Pavel Litvinov: A dissident hero

Pavel Litvinov, who recently turned 82, is an imposing figure. When I meet him on a rainy August day, he fills the space in his compact living room in the suburban New York City garden apartment he shares with his wife, Julia Santiago. We picked the day, 22 August, for our interview out of convenience, but it happens to resonate. It was on 21 August 1968 that Soviet troops invaded Czechoslovakia, demolishing the “socialism with a human face” of its leader, Alexander Dubček.

Days later, at noon on 25 August, the then 28-year-old physicist Litvinov, with seven comrades – including the group’s organiser, poet Natalya Gorbanevskaya (and her baby in a pram) – met in Moscow’s Red Square to unfurl a banner that turned out to be life-changing. Its message was plain: “Hands off the CSSR [Czechoslovak Socialist Republic].” Within minutes, the KGB arrived to forcibly take them away to camps or psychiatric hospitals. Litvinov, hit hard in the face, was arrested and sent to internal exile in a Siberian mining town for five years with his then wife. His daughter was born there.

“I was in prison for several months and then in exile and had to work in the mines. I couldn’t leave the village; I couldn’t get permission to travel,” Litvinov said. Recalling his motivation for the action, he added: “It felt internally necessary. I had a very strong feeling of what is fair and unfair, and that people have to treat each other gently and with respect.”

The Litvinov family was well known in both dissident and Soviet ruling circles. His grandfather was Maxim Litvinov, once Joseph Stalin’s people’s commissar for foreign affairs until he was deposed in 1939 because, as a Jew, he became an obstacle to warmer ties with Adolf Hitler. “I was 11 when my grandfather died; we were good friends,” he explained. “He was already disappointed in the Russian revolution and the Bolsheviks.” His parents’ home was a gathering place for dissidents. Literature also inspired him. “Most important was Russian literature from the 19th century –Pushkin, Tolstoy, Lermontov… They expressed a feeling of compassion toward helping others under the autocratic state,” he said.

Indeed, books and literature, in the form of samizdat, were crucial – not only the literary classics but also records of the dissidents’ trials in real time. Litvinov deconstructs the samizdat publication process for me, explaining how, during these trials, somebody would gain access to the court and bring the information home. “They would write the transcript by hand; then we would find someone who had a typewriter,” he said. “I would print pages on very thick photographic paper. The book would be photographed and developed in a darkroom. Sometimes we would have a party to read the book. I would read the first page, give [someone else] the second page, who would give it to the next one. We would read Doctor Zhivago in half a night, then have tea or vodka. Then I would give a film to a friend from Leningrad, and someone would come from Kyiv – same procedure.”

From his earliest dissident days, Litvinov’s strategy was to appeal to allies outside the Soviet Union. And that’s the connection to Index on Censorship. In 1968, he co-wrote with dissident Larisa Bogoraz an Appeal to World Public Opinion, about dissident trials. “I wrote the appeal in Russian. Some of the foreign correspondents translated it to English. In the evening we would always listen to the BBC. They started to speak about the letter. They said Stephen Spender read about it… and Spender called Igor Stravinsky, Mary McCarthy[and] famous American and English writers and composers. They started to interview them. It was so touching when they interviewed Stravinsky. He was 90. He said – in Russian – ‘My teacher[Nikolai] Rimsky-Korsakov suffered from Russian censorship and that’s why I signed this letter, because these people protested against censorship’.”

The appeal didn’t keep Litvinov and his group out of prison, but it did have global political impact, opening a path between Litvinov and Spender. And it led to the creation of Index on Censorship. “Mary McCarthy said that the letter had more influence than napalm did in Vietnam,” he said proudly. “Our fight was a fight for freedom of speech, a protest against censorship. Censorship could be when they don’t let you publish a book, or when you lose a job, or when you get kicked out of the country, or when you get put in prison. All that means censorship.”

Just before the Red Square demonstration, Litvinov sent a letter to Spender suggesting an international council to support democracy in the Soviet Union, along with a publication to promote the situation there. “When I returned [from Siberia],there was a young man – now I realise that he was 10 years older than I, but he looked younger. He said: ‘I am Michael Scammell. I am a Russian specialist’.”

Scammell asked Litvinov if he knew more about what Scammell was doing now. “I said ‘No’,” he recalled, with a smile appearing after all these decades. Scammell said: “You gave me my first job. I was a writer and journalist. Now I have a job at a magazine as editor of Index on Censorship.” The idea that Litvinov had broached with Spender had come to fruition in his absence thanks to him, Stuart Hampshire, Scammell and others. “We became friends and Scammell was eventually kicked out of Russia,” Litvinov remembered.

Scammell organised lectures for Litvinov at British universities and invited him to join the Index editorial board, which he did for a while. I wonder whether Litvinov thought that repression could return to Russia after all this time. Indeed, today, he sees a direct line to what’s happening there. “It is a continuation of the kind of thing that happened with Russia and Czechoslovakia. Ukraine was [always]a threat to the Soviet empire. It was clear for all of us that if Ukraine would survive on its own there would be no more Soviet Union. So, there was always tension. In the Stalinist labour camps, half of the political prisoners in the Gulag after World War I were Ukrainian… people strongly felt their national identity and culture. A lot of dissidents became our friends.” But he didn’t consider war. “I really didn’t expect it until the last minute. Russia really has to lose badly or Russia will start another imperialist adventure,” he said.

I wonder, too, about his assessment of Vladimir Putin. He is quick to respond. “In the 1930s, there were very terrible KGB people but among them there were at least people who were ideological communists. In Putin’s generation they didn’t believe in communism or Marxism. They believed in secret police and dirty tricks and spying.” He describes his surprise at how so many people find Putin palatable. “I always thought that because he was KGB, he was bad. He said he was proud of the KGB. The KGB executed millions of people and he is still proud. If he would say they did some good things and some bad things… but nothing.”

In 2006 he retired from his 30-year job as a science teacher at a Westchester school and today he stays in close touch with those who have left, and continue to leave, Russia. He does what he can to support dissent inside the country, especially backing a new generation with fundraising and encouragement. “There is a group to whom I am very close – OVD-Info. The guy who started it is in Germany and they are available 24/7. If someone is arrested anywhere in Russia, they can call them and, in an hour, there will be a lawyer at the police station. They are the next generation of dissidents.”

Does Litvinov have any regrets, having performed heroic actions that exiled him from his birth country? “This was the whole fun of it,” he said. “I enjoyed my life. I was not afraid. I was ready for much worse conditions than I had in Siberia. Then I emigrated and saw America and Europe. I feel like I am more American than Russian.”

Before leaving, I ask him if he has hope. He sighs and at first responds: “Oh, hope.” I think he will say “No”, but instead he says: “Now, with the war, strangely enough there is more hope. Because it looked like Putin had a good chance, he had so much control, but now because of the crazy war that makes no sense, he probably won’t survive for long. What will happen I don’t know. [But] I think the war will kick him out. If the war is over, practically Russia cannot win.

This article is from the winter issue of Index on Censorship, which will be published shortly. Click here more information on the issue.

Who is 2022’s Tyrant of the Year?

At the end of every year, Index on Censorship launches a campaign to focus attention on human rights defenders, dissidents, artists and journalists who have been in the news headlines because their freedom of expression has been suppressed during the past twelve months. As well as this we focus on the authoritarian leaders who have been silencing their opponents.

Last year, we asked for your help in identifying 2021’s Tyrant of the Year and you responded in your thousands. The 2021 winner, way ahead of a crowded field, was Turkish president Recep Tayyip Erdogan, followed by China’s Xi Jinping and Syria’s Bashar al-Assad .

The polls are now open for the title of 2022 Tyrant of the Year and we are focusing on 12 leaders from around the globe who have done more during the past 12 months than other despots to win this dubious accolade.

Click on those in our rogues’ gallery below to find out why the Index on Censorship team believe each one should be named Tyrant of the Year and then click on the form at the bottom of those pages to cast your vote. The closing date is Monday 9 January 2023.

 

 

 

VOTING HAS NOW CLOSED. SEE WHO YOU VOTED AS TYRANT OF THE YEAR 2022 HERE.

Tyrant of the year 2022: Vladimir Putin, Russia

Vladmir Vladimirovich Putin is the tyrant’s tyrant in more ways than one. Over the two decades he has dominated Russian politics as president and prime minister, he has set a new standard in the brutal oppression of opponents at home and abroad. His illegal invasion of Ukraine on 24 February has had a devastating effect on the global economy and turned Russia into a global pariah. But he has also been a consistent champion of other tyrants, whether it is Ayatollah Khamenei, the supreme leader of Iran, President Assad of Syria or his closest ally in the region, President Lukashenska of Belarus.

The horrors perpetrated by the army sent to Ukraine in 2022 by Putin are too many to catalogue here. But they include torture and summary execution, as evidenced from the mass graves of Bucha, the forced deportations of citizens of occupied territories in the east of the country, indiscriminate attacks on civilian targets such as the maternity hospital in Mariupol and sexual violence used as a weapon of war. As winter sets in his forces have targeted power facilities, leaving many Ukrainians without light, heat and water in freezing conditions.

Meanwhile, in Russia itself the independent media has been crushed, with many journalists silenced or forced into exile. New legislation has turned protesters into traitors. Even calling Russia’s intervention in Ukraine a war has been deemed a crime, with anyone convicted of spreading “false information” facing a 15-year prison sentence.

“Most tyrants only brutalise their own people or the countries they invade. But Putin is a truly global tyrant who has made the whole world a poorer place by strangling the supply of Russian oil and gas and Ukrainian grain. And he has made it a more dangerous place by bringing the threat of nuclear war to Europe. Tyrant of the year? More like tyrant of the century,” says Index’s editor-at-large Martin Bright.

Contents – The battle for Ukraine: Artists, journalists and dissidents respond

The summer issue of Index magazine concentrated its efforts on the developing situation between Russia and Ukraine and consequential effects around Europe and the world.

We decided to give voice to journalists, artists and dissidents who chose to respond to this ruthless war. At the same time, we didn’t forget other attacks on freedoms that haven’t been covered around the globe as much as they should.[/vc_column_text][vc_custom_heading text=”Up front”][vc_column_text]Joining Ukraine’s battle for freedom, by Jemimah Steinfeld: We must stand with the bold and brave against Putin.

The Index: A global tour of free expression, departing from the poll booth and arriving at the journalists reporting under Taliban rule.[/vc_column_text][vc_custom_heading text=”Features”][vc_column_text]Fifty years of pride and prejudice, by Peter Tatchell: Following the rise and
corporate fall of London’s march for LGBT rights, will grassroots voices rise again?

India’s meaty issue, by Aishwarya Jagani: When a burger comes with a side of oppression.

Cartoon, by Ben Jennings: Art imitates life, caveman style.

My three years of hell in an Uyghur ‘re-education’ camp, by Gulbahar Hatiwaj and Rahima Mahmut: As the world stays silent, hear the truth from inside China’s brutal concentration camps.

One step ahead of the game, by Chen Dan: Media criticism of the Chinese government is all part of the power play.

Welcome to the kingdom of impunity, by Michael Deibert: The landscape is dangerous for journalists in Haiti. Murders and kidnappings are a daily risk.

Politically corrected? By Issa Sikiti da Silva: The banned words the Kenyan
government doesn’t want to hear in this election year.[/vc_column_text][vc_custom_heading text=”Special report: The battle for Ukraine”][vc_column_text]Losing battle for truth in Russian lecture halls, by Ilya Matveev: The war has put a new strain on academic freedom. A Russian lecturer laments his lost classroom.

Don’t be afraid to say two plus two is four, by Mark Frary and Alla Gutnikova: As a convicted student journalist speaks out for freedom, do Russian dissidents once again face the gulag?

Emotional baggage, by Slavenka Drakulic: How it feels to pack up a life in Ukraine and become a refugee.

Back to the future, by Martin Bright: The world has been turned
upside down for Ukrainian reporters, and this is their new landscape.

On not being shot, by John Sweeney: Amidst the Kremlin-wrought
wreckage, do we need a new era of journalism?

Russia’s trojan horse moves closer to Europe, by Viktória Serdult: In Hungary, Putin’s right-hand man and Europe’s right-wing firebrand wins again.

Turkey’s newfound russophilia, by Kaya Genç: Putinism is seeping into Turkey, and it spells trouble for future freedoms.

Divided by age and a tv screen, by Hanna Komar: How do you make sure your
family see the truth when they’re blinded by Kremlin propaganda? A Belarus activist speaks out.

Culture in the cross hairs, by Andrey Kurkov: Decades after Soviet rule, Ukrainian culture is once again under threat, as are the lives behind the creative expression.

Bordering on media control, by Kseniya Tarasevich: False information about
Ukraine finds fertile breeding ground in Poland.

Treat tragedies of the Ukraine war with dignity, by Olesya Khromeychuk: The grieving hearts left behind when death becomes news fodder.

Worth a gamble, by Jemimah Steinfeld: When telling the truth is a crime, turn to a criminal spam operation.[/vc_column_text][vc_custom_heading text=”Comment”][vc_column_text]

Cancelling Russian culture is today’s moral imperative, by Marina Pesenti: Putin is using culture to extend his reach. We must say a hard no to this soft power play.

Cancel Putin, not culture, by Maria Sorenson: Banning Russian artists assumes
that they are all collaborators of the Russian state and goes against artistic freedoms.

Beware the ‘civilisation’ battle, by Emily Couch: Why Europe must reject
anti-Asian racism to fully stand with Ukraine.

The silent minority, by Ruth Smeeth: A tribute to those whose work never saw the light of day.[/vc_column_text][vc_custom_heading text=”Culture”][vc_column_text]‘The light is no longer the light it used to be’, by Lyuba Yakimchuk: The poet on children being indoctrinated and the elderly disorientated in Russia-occupied Ukraine.

A cassandra worth heeding, by Dominic Cavendish: Murdered Russian journalist
Anna Politkovskaya, whose dispatches from Chechnya should be put in the spotlight.

Poetic injustice, by Stephen Komarnyckyj: History is repeating itself
on the pages penned by Ukrainian writers.

Banking on Russia’s poetic spirit, by Maria Bloshteyn and Yulia Fridman: A “piggy bank” of Russian poetry is fighting on the right side of Putin’s war.

Metaphors and madness, by Eduardo Halfon: In Guatemala, truth is best expressed through fiction.

Metal shows its mettle, by Guilherme Osinski: A heavy metal band labelled
“satanic” by Iran is free from prison and taking back the microphone.

America’s coming crucible, by Jo-Ann Mort: Women in the USA might soon be in the dark about their own bodies.

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