, and raised his case with ICORN who were in turn able to facilitate refuge for him in Norway.[/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”104691″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1564482583396-aed50c86-f27d-9″ taxonomies=”26925″][/vc_column][/vc_row]
