In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is an article by children’s book author Norma Klein, on the censorship of children’s books, taken from the spring 1987 issue. It’s a great starting point for those who plan to attend the Banned books: controversy between the covers session at the festival this year.
I used to feel distinguished, almost honoured, when my young books were singled out to be censored. Now, alas, censorship has become so common in the children’s book field in America that almost no one is left unscathed. Some of the most conservative writers are being attacked; it’s reached a point of ludicrousness which, for me, was symbolised by my most recent encounter with ‘the other side’ in Gwinett county, Georgia, in April 1986.
Usually, my books are attacked for their sexual content. The two school board meetings I had attended in the early 1980s, one in Oregon, one in the State of Washington, had centred on two books for older teens, It’s Okay if You Don’t Love Me, a book about two 18- year-olds having a love affair, and Breaking Up, a novel about a 15-year-old girl who discovers her mother is gay. I might add parenthetically that these books have just been published in England for the first time by Pan Books in a new series aimed at teenagers, ‘Horizons’. Already, as in America, they are selling well and already, as in America, I have been told of indignant parents storming into bookstores and objecting to certain passages. It seems that things are not very different in other countries.
What was unusual about the Gwinnett county case was that the book selected to be attacked was one of my early ones, Confessions of an Only Child, about an eight-year-old girl. The offending sentence was one where the girl’s father is putting up wallpaper. Here it is in its entirety:
‘God damn it,’ Dad said as the wallpaper swung around and whacked him in the face.
When the paperback publisher of Confessions first heard of the attack, he attempted to defend the book in the following way:
Abrasive words are sometimes used by writers to add definition to a character or a story; they give the reader an understanding of the situation or kind of person speaking, but are not meant to be words which the reader should use or admire. It is our belief that the family relationships are so positive in this book that they far outweigh the use of realistic language.
My attacker, Theresa Wilson, a stunning blonde, had been heartened by her success in having another book she objected to, Deanie by Judy Blume, removed from the shelves. Her first attempt to remove my book was defeated by a 10-member review panel consisting of six parents, three teachers and a librarian. Ms Wilson claimed to have ‘stumbled’ upon the offending passage one afternoon while in the Beaver Ridge library looking for books that contain material to which she might object. In her thirties, she has no profession and, in a sense, being a censor has led to her becoming a local celebrity; she now, whether her attacks succeed or fail, appears regularly on TV and radio and is covered widely in local newspapers. The 10-member panel voted to keep Confessions on the shelves; only one person voted to keep it on a restricted shelf. ‘The consensus is that the book had literary merit for the age group intended,’ said principal Becky Hopcraft.
Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
Incidentally, Ms Wilson said she didn’t object to my heroine’s mother saying, ‘Ye Gods,’ in the next line, because she does not believe ‘Gods’ refers to the Christian god. She wants every book containing the word ‘damn’ restricted from Gwinnett elementary schools. She cited a US Supreme Court ruling against hostility toward religion and said the use of God Damn in Confessions indicated a ‘hostility toward Christianity’.
All this, the initial attack on my book and its initial success in being retained on the shelves, helped to achieve an important result — the founding of a group called Gwinnett Citizens for Freedom in Education. Initially a small group, it now has nearly 500 members. Its president, Lorna Cox, said she was amazed at the diversity of the group’s members, proving that liberals in America are not, as some right-wingers insist, an elitist minority. ‘We’ve got people who didn’t graduate from high school,’ Ms Cox said, ‘college graduates, doctors, professionals, and people who aren’t even affiliated with a school but have a deep, burning desire to be involved in education.’ The group participates in workshops to learn more about censorship at the local and national levels and contacts school administrators each week to learn about potential book bannings.
As in the cases involving It’s Okay if You Don’t Love Me, and Breaking Up, my travel expenses to Georgia were paid by the author’s organisation, PEN. They have a Freedom to Read committee with a fund for cases like this. My own reason for attending these meetings is that I feel having the author appear and help argue the case not only gives heart to the local anti-censorship organisations involved, such as Gwinnett Citizens for Freedom in Education, but may focus national attention on the case. Perhaps it was co- incidental, but CBS did appear in the courtroom to cover the debate for a TV segment on ‘secular humanism’.
Before flying to Georgia I was interviewed by phone. I was quoted as saying, ‘I’m not a religious person… To me the phrase god damn has no more negative a connotation than the expression, Oh gosh. I added that I attributed the swing toward censorship in America to the conservative mood of the Reagan administration. When I arrived, I was told by two of my supporters that the negative reference to Reagan was a mistake. ‘Everyone is for him down here,’ they said. I have to add parenthetically that one of the reasons I write the kinds of books I do and am, perhaps ingenuously, surprised at the reaction they provoke, is due to the fact that I’ve lived all my life in New York City and know personally only liberal people. I’ve never met anyone who voted for Reagan; I am always amazed when the Republicans win an election. But it’s probably similar that in a two-week stay in London’ in the spring of 1986,1 didn’t meet anyone who was for Margaret Thatcher either. This may, however, give me a kind of inner freedom from certain restrictions, due simply to underestimating the power of the right.
The school board meeting I attended was crowded with supporters from both sides. It was conducted as a kind of mock trial. Both sides were allowed to question anyone from the other side about anything that was relevant to the case. I was pleased and relieved that every time Ms Wilson tried to bring the questioning around to my own personal religious beliefs, she was told that was not relevant to the book. In a perverse way I found her performance at the trial fascinatiing. She alternately flirted with, and tried to antagonise, the three-member school board which consisted of two men and a woman. Luckily for me, her case was weak and she overstepped the bounds of tolerance — even within a conservative, religious community — by telling the school board members that if they didn’t ban my book, they would, on Judgment Day, go straight to Hell. ‘One day each and every one of you will stand before God almighty and you will answer to how’you believe, how you voted, how you stand.’ Evidently this threat did not frighten anyone sufficiently.
The closest Ms Wilson got to making me come forward and state my personal beliefs was when she asked if I considered myself to be ‘above God’. I responded, ‘I assume that’s a rhetorical question.’ She laughed nervously and said she didn’t know what ‘rhetorical’ meant.
Confessions of an Only Child is about a family in which the mother gets pregnant and loses her baby. It shows how this affects the heroine who was enjoying her only child status. In deciding that Confessions had ‘redeeming educational value’, one of the board members, Louise Radloff, stated, ‘I think this book has much literary merit and it shows an open discussion within the family’. I had argued in my presentation that I felt that books could be an avenue to open discussion… a way to bring parents and children closer together, that simply having a book available was not forcing it on anyone.
What amazed me, though, was that in their closing remarks, though each school board member re-iterated the literary values of my book, all three said that, indeed, the phrase ‘God damn’, was offensive and should have been left out. One board member said he, thank heaven, had never used that word. Another said he had used it once, at the age of 10 and had been beaten so severely by his parents for this that he had never used it again. I am utterly unable to judge the sincerity of these remarks. What I did feel was the pressure on everyone living in these suburban communities to conform to what is felt to be a general set of beliefs. People are terribly afraid to come out and say they are feminists, atheists, or even, God forbid, Democrats.
In a sense this is a success story. Not only will my book remain on the shelves, but the Gwinnett Citizens for Freedom in Education feel heartened that the positive publicity they received will help them in future battles. But Theresa Wilson is, seemingly, not daunted. She’s already after another book, Go Ask Alice. ‘I don’t love publicity,’ she said when interviewed on a local radio show the day after the hearing. ‘I love showing the glory of God.’ Sadly, even the local people who are against her regard her as good copy. Although she had lost her case, she was brought forward to be on the radio show with me and most of the time was spent, not debating the issues involved, but in baiting her with peculiar call-in questions from the audience. What a pity. But still, no matter how absurd and tiny this one case is, I feel I would do it again for my own books and would encourage other authors to do the same. Passivity and inaction only encourages censorship groups even more. I think now they are beginning to realise they will, at least, have a fight on their hands.
Reporting the Third World
World leaders, or their top ministers, in an effort to arrive at something we call ‘balanced coverage’. Most Third World leaders feel you are either for ’em or against ’em and there is not much middle ground to walk upon. Some, as in Saudi Arabia, just don’t want to talk to the Western press. I can remember one visit to the Saudi kingdom in early 1981 when four American correspondents — from the New York Times, Time magazine, the Associated Press, and myself from The Washington Post — jointly applied for an interview with either King Khalid or Crown Prince Fahd. Each of us knew it was unlikely either would bother with an interview for just one publication, but here was a broad segment of the US print media asking collectively for an interview. After waiting around for two weeks, we collectively gave up and left.
One major problem for American correspondents is the near total ignorance of Third World leaders about how the Western media work and how to use them for their own ends. While the correspondent may regard his or her request for an interview with a leader or top minister as a chance to air their views, they seem to look upon it as a huge favour which they are uncertain will be rewarded in any way.
Other forms of indirect censorship come in control over a correspondent’s access to the story or means of communication. Israel restricted, or at least tried to restrict, access to southern Lebanon after its invasion in June 1982 to those it felt were sympathetic to its cause or important to convince of its view. The policy never really worked because correspondents could always get into Israeli-occupied territory from the north through one back road or another. But it got more difficult as time went on. The Israeli attempt at restricting access to southern Lebanon was hardly the worst example of this kind of censorship I experienced in nearly two decades of working in the Third World, however. Covering the war between Iran and Iraq was, and remains, far more difficult. In four years, I never once got a visa to Iran. I got to Baghdad several times, but imagine my surprise the first time customs officials seized my typewriter at the airport and told me I would have to get special permission from the Information Ministry to bring it in. (At the airport in Tripoli there was a roomful of confiscated typewriters the last time I visited there in September 1984.) Whether one was allowed to the Iraqi war front depended on either an Iraqi victory or a lull in the war. As for permission to travel into Iraqi Kurdistan, it was never granted to any Western correspondent I can think of in the four-to-five years I was covering the Middle East.
The other game Iraqi information officials play is attempting to censor your coverage of the war. When I first went there, there was a Ministry of Information official sitting at the hotel who had to okay your copy or you could not send it out by phone or telex. This kind of direct censorship of copy was rare in my experience, however. Other than Israel, where military news is supposed to pass through the censor’s office, and Iraq and Libya, I can think of no examples where I had to submit my copy before sending it.
Are the techniques of indirect censorship getting worse? In the areas of the world where I have worked, I am not sure. If Syria has become worse, Iraq is probably better today. Egypt has definitely got better, and so had Kuwait until recently. Saudi Arabia, on the other hand, has restricted access to a far greater degree in the past two years, and Bahrain has become more sensitive. South Africa has taken a turn for the worse. Countries that were always difficult to cover, such as Zaire, Malawi, Ethiopia and Angola, remain more or less the same.
As economic problems have got worse or rulers have felt a greater threat to their regimes, Third World governments seem to be tightening up when it comes to outside press coverage.
If this is indeed the underlying principle governing the degree of press censorship, then the problem may be more cyclical than linear, getting worse or better according to the political and economic health of a country or the special challenges it is facing at that time.
Who believes it?
‘That is how the theory goes: Restrict the press to supportive comment, and a country’s life will be calmer and better. But experience and reason suggest that the opposite will happen. Faulty government policies, if they are not subject to real criticism, grow worse. Autocrats become more autocratic. Can anyone believe that repression of criticism leads to efficiency in a society, to new ideas?’
Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg.
In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is and article by Ismail Einashe on television journalist Temesghan Debesai’s escape from Eritrea, taken from the spring 2014 issue. This article is a great starting point for those planning to attend the A New Home: Asylum, Immigration and Exile in Today’s Britain session at the festival.
Television journalist Temesghen Debesai had waited years for an opportunity to make his escape, so when the Eritrean ministry of information sent him on a journalism training course in Bahrain he was delighted, but fearful too. On arrival in Bahrain, he quietly evaded the state officials who were following him and got in touch with Reporters Sans Frontières. Shortly after he met officials from the United Nations High Commissioner for Refugees who verified his details. He then went into hiding for two months so the Eritrean officials in Bahrain could not catch up with him and eventually escaped to Britain.
Debesai told no one of his plans, not even his family. He was concerned he was being watched. He says a “state of paranoia was everywhere” and there was no freedom of expression. Life in Eritrea, he explains, had become a “psychological prison”.
After graduating top of his class from Eritrea’s Asmara University, Debesai became a well-known TV journalist for state-run news agency Erina Update. But from 2001, the real crackdown began and independent newspapers such as Setit, Tsigenai, and Keste Debena, were shut down. In raids journalists from these papers were arrested en masse. He suspects many of those arrested were tortured or killed, and many were never heard of again. No independent domestic news agency has operated in Eritrea since 2001, the same year the country’s last accredited foreign reporter was expelled.
The authorities became fearful of internal dissent. Debesai noticed this at close hand having interviewed President Afwerki on several occasions. He describes these interviews as propaganda exercises because all questions were pre-agreed with the minister of information. As the situation worsened in Eritrea, the post-liberation haze of euphoria began to fade. Eritrea went into lock-down. Its borders were closed, communication with the outside world was forbidden, travel abroad without state approval was not allowed. Men and women between the ages of 18 and 40 could be called up for indefinite national service. A shoot-to-kill policy was put in operation for anyone crossing the border into Ethiopia.
Debesai felt he had no other choice but to leave Eritrea. As a well-known TV journalist he could not risk walking across into Sudan or Ethiopia, so he waited until he got the chance to leave for Bahrain.
Eritrea was once a colony of Italy. It had come under British administrative control in 1941, before the United Nations federated Eritrea to Ethiopia in 1952. Nine years later Emperor Haile Selassie dissolved the federation and annexed Eritrea, sparking Africa’s longest war. This long bitter war glued the Eritrean people to their struggle for independence from Ethiopia. Debesai, whose family went into exile to Saudi Arabia during the 1970s, returned to Eritrea as a teenager in 1992, a year after the Eritrean People’s Liberation Front captured the capital Asmara.
Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
For Debesai returning to Asmara had been a “personal choice”. He wanted to be a part of rebuilding his nation after a 30-year conflict, and besides, he says, life in post-war Asmara was “socially free”, a welcome antidote to conservative Saudi life. Those heady days were electric, he says. An air of “patriotic nationalism” pervaded the country. Women danced in the streets for days welcoming back EPLF fighters. Asmara had remained largely unscathed during the war thanks to its high mountain elevation. Much of its beautiful 1930s Italian modernist architecture was intact, something Debesai was delighted to see.
But those early signs of hope that greeted independence quickly soured. By 1993 Eritreans overwhelmingly voted for independence, and since then Eritrea has been run by President Isaias Afwerki, the former rebel leader of the EPLF. Not a single election has been held since the country gained independence, and today Eritrea is one of the world’s most repressive and secretive states. There are no opposition parties and no independent media. No independent public gatherings or civil society organisations are permitted. Amnesty International estimates there are 10,000 prisoners of conscience in Eritrea, who include journalists, critics, dissidents, as well as men and women who have evaded conscription. Eritrea is ranked the worst country for press freedoms in the world by Reporters Sans Frontières.
The only way for the vast majority of Eritreans to flee their isolated, closed-off country is on foot. They walk over the border to Sudan and Ethiopia. The United Nations says there are 216,000 Eritrean refugees in Ethiopia and Sudan. By the end of October 2014, Sudan alone was home to 106,859 Eritrean refugees in camps at Gaderef and Kassala in the eastern, arid region of the country.
In Ethiopia, Eritrean refugees are found mostly in four refugee camps in the Tigray region, and two in the Afar region in north-eastern Ethiopia.
During the first 10 months of 2014, 36,678 Eritreans sought refuge across Europe, compared to 12,960 during the same period in 2013. Most asylum requests were to Sweden (9,531), Germany (9,362) and Switzerland (5,652). The UN says the majority of these Eritrean refugees have arrived by boat across the Mediterranean. The majority of them are young men, who have been forced into military conscription. All conscripts are forced to go to Sawa, a desert town and home to a military camp, or what Human Rights Watch has called an open-air prison. Many young men see no way out but to leave Eritrea. For them, leaving on a perilous journey for a life outside their home country is better than staying put. The Eritrean refugee crisis in Europe took a sharp upward turn in 2014, as the UNHCR numbers show. And tragedies, like the drowning of hundreds of Eritrean refugees off the Italian island of Lampedusa in October 2013, demonstrate the perils of the journey west and how desperate these people are.
Even when Eritrean refugees go no further than Sudan and Ethiopia, they face a grim situation. According to Lul Seyoum, director of International Centre for Eritrean Refugees and Asylum Seekers (ICERAS), Eritrean refugees in a number of camps inside Sudan and Ethiopia face trafficking, and other gross human rights violations. They are afraid to speak and meet with each other. She said, that though information is hard to get out, many Eritreans find themselves in tough situations in these isolated camps, and the situation has worsened since Sudan and Eritrea became closer politically.
Eritrea had a hostile relationship with Sudan during the 1990s. It supported the Sudan People’s Liberation Movement, much to the anger of President Al Bashir who was locked in a bitter war with the people of now-independent South Sudan. Today tensions have eased considerably, and President Afwerki has much friendly relations with Sudan to the detriment of then tens of thousands of Eritrean refugees in Sudan.
A former Eritrean ministry of education official, who is a refugee now based in the UK and who does not want to be named because of safety fears, believes there’s no freedom of expression for Eritreans in Ethopian camps, such as Shimelba.
The official says in 2013 a group of Eritrean refugees came together at a camp to express their views on the boat sinking near Lampedusa and they were abused by the Ethiopian authorities who then fired at them with live bullets.
Seyoum believes that the movement of Eritreans in camps in Ethiopia is restricted. “The Ethiopian government does not allow them to leave the camps without permission,” she says. Even for those who get permission to leave very few end up in Ethiopia, instead through corrupt mechanisms are trafficked to Sudan. According to Human Rights Watch, hundreds of Eritreans have been enslaved in torture camps in Sudan and Egypt over the past 10 years, many enduring violence and rape at their hands of their traffickers in collusion with state authorities.
Even when Eritreans make it to the West, they are still afraid to speak publicly and many are fearful for their families back home. Now based in London, Debesai is a TV presenter at Sports News Africa. As an exile who has taken a stance against the regime of President Afewerki, he has faced harassment and threats. He is harassed over social media, on Twitter and Facebook. Over coffee, he shows me a tweet he’s just received from Tesfa News, a so-called “independent online magazine”, in which they accuse him of being a “backstabber” against the government and people of Eritrea. Others face similar threats, including the former education ministry official.
For this piece, a number of Eritreans said they did not want to be interviewed because they were afraid of the consequences. But Debesai said: “It takes time to overcome the past, so that even for those in exile in the West the imprisonment continues.” He adds: “These refugees come out of a physical prison and go into psychological imprisonment.”
Ismail Einashe is a journalist and a researcher, based in London. He tweets@IsmailEinashe
Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg.
The Bahrain Institute for Rights and Democracy (BIRD), English PEN and Index on Censorship gathered outside the Bahrain Embassy in London on Wednesday 29 July 2015 to protest the ongoing detention of Dr Abduljalil Al-Singace.
Al-Singace is a prominent academic and blogger who promoted human rights in Bahrain since 2000. Police arrested Al-Singace for his participation in peaceful protests in 2011. During his initial detention, security officials subjected Al-Singace to torture and ill-treatment, including forced standing, verbal and sexual assault, beatings, and prolonged solitary confinement. He was tried by a military court in June 2011 and sentenced to life in prison for allegedly plotting to overthrow the government.
Al-Singace’s health has rapidly deteriorated since he was imprisoned, and he is kept from receiving desperately needed medical supplies. On 21 March 2015 Al-Singace began a hunger strike in protest of the ill-treatment of inmates and the poor, unsanitary conditions at Jau Prison. He has now completed 132 days of hunger strike.
(Photo: Moosa Mohammed)
Rights groups gathered at the solidarity protest unanimously called for the release of Al-Singace and denounced restrictions on freedom of expression in Bahrain. The organisations also called on Bahrain to investigate allegations of torture in Bahrain’s prisons and called for urgent medical attention for Al-Singace.
Freedom of expression in Bahrain has continued to be restricted since 2011, when Saudi Arabian troops helped crush pro-democracy protests during the Arab Spring. The government regularly censors its citizens’ opinions, especially criticisms of the government, and imprisonment is a common punishment for simply expressing one’s opinion. Al-Singace is only one of many who have been jailed for expressing their beliefs. His continued strength and activism remains an inspiration to those still fighting within Bahrain and around the world for the fundamental right to freedom of expression.
Take action
Al-Singace suffers from post-polio syndrome, heart, eye, and sinus problems, and requires urgent nasal and ear surgery. Prison authorities have denied Al-Singace the specialist medical treatment that he urgently needs. He is currently being detained at the Al-Qalaa Hospital and is not permitted to go outdoors. He is also being denied access to novels, religious texts, television, radio, and pen and paper for writing.
Rafael Marques de Morais, Safa Al Ahmad, Amran Abdundi, Mouad “El Haqed” Belghouat and Tamas Bodokuy (Photo: Alex Brenner for Index on Censorship)
A Kenyan woman standing up for women’s rights in one of the world’s most dangerous regions. A Hungarian journalist and his investigative news site. A documentary filmmaker who exposed an unreported uprising in Saudi Arabia. An Angolan journalist who has been repeatedly prosecuted for his work uncovering government and industry corruption. A Moroccan rapper whose music tackles widespread poverty and endemic government corruption.
These were the five individuals named Index on Censorship Freedom of Expression Award winners on 18 March 2015. Three months later, here are updates on their ongoing work.
Rafael Marques de Morais / Journalism
Rafael Marques de Morais (Photo: Alex Brenner for Index on Censorship)
International signatories, from Tiffany & Co and Leber Jewellers to Oscar-winning film director Steve McQueen, and from Blood Diamond film stars David Harewood and Michael Sheen to journalist Sir Harold Evans, recently called on Angolan president José Eduardo dos Santos to abandon the prosecution of investigative journalist Rafael Marques de Morais.
The campaigning journalist returned from collecting his award in London to face trial linked to his book Blood Diamonds. He filed a criminal complaint against a group of generals who he held morally responsible for human rights abuses he uncovered within the country’s diamond trade. For this, they filed a series of libel suits against him in Angola and Portugal.
The media attention that Marques won off the back of his award “helped a great deal” he said. “It raised my profile in the days before my trial and maybe helped to make it an international cause.” In a rare sight for Angola, a number of anti-corruption protesters publicly gathered outside of the Luanda courthouse as his trial opened and covert protests have continued under the cover of darkness since.
Marques’ trial played out in a Kafkaesque way over the subsequent weeks, with behind-the-scenes negotiations leading to criminal defamation charges first being dropped, only for him to suddenly discover that he would instead be sentenced for the alternative crime of malicious prosecution.
The American Bar Association, who monitored the trial throughout, published a report stating that the court had failed to meet international fair trial standards on at least three counts. The ABA Center for Human Rights report found that “throughout the proceedings, the defendant was denied the right to present a defense, induced to make a statement on the basis of false pretenses and compelled to bear the burden of proving his innocence, all in violation of international law.”
Marques’ sentence finally came down on 25 May: six-months imprisonment, suspended for a term of two years. Marques is now appealing against this punishment that effectively seeks to silence him until 2017; coincidentally the same year as Angola’s next elections.
The court also attempted to censor Marques’ book from republication and further distribution but these efforts have blatantly failed with copies of the book widely circulated online and an English language version becoming available for the first time less than a week after his sentence.
Despite the international attention, the situation for Marques and his peers in Angola’s human rights and journalism communities remains grim. Recounting the experience of taking his car to the local garage for repairs recently, the fear is palpable in his voice. “There were two members of the ruling party there, by coincidence. They walked across to the mechanic and warned him not to fix my car unless he wanted to risk becoming collateral damage.”
Marques’ email has also recently been repeatedly hacked and his website www.makaangola.org is presently subject to over 250 attacks per day, forcing him to desist from updating it for the time being.
Marques continues to work closely with Index on Censorship and a number of other international organisations. His recent report on the massacre of a sect at Mount Sumi was published by The Guardian, he continues to keep a close eye on both the persecution of journalists and corruption at the highest levels in Angola, and he is expecting to hear back from the Supreme Court about his appeal in the next few weeks.
Hugely grateful for the support of the international community, Marques remains determined “to continue the good fight for change”.
“I have only the interests of my people at heart,” he says, “and to experience all this persecution, it must mean you are doing something positive, something right.”
Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)
Joint winner of the Index on Censorship Freedom of Expression Award for Journalism, Safa Al Ahmad has spent much of the past three months in the editing studio.
Applauded for her documentary Saudi’s Secret Uprising, Al Ahmad’s new film The Rise of the Houthis – first distributed at this year’s Index on Censorship Freedom of Expression Awards Gala and since screened by both the BBC and PBS Frontline – has won wide critical acclaim.
Next month, on 6 July, BBC worldwide will also premiere a follow-up film that Al Ahmad has produced and directed, with Gaith Abdulahad exploring the present situation in the south of Yemen.
Now regularly invited to attend international public meetings, from Copenhagen to Geneva to Washington DC, Al Ahmad says she thinks that the award has brought more exposure – both for credible investigative journalism from Saudi Arabia, and for her work.
Is that a good thing for a journalist who has made her name through operating undercover? It is a challenge, she says, to find ways to do credible journalism about Saudi Arabia and the region without being on the ground. But there are complex stories, beyond TV, that Al Ahmad would increasingly like to focus on.
Abdundi, who knows many students from the college, immediately joined with other women leaders to organise strong community protests against Al-Shabaab.
“It was a barbaric attack done by a crazy group who have no respect for human life,” she said. “It was a sad day for the people of Kenya and the victims of the attack. But it will not scare [the] people of northern Kenya as we will continue and fight to overcome them”.
Abdundi hopes to help further through her ongoing work with her grassroots community organisation Frontier Indigenous Rights Network, tracking arms movements across the dangerous border with Sudan and travelling to meetings in Nairobi to report observations. “Security is improving now,” says Abdundi.
Winning the Index on Censorship Freedom of Expression Award for Campaigning, and sharing the story of the people of northern Kenya with the wider world, “made me so happy” she says. “The award ceremony was aired by all community radios in northern Kenya and reached many people. I am happy because it will give women courage to stand up for their rights”.
Spending a week in Index on Censorship’s office in London was “an opportunity to see how you work” Abdundi said, and has inspired her to want to develop a new website for her work, helping her to “spread her message to all corner[s] of northern Kenya”.
Tamas Bodoky (Photo: Alex Brenner for Index on Censorship)
Atlatszo.hu, Tamas Bodoky’s investigative news website in Hungary has continued to gather praise and acclaim, including another award, the Theodor Heuss Medal.
“All of this recognition is very helpful,” said Bodoky. “We are always afraid of retaliation and this offers us a level of protection… Hungarian authorities are very aware of this international attention and it is less likely that they will attack as we continue with our investigative projects.”
Atlatszo continues to publish three to four articles and numerous blog posts each week, including an English newsletter, often drawing on FOI requests to try to bring more transparency to Hungarian public life.
The campaigning journalists scored a major recent success with their campaign to demand political party foundations make information on their beneficiaries, income and spending publicly available. When political party Jobbik’s foundation refused to comply, Atlatszo took action. It began legal proceedings that proved sufficient to make them capitulate.
Bodoky’s organisation is now using this newly available information to research deeper, exploring “far right networks” and, he says, some curious connections between governing party Fidesz and football club Ferencvarosi TC.
As he looks ahead, Bodoky is especially concerned by the looming threat of a foreign NGO law – holding all NGO’s with foreign funding “accountable and transparent” by forcing them to register.
“We don’t know exactly when they will seek to expose and limit foreign funding, but the Russian recipe is definitely on the table,” says Bodoky. Fortunately his organisation has been totally open and transparent since 2013.
Rapper El Haqed (Photo: Alex Brenner for Index on Censorship)
Rapper Mouad Belghouat, better known as El Haqed (“the enraged” in Arabic) continues to rail against the endemic corruption and widespread poverty he says he sees in Morocco.
Imprisoned three times since 2011, El Haqed was not only prohibited from performing publicly in his homeland but had also been struggling to obtain visas to travel or perform internationally.
The good news is that his visit to the UK has helped him to overcome this obstacle, recently spending five weeks touring Norway, Sweden and Denmark. Highlights included performing live during Oslo’s 1 May celebrations and working with the organisation Freemuse to record a new Fela Kuti cover as part of a group of Arab and Iranian revolutionary artists (listen here). “It was much easier to be there because I went to England and came back,” said Belghouat.
Until recently limited to publishing and sharing his work via YouTube and Facebook, El Haqed has also begun something of an offline resurgence back home. Approached by promoters in his home town of Casablanca after winning the Index on Censorship Freedom of Expression Arts Award brought him widespread local media coverage, El Haqed now hopes to stage his first live concert on home soil in a long time this Friday 19 June. (Update 22 June 2015: Morocco: Police block concert by Index award-winning rapper El Haqed)
“Usually people find many excuses not to work with him,” according to Belghouat’s brother and manager Abderrahim Belghouat, “but so far this time no people have yet come and told the venue ‘don’t work with him’…”
Update 23 June 2015: El Haqed has now cancelled his planned tour of five of Morocco’s least affluent towns. The planned series of concerts would have teamed El Haqed with six other local musicians to “bring joy to poorer people in cities without theatres, cinemas and cultural areas, in the old Moroccan way, by making music for free outdoors”.
El Haqed is determinedly hopeful, “the Index award has shown Moroccan authorities that you can’t stop me,” he said, “the more of an effort they make to silence me, the more my voice arrives everywhere.”
