Music in Exile Fellowship Winner Serge Bambara, aka Smockey (Photo: Elina Kansikas for Index on Censorship)
On 3 March in Belfort, France, Burkinabe rapper and activist Smockey began a two-month long European tour, despite having his studio destroyed twice in recent years. The rapper, whose given name is Serge Bambara, was the inaugural Index on Censorship Music in Exile Fellow in April of the same year. Just three months after the awards, his recording studio, Studio Abazon, was wrecked in a devastating fire.
“All my music files since 2001, including my master tapes and those of my productions and clients, were lost,” Smockey told Index in September 2016. Two years on, it remains unclear how the fire began.
Smockey’s studio was also bombed in September 2015 by armed forces loyal to Burkina Faso’s former president Blaise Compaoré. This was a vengeful attack for his political activism and music critical of Compaoré’s regime.
Despite these aggressive and censorious acts, Smockey continues to record and perform, combating different forms of injustice with each track. As the founder of the grassroots political movement Le Bilai Citoyen, which helped to oust Compaoré, he often promotes the progressive ideas of Burkina Faso’s former socialist leader Thomas Sankara. The Sankarist ideology involves advocating for women’s rights, fighting corruption and imperialism, and upholding the integrity of Burkinabe people, all of which are reflected in Smockey’s lyrics. La Bilai Citoyen translates as the “the citizen’s broom,” which is “a tribute to Thomas Sankara, who organised weekly street-cleaning sessions,” Smockey told the BBC.
In March 2018 Smockey told news website Africa is a Country that Sankara’s image was that of “simplicity, modesty, and integrity … a model for anyone aspiring to manage public property”. He also noted that Sankara had the “courage and determination to build a Burkina Faso of social justice and inclusive development.”
Although the uprising of 2015 was successful in ridding Burkina Faso of an oppressive twenty-seven-year regime, Smockey is not an enthusiastic supporter of the country’s current government led by the progressive former opposition leader Roch Marc Christian Kaboré. Smockey is still a watchdog for human rights violations within his country. “The ones who were our friends before the revolution can be our enemies today,” he told Quartz Africa in July 2016. “We helped them have this power, but we are not friends because we are still sentinels.” For example, his song Tomber la Lame takes aim at widespread Female Genital Mutilation throughout Africa.
Despite multiple attempts to stop his political and artistic expression, Smockey continues to create and share his music globally. Over six weeks he will perform throughout Europe, finishing his tour in Brussels, Belgium, on 14 April.
Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship
In the short three months since the Index on Censorship Awards, the 2016 fellows have been busy doing important work in their respective fields to further their cause and for stronger freedom of expression around the world.
“Stable circumvention is a difficult thing to find in China so this new site a way for people to see what’s working and what’s not working,” said co-founder Charlie Smith.
But why are VPNs needed in China in the first place? “The list is very long: the firewall harms innovation while scholars in China have criticised the government for their internet controls, saying it’s harming their scholarly work, which is absolutely true,” said Smith. “Foreign companies are also complaining that internet censorship is hurting their day-to-day business, which means less investment in China, which means less jobs for Chinese people.”
Even recent Chinese history is skewed by the firewall. The anniversary of Tiananmen Square protests of 1989 last month went mostly unnoticed. “There was nothing to be seen about it on the internet in China,” Smith said. “This is a major event in Chinese history that’s basically been erased.”
Going forward, Smith is optimistic for growth within GreatFire, and has hopes the new VPN service will reach 100 million Chinese people. “However, we always feel that foreign businesses and governments could do more,” he said. “We don’t see this as a long game or diplomacy; we want change nowand so I feel positive about what we are doing but we have less optimism when it comes to efforts outside of our organisation.”
Winning the Index on Censorship Freedom of Expression Award for Digital Activism has certainly helped morale. “With the way we operate in anonymity, sometimes we feel a little lonely, so it’s nice to know that there are people out there paying attention,” Smith said.
Murad Subay / Arts
During his time in London for the Index awards, Yemeni artist Murad Subay painted a mural in Hoxton, which was the first time he had worked outside of his home country. “It was a great opportunity to tell people what’s going on in Yemen, because the world isn’t paying attention,” he explained to Index.
Since going home, Subay has continued to work with Ruins, his campaign with other artists to paint the walls of Yemen. “We launched in 2011, and have continued to paint ever since.”
Last month, artists from Ruins, including Subay, painted a number of murals in front of the Central Bank of Yemen to represent the country’s economic collapse.
In his acceptance speech at the Index Awards, Subay dedicated his award to the “unknown” people of Yemen, “who struggle to survive”. There has been little change in the situation since in the subsequent months as Yemenis continue to suffer war, oppression, destruction, thirst and — with increasing food prices — hunger.
“The war will continue for a long time and I believe it may even be a decade for the turmoil in Yemen to subside,” Subay says. “Yemen has always been poor, but the situation has gotten significantly worse in the last few years.”
Subay considers himself to be one of the lucky ones as he has access to water and electricity. “But there are many millions of people without these things and they need humanitarian assistance,” he says. “They are sick of what is going on in Yemen, but I do have hope — you have to have hope here.”
The Index award has also helped Subay maintain this hope. As has the inclusion of his work in university courses around the world, from John Hopkins University in Baltimore, USA, and King Juan Carlos University in Madrid, Spain.
Subay’s wife has this month travelled to America to study at Stanford University. He hopes to join her and study fine art. “Since 2001 I have not had any education, and this is not enough,” he explains. “I have ideas in my head that I can’t put into practice because i don’t have the knowledge but a course would help with this.”
Zaina Erhaim / Journalism
Syrian journalist and documentary filmmaker Zaina Erhaim has been based in Turkey since leaving London after the Index Awards in April as travelling back to Syria isn’t currently possible. “We don’t have permission to cross back and forth from the Turkish authorities,” she told Index. “The border is completely closed.”
Erhaim is with her daughter in Turkey, while her husband Mahmoud remains in Aleppo.
“The situation in Aleppo is very bad,” she said. “A recent Channel 4 report by a friend of mine shows that the bombing has intensified, and the number of killings is in the tens per day, which hasn’t been the case for some weeks; it’s terrible.”
The main hospital in Aleppo was bombed twice in June. “Sadly this is becoming such a common thing that we don’t talk about it anymore,” Erhaim added.
She has largely given up on following coverage of the war in Syria through US or UK-based media outlets. “It is such a wasted effort and it’s so disappointing,” she explained. “I follow a couple of journalists based in the region who are actually trying to report human-side stories, but since I was in London for the awards, I haven’t followed the mainstream western media.”
Erhaim has put her own documentary making on hold for now while she launches a new project with the Institute for War and Peace Reporting this month to teach activists filmmaking skills. “We are going to be helping five citizen journalists to do their own short films, which we will then help them publicise,” she said.
Documentary filmmaking is something she would like to return to in future, “but at the moment it is not feasible with the situation in Syria and the projects we are now working on”.
The danger of the bill is that it would permit the Pakistan Telecommunication Authority to manage, remove or block content on the internet. “It’s part of a regressive trend we are seeing the world over: there is shrinking space for openness, a lot of privacy intrusion and limits to free speech,” Aziz told Index.
Thankfully, when the bill went to the Pakistani senate — which is the upper house — it was rejected as it stood. “Before this, we had approached senators to again get an affirmation as they’d given earlier saying that they were not going to pass it in its current form,” Aziz added.
Bolo Bhi’s advice to Pakistani politicians largely pointed back to analysis the group had published online, which went through various sections of the bill and highlighting what was problematic and what needed to be done.
This further encouraged those senators who were against the bill to get the word out to their parties to attend the session to ensure it didn’t pass. “It’s a good thing to see they’ve felt a sense of urgency, which we’ve desperately needed,” Aziz said.
“The strength of the campaign throughout has actually been that we’ve been able to band together, whether as civil society organisations, human rights organisations, industry organisations, but also those in the legislature,” Aziz added. “We’ve been together at different forums, we’ve been constantly engaging, sharing ideas and essentially that’s how we want policy making in general, not just on one bill, to take place.”
The campaign to defeat the bill goes on. A recent public petition (18 July) set up by Bolo Bhi to the senate’s Standing Committee on IT and Telecom requested the body to “hold more consultations until all sections of the bill have been thoroughly discussed and reviewed, and also hold a public hearing where technical and legal experts, as well as other concerned citizens, can present their point of view, so that the final version of the bill is one that is effective in curbing crime and also protects existing rights as guaranteed under the Constitution of Pakistan”.
A vote on an amended version of the bill is due to take place this week in the senate.
Smockey / Music in Exile Fellow
Burkinabe rapper and activist Smockey became the inaugural Music in Exile Fellow at the Index on Censorship Freedom of Expression Awards, and last month his campaigning group Le Balai Citoyen (The Citizen’s Broom) won an Amnesty International Ambassador of Conscience Award.
“This was was given to us for our efforts in the promotion of human rights and democracy in our country,” said Smockey. The award was also given to Y en a marre (Senegal) and Et Lucha (Democratic Republic of the Congo).
“We are trying to create a kind of synergy between all social-movements in Africa because we are living in the same continent and so anything that affects the others will affect us also,” Smockey added.
Le Balai Citoyen has recently been working on programmes for young people and women. “We will also meet the new mayor of the capital to understand all the problems of urbanism,” Smockey added.
While his activism has been getting international recognition, he remains focused on making music with upcoming concerts in Belgium, Switzerland and Germany, and he is currently writing the music for an upcoming album.A major setback has seen Smockey’s acclaimed Studio Abazon destroyed by a fire early in the morning of 19 July. According to press reports the studio is a complete loss. The cause is under investigation.
Despite this, Smockey is still planning to organise a new music festival in Burkina Faso. “We want to create a festival of free expression in arts,” Smockey said. “And we are confident that it will change a lot of things here.”
He is thankful for the exposure the Index Awards have given him over the last number of months. “It was a great honour to receive this award, especially because it came from an English country,” he said. “My people are proud of this award.”
A female journalist training reporters from within war-torn Syria, and a group busting online censorship in China are among this year’s Index on Censorship Freedom of Expression Awards winners.
The winners, announced on Wednesday evening at a gala ceremony in London, also included a Yemen-based street artist and campaigners from Pakistan battling internet clampdowns.
Awards are presented in four categories: arts, journalism, digital activism and campaigning. The winners were: Yemeni street artist Murad Subay (arts), Syrian journalist Zaina Erhaim (journalism), transparency advocates and circumventors of China’s “Great Firewall” GreatFire (digital activism) and the women-led digital rights campaigning group Bolo Bhi (campaigning).
“These winners are free speech heroes who deserve global recognition,” said Index on Censorship CEO Jodie Ginsberg. “They, like all of those nominated, face huge personal and political hurdles in their fight to ensure that others can express themselves freely.”
Drawn from a shortlist of 20, and more than 400 initial nominations, the winners were presented with their awards at a ceremony at The Unicorn Theatre, London, hosted by comedian Shazia Mirza. Music was provided by Serge Bambara – aka “Smockey” – a musician from Burkina Faso who won the inaugural Music in Exile Fellowship, presented in conjunction with the makers of award-winning documentary They Will Have to Kill Us First: Malian Music in Exile. The award was presented by Martyn Ware, founder member of the Human League and Heaven 17.
#IndexAwards2016: Shazia Mirza, Farieha Aziz, Murad Subay, Jake Hanrahan, Zaina Erhaim, Nadia Latif, Jodie Ginsberg, Bindi Karia, Anthony House, James Rhodes, Martyn Ware, Kirsty Brimelow, Ziyad Marar (Photo: Elina Kansikas for Index on Censorship)
Actors, writers and musicians were among those celebrating with the winners. The guest list included actor Simon Callow, academic Kunle Olulode, and journalists Lindsey Hilsum, Matthew Parris and David Aaronovitch.
Winners were presented with a framed caricature of themselves created by Malaysian cartoonist Zulkiflee Anwar Haque (“Zunar”), who faces 43 years in jail on sedition charges for his cartoons lampooning the country’s prime minister and his wife.
Each of the award winners becomes part of the second cohort of Freedom of Expression Awards fellows. They join last year’s winners – Safa Al Ahmad (Journalism), Rafael Marques de Morais (Journalism), Amran Abdundi (Campaigning), Tamás Bodoky (Digital activism), Mouad “El Haqed” Belghouat (Arts) – as part of a world-class network of campaigners, activists and artists sharing best practices on tackling censorship threats internationally.
Through the fellowship, Index works with the winners – both during an intensive week in London and the rest of the awarding year – to provide longer term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.
Judges included human rights barrister Kirsty Brimelow QC; Bahraini campaigner Nabeel Rajab, a former Index award winner; pianist James Rhodes, whose own memoir was nearly banned last year; Nobel prize-winning author Wole Soyinka; tech entrepreneur Bindi Karia; and journalist Maria Teresa Ronderos, director of the Open Society Foundation’s independent journalism programme.
Ziyad Marar, global publishing director of Sage Publications, said: “Through working with Index for many years both as publisher of the magazine and sponsors of the awards ceremony, we at Sage are proud to support a truly outstanding organisation as they defend free expression around the world. Our warmest congratulations to everyone recognised tonight for their achievements and the inspiring example they set for us all.”
This is the 16th year of the Freedom of Expression Awards. Former winners include activist Malala Yousafzai, cartoonist Ali Ferzat, journalists Anna Politkovskaya and Fergal Keane, and human rights organisation Bahrain Center for Human Rights.
Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. (Photo: Sean Gallagher for Index on Censorship)
2016 Freedom of Expression Journalism Award winner Zaina Erhaim (Photo: Elina Kansikas for Index on Censorship)
Index on Censorship CEO Jodie Ginsberg (Photo: Elina Kansikas for Index on Censorship)
Zulkiflee Anwar Haque, aka “Zunar”, upper right, is saluted by the audience. (Photo: Elina Kansikas for Index on Censorship)
Google’s Anthony House and tech entrepreneur Bindi Karia presented the 2016 Freedom of Expression Digital Activism Award to anonymous tech collective GreatFire (Photo: Elina Kansikas for Index on Censorship)
2016 Freedom of Expression Journalism Award winner Zaina Erhaim and Jake Hanrahan of Vice News (Photo: Elina Kansikas for Index on Censorship)
Sage’s Ziyad Marar, Fareiah Aziz, director of the 2016 Freedom of Expression Campaigning Award Bolo Bhi and human rights barrister at Doughty Street Chambers London Kirsty Brimelow (Photo: Elina Kansikas for Index on Censorship)
Theatre director Nadia Latif, 2016 Freedom of Expression Arts Award Murad Subay and pianist James Rhodes (Photo: Elina Kansikas for Index on Censorship)
Music in Exile Fellowship Winner Serge Bambara, aka Smockey (Photo: Elina Kansikas for Index on Censorship)
Music in Exile Fellowship Winner Serge Bambara, aka Smockey (Photo: Elina Kansikas for Index on Censorship)
Music in Exile Fellowship Winner Serge Bambara, aka Smockey (Photo: Elina Kansikas for Index on Censorship)
Musician Martyn Ware, founder of The Human League and Heaven 17 (Photo: Elina Kansikas for Index on Censorship)
Pianist James Rhodes and 2016 Freedom of Expression Arts Award winner Murad Subay (Photo: Elina Kansikas for Index on Censorship)
Farieha Aziz, director of 2016 Freedom of Expression Campaigning Award winner Bolo Bhi (Photo: Elina Kansikas for Index on Censorship)
2016 Freedom of Expression Journalism Award winner Zaina Erhaim (Photo: Elina Kansikas for Index on Censorship)
Comedian and 2016 Freedom of Expression Awards host Shazia Mirza (Photo: Elina Kansikas for Index on Censorship)
The 2016 Freedom of Expression Awards gala (Photo: Elina Kansikas for Index on Censorship)
Searching for “dissident artists” online, you’d be forgiven for thinking they are a purely Chinese or Russian phenomenon. But for every Ai Weiwei or Pussy Riot, there are scores of artists and musicians around the world whose persecution does not make the Six O’Clock News.
Serge Bambara — aka Smockey, meaning “se moquer”, or “to mock” — is a hip-hop artist and activist little known outside his home country of Burkina Faso, but who has had a marked impact on political and social developments there.
He combines rap with traditional Burkinabé music and often humour to “spread truth”. “Knowledge is important, and I write as a way of presenting it to the people,” he told Index on Censorship.
Index on Censorship is proud to name Smockey as the recipient of the Music in Exile Fund Fellowship. As the beneficiary, he will perform live in London, as well as receive training and opportunities to connect with other free speech heroes around the world.
“Serge Bambara’s overtly political music has made him a target for entrenched interests in Burkina Faso,” said Jodie Ginsberg, CEO of Index on Censorship. “Throughout his career, he has used his talents to fight for racial equality and battle corruption. We are delighted to have him as the inaugural Music in Exile fellow.”
In September 2015, after two years of serious activism and over 15 years of writing music about the problems in his country, forces loyal to the recently ousted president Blaise Compaoré — obviously unhappy with the truths he was spreading — bombed Smockey’s recording studio, the acclaimed Studio Abazon. The attack was an apparent attempt on his life as revenge for the role his music and activism played in the deposition of Compaoré, according to Smockey.
Attacks on artistic freedom — particularly musicians — almost doubled in 2015. But to understand why Smockey was targeted in such a violent and specific manner, we need to go back to his roots.
Smockey first became interested in hip-hop music through listening to American artists like Public Enemy, Afrika Bambaataa and LL Cool J. He began rapping in Burkina Faso in 1988, before moving to France in 1991 to study. While there, he signed to the record label EMI, but it wasn’t until he returned to his country of birth on a holiday in 1999 that his music took on the political dimension it is famed for today.
“It was around the time of the murder of journalist Norbert Zongo, who was assassinated following investigations into the activist by president Blaise Compaoré,” he said. “Student demonstrators were being beaten by police. It was very disturbing to me.”
Smockey soon packed up his computer and keyboard in France and moved back home to Burkina Faso in 2001. “Seeing the things going on in my country, I had to do something,” he said. “At the time, I didn’t know exactly what, but I knew it would involve music.”
He understands fully the responsibility that often comes with being in the spotlight in a country burdened by so many difficulties. “Not everyone is lucky enough to have a microphone in front of them, so if you have the chance to talk, you have to say something important,” Smockey said. This is the thinking behind subversive songs like Votez Pour Moi (about democracy), Tomber la Lame (FGM) and A Qui Profite le Crime (government corruption).
In the summer of 2013, Smockey co-founded Le Balai Citoyen, or The Citizen’s Broom, with reggae artist Sams’K Le Jah. The grassroots movement was set up in opposition to Compaoré, aiming to bring positive change to Burkina Faso. “As our problems were political, our solutions had to be political also,” Smockey explained.
As for the name and ethos of the movement, he said: “With just one twig, you won’t get much done, but when you bind them together and make a broom you can clean a lot of shit. This is why we always say ‘our number is our strength’ because it is impossible to be defeated if we are united.”
Le Balai Citoyen played a big part in the ousting of Compaoré. It urged the people of Burkina Faso to organise and take to the streets. Following mass demonstrations in late 2014, Compaoré resigned on 31 October after 27 years in power. A transition government, led by the military, was established, which Smockey was broadly supportive of. However, a military coup saw General Gilbert Diendéré — leader of the Regiment of Presidential Security (RSP), Compaoré’s former secret service — seize power in September 2015.
Le Balai Citoyen staged a march to the presidential palace in protest of the coup. Smockey, along with fellow demonstrators, were shot at and then chased through the streets of Ouagadougou by RSP. Although Smockey managed to escape, many others were beaten and arrested.
“We knew we were lucky, but we weren’t able to go home,” he said. On 17 September he went into hiding. Asked whether he is an artist or an activist first, Smockey told Index on Censorship that depends on what he is doing at any one time. His fans tend not to draw a distinction, he explained. Nor did Diendéré, it would seem, whose forces rocket-bombed Smockey’s studio on the same day he went underground.
Studio Abazon was a hub for young and aspiring musicians. “They attacked it because they knew it was an important landmark to the resistance,” Smockey explained. “Their thinking was that you have to kill the leaders, everyone else will go away.”
Prior to the attack, the rapper had received death threats, and although he had the opportunity to flee to Holland, he stayed put. “You can’t talk about strength in numbers if on the first sign of difficulty you are going to run away,” he said.
Diendéré’s rule didn’t last long as he failed to consolidate his authority and came under pressure from international leaders and the army to step down. Smockey came out of hiding and fresh elections were held in Burkina Faso.
“The current government, although it’s not perfect, was chosen by the people so it’s legitimate,” explains Smockey. “Our job is now to be the watchers and guards of democracy.”
The rapper is optimistic about the future of his country and proud of the role his music and activism have played in developments so far. With the progress made, he now plans to put more focus on his music. “I’ve started rebuilding the studio, and have already begun recording artists again, but much more work needs to be done,” he said.
He has plans for a tour of the country and wants to set up a hip-hop festival. “It will create a kind of bridge between rappers, old school and new,” he said. “We’re going to do one big concert every month as a way of keeping people connected.”
When Index on Censorship launched the Music in Exile Fund in October 2015 along with the producers of the award-winning documentary They Will Have To Kill Us First, Johanna Schwartz, director of the film, said: “When faced with censorship, musicians across the world need our support.”
In whatever small way, the Music in Exile Fund will help see Smockey’s plans become reality.
The Music In Exile Fund was launched to help support musicians facing censorship around the world. The fund contributes to Index on Censorship’s year-long Freedom of Expression Awards Fellowship programme, helping musicians to build their international profile and to create, perform and share their work in a safe environment. You can donate here.
